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Aesha Scott is poised to be the breakout star of Below Deck Mediterrenean. Photo: Greg Endries.
Aesha Scott is poised to be the breakout star of Below Deck Mediterrenean. Photo: Greg Endries.

Pop CultureJune 22, 2019

Aesha Scott: the New Zealander making waves on Below Deck Mediterranean

Aesha Scott is poised to be the breakout star of Below Deck Mediterrenean. Photo: Greg Endries.
Aesha Scott is poised to be the breakout star of Below Deck Mediterrenean. Photo: Greg Endries.

A year after Kiwi Ross Inia rocked the boat on Below Deck, another Kiwi comes down the gangplank. Dominic Corry interviews Aesha Scott about her stint on the spinoff Below Deck Mediterranean.

The Below Deck reality franchise – which hilariously chronicles the lives of workers on luxury superyachts that cater to rich and demanding clients – got a kick up the backside when New Zealander Ross Inia joined the deck crew last season and demonstrated how amusing it was to see a no-bullshit Kiwi attitude confront American reality show craziness.

And now there’s a Kiwi in the new season of sister show Below Deck Mediterranean, and she’s even more hard case than Ross. In fact, this season’s Kiwi, Aesha Scott, might be the living embodiment of the term ‘hard case’. Even more so than with Ross, Aesha’s no-nonsense Kiwi-ness stands in direct contrast to the ridiculous shit this show hurls up. And it’s fantastic.

Most of the the three-person interior and four-person deck crew revolve out season-to-season, and Aesha (pronounced with two syllables: Ay-Sha) is Below Deck Med‘s new second stew, serving on the interior crew under returning Chief Stew Hannah Ferrier, an Aussie who can inject the supposedly affectionate term ‘Honey’ with an impressive amount of venom.

Across a series three-day charters, the interior crew cater to the charter guests’ every whim. They serve food and drinks, and do all the interior cleaning and laundry. Trust me, this somehow all makes for extremely captivating television. Even more so with Aesha on board. Not only is she actually good at her job (a genuine rarity on this show), she’s also an absolute crack-up, and her very Kiwi sense of humour constantly flummoxes her crew mates.

In the second episode, after casually referencing a vodka-soaked tampon, Aesha has to reassure everyone that these kinds of extreme jokes are typical in New Zealand, and not indicative of her actual lifestyle.

“I have a really dirty mind, but I am not promiscuous at all,” she says at one point. “Like, I would so much rather watch Gilmore Girls than suck a dick.” It’s probably obvious by now, but Aesha is from Tauranga, and she’s repping her region, and New Zealand as a whole, extremely well in Below Deck Med.

In the episodes that I’ve seen, every time she says something awesome I feel the urge to stand up, salute the television and start singing the national anthem.

In anticipation of the New Zealand premiere of her season of Below Deck Mediterranean, I recently got the chance to speak to Aesha in the States. The conversation took place between the American airing of the first and second episodes of her season.

Aesha Scott on the new season of Below Deck Mediterrenean.

Dominic Corry: So far I’ve only seen one episode of your season, but you’re representing hard.

Aesha Scott: Oh thank you! It’s so weird hearing our accent on the TV, aye? Just feels so out of place, but nice.

It feels like there’s something unique about the way New Zealanders react to these kinds of reality show situations.

I sooooo agree. We just look at everyone and we’re like “What the fuck are you guys up to?”

Americans just seem to love our accent and get you to repeat everything that you’ve said. So I think it’s quite refreshing for them to see us on there as well. But it’s about time, because Kiwis make up half that industry, it’s like a rite of passage for us now.

So how did your casting come about?

I ended up coming down this road through a contact that I’d made in the industry, it all kind of just went from there. I’ve been really wanting to show everyone what yachting actually is, because you go home and you can’t explain it to people. And no one ever knows what the fuck you’re talking about.

So it’s been so cool just to show everyone what I actually do, and show everyone that I’m good at my job and hopefully it will open doors to other things in the future.

So is Below Deck quite a known thing amongst people who do what you do?

Oh yeah, everyone in yachting knows about Below Deck. It’s very talked about. It’s becoming a lot more talked about in New Zealand now as well I think thanks to Ross.

On every season of this show, there’s always a huge amount of hooking up between cast members. Is that something they ask you about in the casting process?

