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The Taskmaster NZ cast (Photo : TVNZ/Tina Tiller)
The Taskmaster NZ cast (Photo : TVNZ/Tina Tiller)

Pop CultureOctober 21, 2020

Taskmaster NZ proves we can do panel comedy as well as the Brits

The Taskmaster NZ cast (Photo : TVNZ/Tina Tiller)
The Taskmaster NZ cast (Photo : TVNZ/Tina Tiller)

New Zealanders love Taskmaster UK. But will they warm to the homegrown version? 

Guy Williams is doing his best to amp up the crowd, while Angella Dravid sits quietly alongside with her usual look of both discomfort and amusement. Leigh Hart has that wry smirk on his face that viewers of Moon TV and the Late Night Big Breakfast will know well. 

I’m in the audience for a recording of Taskmaster NZ, just a week after Auckland shifted out of alert level three. I know in my heart of hearts that it can’t live up to the UK version. But I’m there to see just how bad it is. A part of me is very optimistic – the casting is about as perfect as you could get for a New Zealand version of the acclaimed UK comedy. Alongside Williams, Dravid and Hart are Madeleine Sami and Brynley Stent. It’s basically the dream lineup. 

But it’s a New Zealand reboot! The odds are stacked against it, surely? 

Madeleine Sami and Paul Williams in Taskmaster NZ (Photo: TVNZ)

Taskmaster has gone from cult comedy to mainstream in the UK, returning for its tenth season this month. Its popularity in New Zealand has skyrocketed over the past couple of years and our own Rose Matafeo was even a panellist for series nine. Now, there’s a book, a board game, and creator and co-host Alex Horne has gone from nobody to celebrity.

The premise, for those who still have no idea what I’m writing about, is simple: five comedians perform seemingly menial or stupid tasks and are then ruthlessly ranked according to their performance. For example, paint a picture of a horse, while riding a horse. Make a meal with ingredients made from all 26 letters of the alphabet. Or, get a coconut as far away as possible, without touching the ground or stepping on the same object twice.

In the UK, The Inbetweeners’ Greg Davies does the judging. Here, it’s Jeremy Wells who takes on the role of the eponymous Taskmaster. Assisting him is Paul Williams, comic and musician, who slips into Horne’s role – the awkward accomplice and comic foil for the Taskmaster. The fact it pulls in millions of viewers in the UK is down in part to the chemistry between the two. 

Jeremy Wells and Paul Williams (Photo: TVNZ)

After watching the first episode, and seeing the second recorded live, I can safely and happily say the New Zealand reboot goes against the trend of terrible local versions of massive franchise hits. This is certainly no Would I Lie To You?, which – despite having Paul Henry and Jesse Mulligan – never came anywhere close to its UK namesake. It’s also at the complete opposite end of the quality spectrum to Gogglebox NZ (spoiler: that was incredibly shit).

The success of Taskmaster NZ comes down to a combination of sublime casting and the tasks themselves. For the show to work, it needs a range of comic talents: a stupid funnyman (Williams), a person who thinks outside the box (Hart), a wild card (Dravid), and a couple who float between the typecasts (Stent and Sami). I’ve seen only two episodes, so it’s possible those roles could change – but if the show had been filled with, say, the 7 Days cast, I doubt it would come anywhere close to replicating the UK version’s success.

The other important casting point is the Taskmaster and the assistant. Wells is probably the weakest part of this version, early on. It’s pleasing that he’s not pretending to be Greg Davies – Wells is very much playing himself – but his judging of the tasks is almost too… nice? 

Paul Williams, on the other hand, is well-suited to the role made famous by Horne. He’s sheepish and uncomfortable enough, and the banter between the cast during the task sequences makes for hilarious watching. His banter with Wells, though, falls well short of the dynamic between Davies and Horne in the UK. This could easily improve if the TV gods give the show a long enough run. 

At the recording I attended, the banter between Wells and Williams seemed more fluid and natural when the cameras weren’t rolling, so I’m confident things can improve on screen.

Of the contestants, Hart is the stand-out performer, largely because you can’t quite pin down what he’s thinking or what he’s going to do next. There’s a task in each of the first two episodes where his manic energy really works. Coupled with the latest season of The Late Night Big Breakfast, Hart will soon be known to a new generation as more than just the guy from the Hellers ads. While Hart steals a lot of the show, Taskmaster is a format where everyone gets a moment to shine – and nobody wastes their screen time. 

Leigh Hart in Taskmaster NZ (Photo: TVNZ)

For fans of the original, the tasks in the New Zealand version are all original, meaning you won’t see anything you’ve already seen tackled by the UK performers. Thankfully, the challenges remain equally as pointless, dumb, and open to interpretation. I can’t wait to see what comes next.

Taskmaster NZ has made the bold choice of going to air at the same time as the latest season of the UK edition. Based on what I’ve seen so far, that might be a gamble that pays off. And while New Zealand television often has the problem of being cancelled before it takes flight, Taskmaster NZ starts high in the sky – and long may it continue.

Taskmaster NZ airs Wednesday nights at 8.30pm on TVNZ2.

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Former NXIVM member Bonnie Piesse and Catherine Oxenburg, whose attempts to free her daughter India from the cult forms one of the main storylines of The Vow. (Photo: HBO)
Former NXIVM member Bonnie Piesse and Catherine Oxenburg, whose attempts to free her daughter India from the cult forms one of the main storylines of The Vow. (Photo: HBO)

Pop CultureOctober 21, 2020

Review: The Vow takes a deep dive into the cesspit of the NXIVM cult

Former NXIVM member Bonnie Piesse and Catherine Oxenburg, whose attempts to free her daughter India from the cult forms one of the main storylines of The Vow. (Photo: HBO)
Former NXIVM member Bonnie Piesse and Catherine Oxenburg, whose attempts to free her daughter India from the cult forms one of the main storylines of The Vow. (Photo: HBO)

Just a few years ago, few people had heard of the self-help group/cult of personality known as NXIVM. Now the dark story has gone global, thanks to an eight-part docuseries that debuts on Neon today.

