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Image: Aleksander Nakic/Getty
Image: Aleksander Nakic/Getty

BooksMarch 12, 2020

The Glove, a short story by Damien Wilkins

Image: Aleksander Nakic/Getty
Image: Aleksander Nakic/Getty

Damien Wilkins’ novel Aspiring is out today. It sprang from this very Salinger-y short story, which we remembered reading in Annual and are delighted to publish again here. First, a brief intro from Wilkins: 

I don’t write for children. Kate de Goldi made me do it. She very kindly asked if I’d write something for the first Annual. I said no. I didn’t write for children. But Kate said that was exactly the kind of writer they wanted for their Annual. And that they paid well. I said OK I’d try. The other part of the brief was that it should be connected to boys’ lives. I remember years ago talking to a male teacher about boys not reading and he thought it was because there weren’t enough stories about tractors and trucks, people doing things. Maybe he’s right, I thought, thoroughly depressed by the idea of tractor literature.

Somehow I had an image of a boy with a softball glove that didn’t belong to him. Who did it belong to? His dead brother? Yes, okay, try that. But first, do the softball game – a thing boy readers will relate to. Here’s what came out:

 

       One time my dad came to a softball game and Ben Dreaver was patrolling the outfield upside down. When the ball came near, Ben walked towards it on his hands. People were shouting at him but he took his time.

                You’re not some dreamer, my Dad says.

                Some Dreaver, you mean, I say.

                What? he said.

 

When I came to write Aspiring, the novel which swallows ‘The Glove‘, I knew it would be about boys like Ben Dreaver. Kids who see the world upside down. Because of course it is. We live on a planet where summer warmth means crisis.

 Whereas the short story could run on the smell of the glove, the novel needed other things: thugs, creeps, basketball, sex, food. It gathered speed, or moss, since again I have failed to insert a tractor into the narrative. I imagine girls might like it.

 

THE GLOVE

 

At softball I like to be the catcher. 

That’s because you always want to be involved in the game, my dad tells me. 

Hmm, I say. 

I was like you, too, he says. 

Hmm. 

Because you want to be right in there, not loafing around or picking daisies or doing handstands like some kids. 

One time my dad came to a softball game and Ben Dreaver was patrolling the outfield upside down. When the ball came near, Ben walked towards it on his hands. People were shouting at him but he took his time. 

You’re not some dreamer, my dad says. 

Some Dreaver, you mean.

What?

Never mind.

When my dad was in the navy, he got a tattoo. It ran down his left bicep and said Gimme a break. This was way before he had kids. 

Behind the batter, it’s true, you’re involved in every ball. You call the play. You watch the runners. You’re coiled, ready to throw, to tag. But that isn’t why I like it. I like it because … you can stop the game. The play ends each time the ball enters your glove. For a moment, you have decided, through the act of catching, that this particular segment is finished. Until you throw the ball back, the world is still. It is waiting. Nothing more can happen. It is all yours.

Today is the 14th of February. 

There was another 14th of February, the first one if you like. Once upon a time I had an older brother called Mike. I was five years old and Mike was 10. What happened: the car Mike was travelling in blew a tyre and went down a bank. Mike was going to a softball tournament with his best friend, Ronnie Saker, and Mr Saker was driving. The Sakers weren’t badly hurt but Mike‘s neck was broken – clean, they said clean, I remember that. He was killed straight off and it was “peaceful everyone said, or as peaceful as hurtling down a bank and being thrown around like a doll can be, and it was a clean break. 

Gimme a break. 

I don’t really remember Mike. Of course there are photos, but if you were to ask me about the sound of his voice or anything I’d find it hard to say. 

I remember there used to be someone else in the bedroom with me at night. A body, sleeping and breathing. This presence in the room at night was Mike, that was my brother. And then there was just a bed. I listened hard to the empty bed. Sometimes it creaked.

Finally, after two years or more, my parents shifted the bed out of the room.

In the Saker’s car, Mike had been wearing the glove. 

Bury the glove, my dad said. I don’t wanna see it. 

