IMG_4848

Pop CultureApril 10, 2017

The latest NZ made indie games to drop some bitcoin on

IMG_4848

The games industry here in NZ is taking off and there’s now all manner of small indie teams putting out fun wee titles for your pleasure. Liam Maugren was recently in a room with a whole bunch of them and here’s what he reckons your next purchase should be.

Last weekend, Auckland played host to New Zealand Indie Arts Festival Chromacon. There was so much great Kiwi talent in the illustration, comics and animation scene that I felt both creatively inspired and hopelessly inferior to everyone around me. Luckily, there was also an indie videogame section to keep me distracted from my own existential crisis.

I got to play five games at the Chromacade, varying from fatties fighting in zero G to augmented reality fitness.

Swordy

Made by Frogshark

A hearty alternative to button-mashing, this thumbstick-swirling couch multiplayer game channels the childish joy of grabbing a giant bat and swinging it around with wreckless abandon. Once you pick up your weapon of choice (sword, axe, club), you can choose to stab, swing, or hammer throw your way through your opponents’ flesh. Swordy proudly embraces the derp physics from games like Surgeon Simulator and Gang Beasts, giving every game a loose and chaotic feel. It wouldn’t take long to convince three mates to give this game a swing and has every chance of being this nation’s most iconic – and most ironic – way of deciding who’ll be sober driver for the night.

https://www.youtube.com/watch?v=xDPLcPuNmpI%20

Titandrum

Made by The Húskarls

This Media Design School team did some simple math: Super Mario Galaxy + Super Smash Bros = a very excited Liam. That’s Titandrum in a nutshell, and it has buckets of promise – but still has a way to go to fill a bath tub.

You play a mannequin-looking fellow with an odd head and a beer gut, fighting other players around planets. You can gut slam, jump kick or seismic toss opponents off the planet and even arm bear traps to set them up like a tee-ball. You’re even able to jump to other orbiting planets to get away.

In its current iteration, the combat still feels a bit jagged. Players often stand still when hit, only flying to the screen’s edge when they’re really low on health. This means battles start with players standing in the same spot hitting buttons and hoping they’re not the ones to get dazed. Refinements will do this game wonders however, and is one to keep a keen eye on.

Untitled Giant Fruit and Running Game

Made by ARX

ARX, which stands for Augmented Reality Exercise, wants to revolutionise fitness. Holding their prototype controller and wearing the AR glasses, a Minecraft-like island with gigantic floating fruit appeared around me. The goal was to shoot as many fruit as I could. I just needed to look at one of these GMO monstrosities and jump to fire a block bullet.

Now if you were to put my fitness level on a scale of ‘Gerry Brownlee’ to ‘Sonny Bill Williams’, I’m roughly a ‘Dai Henwood’. A bit of jumping wasn’t going to put me in cardiac arrest, so it’s hard to know how effective ARX will be from just this game.

It was also in VERY early stages. The jump-to-shoot mechanic felt a bit cumbersome since I was likely to shake my aim away before an actual bullet fired. The image projected from the glasses also felt less like AR and more like VR at 50% transparency. So there’s still a lot of work to be done, but if ARX finds the right mechanics to make ARXercise fun, they could be making mega money in a few years.

I also tried a run-on-the-spot game which made me look as stupid as it sounds. Them cardio gains, though …

Grabity

Made by Team Ninja Thumbs

This is the most refined game I played at Chromacon, one that does side-scrolling multiplayer shooters like TowerFall and Crash Commando proud.

It’s a typical deathmatch setup, but the guns are sort-of magnets that can pick up and fire rocks and barrels lying around the map. Objects fired at you can also be deflected by an object your holding, making for some intense stand-offs. Do you take the first shot and risk leaving yourself exposed or do you wait for them to make a move and pounce? It’s deceptively simple but clever in its execution.

I would also like everyone to know that I was an absolute beast at this game. I crushed my enemies, and even though half of them were under the age of ten, they will grow up knowing the face of their superior.

DOGO

Made by Pixel Barons

Another deceptively-simple-but-bloody-clever multiplayer idea, DOGO puts the player in control of numerous platforming characters of the same colour. Your goal is to convert other players’ followers by jumping on their heads. The most people converted within the time limit wins, or if one player does a complete hostile takeover.

This mechanic of stomping your beliefs onto others like some Super Mario Scientologist leads to some incredibly enjoyable chaos. Even if you’re down to one person against an army of unconverted, a game can instantly swing back into your favour with a few good jumps. To keep the gameplay varied, the levels have their own unique twists to them. The one I played started off simple enough before everything flipped upside down and players could Pac-Man their way from the bottom of the screen to the top.

