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Scribe
A new documentary follows Scribe’s grim past, and looks towards a hopefully brighter future. Image compilation: TVNZ/Tina Tiller

Pop CultureNovember 27, 2021

Behind the scenes of Scribe’s new documentary

Scribe
A new documentary follows Scribe’s grim past, and looks towards a hopefully brighter future. Image compilation: TVNZ/Tina Tiller

Producers of Scribe’s bruising TVNZ series didn’t know how it was going to end. 

Malo Luafutu is standing outside a bland weatherboard house in the east Christchurch suburb of Aranui. The famed Aotearoa rapper, more commonly known by the name Scribe, shuffles nervously on his feet while taking deep puffs on his vape. The dark sunglasses covering his eyes are, one suspects, to mask the pain. 

Clearly, the house behind him – the childhood home where he grew up – is making him anxious. So it proves. “This,” Luafutu says, gesturing at the building without looking at it, “was a very sad house to live in.”

A small yellow car pulls up, and an elderly woman steps out. It’s Judy, Luafutu’s former neighbour, one who used to comfort the youngster after the constant beatings dished out by his father. From the age of two, Luafutu would run next door and climb into bed with her to escape the violence.

“Everyone around here knew about the hidings that we got,” Luafutu tells the camera.

Scribe
Scribe stands outside his former childhood home in the Christchurch suburb of Aranui (Image: TVNZ)

When Judy arrives, Luafutu’s attitude shifts. His voice sounds light and free. “Oh my goodness!” he exclaims, sounding less like the award-winning rapper known for topping the charts with the gruff chant “How many dudes you know roll like this?” and more like someone who’s just discovered a long lost friend.

He hugs Judy, introduces her and says: “I really love this lady here.”

That scene, both a punch in the guts and a squeeze of the heart, comes early in TVNZ’s brutal new documentary Scribe: Return of the Crusader. Shot over the past year, it covers Luafutu’s troubled childhood before he rolled up the charts, the dark times he experienced after finding musical fame, including 15 years spent addicted to meth.

It also covers his current life, newly sober, reunited with his four children and the rest of his family, with a comeback album in the works. 

That scene with Judy? None of it was planned. “Literally, she just drove by,” says Chris Graham, the documentary’s director who was behind the cameras that day.

Graham has directed some of Scribe’s biggest music videos, including the No. 1 hits ‘Stand Up’ and ‘Not Many (The Remix!)‘. After 10 years with no contact, making this documentary has seen his relationship with the rapper come full circle. Many moments, like Luafutu’s reunion with Judy, floored him. “We just went, ‘Oh my god’ … It’s a gorgeous moment.”

Graham’s documentary has plenty of those, from rare home footage of Scribe’s early recording sessions with Peter Wadams, aka P-Money, to being mobbed by fans like he’s a member of the Beatles, and playing to huge, rabid crowds, both here and overseas. There are tearful interviews with Scribe’s family members, including his children, ex-wife, and his cousin, Karoline Fuarose Park-Tamati, the artist known as Ladi6. At Moana House, a rehab centre in Dunedin, the place that helped Luafutu get clean, he hugs the staff who helped him deal with his demons.

It also includes recent footage of Scribe in the studio, recording what appears to be an impressive comeback album, snippets of which appear frequently throughout the series. 

Scribe
Scribe at Dunedin rehab centre Moana House (Image: TVNZ)

But it’s full of dark moments too. Much of Graham’s documentary deals with the after-effects of trauma. The abuse Luafutu and his brothers suffered at the hands of his father, John, is laid bare. A childhood spent battling racial abuse in the streets of Christchurch, including the death of a close friend at the hands of white supremacists, and a confrontation involving a sawn-off shotgun, is covered. Luafutu’s also upfront about his drug abuse, and recent troubles with the law that led to jail time. 

Graham admits his series could have been even darker. He, and the film’s production company, The Downlow Concept, had one big problem filming a documentary about Scribe: they didn’t know how it was going to end.

“There’s a gambling element … in terms of where it could go,” Graham admits. “Malo talked openly [about the fact that] there were no guarantees and as a recovering addict he might relapse at any time. We knew that potentially it could be an incomplete or unfinished story arc and that the end of the story might well be, ‘Scribe’s vanished again,’ or, ‘He’s relapsed.’”