No, my mum said. I’ll die if we bury the glove.

That’s his glove, that’s Mike’s glove, said my dad. Belongs with him.

I’ll jump in the hole with him, may as well, said my mum.

The reason I know they said these things is that they repeated them. It was their anniversary argument. Every 14th of Feb. What to do, what should have been done with the glove.

My dad would yell, I’m going to get that glove right now and throw it in the rubbish!

Somehow Mike’s softball glove ended up in the glass cabinet in the lounge. My dad never looked in the cabinet. He avoided it. When he had to get something out of the cabinet – a bowl or the fancy wine glasses – he sent me. He passed the cabinet with his head turned. 

One day – I must have been eight or nine – I took the glove from there and went and played softball with my friends. I showed my friends my brother’s name written in the glove. That’s my brother, I said. But he’s dead. They were all amazed and I felt wonderful to have a dead brother and to have his glove with his name written inside in his own handwriting. I said, He was wearing this glove when he died. 

Is there blood? one of the kids asked. 

No, I said, he broke his neck and it was a clean break.

When I got home, Mum caught me with the glove and suddenly I was saying all this stuff about missing Mike and wanting to be near something that had been his and why was the glove in the glass cabinet where it couldn’t be touched and wasn’t it better to let Mike’s glove have a life. 

When I started in on the speech I was just making it up. But by the time I’d finished I was crying and my mum went quiet and finally she said she would talk to my dad about it. 

Outcome: I could use the glove. I heard them upstairs arguing. I don’t care about the glove, said my dad. Give it to him! Maybe he’ll lose it somewhere and we’ll be done with it.

Here’s the strangest thing though. Once I had it and was allowed to use it, I didn’t want to. I kept it in my drawer and I only took it out when I was alone in my bedroom and only then once in a while. Anyway, I had my catcher’s mitt by then.

We used to celebrate the anniversary of the accident. The Sakers would come round for a piece of cake. The photos would get pulled out and someone would remember some little funny thing Mike had done. Ronnie Saker would look at the carpet. But also he’d look quickly at the glass cabinet. Then back to the carpet. My mum would remark on his height. Look at you! He would blush, ashamed of growing up, of getting older. And my dad would say to me, Take Ronnie outside and do something. We’d go into the back garden and, without talking, slowly pass my soccer ball back and forth until it was time for the Sakers to go home. 

Then the Sakers couldn’t make it one year and it was kind of a relief because the next year they didn’t come either but still the three of us would sit round with the cake and the photos, trying to remember the little funny things Mike had done. Finally there wasn’t a cake, just a prayer for Mike from Mum, who usually didn’t say prayers, or not aloud and not visibly. At the dinner table when she started speaking and clasping her hands, my dad and I knew enough to bow our heads, and when she’d finished my dad said Amen, a word I’d only ever heard him use as part of the phrase Amen to that. 

Today is the 14th of February. 

We sit at the kitchen table, eating dinner. It is too strange. No arguments, no prayers, no nothing. Have they both forgotten the date? It’s all pretty pleasant and unreal. Mum and Dad chat about nothing much. The weather! Then Mum stands up to clear the plates and she pauses and says, Ah well, Mikey would have been seventeen.

Dad looks at her and reaches for her hand. That’s true, he says. And they both smile at me. 

I feel as though I can’t breathe.

I go upstairs and take Mike’s softball glove out of the drawer. I put it on, then I put the glove over my face. I must look weird. I must look like I don’t have a face. 

Inside the glove it’s dark. The beautiful sweet leather smell. Like toffee and varnish. I give it a lick. Okay, it doesn’t taste great. 

You could yell into the glove and hardly any sound came out. It was as though you were at the end of a long corridor and the little slits between the fingers were windows splintering the light. I’d done it before –the muted yelling. But tonight, no. I take the glove off my face.

Downstairs I say to my dad, Coming out for some throws?

Not right now, he says. He’s slumped in front of the TV. 

What about you, Mum? I say.

Me? She’s wiping down the table. 

Come out for some throws. 

