Kia ora

The Spinoff

  • The Spinoff
  • Politics
  • Pop Culture
  • Ātea
  • Podcasts

Sections

  • Video
  • Kai
  • Internet
  • Partners
  • Science
  • Society
  • Books
  • Sports
  • Media
  • Business
Search for an author...

SEARCH


AUTHOR SEARCH

Search for an author...

Sections

  • Video
  • Society
  • Kai
  • Books
  • Internet
  • Sports
  • Partners
  • Media
  • Science
  • Business

About

  • Contact
  • Advertise
  • About us
  • Jobs
  • Use of Generative AI 

Members

Subscribe

  • Newsletters

Events

  • All Events
  • Auckland
  • Wellington
  • Christchurch
  • Dunedin

Screen Shot 2016-09-07 at 09.43.49

MediaSeptember 7, 2016

The story behind that amazing Rihanna death metal logo

avatar
David Farrier
Contributing writer
Made possible byThe Spinoff Members
Share Story
×
×
Made possible byThe Spinoff Members
Share Story
×
Screen Shot 2016-09-07 at 09.43.49

A Rihanna logo inspired by death metal bands featured prominently at the VMAs this year. David Farrier followed some rabbit holes to locate the designer behind the whole thing.

One of the best things that happened at this year’s VMAs was this:

Screen Shot 2016-09-07 at 09.43.49

Rihanna has always been pretty amazing, but seeing her name in the style of a death metal logo made my heart soar.

I mean, this is the world of Rihanna…

“Work, work, work, work, work, work / He say me have to / Work, work, work, work, work, work! / He see me do me / Dirt, dirt, dirt, dirt, dirt, dirt!”

…meeting the world of, say, Cannibal Corpse:

“Upheaval of human entrails / Deterioration of grated genitals / Dangling from the hooks / Obscene feelings deep inside me”

Pop and death metal – musically, spiritually, emotionally and politically – they couldn’t be further apart. And yet here they were, two worlds colliding.

What was Rihanna up to?

Well, I suppose it’s important to note that it’s not like she’s shied away from other genres of “louder” music, whether it’s the industrial rock of Nine Inch Nails, or the heavy metal of Judas Priest.

Screen Shot 2016-09-07 at 09.44.05

But this giant logo on stage was a huge statement. A massive statement. And it had twitter in a freaked-out spin:

Screen Shot 2016-09-07 at 09.55.30

A few days later, the Internet did what the Internet does… and there were t-shirts.

I was intrigued. How did this happen? How did a giant black-metal inspired RIHANNA logo end up being broadcast to hundreds of thousand of brain-dead MTV-watching idiots?

I started by putting an email into Rihanna’s label, Universal Music. I got this reply:

I’ll send a note up to the label, but to be honest, this was most likely an artist/stylist thing without any label involvement. I’ll ask though.

J

Nothing came of that, so I got in touch with the office of Willo Perron, a director who always seems to be making things with cool, fashionable types like Drake, Kanye and Kendrick.

And Rihanna.

After some emails back and forth, I discovered the truth: Willo is a big fan of Belgian graphic designer Christophe Szpajdel, who specialises in… black metal logos.

Christophe Szpajdel (Photo by: Kevin Elsenlord)
Christophe Szpajdel (Photo by: Kevin Elsenlord)

“Willo has a copy of Christophe’s Lord of Logos book and has actually given copies to friends,” says Cindy Lin, who works alongside Perron.

“When this performance came up we wanted to do something special for the video and wardrobe… so we reached out to him.”

At some point over this week of discovery I had quite a big revelation: I had bloody met Christophe Szpajdel while he was visiting New Zealand a few years ago. He was an utterly captivating character, shy but excited – and he couldn’t stop sketching designs wherever he went. He even did me.

Screen Shot 2016-09-07 at 09.45.35

I jumped on Facebook and tried to friend him. He had 5000 friends. He’d maxed out. Lucky for me he checks his “other” folder where DMs usually go to die.

Your Rihanna logo is amazing. Just amazing. How did this come about? Did her people get in touch with your people?

Rihanna was a very peculiar commission, a lady called Clare Gillen contacted me on Facebook, probably after I passed her one of my sturdy black and gold “Lord of the Logos” when I was in London in the end of June. Probably on the tube, as I always happen to meet interesting people and miss the stop I have to get out and connect to another train.

I always get flustered when on the London tube.

She just said, “I will look you up when I get a chance” and then a few weeks later, bang, it happened!

I first felt it was a fun commission and she wanted me to play around with the name RIHANNA.

It is only when she transferred the communication with Cindy Lin that I realized something more serious and exciting was about to happen – working on the RIHANNA logo for her tour, the “ANTI WORLD TOUR”.