Graham’s attitude? “Let go. Let it be what it is.”

That meant it was a different kind of project for Graham, known for his celebratory music videos and work behind the camera on dramas like The Panthers. “I really did think this was going to be a portrait of Scribe, one of the best rappers out of New Zealand, the history he’s been through and the fight with his addiction,” he says.

Instead, it became something else: “A story of triumph, rising out of adversity and a story of inspiration and just getting past trauma and following your dreams.”

Scribe
Scribe’s demons are laid bare in the new documentary, Return of the Crusader (Image: TVNZ)

Scribe’s documentary comes at a time when local hip hop fans have the opportunity to reflect. On RNZ, two seasons of NZ Hip Hop Stand Up have aired, providing mini-documentaries – many made by Graham – that dive into specific homegrown hip hop hits, songs like OMC’s ‘How Bizarre,’ Dam Native’s ‘Behold My Kool Style’ and Sisters Underground’s ‘In the Neighbourhood’. 

Over on Spotify, Phil Bell, aka DJ Sir-Vere, has a huge undertaking with Aotearoa Hip Hop: The Music, The People, The History, a deep dive into how hip hop started around the country. It’s taken three years and more than 100 interviews by him and the music journalist Martyn Pepperell to finish it. Bell’s trying to tell the full, complete history, with his first six episodes only spanning the period through to 1996 — well before Scribe burst onto the scene with his debut single, ‘Scribe 2001’, in 2002.

While the local hip hop scene is still thriving, Graham believes the mid-2000s were a “golden age” of Aotearoa hip hop. “When we were all in it, it was just the most magical, synchronous time,” he says. “It was supportive and competitive at the same time.”

He believes it’s worth paying tribute to it. “It might just be us kind of having middle-age retrospect on how special that time was and we want to re-celebrate it.”

Luafutu’s got his own milestones to celebrate. He wasn’t made available for an interview with The Spinoff, but Graham says he’s with his family in Christchurch and is doing well. His documentary makes it clear it hasn’t always been that way, even recently. “I’m pretty sure he’s hit the year mark now, which indicates even when we were agreeing to do the documentary, he was relapsing,” says Graham.

That meant there was another reason for making the documentary other than recapping history. “He knew [it] would keep him accountable, both for his sobriety, and for the album, and to tell his story,” says Graham. “He’s had some bumpy times in the past year but he’s in a really good space.”

Scribe: Return of the Crusader is available to watch on TVNZ on Demand here.

What is New Zealand watching on Netflix, and for the love of all that is streaming, why are we watching it? (Image: Tina Tiller)
What is New Zealand watching on Netflix, and for the love of all that is streaming, why are we watching it? (Image: Tina Tiller)

Pop CultureNovember 26, 2021

What New Zealand does and doesn’t watch on Netflix

What is New Zealand watching on Netflix, and for the love of all that is streaming, why are we watching it? (Image: Tina Tiller)
What is New Zealand watching on Netflix, and for the love of all that is streaming, why are we watching it? (Image: Tina Tiller)

Last week Netflix has released a treasure trove of information on its most popular shows and films worldwide. Sam Brooks scoured the data to see what New Zealanders have been watching, and how we stack up with the rest of the world.

Netflix has been the streaming giant for almost all of the last decade, but one sticking point from commentators, critics and audiences has always been: What the heck do people actually watch on the site?

Last week, the company gave us a peek behind the curtain. The streamer launched a new website, Netflix Top 10, that collates lists of the 10 most watched series and films on the service, in every country in which it operates. It’s a fascinating insight into what’s popular in New Zealand, now and in weeks past, and how our viewing habits differ from those in other countries.

It’s worth noting that Netflix Top 10 only highlights the platform’s top-performing content, not the stuff that’s sunk without a trace. This is hardly surprising – in recent years Netflix has been notably eager to tell the world about its  hugely successful shows. You might have heard that Squid Game is the most watched Netflix show ever, just nine months after Bridgerton was the most watched Netflix show ever, just a year after The Witcher was the most watched Netflix show ever. Like those announcements, this new site is more about self-promotion than it is genuine transparency.