Like whether we wanna hook up with anyone? Nah. They didn’t ask me that. Like, they know what your relationship status is, so I don’t know if they think about that. But they never ask you “If you came on, would you be willing do to this or willing to do that?” It’s just purely up to us.

And I think in yachting, you’ve got a bunch of young people who usually are single because it’s such a hard industry to have a relationship in, you’re sticking us all on a yacht, and you’re making us all tired and we’ve got nowhere else to be, so I think it’s kind of inevitable that some romances flare up.

But they definitely don’t try and set that up.

So you didn’t feel any expectation or pressure to pursue a romance on board?

No, absolutely not. They can’t try to tell us to do anything or hint. I never felt any pressure at all.

Aesha Scott and some of the cast of Below Deck Mediterranean.

Had you watched Below Deck prior to this?

I actually didn’t, no. I think everyone in yachting watched Below Deck before they went on, but I hadn’t even seen one episode. The day before I joined the boat I quickly watched a couple of YouTube clips to see what I was actually gonna be doing.

But I’m so glad I didn’t watch it going into it, because obviously this season we had some returning cast and because I hadn’t seen it I had no preconceptions of what these people were like or anything so I got to make first impressions of people based on what I thought and felt at the time.

How did your season on Below Deck Med compare to a regular superyacht season?

You know what, it actually was almost exactly the same because [although] we’ve got people filming us, we aren’t allowed to interact with them, we’re just solely there to do our jobs.

You know, everyone’s like “Oh they must have all these breaks” and rah-rah-rah, but they really do book back-to-back charters so it’s just as exhausting as a normal season. But it’s probably just like, two weeks shorter than a normal season.

How often do you do the confessional interviews they use to narrate the show?

They kind of just dot them through as we go, it’s not every day. We gotta do our job.

So the filming doesn’t have an impact on your ability to work?

No, honestly, it barely affected it all. The people filming it are so professional and so amazing. They really do manage to film everything without you kind of realising that they’re even there. Everyone’s just so professional and amazing you just get on with it and forget you’re even being filmed.

Did you feel like the presence of the cameras made drama flare up more easily?

No, I don’t think so because I’ve been in yachting for a long time, and this industry in general is just so fucking dramatic. As I said, when you’ve got all these people who are exhausted, working every single day, who can’t get away from each other, there’s just so much drama – this person slept with that person, and that person slept with this person. There’s always all these little fights and things going on behind the scenes, so it kind of just felt normal for me.

Aesha Scott on the new season of Below Deck Mediterranean.

That’s why I think this show is so good – there’s always some kind of drama on a boat.

Exactly! Every single boat that I’ve worked on, I’ve been like “Man, someone needs to be filming this shit” because it’s like high school all over again except it’s with all these people and you’re living on a yacht. It really is the most genius idea for reality TV. Nothing has to be created or prodded along.

In the time between filming and airing, were you ever worried about how you might come across?

Nah. People ask me this all the time, and I think I’m the best person for this kind of thing because I’m just so happy and confident with who I am and I’ve got all these people in my life who love me so much and know what kind of person I am so I feel like however they portray me on this show, I don’t really care, because I’ve already got everything I need.

What was it like watching the first episode go to air?

It was so exciting! It was so cool to see everything we’ve been doing finally coming to fruition, because there is such a long wait between filming and the first episode and I don’t know, it was kind of like a stress relief, the wait’s finally over!

It was quite buzzy, having all my friends messaging “We’ve seen you on TV!”.

Did the New Zealand factor play into your casting do you think? Or was it inconsequential?

I actually have no idea what they base the casting on. But I do think being that from New Zealand is quite an attractive thing for them, because as I said, I think people really quite like Kiwis.

And people really loved Ross on the other season being a Kiwi. So I dunno. I think we’re just a good kind of culture to have in the mix.

What can you tease for the rest of the season?

You are just gonna see like absolute Aesha at her finest. Everyone at home knows me just as like this wild crazy goofy funny girl and I think you’re just gonna see me at my absolute finest, being very silly.

Aesha’s season of Below Deck Mediterranean premieres on Bravo New Zealand on June 27th.

Keep going!
God, isn’t this just the saddest painting you ever did see?
God, isn’t this just the saddest painting you ever did see?

Pop CultureJune 21, 2019

The Handmaid’s Tale recap: She’s not the woman you remember

God, isn’t this just the saddest painting you ever did see?
God, isn’t this just the saddest painting you ever did see?