Tell me about your design process. Was this a hard one to design? You knew it would be GIANT on screen – did that make it easier or harder?

It was a quite time sensitive project, where I have been asked to send many drafts.

I tried different directions, and I got quickly narrowed down towards something more precise. I had to bounce back and forth the ideas and receiving feedback and submitting new drafts based on the feedback.

Out of a dozen drafts, three have been chosen and two have definitely been used officially.

I had to summon the help of my friend Luca Devinu who works with revolutionary tools not many graphic designers have used so far.

What has the reaction been like from the metal community?

A lot of people congratulated me for having made this giant step forward, supporting the quest I should charge more for my art since I worked with such a big celebrity in the music and performing arts scene.

That is due to open doors to many new perspectives. Some have expressed their concerns that I went mainstream.

But think a bit of Metallica, who lost some fans to get a worldwide recognition in all musical genres.

Sometimes you have to lose one to gain ten new ones. From old to new, you can’t create without destroying, even for art.

You cannot create a logo without wearing out your pencils, erasers, pens.

Can I tell you a little anecdote? Sometimes when my pens go funny or stop writing, I destroy them b’ROO’tally in a temper tantrum (I dashed the fun word “Brootally” instead of “Brutally”, thinking of Wayne Rooney who always gets brutal when losing his temper).

It’s like that Norwegian customer I served in the shop I work at the other day, and I asked him, “Why are you wearing an England T-shirt? Do you support the England football team? ” and he answered in a cold, adamant tone, “I am not fan of England, I am fan of Wayne Rooney”.

Do you know why Rihanna went down the metal line? It’s certainly created a stir. I mean… I have seen her in a Nine Inch Nails tee – is she maybe into louder music than her own?

I had a sort of gut feeling Rihanna had a certain taste for metal. She allegedly has been seen wearing a Judas Priest T-shirt and maybe something even heavier.

Think of Jim Carrey working with Cannibal Corpse… why Rihanna wanted a death metal logo so bad? Why Jim Carrey wanted Cannibal Corpse to work on Ace Ventura: Pet Detective?


[Ed’s note: Farrier returns]

Indeed, why did Jim Carrey want Cannibal Corpse to work on Ace Ventura: Pet Detective?

More Reading

    Does Jim Carrey even like Cannibal Corpse? More importantly, does Cannibal Corpse like Jim Carrey?

    All I know is there is no limit to who Christophe wants to work with. That crazy Belgian motherfucker just emailed me these. Madness.

    Screen Shot 2016-09-07 at 09.46.26

    POPULAR
    Our intelligence isn't artificial. Neither is yours.
    Anna Rawhiti-Connell

    93% of you trust information from The Spinoff. That makes us enormously proud. It also means we keep working hard to maintain it. The trust we've earned is why The Spinoff does not and will not publish work that has used generative AI. The words you read on The Spinoff are written by humans, edited by humans and, as Spinoff members show us every day, supported by humans.

    Various estimates suggest up to half of all internet traffic is now AI bots. AI slop is everywhere. Trust isn't built through algorithms or automated at scale, it's earned. That's what we're protecting when we make decisions about AI, but we need your help. AI and big tech companies represent an existential threat. Not just to us, and to journalism, but to creativity and human understanding. Please help keep The Spinoff independent, local and, most of all, incredibly human by becoming a Spinoff member today.

    Our future depends on funding from readers

    Tim and Neil Finn onstage at Electric Avenue. Image: Alex Casey

    Review: Split Enz makes history at Christchurch’s Electric Avenue

    The first day of Electric Avenue was a smorgasbord of local legends and international superstars, but nothing could top a Split Enz reunion. 
    avatar
    By Alex Casey | 28th February, 2026
    Senior writer
    Grishma’s popularity is entirely through word-of-mouth

    Grishma in Newtown: a review of the best eyebrow threader in Wellington

    Grishma is a local legend but she's refused to give The Spinoff an interview for a decade. Mad Chapman settles for writing this review.
    avatar
    By Madeleine Chapman | 28th February, 2026
    Special correspondent
    Christopher Luxon has lost his greatest passion. (Image: Tina Tiller)

    A quarterly action plan for restoring Christopher Luxon’s quarterly action plans

    The prime minister must stop saying nojo to mojo to growjo out of his lowjo.
    avatar
    By Hayden Donnell | 28th February, 2026
    Senior writer
    Daniella Blake, a self-published Aotearoa author in France, has learned a lot about how France does books and reading.