I’ve picked out a few of the more interesting statistics showing how New Zealand watches Netflix, what we watch, and how goddamned basic we are sometimes. Meanwhile my colleague, Spinoff head of data Harkanwal Singh, has created a couple of fun data visualisations of our favourite Netflix shows and films since July – click play on the first one below to see how the rankings have changed.

Pictured: New Zealand showing up to watch Squid Game. (Photo: Netflix)

We watched Squid Game just like everybody else.

As of last week, Squid Game has been in the top 10 most watched series since its debut in October. So we’re not all that different.

But we don’t really watch a lot of foreign language shows.

Since July, the only other foreign language series to show up in our top 10 are The Cook of Castamar (July 12 – August 1), Last Madame (August 9 – August 15), The Chestnut Man (September 27 – October 32) and Hellbound (November 15 – November). These series are Spanish, Singaporean, Danish and Korean respectively.

The Father Who Moves Mountains (Romanian) and Kingdom: Ashin of the North (Korean) are the only two foreign language films to feature in New Zealand’s top 10 since the start of July .

Have you heard of any of those? Maybe not. Which brings me to my next point.

There’s a lot of stuff on Netflix that heaps of people are watching that you know nothing about

That’s a convoluted way of saying: television is being made for people that aren’t you.

While the usual suspects of what are considered “popular” Netflix shows recur in the top 10 – You, Sex Education and Sex/Life are some examples – there’s a lot of enormously popular shows that haven’t had much mainstream media coverage at all. One of these is Arcane, the second most watched series in the country, which is an animated tie-in to the video game League of Legends.

Another series which has never been a “hot” show but is beloved by its many fans is Maid, a limited series starring Margaret Qualley as a young mother struggling to break out of the cycle of poverty. It is the show that has appeared in the top 10 for the most weeks after Squid Game, at eight weeks.

There might be another reason for Maid’s success, though…

Margaret Qualley in Netflix’s Maid. (Photo: Netflix)

We’re watching a lot of dudes

After scanning through the past five months of top 10 shows, there’s one odd trend: most of these shows have male protagonists. Among the few women-fronted shows that made it to the top 10 are Mom, Frayed, Sex/Life, The Babysitter’s Club, Good Girls, Virgin River and Blindspot. Of these, only Blindspot and Good Girls have hung around in the top 10 for longer than two weeks.

In light of this, the wild success of Bridgerton and You, both shows whose target audience is absolutely female (or, in my case, people who love camp more than a hungry bear) makes a lot more sense. If you only give a certain audience what they crave once a year, you can be sure they’ll jump on that like the aforementioned hungry bear on an unattended pic-a-nic basket.

We don’t just watch Netflix shows on Netflix.

An interesting phenomenon here, and in non-US countries across the world, is how many shows we watch on Netflix that started life as network TV in their home country (usually the USA), but have been purchased by Netflix and rebranded as Netflix Originals. On New Zealand Netflix, these include Good Girls, Blindspot, Chicago Med  and Dynasty – all of which show up in the top 10 multiple times, and for multiple seasons.

An interesting twist here is Young Sheldon, the Big Bang Theory prequel that is available on both TVNZ on Demand (a free service) and Netflix (a subscription service), where it has been a consistent top 10 presence for the last two months. That people are choosing to watch it on Netflix despite it being available for free elsewhere suggests that convenience and inertia, as much as anything else, are the keys to Netflix’s success.

Ryan Reynolds, Gal Gadot and Dwayne “The Rock” Johnson in Netflix’s Red Notice. (Photo: Netflix)

We’re basic as hell

You guys, Tiger King 2 and Red Notice were our number one most watched TV show and film last week. I thought we were better than this, I hoped we were. Do better.

We move on pretty quick

Very few things stay in the top 20 for more than two or three weeks. As of last week, the only series to break being in the top 10 for more than five weeks are Squid Game (10 weeks), Maid (eight) and You (six weeks for the latest season).

This might be just the way we watch TV these days, or it might be the way that Netflix encourages us to watch it, which is all at once, right away, thank you.

The Croods?

Which of you got The Croods into the top 10 in the year of our Lord 2021? I know it was one of ya’s!