Welcome back to another week of Gilead hijinks, as Serena takes a quick trip to Canada, June discovers the power of a mixtape and Fred has another dumb idea. Tara Ward recaps episode five, season three of The Handmaid’s Tale

There’s not a second in June’s day where she’s not worrying about something. Will I ever get Hannah out of this seething hellfire of misery? Will Luke be safe now that everyone knows where Nichole is? Will the supermarket have dried peas? So many worries, so little time, so it’s good that the Waterford’s cunning plan to say goodbye to Nichole will definitely not add any stress to June’s life whatsoever.

Now that Gilead knows where the baby is, the Waterfords want to say goodbye to her in person. They ask June to call Luke and arrange a quick get-together in Canada, like it’s no big deal for her to ring her husband up out of the blue after not hearing his voice in years, not since that time they tried to flee the country together.

Lawrence gives June two minutes to make the call. Hold the line, June. Hold the mother flipping line.

So many lights on for so little light!

Imagine one minute you’re shopping in the corner dairy, the next you’re speaking with your wife who is held as a prisoner of her own womb in a foreign disaster zone. I get one call from a stranger wanting to selling me ceiling insulation and I run screaming to the bathroom, but Luke took it all in his stride. June was even calmer, going into robot Handmaid mode and telling Luke the necessary details while the clock ticked down.

What can you say in 120 seconds to the person who means the most to you, other than “I love you,” and “the woman who watched her own husband try to impregnate me every month wants to say goodbye to the baby your wife had with another man who she accidentally fell in love with, which is the very same baby that you’re now raising as your own, because you’re a legend?”

That’ll do it, I reckon.

Look at you, Mr. Treason and Coconuts.

June’s worlds collide in a Canadian airport terminal. Serena is reunited with Mr “Treason and Coconuts” from last season, who makes Serena change her clothes to become “less conspicuous”. Honestly, a woman can’t even go to a foreign airport to meet the husband of her handmaid without being told what to wear.

Luke is super pissed off, while Serena is a broken tap of tears over Nichole. “You’re never going to mean anything to her,” Luke tells Serena. Serena will flood all of Canada with her tears, and I will be washed away too, because if there’s one thing that’s going to make me fold like a camping chair it’s people crying over babies, especially dystopian ones.

Back in Gilead, June discovers a box of ye olde mixtapes the Commander made for Mrs Lawrence early in their relationship. June chooses a cassette, and the sound of ‘You Make me Feel Like Dancing’ rings out through the basement. The Lawrences get in on the act too, and the scene where they awkwardly jerk their bodies to the weird rock and roll sounds from yesteryear was everything. You make ME feel like dancing, Mrs Lawrence.

You can’t tell from this screenshot, but she’s listening to ‘My Immortal’.

Serena returns without the mystery package Rita asked her to smuggle across the border, and with a secret cellphone that Treason and Coconuts hid in her handbag. “In case you need me,” his note says, but how bad does this shit have to get before Serena dials 111 and books a one way trip to Hawaii? Her husband chopped off her finger, she hates the man she’s married to, and she has to wear green every day. Enough is enough.

“She was perfect,” Serena tells Waterford of her visit with Nichole. “And now it’s over.”

But it’s never over in Gilead. Waterford put on his thinking cap while Serena was away, and before June knows it, she’s wearing a new frock and is chucked in front of some cameras to listen to the Waterfords implore the Canadian government for Nichole’s return. Waterford’s ideas are always shit, and this is no exception. So many dumb ideas, he should get it tattooed across his heart.

Hashtag no filter.

This face tells me June’s not going to take this lying down/sitting up/hiding in the basement listening to ’70s disco hits. She manages to speak to Luke on her own terms by recording a message over Lawrence’s mixtape. This was the parcel Serena smuggled out, and in it, June urges Luke to make a new life for himself. She tells him Nichole was born out of love. “I’m not the woman you remember,” she says. “I’m doing what I need to survive.”

The recording is a delicious nod to the book ending of The Handmaid’s Tale, but if this is June’s way of telling Luke she’s never getting out of Gilead, I’m going to eat my own weight in dried peas.

You can watch The Handmaid’s Tale on Lightbox right here, and find all of our coverage of the show here.

This content was created in paid partnership with Lightbox. Learn more about our partnerships here.