    ‘A grand national cause’: How France is keeping books and reading alive

    It's one thing to protect the book industry. It's another to ensure people keep reading. 
    avatar
    By Daniella Blake | 28th February, 2026
    Guest writer
    NZ First ditches members’ bill attempt to get definitions of men and women into law

    NZ First ditches members’ bill attempt to get definitions of men and women into law

    It's the second time the party has scrapped one of its flagship members' bills to make way for a new one.
    avatar
    By Lyric Waiwiri-Smith | 27th February, 2026
    Politics reporter
    A big week for Wellington, Gore and power companies.

    Good week/bad week: Huge profits for energy gentailers are probably bad, right? 

    It was a good week for the major gentailers, which posted a combined profit of $1.85 billion. That’s good for the New Zealand public, which owns 51% of the four companies, and is bad for the New Zealand public, which makes up 100% of their customers. 
    avatar
    By Joel MacManus | 27th February, 2026
    Senior writer
    The Unity Books bestseller chart for the week ending February 27

    The Unity Books bestseller chart for the week ending February 27

    Beach reads for the dying days of summer.
    avatar
    By The Spinoff Review of Books | 27th February, 2026
    ⚖️
    The face of a woman who  may or may not have swum in shit.

    I swam in the shitty seas of Wellington’s south coast and lived to tell the tale

    If it’s good enough for the mayor, it’s good enough for me.
    avatar
    By Lyric Waiwiri-Smith | 27th February, 2026
    Politics reporter
    It’s going to be a busy three months of viewing for kapa haka fans. (Photos: Te Matatini Enterprises. Additional design: Tina Tiller)

    The road to Te Matatini 2027: Your ultimate guide to the regional competitions

    Who’s defending, who’s rising, and where to watch as the race to Hopuhopu begins.
    avatar
    By Liam Rātana | 27th February, 2026
    Ātea editor

    Get The Spinoff
    in your inbox

    The Bulletin

    The biggest stories from across Aotearoa, every weekday at 7am.

    The Daily

    The Spinoff in review, every weekday at 5pm.

    THE WEEKEND

    The best of The Spinoff with editor Madeleine Chapman, every Saturday.

    Media

    Made possible by

    The Spinoff Members
    Image: NZ Herald; design The Spinoff

    How a man googling PORN HUB ended up on the Herald’s website 

    The image was removed within 15 minutes – but thanks to eagle-eyed Reddit sleuths, PORN HUB man lives on.
    avatar
    By Hayden Donnell | 30th December, 2025
    Senior writer
    Joel MacManus in the Well_ngton sign.

    Why I was wrong about the Well_ngton sign

    How a big shiny sign on the Wellington waterfront exposed a problem with local news.
    avatar
    By Joel MacManus | 27th December, 2025
    Senior writer
    Image: The Spinoff

    The Spinoff’s biggest stories of 2025

    Retail embarrassment, great walks, the c-word and more – fill your browser tabs with this year's most popular reads.
    avatar
    By The Spinoff | 22nd December, 2025
    Staff writers
    Jim Grenon (left) and Julian Batchelor (right) are suing TVNZ for defamation.

    Inside the weirdest trial of the year: Jim Grenon, Julian Batchelor and TVNZ

    Billionaires, secrets, conspiracy theories, denials of racism, contempt of court and twists at every turn. This case had it all.
    avatar
    By Joel MacManus | 19th December, 2025
    Senior writer
    Tova O’Brien (left) and Breakfast’s Chris Chang and Indira Stewart (Design: The Spinoff)

    A new dawn for morning news?

    With Tova O'Brien's move to Breakfast and changes ahead for Herald Now and RNZ, the AM is set to heat up in 2026. 
    avatar
    By Tara Ward | 19th December, 2025
    Staff writer

    Sections

    • Video
    • Kai
    • Internet
    • Partners
    • Science
    • Society
    • Books
    • Sports
    • Media
    • Business

    About

    • Contact
    • About us
    • Use of Generative AI 
    • Advertise
    • Jobs

    Members

    • Donate
    • Members terms

    Subscribe

    • Newsletters

    Events

    • All Events
    • Wellington
    • Dunedin
    • Auckland
    • Christchurch

    FOLLOW US

    DOWNLOAD THE APP

    Privacy PolicyThe Spinoff Members Terms and ConditionsThe Spinoff Advertising Terms and Conditions

    The Spinoff is subject to NZ Media Council procedures. A complaint must be first directed in writing, within one month of publication, to info@thespinoff.co.nz. If not satisfied with the response, the complaint may be referred to the online complaint form at www.presscouncil.org.nz along with a link to the relevant story and all correspondence with the publication.

    © The Spinoff 2026
    ×
    ▼

    Loading...