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Are your ready to Wiggle? (Photo: Prime Video)
Are your ready to Wiggle? (Photo: Prime Video)

Pop CultureNovember 2, 2023

The Wiggles documentary is a delicious hot potato of nostalgia

Are your ready to Wiggle? (Photo: Prime Video)
Are your ready to Wiggle? (Photo: Prime Video)

Tara Ward puts on her yellow skivvy and climbs into the big red car to watch Prime Video’s new documentary about the iconic Australian band. 

What’s all this then? 

Hot Potato: The Story of the Wiggles is exactly what the title suggests: a documentary about the colourful history of beloved Australian children’s entertainers The Wiggles. Featuring interviews from Wiggles old and new, the documentary follows the group’s unexpected path from preschool teachers to international stardom, and looks at how the Wiggles brand has constantly reinvented itself over the years to appeal to new generations of fans. 

What’s good?

The documentary starts in the early 1990s, when The Wiggles were just four mates who loved making music together. They met while at university, but never dreamed that one day they’d become Australia’s biggest entertainment earners. “What am I going to do with four blokes and a dinosaur?” one executive asked when they proposed the first Wiggles TV show, but The Wiggles never gave up. They could point their fingers and do the twist, they loved mashed bananas. They knew they were on to something special. 

The documentary dives into how the Wiggles slowly built their music empire, starting out as buskers who carried their merchandise in a suitcase, then becoming ARIA-award winning performers who could sell out arenas across the world. It charts how they evolved from an all-male line up to what is now a diverse, multi-cultural musical phenomenon, while still remaining down-to-earth and relatable. No matter how big the Wiggles got, they were never bigger than the music.  

Murray and Greg at a preschool in the early days of The Wiggle (Photo: Prime Video)

So if you’re hoping for a spicy documentary full of untold secrets and scandals, think again – The Wiggles are probably the world’s best behaved rock-stars. There are, however, revealing insights into the pressures that constant touring placed on the band’s families and marriages, and Anthony talks openly about his struggles with depression while on the road. The Wiggles also discuss the irony of missing out on their own children’s lives so they could entertain other children, and touch on what life is like once you stop being a Wiggle (spoiler: it’s weird). 

There’s also some dramatic moments, like the footage of Greg’s near-death collapse on stage, and plenty of wholesome behind-the-scenes footage. We’re also treated to some delightful random facts, like Greg being the only Wiggle who wanted to wear the yellow skivvy, a sneaky peak at Anthony’s chest tattoo, and finding out the actor who plays Captain Feathersword only got the job because Anthony got a hernia from playing the trumpet. 

The songs, of course, are still absolute bangers. From Hot Potato to Rockabye Your Bear, Do the Monkey to Toot Toot Chugga Chugga Big Red Car, it’s lovely to learn how The Wiggles made such simple songs that managed to hit preschoolers’ musical sweet spot, over and over again. The music is as catchy and joyful as it ever was, so be warned: you’ll be singing The Wiggles’ greatest hits long after the documentary is over. 

What’s not-so-good

The Wiggles still have a brand to protect, and it feels like there’s more to be said about some topics, including the controversial departure of Yellow Wiggle Sam Moran. Having replaced the unwell Greg in 2006, only to be replaced by Greg several years later, nobody seems to have a clear idea about what actually happened. Was Sam pushed out of the big red car, or did his contract simply come to an end? Even Sam refuses to dive into the controversy, tactfully saying he was sad to go and “let’s leave it there”. That exit could be a documentary in itself. 

The verdict

Hot Potato: The Story of the Wiggles is a charming piece of nostalgia that will appeal to Wiggles fans young and old. There’s a lot of happiness here, both from the Wiggles as they look back on their unpredictable journey, and the fans who adored The Wiggles as children and now fill stadiums for euphoric adult-only reunion concerts. This documentary is about the uplifting power of friendship, and celebrating the simple joys of childhood. It’s clear The Wiggles have created an enduring legacy that connects deeply to multiple generations. Watching this documentary is a chance to be a kid all over again. 

Hot Potato: The Story of the Wiggles streams on Prime Video.

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Image by Archi Banal
Image by Archi Banal

Pop CultureNovember 2, 2023

Remember when a death metal band played on The Erin Simpson Show?

Image by Archi Banal
Image by Archi Banal

Alex Casey talks to the key players involved in one of the greatest moments in New Zealand television history.

This story was first published in 2018

Erin Simpson is playing air guitar beneath guttural groans. A kid is doing enthusiastic devil horns. A death metal band is playing against a purple sequin background. It is 4.30 on a weekday afternoon in 2010, and TV2 is airing one of greatest episodes of kids’ television this country has ever seen. Erin – dressed in low-slung baggy jeans and various coloured hair extensions – punches the air, slightly offbeat with the closing chord. “How about that, eh?” she says to nobody in particular.

The Erin Simpson Show was an after school magazine-style show for kids, airing from 2009-2013. Although host Erin Simpson entertained big name guests including Justin Bieber, Jamie Curry and Kimberley Crossman over the 770 episodes, it was Christchurch death metal outfit Blindfolded and Led to the Woods that sent the show global. Sandwiched between craft segments and holiday giveaways, a compilation video of the band performing live in studio has now chalked up over 500,000 views on YouTube.

So how did a death metal outfit end up in what Erin Simpson describes as their version of “a Rainbow Bright hell”? Was it an orchestrated viral stunt or a genuine producer fumble? And how do the key players feel about it now? I needed to know absolutely everything.