This is easily the best faith-based game I’ve ever played.


These sweet nuggets were brought to you with the help of Bigpipe Broadband

Keep going!
wXAUpfrV

Pop CultureApril 10, 2017

Best Songs Ever: Ria Hall & Che Fu’s contemporary protest anthem … and more!

wXAUpfrV

Our regular round-up of new songs and singles, this week featuring Ria Hall, Banks, Desiigner, Bye Bye Fishies and more …

SONG OF THE WEEK

SONG OF THE WEEK

Ria Hall – ‘Tell Me’ (ft. Che Fu)

A contemporary reggae protest anthem

Five minutes fifty is a bit of an epic runtime for a song that (I assume) aspires to mainstream pop radio, but it has good reason. ‘Tell Me’ is firmly in the tradition of reggae protest anthems, and it has a lot to say. Ria Hall’s vocals are commanding and raw, and a contrast to Che Fu’s more polished delivery, which is thankfully lighter on the melisma than usual. The instrumentation is surprisingly subtle, and has some great guitar fills throughout. Two long verses from each vocalist, and a final section that builds up to a bit of a moment. Shoutout to the clever mix of percussion that simultaneously hints at multiple rhythmic foundations. No doubt a more economical radio edit would be easier for the public to swallow, but I think a track like this deserves to be heard as it is. – Mitchell Houlbrooke

RIA HALL AND CHE FU

Brad Paisley – ‘selfie#theinternetisforever’  

A cantankerous misstep from a neo-traditional country star

Sometimes a song title just hits you in the face. Brad Paisley is a great guitarist, and a fine neo-traditional country star who hit trouble when his 2013 car wreck ‘Accidental Racist’ – an album track which went viral for all the wrong reasons – saw Paisley (with the help of LL Cool J) clumsily try to tackle complex issues of race disastrously in a country setting.

Since then Paisley seems beset with a barely concealed bitterness, simmering just below the surface, which roars to life here. A fiddle and Telecaster-backed treatise against the social media age, the lyrics here are absurdly bad for a skilled writer like Paisley; “You should be ashamed / Of your selfie / Now why you gotta go and tweet it / When you oughta just go delete it?”.

Paisley has dabbled in bullying internet-dwellers before on his 2007 hit ‘Online’, but he hits peak cantankerous old man here, and it might pay him to look over at his contemporary Miranda Lambert for a lesson on how to mature gracefully in the world of modern country, before he spirals too far down this deeply perplexing hole. – Pete Douglas

Banks – ‘Crowded Places’

Banks returns with some Antonoff-assisted intimacy

Her first song since 2016’s The Altar, Banks’ ‘Crowded Places’ is a subdued, intimate slice of heartache. The mood of the track feels in the realm of Lorde’s ‘Liability’, an inkling solidified knowing it was produced and co-written by Lorde-collaborator Jack Antonoff (as well as Tim Anderson). It’s similar in subject too, that vulnerability in feeling altogether too much. Written for the second-to-last Girls episode, Banks announced the track online, writing “shout out to social anxiety and falling in love.” Her solemn echoes ever-haunting, ‘Crowded Places’ feels like pulling sweater sleeves over your hands and nudging into a lover’s shoulder as if to say, take me home?Amanda Robinson

Bye Bye Fishies – ‘Frugali-tehe’

A nostalgic Dunedin ode to frugality … from Liverpool!

The product of Dunedinite-turned-Liverpudlian Angus McBryde, ‘Frugali-tehe’ is a funny-ish slice of Dunedin ‘sound’ indie/post-punk, a kind of tongue-in-cheek time capsule on Soundcloud. Not that it sounds like all those Flying Nun bands (insofar as they every really sounded like one another), more that it sounds like it could have existed alongside those bands, probably opening a few shows and making a cassette that went on to become a collector’s item even though it’s not quite as good as its reputation suggested. – Henry Oliver

Desiigner – ‘Up’

The ‘panda panda panda’ mellows out a little

Desiigner consistently drops genre-destroying singles and projects. Well, at least he did until now. ‘Up’ is the first thing I’ve heard from this guy that hasn’t caused me to question the meaning of hip-hop. That being said, it’s still a dinger, and what by Desiigner’s standards might be called ‘minimalistic’. If you quite like Desiigner’s flow but hate his (headache-inducing) beats, this could be the one to convert you. – MH


The Spinoff’s music content is brought to you by our friends at Spark. Listen to all the music you love on Spotify Premium, it’s free on all Spark’s Pay Monthly Mobile plans. Sign up and start listening today.