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What it’s like to attend an all-night sleep concert

Preyanka Gothanayagi

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Fighting for the dignity of the working poor: Power to Win by Lyndy McIntyre, reviewed

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‘More is always more’: Everything That Moves, Moves Through Another, reviewed

Hannah Patterson

A woman (Olivia Cooke as Alicent Hightower) with red hair, dressed in an elaborate green medieval-style gown with gold trim, looks determined and slightly distressed. She is climbing into a carriage.

The age of ‘mid’ TV and why House of the Dragon defies franchise fatigue

Anna Rawhiti-Connell

Review: Red, White and Brass is just as joyful on stage, but not near as punchy

Madeleine Chapman

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Review: The Tīwhas Matariki Spectacular is energetic indigenous joy for a Māori new year

Sean Dugdale-Martin

Review: Jerry Seinfeld brings complaint comedy to Spark Arena

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‘The sort of book that lingers’: My Brilliant Sister by Amy Brown, reviewed

Kerry Sunderland

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Living inside history: Transmission Beta, reviewed

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A full-body experience: Fox Spirit on a Distant Cloud, reviewed