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MediaJanuary 14, 2020

Sir Ian McKellen’s Lord of the Rings blog is the only good thing left

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Over the weekend, Sir Ian McKellen resurfaced the extensive blog that he produced while filming The Lord of the Rings in New Zealand. Alex Casey plucks out the most wholesome highlights.

It’s pretty cool that in the 20 years that have passed since Sir Ian McKellen posted his first blog about The Lord of the Rings, the wider internet has devolved from a friendly Shire-type community to the actual flaming lair of Balrog himself. Every waking hour of every day we try to run away from his flaming pit of agony, and every time the Balrog wraps his fiery whip around our ankle to drag us back in. Ah well. 

The internet vs. you

I just want to go back, back to 1999, where a nice man called Ian just wrote a wee blog about pretending to be a wizard. Mckellen.com is the only pure place left online, a time capsule populated with iconic Blingee fonts, musings about vegetarianism and many, many low res images of Christopher Lee. It appears to be all run by the man himself, who recently re-shared his blogs written while filming LOTR here in New Zealand. 

Preciouses, I read each and every one of them and it was an absolute joy from cover to cover. Here are the most wholesome learnings. 

Gandalf LOVED a supportive email

“I have just sent Peter Jackson an e-mail of good luck,” Gandalf wrote on 14 October 1999, the first day of filming for The Fellowship of the Ring. “I don’t expect an immediate reply – directing a film is totally time-consuming.” Reply, you fool. 

Gandalf worked with a real (?) witch

In probably the most casual reveal since Arwen chose a mortal life, Gandalf dropped an absolute bombshell in August 1999. “Never having imagined that I would ever play any sort of wizard, I am ill-prepared,” he wrote. So far, so normal. Respect to the Sir for having imposter syndrome like the rest of us. But then: a curveball. “I just worked with a witch, however, a white one, whose spells are formidable. Her energy is impressive.” No explanation, no context, no worries. Now that’s impressive energy. 

Gandalf is a sucker for movie theme parks

“I am a sucker for movie theme parks.”

Gandalf loved New Zealand

What I love the most about this whole blog is how McKellen writes with the wonder of a teenager on their big OE. “So far from home but the language is the same and you can buy Marmite and Cadbury’s chocolate,” he wrote in one his early entries. “The Queen is on the banknotes (although they are made of a non-creasable, washable, transparent plastic) and there is scandal about Prince Edward in Women’s Weekly.” If only 1999 Gandalf knew of the Prince-related scandals to come. At least we still have Marmite.  

Gandalf loved partying with the lads

After attending a cast and crew screening of a few key scenes, Gandalf let us know about his deepest, darkest vices. “Peter had provided beer and wine but I’m off the alcohol and had two candy floss (cotton candy) and popcorn.” Later that night he found himself at the house of producer Barrie Osborne, and was convinced by Pippin (Billy Boyd) to slide down a 20 foot fireman’s pole. “I wasn’t even drunk,” Gandalf added. A fool of a Took will do that to you. 

Looking at the fireman’s pole, probably

But even more heartwarming than Gandalf pinging on 2 x candy floss and sliding down a fireman’s pole is this scene from when the gang was filming pickups in 2003. “On Saturday, Shamsung and Elwood accompanied by Deep Sea Diver Boyd McIver took over the Good Luck bar off Cuba Mall in downtown rowdy Wellington where they d-jayed the night away.” I don’t know who those people are but I do know that I like the next line. “I found bopping to rap and hip-hop a bit tricky. But that’s The Fellowship for you.

“Or rather, that’s hobbits.” 

Gandalf liked making Saruman laugh

“I like making Saruman laugh.”

Gandalf is the anti-Kondo

In July 2001, Gandalf revealed himself to be a bit of a hoarder after he had his head turned by some set dressing during a fight scene with Saruman. “I asked Dan Hennah (art director) if I could take home a couple of the fake-metal lizards which served as door handles in Orthanc. He smiled quizzically as he often does.” A week later when he was headed home, Gandalf was presented with a hefty wooden box containing the lizard-shaped door handles of his dreams. 