Her? says my dad. She can’t throw.

Well, that’s not true, says my mum.

Come out then, I say.

She looks out the window. The day is already losing the light. It’s a nice evening, she says. 

I have my catcher’s mitt by my side. Mike’s glove is back in the glass cabinet. I put it there. I say, How am I supposed to get better if I don’t practice?

It’s still warm, the night air a light covering on the bare skin of my arms and legs. I squat down in our back garden and punch the glove. Toss it in, Mum. Give it all you’ve got.

All I’ve got? Be careful what you ask for, buddy.

Wind that arm back and throw it as hard as you can!

My dad has come to the open ranch-slider in his bare feet. He’s grinning, rubbing his tattoo. I know that soon he’ll be taking the ball from Mum and giving me some throws. He wants me to be better. He’s itching to take over. He’s got a hard throw and he doesn’t care that you’re a kid.

You ready for this? says Mum.

Do it, says Dad. 

Ready, I say.

She winds her arm way back and lifts her front foot as if she’s a baseball pitcher. 

Wrong sport, says my dad. He’s laughing. Wrong sport!

Then she throws the ball. 

Maybe I closed my eyes for a split second. Not because I was afraid. But because … when you close your eyes, you’re taking a picture of what you’ve just seen, right? You’re keeping it safe. Click. The night my mum sent down the pitch, watched by my dad, who was laughing. The 14th of February. As if this was the new thing we did now on this special date. We convened in the back garden on a warm summer evening and threw balls at each other with all our might. We remembered in this way and we went a little crazy. 

I don’t know where that ball went though that my mum threw. Nowhere near me and my outstretched glove. Into the neighbour‘s! Yes. Must have passed through the hedge with barely a whistle or a rustle. Passed clean through. That ball had some speed. Hey, Mike, hey Mikey, you should have seen it.

We all paused. It was completely quiet. Then through the hedge the neighbour’s dog was barking, very excited. Then he stopped too. Silence. He had the ball in his mouth, I suppose.

Damien Wilkins ©2016 from Annual, edited by Kate De Goldi & Susan Paris (Gecko Press, 2016) www.annualannual.com/

Aspiring by Damien Wilkins (Annual Ink, an imprint of Massey University Press, $22) is available from Unity Books. 

Love your local bookshop. Unity Books Auckland. Photo from when they won best bookshop in the whole world in 2020. Photo: Heart of the City
Love your local bookshop. Unity Books Auckland. Photo from when they won best bookshop in the whole world in 2020. Photo: Heart of the City

BooksMarch 12, 2020

‘An absolutely amazing day’: Unity Books Auckland named international bookstore of the year

Love your local bookshop. Unity Books Auckland. Photo from when they won best bookshop in the whole world in 2020. Photo: Heart of the City
Love your local bookshop. Unity Books Auckland. Photo from when they won best bookshop in the whole world in 2020. Photo: Heart of the City

A little bookshop on High Street just scooped a massive prize. We caught up with Jo McColl to celebrate.

A trove of wonderful books and wonderful book people, Unity Books Auckland was overnight recognised on the world stage, winning the 2020 Bookstore of the Year Award. The London Book Fair at which the prize was to be announced might have been corona-cancelled, but who cares when you’ve just pocketed a global gong like this.

Unity Books (sponsors of The Spinoff’s books section) turned 31 years old last month, and Jo McColl has been there since the beginning. With a pair of other staff dispatched to London to collect the prize, McColl is currently in New York City. We gave her a call just after she’d crossed the Brooklyn Bridge.

The Spinoff: Incredible news, congratulations. It must be all a bit surreal, with you in New York and your colleagues in London at a kind of ghost event?

Jo McColl: It feels really odd. Things are closing down, like a domino effect, around us. But it’s absolutely fantastic. The Washington Post have asked for a quote, which is lovely. I think everyone wants a good news story right now. Everything’s pretty glum otherwise.

I could not be more delighted. I was hoping in my heart that this would happen, but this is just amazing. Brilliant. Brilliant. Absolutely amazing day.

