Clockwise: The Little Mermaid, Virgin River, Marie Antoinette, Black Ops.
Clockwise: The Little Mermaid, Virgin River, Marie Antoinette, Black Ops.

Pop CultureSeptember 4, 2023

New to streaming: What to watch on Netflix NZ, Neon and more this week

Clockwise: The Little Mermaid, Virgin River, Marie Antoinette, Black Ops.
Clockwise: The Little Mermaid, Virgin River, Marie Antoinette, Black Ops.

What are you going to be watching this week? We round up everything coming to streaming services this week, including Netflix, Amazon Prime, Disney+, Apple TV+, ThreeNow, Neon and TVNZ+.

The biggies

The Traitors UK (on ThreeNow from September 4)

I’ve been recapping and loving The Traitors NZ on this here website, but a definitive truth remains: the UK version is about 20,000 times better than anything we could have ever done with Paul Henry and a series of hats. Set in an old, grand castle in the highlands of Scotland and throwing together 22 true complete strangers (not just Brooke Howard-Smith and some mates from the 2000s) the murder-mystery competition is genuinely thrilling and filled with high stakes, backstabbing and genuinely shocking turns. Essential viewing that will make you ponder if the local version missed a trick by not filling the cast entirely with everyday New Zealanders. / Alex Casey

Black Ops (on TVNZ+ from September 9)

Co-creators Gbemisola Ikumelo and Akemnji Ndifornyen star as two earnest but hopeless community support police officers who are unexpectedly drafted into an off-the-books undercover operation, in this acclaimed British comedy-thriller. As you might expect, they are well out of their depth in the criminal underworld, which leads to hijinks and affairs as they seek, likely in vain, to clean up their community. / Sam Brooks

The Changeling (on AppleTV+ from September 8)

This creepy show is based on the novel of the same name by Victor LaVelle, and stars LaKeith Stanfield (Atlanta) as Apollo and Clark Backo (Letterkenny) as his wife Emma. Emma commits a “horrific act” after the birth of their first child, and quickly goes missing, upon which Apollo has to find her. It’s been described as a “fairytale for grown-ups” involving a “perilous odyssey” through a “New York City you didn’t know existed.” Colour, and paint, me intrigued. / SB

The notables

Virgin River (on Netflix from September 7)

Season five of the soapy drama about a nurse-midwife living in a sleepy town in Northern California is nearly here, and frankly, I am counting down the hours. Virgin River is the sort of warm and friendly place where everyone knows everyone and nothing ever happens, apart from a worrying number of murders, drug busts, robberies, kidnappings and paternity scandals. Still, the women of the town love to quilt and there’s always some kind of drama at the bakery, and Martin Henderson’s character Jack is probably about to pull some epic shit to save the town from the raging wildfires of last season’s finale. Absolute scenes, I’ll be hoovering up every drop. / Tara Ward

The Lovers (on Neon from September 8)

This British meet-not-so-cute tells the story of Janet (Roisin Gallagher from The Dry), a nihilistic supermarket worker who doesn’t care about anything, including herself, and Seamus (Johnny Flynn from the Catton Emma), a self-centred political broadcaster, and they end up inextricably drawn to each other, The complication? Seamus has a perfect, celebrity girlfriend (played by Alice Eve) already. / SB

Lodge 49 (on AMC+ from September 7)

It’s not often that I would suggest that someone should subscribe to a service for one show, but this is the rare exception: Lodge 49 is one of the best, most underseen shows of the past decade. It follows Californian ex-surfer Sean “Dud” Dudley (Wyatt Russell), who is adrift after the death of his father and the loss of his family business. He finds himself at a vaguely religious fraternal order, Lodge 49, to help him find his way again. The show is gentle, profound, funny and moving – if that summary even vaguely entices you, I guarantee that you will enjoy it. / SB

The films

The Little Mermaid (on Disney+ from September 6)

I did not care much for this “live action” remake, but I highly rate Halle Bailey’s performance as Ariel, or at the very least those re-recordings. So maybe go listen to those instead! But if you’re a Disney completist, and missed this in the cinemas, you can now enjoy the horrors of the CGI sea from the comfort of your own home. / SB

Sitting in Bars with Cake (on Prime Video from September 8)

Honestly, I’m mostly putting here for the title, which is actually shockingly close to the premise of this film. Inspired by true events, and a book of the same name, the film follows lifelong besties Jane (Yara Shahidi) and Corinne (Odessa A’zion), as the latter convinces the former to commit to a year of baking cakes and bringing them to bars, with the hope to meet new friends and develop confidence. Sounds great. But wait, Bette Midler also stars? Sounds greater!/ SB

Marie Antoinette (on TVNZ+ from September 6)