The collection of curiosities doesn’t stop there. “Among a few further precious mementoes are an Alan Lee original pencil drawing of Gandalf (another gift from the Jacksons), plus I confess hanging in my study the large keys to Bag End’s round front door… My favourite, although I don’t eat meat, is Burger King’s goblet with a convincing likeness of Gandalf in cameo relief on its bowl. Perhaps this should only be available for consumers of veggieburgers!” Now worth a whopper $20 US – not bad. 

Gandalf wrote accidental poetry

Between each take I watched the billy goat snatch from a stall /
a real cabbage to chew in the hot sunshine.
… the forecast is for sunshine /
which will sparkle on my silver scarf.

Hobbiton Beard Adjustments, 2000

Gandalf enjoyed a post-Balrog dart

“After the Balrog I left for some fresh air and a cigarette,” he wrote after the world premiere of Fellowship of the Ring. “There the fans were still waiting, entertained only by the repeating relay of Howard Shore’s score.” Post?Balrog?durry.

Gandalf made mistakes too

In a June 2003 entry titled ‘End in Sight’, McKellen gets hit with a wave of muddled jetlag brain in the middle of the shoot. “The new dialogue stuck in my throat and I stumbled through half-a-dozen takes. Eventually I isolated the offending phrase and repeated it on camera until Peter felt he could select an appropriate reading for the finished film… Confidence restored.” 

And if that’s not relatable enough for you, just remember that Ian McKellen once rubbed fistfuls of cold cream, instead of gel, through his hair before the Fellowship world premiere. My king.

Keep going!
Original image: A kangaroo escapes the flames in Colo Heights, Australia, following a blaze at Gospers Mountain in New South Wales in November. Photo by Brett Hemmings/Getty Images
Original image: A kangaroo escapes the flames in Colo Heights, Australia, following a blaze at Gospers Mountain in New South Wales in November. Photo by Brett Hemmings/Getty Images

MediaJanuary 13, 2020

Bushfires, bots and Twitter trolls: How the #ArsonEmergency hashtag took hold

Original image: A kangaroo escapes the flames in Colo Heights, Australia, following a blaze at Gospers Mountain in New South Wales in November. Photo by Brett Hemmings/Getty Images
Original image: A kangaroo escapes the flames in Colo Heights, Australia, following a blaze at Gospers Mountain in New South Wales in November. Photo by Brett Hemmings/Getty Images

As Australia came to terms with the fact that climate change is fuelling its bushfires, deniers began a rearguard action centred around claims that arson, not climate, is to blame. Media analysts Timothy Graham and Tobias Keller look at how bots and troll accounts tried to shift the conversation.

In the first week of 2020, hashtag #ArsonEmergency became the focal point of a new online narrative surrounding the bushfire crisis. The message: the cause is arson, not climate change.

Police and bushfire services (and some journalists) have contradicted this claim.

We studied about 300 Twitter accounts driving the #ArsonEmergency hashtag to identify inauthentic behaviour. We found many accounts using #ArsonEmergency were behaving “suspiciously”, compared to those using #AustraliaFire and #BushfireAustralia.

Accounts peddling #ArsonEmergency carried out activity similar to what we’ve witnessed in past disinformation campaigns, such as the coordinated behaviour of Russian trolls during the 2016 US presidential election.

Bots, trolls and trollbots

The most effective disinformation campaigns use bot and troll accounts to infiltrate genuine political discussion, and shift it towards a different “master narrative”.

Bots and trolls have been a thorn in the side of fruitful political debate since Twitter’s early days. They mimic genuine opinions, akin to what a concerned citizen might display, with a goal of persuading others and gaining attention.

Bots are usually automated (acting without constant human oversight) and perform simple functions, such as retweeting or repeatedly pushing one type of content.

Troll accounts are controlled by humans. They try to stir controversy, hinder healthy debate and simulate fake grassroots movements. They aim to persuade, deceive and cause conflict.

