It’s not me: it’s you.
It’s not me: it’s you.

Pop CultureApril 14, 2025

Final vows for a hellish season of Married at First Sight Australia

It’s not me: it’s you.
It’s not me: it’s you.

Alex Casey farewells a truly confounding season of the reality television juggernaut. 

(To be read aloud in traditional Married at First Sight final vows style, aka with the cadence and confidence of an eight-year-old doing a school speech about the invention of the telephone.)

Married at First Sight Australia, 

From the very first moment I laid eyes on you, I knew that we were in for a rocky ride together. Your first episode featured a proud trad wife, a brazen misogynist, a ghosting Frenchman, and a drunk sister of the bride who threatened production because she didn’t get a pescatarian meal. Little did I know back then that these were the four horsemen of the MAFS-pocalypse, and what was to come over the next three months would test me ways you have never tested me before. 

With every day that passed in the experiment, things seemed to get worse for us. There was Tim, the unsuspecting PE teacher who said he was looking for a natural, confident woman – but later clarified he actually wanted someone petite and blonde. There was the groomsman who was irate that Tony should have been “awarded” a woman much younger than him. There was Jake, who had no qualms saying: “I’m not racist, but I do like Caucasian people mostly.” 

Tim, one of several hundred red flags

Where more sensible people would have tuned out here, I stayed loyal to you. We’ve had some good times together over the years – Lucinda Light and the Tin Man, pasta a la Troy, Nasser doing the vacuuming in his underpants. I clung onto these transcendent moments of hope and happiness while Adrian manipulated Awhina through his mumbles, and even when Paul punched a hole in the wall and got nothing more than an extra furrowed brow from expert John. 

At times, I actually felt like you were gaslighting me. You showed me footage of a “footsie” between Adrian and Sierah at the dinner party, and then never returned to it again. You suggested an emotional affair between Dave and Veronica, but you left that one hanging too. Where I don’t blame you is for the incomprehensible storyline of Ryan and Jacqui – one day alien anthropologists will study that footage to figure out where and how humans went so wrong. 

The most confounding couple in MAFS history

That’s not to say that there haven’t been some happy memories from our time together. When Rhi and Jeff saw each other for the first time and realised they had been matched with an old flame – “Hi Rhi”, “Hey Jeff” – was one of the great rom com reality moments in recent years. I also enjoyed how much fun the editors had with Ryan and his katana sword, and that dinner party where Teejay wouldn’t stop calling Beth “darling” despite his tepid feelings. 

Darling, in the words of Jacqui, I tried my ass off – “my literal ass” – to try and make things work between us. I made huge personal sacrifices, missing enormous chunks of zeitgeist pop culture in The White Lotus and Severance, all because you demanded so much one-on-one time every week. I’ve long believed that reality television provides insights into the human experience that no other genre can, but this season has made me think that perhaps we have gone too far through the looking glass. 

Where is Adrian’s comeuppance, I beg of ye?

A decade ago, you felt like a true social experiment, one with the potential to enlighten and educate people on the parts of themselves and their relationships that they might not have otherwise reflected upon. But in 2025, after a long day of headlines about the horrors of humanity, the last thing I want to see are the horrors of humanity in a cocktail dress and too-tight suit pants, barely kept in line by three half-asleep experts who seem to have given up on their professional fields entirely.

Married at First Sight, you have emotionally manipulated me, breadcrumbed me, and lovebombed me. To quote our New Zealand representative Jacqui once more: in a world of red flags, you were the red carpet.  I don’t know exactly what that means, but rest assured I will be taking time over the coming months to reflect upon this sentiment and reassess our relationship status. I’m sorry Married at First Sight Australia, but this is where we go our separate ways. It’s not me: it’s you.

Keep going!
Alex-feature-images-2025-04-10T163610.329.png

Pop CultureApril 14, 2025

New to streaming: What to watch on Netflix NZ, Neon and more this week

Alex-feature-images-2025-04-10T163610.329.png

We round up everything coming to streaming services this week, including Netflix, Prime Video, Disney+, Apple TV+, ThreeNow, Neon and TVNZ+.

Āku Hapa (Whakaata Māori, April 14)

If you like mouthwatering kai and choice kōrero, the bite-sized Āku Hapa! is tailor-made for you and the whole whānau. Join the haututū reo Māori hosts Eda Tang and musician James Dansey, “as they chop, fumble, and laugh their way, i mara ki tēpu on their quest for te kai a te rangatira.” Across the series, the fun-loving duo welcome an awesome array of te reo Māori students to share their stories, practice the language, and cook up a feed. First at the table is investigative journalist Paula Penfold in this snack-tacular celebration of te reo Māori.

The Last Of Us (Neon, April 14)

HBO’s powerhouse adaptation of the beloved video game The Last Of Us is back for a second heart-wrenching season this week. Picking up the story five years after the first season’s crushing conclusion, Joel and Ellie are settled in the relatively peaceful Jackson, Wyoming. However, it’s not long before things go horribly awry, and the pair are torn apart as their tortured past finally catches up with them. Unsettling as ever with plenty of clicking Cordyceps critters, season two also “expands its storytelling horizons while narrowing its thematic interests to a fine point.” Be prepared: every path has a price.