Sofia Coppola recently admitted that her 2006 film Marie Antoinette was a “flop” that “no-one saw”. It got booed at Cannes, it’s certified “rotten” on Rotten Tomatoes and yet, in the words of Kirsten Dunst wearing decidedly modern MAC plum lipstick in the bathtub, “let them eat cake”. Starring Dunst alongside Jason Schwartzman and Jamie Dornan, Marie Antoinette is an extremely mid-2000s Tumblr version of history. It’s candy-coloured, set to the music of Julian Casablancas and basically entirely fictional, which is all to say I still think it’s great fun. AC

Netflix

September 5

Shane Gillis: Beautiful Dogs

September 6

6ixtynin9 The Series

Infamy

Reporting for Duty

Tahir’s House

Scout’s Honour: The Secret Files of the Boy Scouts of America

Predators

September 7

Dear Child

Top Boy: Season 3

Virgin River: Season 5

GAMERA -Rebirth-

What If

Kung Fu Panda: The Dragon Knight: Season 3

September 8

A Time Called You

Burning Body

Selling the OC: Season 2

Spy Ops

Neon

September 4

A Black Lady Sketch Show: Season 4

My Salinger Year

King Otto

Mass

September 5

The Big Trip 2: Special Delivery

September 6

Despicable Me

Despicable Me 2

Despicable Me 3

September 7

The Following: Season 1-3

Fear and Loathing in Las Vegas

September 8

The Lovers

The Man from UNCLE

September 9

Oddball

September 10

Top Gun

TVNZ+

September 4

Bay of Fires

Love Island Australia

September 6

La Bamba

Rudy

Age of Innocence

Marie Antoinette

Identity

September 9

Black Ops

Sherlock: Season 1-4

The Tower: Season 2

ThreeNow

September 4

The Traitors UK

The Night Manager

September 7

Blue Lights

Disney+

September 5

Trolley Troubles

All Wet

September 6

The Little Mermaid

I Am Groot: Season 2

The Three Detectives

Demons and Saviours

Reply 1988

September 8

Master and Apprentice: A Special Look at Ahsoka

The Barn Dance

Playful Pluto

Mickey’s Kangaroo

Bone Trouble

Pluto, Junior

Merbabies

September 9

Arthdal Chronicles: Season 2

Prime Video

September 8

Sitting in Bars with Cake

Sentinelle

September 10

Till

Apple TV+

September 8

The Changeling

Acorn

September 4

London Kills: Season 3

Grantchester: Season 7

Shudder

September 4

The Autopsy of Jane Doe

Razorback

September 8

Blood Flower

AMC+

September 8

The Lodge: Season 1 and 2

Keep going!
an asian woman on a blue background with pink highlights and blude lightning bold
Left: Perlina Lau, co-presenter of RNZ’s Culture 101. Right: … also Perlina Lau, star of Creamerie, on TVNZ+. (Image Design: Archi Banal)

Pop CultureSeptember 3, 2023

The two sides of Perlina Lau

an asian woman on a blue background with pink highlights and blude lightning bold
Left: Perlina Lau, co-presenter of RNZ’s Culture 101. Right: … also Perlina Lau, star of Creamerie, on TVNZ+. (Image Design: Archi Banal)

She’s coming off a critically acclaimed second season of Creamerie. She’s also just launched a new arts show on RNZ. Perlina Lau tells Sam Brooks how she does both, and makes it look easy.

Right now, if you want to see or hear Perlina Lau, you’ve got two good options at your fingertips. You can watch dystopian black comedy Creamerie, available to stream on TVNZ+, the show she co-created and which returned for its second season just a month ago. Lau plays Pip, the most straitlaced of a trio of women who come across a man in a world where men are supposed to be extinct. Hilarity, and a lot of drama, ensues. (If you missed it, you can also tune into the last season of Celebrity Treasure Island, where Lau memorably tried to communicate telepathically with Dame Susan Devoy.)

You can also tune into RNZ on a Sunday afternoon and hear Lau co-presenting new arts show Culture 101, which has replaced Lynn Freeman’s beloved Standing Room Only. The show launched a few weeks ago, filling a massive gap in arts and culture coverage in the country. For four uninterrupted hours, what you need to know about our cultural landscape is beamed straight to you, shepherded gently by Lau and Mark Amery.

Lau is a rarity in both industries. She’s an actor, in a series that has been critically acclaimed both here and overseas, including in the New York Times. She’s also a broadcaster, hosting a flagship show for the country’s national public radio service.

How did that happen?

Perlina Lau at the start of her career, as the social media presenter for the Paul Henry Show (left) and an actor in Flat 3 (right).

Perlina Lau has worked in the media for over a decade. She began her career as a script supervisor at TV3 before moving into an on-air role on the Paul Henry Show, then worked as a producer for both Story and The Project. After a stint as a journalist at the BBC in London she returned home during Covid, taking up a job as the presenter and producer of RNZ’s Worldwatch.