We’ve observed both troll and bot accounts spouting disinformation regarding the bushfires on Twitter. We were able to distinguish these accounts as being inauthentic for two reasons.

First, we used sophisticated software tools including tweetbotornot, Botometer, and Bot Sentinel.

There are various definitions for the word “bot” or “troll”. Bot Sentinel says:

Propaganda bots are pieces of code that utilize Twitter API to automatically follow, tweet, or retweet other accounts bolstering a political agenda. Propaganda bots are designed to be polarizing and often promote content intended to be deceptive… Trollbot is a classification we created to describe human controlled accounts who exhibit troll-like behavior.

Some of these accounts frequently retweet known propaganda and fake news accounts, and they engage in repetitive bot-like activity. Other trollbot accounts target and harass specific Twitter accounts as part of a coordinated harassment campaign. Ideology, political affiliation, religious beliefs, and geographic location are not factors when determining the classification of a Twitter account.

These machine learning tools compared the behaviour of known bots and trolls with the accounts tweeting the hashtags #ArsonEmergency, #AustraliaFire, and #BushfireAustralia. From this, they provided a “score” for each account suggesting how likely it was to be a bot or troll account.

We also manually analysed the Twitter activity of suspicious accounts and the characteristics of their profiles, to validate the origins of #ArsonEmergency, as well as the potential motivations of the accounts spreading the hashtag.

Who to blame?

Unfortunately, we don’t know who is behind these accounts, as we can only access trace data such as tweet text and basic account information.

This graph shows how many times #ArsonEmergency was tweeted between December 31 last year and January 8 this year:

On the vertical axis is the number of tweets over time which featured #ArsonEmergency. On January 7, there were 4726 tweets. (author supplied)

Previous bot and troll campaigns have been thought to be the work of foreign interference, such as Russian trolls, or PR firms hired to distract and manipulate voters.

The New York Times has also reported on perceptions that media magnate Rupert Murdoch is influencing Australia’s bushfire debate.

Weeding out inauthentic behaviour

In late November, some Twitter accounts began using #ArsonEmergency to counter evidence that climate change is linked to the severity of the bushfire crisis.

Below is one of the earliest examples of an attempt to replace #ClimateEmergency with #ArsonEmergency. The accounts tried to get #ArsonEmergency trending to drown out dialogue acknowledging the link between climate change and bushfires.

We suspect the origins of the #ArsonEmergency debacle can be traced back to a few accounts. (Author supplied)

The hashtag was only tweeted a few times in 2019, but gained traction this year in a sustained effort by about 300 accounts.

A much larger portion of bot and troll-like accounts pushed #ArsonEmergency, than they did #AustraliaFire and #BushfireAustralia.

The narrative was then adopted by genuine accounts who furthered its spread.

On multiple occasions, we noticed suspicious accounts countering expert opinions while using the #ArsonEmergency hashtag.

The inauthentic accounts engaged with genuine users in an effort to persuade them. (Author supplied)

Bad publicity

Since media coverage has shone light on the disinformation campaign, #ArsonEmergency has gained even more prominence, but in a different light.

Some journalists are acknowledging the role of disinformation bushfire crisis – and countering narrative the Australia has an arson emergency. However, the campaign does indicate Australia has a climate denial problem.

What’s clear to us is that Australia has been propelled into the global disinformation battlefield.

Keep your eyes peeled

It’s difficult to debunk disinformation, as it often contains a grain of truth. In many cases, it leverages people’s previously held beliefs and biases.

Humans are particularly vulnerable to disinformation in times of emergency, or when addressing contentious issues like climate change.

Online users, especially journalists, need to stay on their toes. The accounts we come across on social media may not represent genuine citizens and their concerns. A trending hashtag may be trying to mislead the public.

Right now, it’s more important than ever for us to prioritise factual news from reliable sources – and identify and combat disinformation. The Earth’s future could depend on it.The Conversation

 

Timothy Graham is a senior lecturer in digital media, and Tobias R. Keller is a visiting postdoc fellow in digital media, at the Queensland University of Technology

This article is republished from The Conversation under a Creative Commons license. Read the original article.