What is it about Unity that is special? What do you think the judges saw in it?

I think part of it is the good news story – having just opened a children’s book shop, Little Unity, just right next door. That was an incredibly positive thing to do. The city has responded incredibly positively to that. Heart of the City have been right behind us.

Jo McColl at Unity Auckland.

You had to do a submission to enter this, and I think there were 29 entries this year. I think possibly the judges were looking for that happy story. If you look at our Facebook page, the reviews we get are overwhelming positive. It’s just the love of a good bookshop. A good bookshop in the heart of the city.

I’ve been in the trade now for 42 years – at Unity for 42 years! – and right now the New Zealand book space has books from all around the globe, in a way that I don’t know if many other countries do. Because it’s an open market we have access to books from the States and Britain. We’ve got books from every country, pretty much. When you go in there it’s like a world of books within four walls. And I think that’s a reflection of the Auckland community.

Forty-two years! Auckland Unity has only been around 31 of those – it was a kind of breakaway movement from Wellington by you and co-founder Nigel Cox? Tell us the origin story?

Nigel and I were managing the Wellington store together, and we both had reasons to move to Auckland, so suggested to Alan Preston [who founded Unity Books in 1967] that he needed to open a branch in Auckland, and he agreed – surprisingly, because it was in 1989 and the recession had just hit.

So we came up and opened Unity Auckland. There were the two of us and a third person, Angela Travers, at that stage. And that was it: a cast of three. And fast-forward 31 years, it’s a cast of 18. And Angela’s back with us, running the children’s bookshop, which is a lovely feat of symmetry.

One of the most impressive things to say for almost any bookshop is to have survived through the challenges of the likes of Amazon or Book Depository.

It’s amazing. When we opened there were 10 bookshops in our vicinity, within about two or three blocks of us. Now, apart from a little Whitcoulls, us and Jason [rare and second-hand books], they’ve all disappeared.

But we always had complete self-belief. Never doubted, for one moment. Never thought that we would fail. Because we just had something going with the customers, in a way that I knew didn’t exist in other shops.

And I knew that we provided a connection with the American literary market that no other shop was interested in doing or could be bothered to do at that stage. So, for example, when Picador launched its paperback range, I think, in 1992, we were the store that was asked to do the launch. It was a massive launch, a really exciting time. It the first time that Michael Ondaatje, Cormac McCarthy, Edmund White, all those people had been in paperback versions out from another imprint, in this wonderful Picador range. Those were the sort of things that gave us that edge of difference.

But I’ve always been so in love with Unity, having started shopping there myself when I was 14 or 15, having travelled through the city and discovered this alternative bookshop, with all these amazing things that no one else had. So all I wanted to do when I got to university was get a part-time job at Unity Books. And I’ve never gone away.

What will you be doing to celebrate?

Right now, I’m going in to see To Kill a Mockingbird. When I left I said to the staff: we’re going to win. We’re going to win so make sure you get lots of staff organised for Thursday night with lots of bubbles. So I can only guess what kind of hectic behaviour that young crowd will get up to while I’m gone.

I’ve just seen a photo. They’re already drinking champagne in the window of the bookshop.

Excellent. Nigel would be proud.

https://www.instagram.com/p/B9m_oZxJi0z/

Last thing, given it’s a time of Covid-19. If someone’s self-isolating, what’s your recommendation, as owner of the best bookshop in the world, of the book they should take with them?

If they’re not afraid of a big fat novel, I would definitely say The Mirror and the Light, by Hilary Mantel, the third part in the Thomas Cromwell trilogy. It’s even more extraordinary than the other two. Just absolutely unbelievable.

And if they’re not into fiction, there’s a new Erik Larson. He wrote The Devil in the White City, which is a fantastic non-fiction read about a serial killer at the time of the Chicago Fair. But he’s got a brand new book, The Splendid and the Vile, about Churchill. He’s a brilliant author – that will be an amazing read.

But also! If you self-isolate, give us a call and we will courier out to you. We don’t intend to stop selling. We’ll get you your books, come hell or high water.