Now she’s back at RNZ. Lau’s new role has a prosaic origin story: she saw the ad on her social media feed. She looked at the job description – essentially pitching for applicants to replace Freeman – and realised she could absolutely do what it asked. “Those are my interests and I already do broadcasting,” she remembers thinking.

One half of working life had been her career as an actor, writer and a producer with Flat3 Productions, the company that made Flat 3, Friday Night Bites and most recently, Creamerie. The other half was dedicated to news and broadcasting. “As naive as that sounds, I never thought the two sides could combine to be one job.”

She applied, went through the interview process, and was then asked how she would feel about having a co-presenter. That turned out to be Mark Amery, a veteran of the arts sector who’s worked as a writer and critic (including for The Spinoff), as a public arts advisor, and most recently as a producer for Kim Hill.

It took only a few conversations for them to both agree to co-presenting Culture 101. “I don’t know if I’ve ever met a more connected person in my life,” Lau says of Amery. “I really couldn’t have asked for a better co-host or co-producer to work with.” 

Amery concurs. Thanks to her top-class broadcasting skills and an “abiding love of culture across all its old, popular and fine artforms”, working with Lau has been “a dream”, he says.

Lau and Amery are always thinking a show ahead, allowing them to zoom out and see what they’ve covered and what might have been missed. Do they have enough visual arts coverage? Are their stories regionally distributed? A highlight of the show thus far is the “regional wrap”, where the show goes live to correspondents in the regions to find out what’s happening, culture-wise, in their neck of the woods.

The show’s title, Culture 101, was chosen very carefully. Lau says it sets them up to cover arts and culture in all their glory, from serious to silly. In its second week, they covered a dispatch from Word Christchurch, an interview with Petita Cole talking for mute visual artist Susan Te Kahurangi King, an in-depth 15 minute segment on New Zealand cancelling its pavilion in the Venice Biennale, plus audio drama and songs. The show is doing a lot.

“We’ve got so many people reaching out to us, there’s so much going on, and it’s really exciting to have a platform where those things can land,” Lau says. “Especially in a time where a lot of things are going behind paywalls or subscriptions – this is not that.”

Perlina Lau, JJ Fong and Ally Xue in season two of Creamerie. (Photo: TVNZ+)

Creamerie, meanwhile, has enjoyed the kind of success that everybody who makes TV in this country dreams of. It arrived on TVNZ+ (formerly On Demand) in 2021 to rave reviews, and went on to win best drama at the New Zealand Television Awards and be picked up for broadcast on Hulu in the US and SBS in Australia.

Lau says she’s really happy with the second season. “It’s so intense! We really tried to turn it up a notch and I like to think we achieved that – with the locations, the music, the cast,” she says. The action scenes are particularly impressive, including one with Lau front and centre that brilliantly pays homage to ET.

While it doesn’t entirely stray from its comedic roots, the stakes are much higher this time around. The trio are being actively pursued now that they know the truth about the mysterious organisation called Wellness, with all the action that suggests.

The cast is full of heavyweight acting talent – most notably Tandi Wright, still terrifying as an alternate-universe Paltrow-type – and Lau more than holds her own against them. Although she often has to carry some pretty ridiculous jokes, including a moment where her character picks up a copy of a very well-known romance novel, she also sells Pip’s steely backbone and moral compass extremely well.

While this season of Creamerie was in development, Lau was still hosting Worldwatch. She remembers highlighting scripts and learning lines in the RNZ studio, training her brain up as much as she could before stepping on set.

It might sound stressful, but Lau says she enjoys the contrast between the two ways of working. “The news cycle is so fast, quick and daily, but once you do something, that’s it, it’s done,” she says. “Whereas when you’re filming, you’re doing something five times. It’s art in a different way. It’s more time consuming, it’s slower.”

Broadcasting and acting “feed the different parts of me and my brain,” she says. “I get the light and the shade.” She credits RNZ for letting her explore all the opportunities open to her, not just Creamerie but also the chance to take part in Celebrity Treasure Island.

Perlina Lau as a contestant in Celebrity Treasure Island and Perlina Lau as Pip in Creamerie. (Image Design: Tina Tiller)

Really, though, Lau has never considered not being in both sectors. “In my head I thought the arts would be a side thing, as it is for so many people. It’s something you just do in your spare time,” she reflects. “I was totally OK with that so long as I could have it and still do it.”

She believes she wouldn’t have got her first on-air job, as a social media presenter for Paul Henry, if she hadn’t been doing the social media for Flat 3. “Even back then, it was starting to feed into each other,” she says. More recently, the success of Creamerie has opened doors in her media career, from debates in the Comedy Festival to panels for Fifa during the World Cup. 

“Ultimately, my career is this beast that feeds into itself. If you take one half of it away, I don’t know what it would look like anymore.”

You can watch Creamerie on TVNZ+ and listen to Culture 101 on RNZ (Sunday 12-4pm).