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A book Unsheltered on shelves, other books washed out in pink so it stands out.
Unsheltered, in situ at Unity Books (Photo: Unity Books; design: Tina Tiller)

BooksMay 25, 2021

It takes a lot to awe Elizabeth Knox, but here we are

A book Unsheltered on shelves, other books washed out in pink so it stands out.
Unsheltered, in situ at Unity Books (Photo: Unity Books; design: Tina Tiller)

Clare Moleta is a Wellington writer and IIML alum whose debut novel, Unsheltered, released last week. It’s one of the most exciting books we’ve read in years – and it has repeatedly knocked the socks off Elizabeth Knox. 

NB: Moleta works as an administrator at the IIML, where Knox is a workshop convenor. Asked to define their relationship, Knox said “Mostly I think I’m an admirer.”

This is an appreciation of Clare Moleta’s Unsheltered, a novel I’ve read four times now, over a number of years. It has changed during that time, its thinking refined and story brought into sharper focus. On each reading after my first one, despite “knowing what happens”, I’ve been thrilled and filled with anxiety and pity at what the heroine Li goes through, and awe at what Clare has achieved.

I was keen on Unsheltered when I first heard it described. I thought it sounded like a chase narrative. I really like chase narratives, stories in which the protagonist is pursued or – as in the case of this novel – is the pursuer, someone trying to rescue someone else. Li in Unsheltered is trying to find her eight-year-old daughter Matti, who she’s been separated from in a fire which broke out during the clearance of an unsanctioned Makecamp – a refugee settlement.

Li’s situation is extreme, and traumatic, but in the world of the book, the ruined world, it’s almost ordinary. Unsheltered is set in an Australia-like very unlucky country, a continent divided into a “sacrifice zone”, land abandoned to conflict or Weather; several Safe Zones populated by approved people and apparently run by corporate bodies and served by private armies; and large territories ungoverned in any way, full of precariously employed or wandering and homeless people, all gradually losing their foothold on a viable life. But we aren’t told this. Rather, we’re walked, or rushed, with Li on roads that run alongside fences that exclude her from the safe part of the world. We glimpse bits of things as if through the dust beyond those fences. We learn there is a perpetual war being fought with some nation to the north, a war which conscripts every child at 15, and that that is why Li and Matti are on the move, to find some place which will allow Matti to avoid that fate. We learn that there’s a brutally under-resourced resettlement agency which tries, ineffectually, to keep families together. The rest of our picture of the world is made of memories of lost places and people of Li’s earlier life, and rumours of havens and harbours, and maybe even a faraway “best place”.  

Unsheltered was a challenging book to get right. Or that is my impression from my time cheering on its sidelines. There were things Moleta had to dig down to and understand, like what it means to be a good parent, or to feel you’re a bad parent, or the necessity of trust and limits of trustingness. Part of the challenge was the novel’s more than usually stark contrast between what the protagonist thinks and what she has to do, her interior life and material needs. Li is highly alert to the present, to food and water she must find and how many miles it will take her. Yet all the while her attention is locked on an unknown faraway, homing in on Matti as she remembers her, and as she yearns for her. The bulk of Li’s attention bends to any means of continuing her search, to the snare with the rabbit in it, the house with a few intact walls that looms out of a dust storm, or a night’s dew collected in a bushcraft still. Moleta has us right there in Li’s scavenging and predatory existence, walking miles on a sprained ankle, hiding from violent men, digging for life-sustaining water-bearing roots, scanning every face for the only face she wants to see. 

This is an extraordinarily suspenseful story. At every reading I was acutely worried for Li, Matti, and others. But my worry was balanced with moments of beneficence, bumps of pleasure when Li finds something to eat, or hears a promising rumour, or gets a lift without having to pay for it in some damaging way. The story’s moments of beneficence seem equivalent with its gutting calamities. It wasn’t exactly that the events of the story offered me hope, more that the loving attention Moleta pays to the world made me aware of all the good and beautiful things still there, even in the relentless catastrophe of Weather and hardscrabble homelessness. In Moleta’s world everything might be killable – ecosystems, people, whole ways of life, the human spirit. But also those things might sometimes just come through by chance, and because they have that in them, the ability to carry on. The swelling in Li’s sprained ankle does go down, and a dry lake fills with water because it has rained hundreds of miles away to the north.