“How it started was that we used to try to have as many musical guests on the show as we possibly could,” Erin Simpson tells me, “especially with live performances.” Working late nights at Whitebait studios in Christchurch, the crew would often hear a band practising in one of the storage units nearby. “We thought we might as well try out the band that we’d been hearing three nights a week for so many weeks,” says Erin. “I don’t think we knew exactly how heavy they were at that stage, but we approached them anyway.”

One of the producers ran down to the unit one night, and asked if they would be interested in performing live on the show. The band was called Blindfolded and Led to the Woods, a death metal group comprised of five men in their early twenties. Nick, bass player and band manager, remembers the first encounter with the producer well. “We questioned her a bit, because right next to us was a much more…” he pauses, “radio-friendly sounding band.”

Blindfolded and Led to the Woods in 2018

Blindfolded and Led to the Woods was far from the show’s usual target audience. “We understood it was like a spinoff of What Now? – at least that’s how it was described to me,” says Nick. Perhaps sensing their reticence, the producer said the show was keen to cover a range of musical styles and genres. The band agreed to do it, but were extremely careful to declare their status as a death metal band at every opportunity before filming.

The episode was recorded live on a Tuesday, scheduled to air on TV2 the following Friday afternoon. “For live bands, it’s quite a big set up,” says Erin. “There’s a rehearsal, but you really only get one shot.” As the band began practising, Erin remembers a quiet sense of doubt seeping in. “We were like ‘Oh my god, what are we doing? Is this alright? Is this looking after the youth of today?’ We didn’t even know if it was OK to be on television.”

The band takes the stage

Nick remembers sensing a similar doubt from behind the camera. “The guy who was doing sound told us that, as soon as we started playing, the producers looked at each other like ‘Who the fuck booked these guys?’” Although there was a terse background discussion, Erin says they reached the conclusion that the band was fine to perform. “We agreed we were supporting young Kiwis with a passion and a goal who were working hard,” she says, “so it was all good.”

I ask Erin if the band’s name might have been an early clue that they were darker than your average boy band. “I don’t know,” she replies, “how do you get heavy death metal out of that?” Nick maintains that the meaning is intentionally ambiguous. “We leave it up to the listeners to interpret it however they want to. People associate it with something sinister, but I always joke that you could be blindfolded and led into the woods for a kids’ party with fairy bread.”

A kid does devil horns

Erin recalls the atmosphere was “epic” when the band began their live performance. “I remember jumping off a couch, there was a lot of headbanging,” she says. “It’s some of our best work.” Nick remembers one distinctive crew member behind the camera who was seemingly there on audience vibes patrol. “He was a middle-aged dude who looked a bit like a drill sergeant. In between takes, he kept telling the kids that they had to go crazy. It was so funny.”

The drill sergeant needn’t have worried. With live death metal comes the circle pit, and The Erin Simpson Show was no exception. “This little girl got hit by a flying elbow and started full-on crying,” says Nick. “We were up on this platform just looking down at all the chaos.” For their closing number, the band played a mysterious song called ‘Portraits’, which to a non-death metal listener sounds akin to a possessed bear being disemboweled while losing a particularly fraught Trade Me auction.

Erin Simpson headbanging

“They did promise us there were no swear words in the song, but whether or not they slipped something in there I’ve got no idea,” says Erin. “I couldn’t make out a single thing they were saying the whole time.” Although he can’t remember the exact lyrics of ‘Portrait’, Nick was able to shed light on the song’s key themes. “From memory, that song is literally about whether portrait or landscape is the better orientation.”

At the very end of the episode, Erin declares that the school holidays have begun, therefore “it’s dance time!” In the background, Blindfolded and Led to the Woods can be seen lumbering their way through a choreographed hip hop dance to the show’s upbeat theme tune. “For me, that’s actually the funniest part of the show,” says Nick, “we thought it would be hilarious, and it absolutely was.” Erin says she knows people who still hate her for making them do that dance.

Several stars are born

The episode aired the following Friday, with the band firmly believing that their performance was going to get cut. It didn’t. They secured a copy of it on DVD, edited together the parts that they are in, and uploaded it to YouTube titled Technical Death Metal Band on Kids TV Show. The clip climbed quickly to 300,000 views. “We saw the views going up and lots of death metal bands chiming in saying ‘Oh my god, this is so cool’,” says Erin. “Other people left really confused comments like ‘Why is this on a kids’ television show?’. We didn’t really know the answer to that.”

The impact of the clip became clear when Blindfolded opened for Aborted, a Belgian death metal band, after they had gone viral. “The singer walked right up to our vocalist Stace and said ‘You’re the guy from the kids’ show.’” He’s far from the only one to recognise them at a gig. “It’s funny because those kids who were there that day are now old enough to come to our shows,” says Nick. “There have been a couple of guys who have come up to us and pointed themselves out in the video.”

 

Both parties look back on the performance as a career-defining moment. “Me and my producers never forgot it,” says Erin. “We thought we had made this huge mistake but it’s actually one of the best things we’ve ever done.” The band have had a more tumultuous relationship with the viral clip. “We started out thinking it was the most hilarious thing ever, and then we started hating it,” says Nick. “Now we’ve realised it’s never going to die, so we might as well embrace it.”

In fact, eight years later, the band reignited the essential moment by inviting both Erin Simpson and her ex-Bachelor NZ partner Zac Franich to attend one of their shows as VIP guests. Along with working on a new album in 2019, they’ve set themselves another ambitious goal.

“Our mission now is simple: we want to make Erin Simpson the most death metal celebrity in New Zealand.”

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