The Narrow Road to the Deep North (Prime Video, April 18)

Gen Z heartthrob & Saltburn star Jacob Elordi teams up with Australian auteur Justin Kurzel, for The Narrow Road to the Deep North, a “big, bold, complicatedly sensual epic of wartime anguish and personal reckoning.” An adaptation of Richard Flanagan’s Booker Prize-winning novel, the non-linear mini-series follows the Brando-like Elordi over several decades as a brooding Australian surgeon. He’s haunted by the memories of a brief, intense affair and the  harrowing experience as a POW on the infamous Burmese death railway. The Narrow Road to the Deep North looks to be no The Bridge on the River Kwai, but a visceral, shell-shocking piece of work.

Government Cheese (Apple TV+, April 16)

Starring Silo’s David Oyelowo, Government Cheese is a sharp, surreal comedy about a recently released ex-convict who, with the help of a little divine intervention, hopes to reunite his family and leave his criminal past behind. With shades of Wes Anderson, the series doesn’t look like it’ll be cheesy, but an offbeat exploration of life on the margins and the cost of daring to dream. If you’re feta-up with one-note comedies, then Government Cheese is the series for you.

The Wild Robot (Netflix, April 18)

Peter Brown’s The Wild Robot trilogy was a smash hit, and it’s now time for the big-screen animated adaptation of these beloved children’s novels. From Chris Sanders, the director of How to Train Your Dragon, comes the stirring story of Roz, an intelligent robot marooned on an uninhabited island. Voiced by Lupita Nyong’o, Roz must build relationships with the native flora and fauna to survive the island’s harsh surroundings. Labelled as “a dazzling triumph of animation in which you feel the filmmakers’ attention on every frame,” The Wild Robot is perfect for children and discerning critics alike.

Pick of the Flicks: The Edge of Seventeen (Neon, April 18)

Hailee Steinfeld earned an Oscar nomination for her breakout performance in the Coen brothers’ True Grit, but Steinfeld’s turn in The Edge of Seventeen is arguably her finest hour. In Kelly Fremon Craig’s coming-of-age directorial debut, Steinfeld plays Nadine, a sarcastic, socially awkward teen in the throes of an identity crisis. High school life becomes even more unbearable for the frazzled freshman when her best friend starts dating her goody-two-shoes brother. On par with The Breakfast Club or Clueless, this “disarmingly smart, funny and thoughtful piece of work,” may be the best coming-of-age film of the 2010s.

The rest

Netflix

Keeping Up with the Kardashians: S15-S16 (April 15)

The Glass Dome (April 15)

The Diamond Heist (April 16)

Project UFO (April 16)

Ransom Canyon (April 17)

Istanbul Encyclopedia (April 17) 

The Wild Robot (April 18)

Oklahoma City Bombing: American Terror (April 18)

 iHostage (April 18)

Heavenly Ever After (April 20)

WWE WrestleMania: 2025 (April 20)

TVNZ+

Weird: The Al Yankovic Story (April 14)

Amanda and Alan’s Spanish Job (April 14)

My Policeman (April 15)

Jungle (April 15)

The Rehearsal (April 15)

Respect (April 15)

Riddick (April 15)

Love Triangle Australia S3 (April 15)

Gypsy Rose: Life After Lock Up (April 17)

Can Elon Musk Rule The World? (April 18)

Hook (April 18)

Book Club: The Next Chapter (April 18)

Peter Rabbit 2: The Runaway (April 18)

Charlie and the Chocolate Factory (April 18)

You Don’t Mess with the Zohan (April 19)

Hunting Aotearoa S19 (April 20)

Hop (April 20)

Big Daddy (April 20)

Back to the Future (April 20)

Per Elisa: An Italian Crime Story (April 20)

Mythbusters: There’s Your Problem (April 20)

Honey Girls (April 20)

Back to the Future II (April 21)

Bros (April 21)

Back to the Future III (April 22)

Street Fighter (April 22)

ThreeNow

Wild Cards S2 (April 14)

Leverage: Redemption S3 (April 17)

1000-lb Sisters S1-S4 (April 19)

Longmire S1-S6 (April 20)

Neon

The Last Of Us S2 (April 14)

Death in Paradise (April 15)

Return to Paradise (April 15)

Poolman (April 16)

Fanny: The Right to Rock (April 18)

The Edge of Seventeen (April 18)

Baby Looney Tunes (April 19)

Law & Order: Organized Crime S5 (April 20)

Prime Video

Get Smart (April 15)

#1 Happy Family USA (April 17)

The Boogeyman (April 17)

Leverage: Redemption S3 (April 17)

The Narrow Road to the Deep North (April 18)

Disney+

How I Escaped My Cult (April 16)

The Stolen Girl (April 16)

Tracker: S2 (Episodes 9-14) (April 16)

Light & Magic: S2 (April 18)

Titanic: The Digital Resurrection (April 18)

Apple TV+

Government Cheese (April 16)

Jane S3 (April 18)

Hayu

The Valley S2 (April 16)

Acorn/AMC+/Shudder

In Flames (Shudder, April 14)

Chain Reaction (2006) (Shudder, April 14)

The Little Girl Who Lives Down the Lane (Shudder, April 14)

Doomwatch (Shudder, April 14)

Knife in the Water (Shudder, April 16)

Love After Lockup S3A P1 (AMC+, April 17)

Dead Mail (AMC+, Shudder, April 18)

DocPlay

Jazz (April 14)

Mark Twain (April 14)