And, occasionally, there’s a little timely kindness. In a world where so many relationships have been reduced to the contractual, any kindness comes as a bit of a shock. Li’s feelings of gratitude make her almost savage. She can’t afford to soften towards the world. The world, with its vicious Weather and skeleton of society, and what people have to do to live in that world, and the ache of wanting to live. The novel hits us with a number of what appear to be unsurvivable events and, starkly realised, the slow attrition of daily life. Even at my fourth reading, these things felt like an end of Li’s story, despite a reassuring thickness of pages still to read. Then there’d be a turn in the story that felt like a resurrection, or the flinging open of prison gates. Many of those reprieves involved luck for Li, and the rest depended on the appearance of kindness. 

Li seems to scorn kindness. But really it’s more that, as a person with many losses and let downs, she can’t look at kindness straight on. She’s learned not to dwell on the things that are done for her, or the things done to her. But – and this is one of the great beauties of this book – Li learns to see her past as a resource among her other sparse resources. Another landscape she can explore for sustenance. Just as she is able to set a snare, or build a still and collect the night dew to drink, she is also able to lie in the darkness looking for everything useful in her past: the bushcraft taught by the man who raised her, and his persistent dreams about unspoiled places. And, when hunger and her own shame at losing her daughter are gnawing at her vitals, Li thinks about her partner, Frank, and what an able and delightful parent he was. This interior journey is as moving as the exterior one is exciting. We get to know and understand, sympathise and root for this remote and calloused woman. I really took to Li. She’s an A-1 kickass heroine. And I loved the thrills, chills and moral intelligence of this actually rather hopeful novel. Hopeful because it is a story which says that, with some luck and some kindness, a person can figure out what they can do, how they can help themselves and others, and what they should continue to fight for.

Unsheltered, by Clare Moleta (Simon and Schuster, $35) is available from Unity Books Auckland and Wellington

Read Clare Moleta’s essay about her book here

Keep going!
A collage from a young Vanuatu woman's childhood photos: preparing coconut, in a market, with a dog, leaning against a brightly-painted wall.
Kali Regenvanu, in Vanuatu (Photos: Supplied)

BooksMay 24, 2021

A first look inside the first-ever anthology of writing by Vanuatu women

A collage from a young Vanuatu woman's childhood photos: preparing coconut, in a market, with a dog, leaning against a brightly-painted wall.
Kali Regenvanu, in Vanuatu (Photos: Supplied)

Tomorrow Mikaela Nyman and Rebecca Tobo Olul-Hossen launch their book Sista, Stanap Strong! A Vanuatu Women’s Anthology, which brings together poetry, fiction, essay, memoir, and song, by three generations of women.

The following essay is by 20-year-old student Kali Regenvanu. It appears near the end of the book, bringing together threads that are woven throughout: railing against entrenched sexism, violence, addiction and poverty.

A letter to Vanuatu: Unkept promises

Vanuatu, you have taken from me.

You have stolen from me my rightful property: my freedom. You have taken it and altered it beyond recognition, twisting it into free doom. You have twisted this Pacific paradise into an unholy hell for women, soaked in misery from decades of our tears – the tears of the women you have crushed under your weight.

Vanuatu, though banning plastic straws has earned you the global title of underdog David to the world’s Goliath, do not fool yourself. Whereas banning straws is a step towards a sunny horizon, your history of wrongdoing to those who live within you places you a hundred steps behind. How can you sleep at night, knowing our nation cares more for the wellbeing of distant beings in the ocean than your very own kin? The ones that gave you life without whom you would not exist.

Vanuatu, tell me why our local news is littered with the rape, abuse and killing of women and girls. As if it’s normal. The men of our nation are disturbingly ignorant to read these bone-chilling stories each and every day and do absolutely nothing about it. Are we not all equally human? Or have the men in our nation evolved into robots, mechanical beings without hearts? How are you so comfortable in your misogyny that you can happily ignore us women?

Photographs of two women, flanking a book cover.
Rebecca Tobo Olul-Hossen and Mikaela Nyman, with the groundbreaking anthology they edited (Photo of Rebecca: Supplied; of Mikaela: Ebony Lamb)

You stick your fingers into your ears while we scream for help. 

You squeeze your eyes shut when you see us suffer.

You tie your hands behind your back when we ask you to free us from our shackles. 

You clamp your mouth shut when you’re given the opportunity to speak up.

You choose ignorance.