This review contains mild spoilers for The Vow.

What is it that people love so much that they’d join a cult by mistake?

For the hordes who joined Keith Raniere in his self-improvement cult NXIVM (pronounced “nexium” because why not), the list of reasons includes the standard banalities: they wanted to be more rich, more successful, more talented, and more loved. Ultimately, the need to be loved – and our inability to love ourselves – is the vulnerability exploited by every successful cult.

In October 2017, an explosive New York Times story revealed that NXIVM was more than just a standard Tony Robbins-style personal development pyramid scheme. The increasingly expensive seminars and retreats had evolved into full-blown human trafficking and exploitation systems, disguised as self help programmes to live your best life. 

The new HBO docuseries The Vow, arriving on Neon today, takes us inside the world of NXIVM, the cult that Keith Raniere and Nancy Salzman founded in 1998. Over eight hour-long episodes, the story is told by a group of former members who share their memories and traumas, as they try to bring the organisation to justice. It’s slow and sedate storytelling for something so intense, but the filmmakers – Jehane Noujaim and Karim Amer, whose previous work includes last year’s Cambridge Analytica documentary The Great Hack – use the generous runtime to deftly allow the full insanity to unfold.

This is gripping stuff: a saga of earnestness, privilege, manipulation, money, sex and power. Not all cults start as sex cults, but it’s where, eventually, most of them end up.

Sarah Edmondson,  one of the first members to speak out about her experiences inside NXIVM. (Photo: HBO)

In The Vow, the slow creep of the NXIVM cult is recalled and reconstructed by its survivors. First there were the introductory steps, the self-improvement exercises, maybe a day or two here and there to really get into the philosophy. In NXIVM, it wasn’t meditation or prayer or alternative lifestyles that lured people in. The first step in NXIVM’s system was ESP, or Executive Success Programs – an expensive personal development courses that claimed to teach people to overcome their “limiting beliefs”, and acted as a funnel into the higher levels of the cult, where the real weirdness lay.

Like many pervy cult leaders, Keith Raniere gave himself a cheesy title: Vanguard. That’s right, this creepy little man who was kind of OK at playing volleyball and piano called himself Vanguard, and expected other people to call him that as well. Which they did, of course, because they were greedy people who wanted Executive Success.

The systems and techniques that keep people cultified are a fairly standard playbook by now. If you can overwork your followers, that’s a great start. If you can tear apart their psyches by doing some hack analysis or embarrassing them in front of their cult-mates, you’re onto a winner. Start depriving them of sleep and baby, you’ve got a cult going! The heart and horror of the NXIVM story is the absolutely brutal things that went down once people were deep into the cult; and how a slow process of indoctrination, manipulation, and codependency brought those things about. And by brutal, I mean completely brutal: think sex trafficking, branding, and blackmail.

Bonnie Piesse, a former member of the NXIVM cult and one of the stars of The Vow. (Photo: HBO)

How exactly people fell into traps like that is the really chewy part of the NXIVM story. The Vow moves from first hand accounts, through archival footage – NXIVM, much like The Manson Family, had its own filmmaker on staff – and into a legal drama as the survivors chase down justice. The most harrowing details concern the machinations of NXIVM’s sub-group DOS, a secret society of women slaves. I’m not using that word lightly – master and slave was what the members called themselves; DOS demanded zombie-like obedience, for life. 

The issue of women using and abusing other women is uncomfortable, and in this case complex. While it is absolutely true that women can be abusers and manipulators, in the case of DOS there was a higher manipulation occurring. While DOS operated as a kind of multi-level marketing version of sexual abuse, with women recruiting and abusing other women, the whole thing was Raniere’s idea, with him as ultimate “master”.

Raniere’s right-hand woman in the creation of DOS was Alison Mack, an actress best known as Chloe Sullivan on the show Smallville. As The Vow shows, NXIVM was wall to wall actors, actresses, filmmakers and beautiful people. As a drama, The Vow depicts a kind of nouveau American Dream that would seem hacky, schlocky and silly if it wasn’t totally true.

As the story unfolds, we hear gut wrenching stories of emotional and physical abuse and devastation, accompanied by stranger-than-fiction detours including a journey to northern India to ask the Dalai Lama to visit the NXIVM compound, and Catherine Oxenberg – Dynasty actress and minor European royal – asking her mother to please appeal to their cousin Prince Charles, since he’s such good friends with the Tibetan spiritual leader.

It’s peak white, peak woke, and peak capitalism. The experiences of former and current NXIVM members are completely horrific, but as a viewer it is a curious experiment to ask yourself if you’d fall for the huckster tricks Raniere and his associates used to reel people in. Unlike Scientology, for a long time NXIVM flew under the radar, promising community, friendship and personal success, without any of the unfortunate downsides of a cult.

While you can Google Keith Raniere to find out where the eventual criminal case against him stands now, I’d advise against it. The Vow is an incredibly absorbing way to let the story unfold in front of you, at a measured pace that allows the slew of revelations their full impact. Get hooked on The Vow – it’s much more healthy than accidentally getting hooked into a cult.

Season one of The Vow arrives on Neon on October 21.