And when you choose ignorance, you leave us to suffer, tormented by your inaction.

While you sit on your throne and sip the sweet nectar of power and carelessness, we lie crippled and broken at your feet. A mere shell of who we could be, if you gave us the chance.

Wings clipped and dreams shot down.

Dear Vanuatu, it has become increasingly clear that you are afraid of us. You try to contain us like a deadly virus, to make us submit like dogs. You are afraid because you see our potential and our power. Though you attempt again and again to brainwash us with your dull male chauvinism and tacky paternalistic power structures, we have vision that goes beyond your feeble-minded sight. We will unlearn all the lessons that you have forced upon us in your medieval school of thought.

Every lesson made to 

Suppress

Humiliate 

Silence

Censor

Muzzle

Blame 

And

Disrespect

will be discontinued. These lessons are not only outdated, they never should have existed in the first place.

No longer will we be controlled by you. Vanuatu, you owe us humanity and correction. No more violence, no more intimidation. No more incompetent government officials. No more ignorance. No more pretending.

Vanuatu, you have had years to do the right thing and you have not. Snap out of it. The women of Vanuatu are beyond exhausted by your ineptitude. As a nation we represent a gross violation of human rights and wellbeing. The ranking of Vanuatu as the happiest place on Earth was a bright cover-up, a beautiful lie fed to us to make women believe we are lucky to live on these “heavenly” islands. Vanuatu is the happiest place on Earth for the sexist, the power-hungry and cruel. It is the happiest place on Earth to the blissfully and stupidly unaware.

We are not a democracy, a place of freedom and choice. The only choice we as women are given is to be silent and submissive housewives, or to be shunned and shamed by society.

How is it fair that I am afraid to walk down my very own street? 

Afraid as I lie in my bed?

Afraid for my sister to live and to breathe in Vanuatu’s poisoned air?

So long as there is discrimination, violence and cruelty against women, I cannot love the sea that laps our rich black sand beaches; I cannot love the island breeze on a hot day. I cannot love the beauty here with all this ugliness. Our beautiful waters have been tainted by the oil spill that is toxic masculinity and patriarchy, choking those that should be able to thrive here.

To hell with your straws. Fix your human rights violations.

We are in crisis. This is not a small obstacle, a small hurdle in the grand scheme of life. This is a lifelong tragedy that has blocked any sense of normality and fairness for women.

It must be nice to be a man and have the option not to care.

Our national anthem states “yumi strong mo yumi fri / we are strong and we are free” and yet we aren’t. Vanuatu, hold to your promise of fundamental rights and freedoms of the individual.

Not tomorrow, not in a month, not in a year and not in a decade. 

Today.

Now.

Or don’t bother handing out promises you had no intention of keeping. 

 

Additional note from Regenvanu:

I currently live in Nova Scotia, on the East Coast of Canada and just finished my first year of university here. I started my first semester studying health sciences, but I changed to a double major in Women and Gender Studies and Sociology because it suits my passions in social justice much more. As a newborn baby, my family and I lived in Vanuatu for a short time before moving to Canada. We eventually moved back to Vanuatu when I was 11, so I spent most of my formative years as a young woman growing up in Port-Vila. Unfortunately, due to the pandemic I haven’t been able to go back to Vanuatu since August of 2019.

Vanuatu has represented many different things for me; it has represented the wonderful and beautiful, like important connections to family as well as the challenging, problematic patriarchal structures that exist and govern the lives of women and girls in Vanuatu. Growing up in Vanuatu pushed me to activism and social justice, as I was constantly faced with sexism, racism, homophobia and classism, through my own experiences as well as the experiences of others. I think it is important to simultaneously recognise the beauty of Vanuatu while also admitting to (and actively trying to challenge) the harsh reality that marginalised groups, like women, face every day living there. I wrote this piece not because I want to condemn Vanuatu and all that it represents. The reality is quite the opposite: I love Vanuatu deeply and it crushes me to see it fall deeper and deeper into the harsh realities of sexism and male violence every day that these issues are not addressed.

I feel very grateful that my work is being published in the anthology alongside so many other talented women, and I look forward to the important conversations that will undoubtedly emerge from all of the pieces in the anthology.

Sista, Stanap Strong! A Vanuatu Women’s Anthology, edited by Mikaela Nyman and Rebecca Tobo Olul-Hossen (Victoria University Press, $30) is available from Unity Books Auckland and Wellington