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Pop CultureNovember 10, 2015

Television: Why the My Kitchen Rules Porn Story Wasn’t a Story at All

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An exposé of a perfectly legal former job exposed the hypocrisy with which we treat both reality TV stars and women, says Alex Casey

Over the weekend Stuff revealed that Katrina from My Kitchen Rules NZ was once paid to pose in pornographic photos. As @johubris noted on Twitter, this really wasn’t a news story:

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TVNZ publicists were allegedly left “scrambling” and “red-faced”, not unlike a stressed out MKRNZ contestant who has screwed up their omelette – an act far more troubling in my eyes. I bloody love and respect My Kitchen Rules NZ – and have dozens of sparsely read recaps to prove it – but what I love and respect even more is a woman’s right to do whatever the hell kind of job she feels like.

With that in mind, I have to score this news story a zero. A zero with a disapproving Gareth face.

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The opening sentence explained that “a contestant styled as a sophisticated snob from a plush Auckland suburb has posed in hundreds of hardcore pornographic photos.” Straight away, a few problems. The first is that Dunlop has been styled into a sophisticated snob – that’s a production decision, not hers. Not only that, but did you know – a woman can be a sophisticated snob AND naked in a picture?!

Calling Neighbourhood Watch in all plush Auckland suburbs – there are plush rogue boobs on the loose!! (and when I say on the loose, I mean quietly tucked away in a corner of the internet during the mid-2000s). It’s 2015 and the naked female body is still being treated as dirty, lower class, certainly not something you’d ever find in plush Remuera. Everyone knows you’ve got to get the Outer Link to at least Mt Albert before you can get your boobs out.

Next, Katrina’s old job has now been lumped in with 2015’s most circulated list: our nation’s reality TV participant screening gaffes. They are, in order of magnitude from who the hell cares? to actually quite full on: Dani Robinson’s drink driving charge, the fraudulent past of Danielle Le Gallais and Shae Brider’s manslaughter conviction.

To use some MKR terminology, Katrina’s pictures don’t sit with the rest of the plate. The balance of flavour is way off. There’s a big difference between making someone not be alive anymore, say, and performing a legal service, in private, for money. She took the job because she had just bought a house and was broke, by the way. Drop everything: the headline should have actually read: “Woman BUYS HOUSE in AUCKLAND at AGE 20; Scientists Nationwide Left Puzzled.”

“It was six or seven years ago… I haven’t done anything illegal and it was a one-off,” Dunlop explained, completely rationally. Fine, leave it there. We definitely don’t need a weirdly transphobic, homophobic man to weigh in here. “IT’S NEGLIGENT” shouts Bob McCroskie of Family First, kneesliding into a non-existent debate, claiming that people with “dubious backgrounds” should not be allowed to star in reality TV shows.

Why do we keep inviting this absolute pooper to our party? Reality shows can often lead to a high public profile, McCroskie claims, and could draw unwanted attention to the pornographic images. Not at all like a screaming headline in a Sunday paper, amplified by McCroskie’s entirely predictable comments. Sorry Bob, not to burst your bubble – but MKRNZ stars seldom reach Parliament. They are more likely to end up in a professional kitchen… full of RUMP, BREAST and THIGH. Actually, you’re right Bob: shut the whole thing down, the filth is everywhere:

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And even if a contestant did decide to run for Parliament – which is 100% an option and I would 100% elect any of them to be our Prime Minister – it still doesn’t matter if they have pornographic images in their past. The strangest thing to arise out of this lofty moral panic is a total blindness to the fact that porn is absolutely everywhere in this country – trickling right down to a consistent flow of slimy clickbait headlines on the site in question.

“Katrina told us that she regrets the shoot but was in a difficult financial situation and that it was a life lesson she has moved on from,” TVNZ stated, intentionally or not implying that Stuff and Family First were right to be so irate.

What if she hadn’t moved on though? What if (gasp!) she could be a naked lady… and a home cook? Bob McCroskie would have to quit his full-time job of being mad about young women getting the HPV vaccine. Come to think of it, that’s much more worthy of your outrage than anything Katrina might have done, to help pay off her mortgage, all those years ago.


This content, like all television coverage we do at The Spinoff, is brought you thanks to the excellent folk people at Lightbox. Do us and yourself a favour by clicking here to start a FREE 30 day trial of this truly wonderful service.

Read more from Alex Casey:

– On Boobs on Bikes

– On The Edge’s Cucumber Number

– On Chrystal Chenery

Keep going!
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Pop CultureNovember 10, 2015

Gaming: Costuming and Consuming at Armageddon Expo

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On a rainy Saturday in October, Don Rowe headed to Armageddon with 20,000 sodden gamers, cosplayers and consumers.

A forlorn pikachu trudged along Great South Road under a grey curtain of rain. Water ran from its drooping ears and down into a rapidly disintegrating paper loot-bag. The sagging and ragged hem of its yellow onesie legs were sodden to midshin and spattered with mud. The pilgrim walked onwards, heading to the hallowed ASB Showgrounds.

There’s nothing quite like the smell of 20,000 wet Armageddon attendees, particularly as they start to heat up and humidify in a virtually unventilated expo centre. It’s the scent of Dorito dust in a sauna, of beer and beef jerky. It’s the smell of the impracticality of full-body leather clothing, and Jack Sparrow roleplay taken to its rum-soaked extremes.

But to focus on the smell is to ignore the sights and the sounds. Exquisitely detailed costumes, faithful down to the stitching, were everywhere. Wedged in the tide of human bodies milling through the expo halls I brushed a techno-blasting Dalek, Vault Boys, War Boys, a guy dressed as Uma Thurman dressed as Poison Ivy, a Bioshock Big Daddy and more. The quality was just superb.

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In the food court I watched a guy in a full-length purple leather trenchcoat and Joker makeup grab Ahri from League of Legends in an unexpected hug. “Ahhhhhri my dear, how aaare you?” he asked in a bizarre British accent. Fox ears slightly askew, her face implied she wasn’t particularly good. Somehow the guy managed to be creepier than Heath Ledger’s Joker.

Onwards in the river of bodies, past stalls selling energy drinks and meat products, marijuana hats and nunchucks. Sony’s Playstation booth was two stories high and had a live DJ spinning tracks far above the crowd. It was a veritable shrine to Sony, with television altars and high priests in Playstation tees. From the balcony, the throng below looked like a zombie horde, partly because some of them were actually dressed as zombies.

I stopped briefly at the official event bar, which for some reason wasn’t called the ‘barmageddon’. What a missed opportunity! There were high end tequilas, whiskeys and a bottle of $99 sake. I settled for a marginally less expensive $7 beer. I asked the bartender if they were doing a healthy trade. He just nodded with his eyes wide open and eyebrows raised. While I drank my beer I watched Boba Fett press his gun to the back of the dalek’s head, ready to take it out execution-style.

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People were seriously living their costumes. A crew of shirtless slavers marched through the crowd with shackled prisoners in sack clothing. “Down, slaves!” they bellowed. The slaves screeched and moaned but got down on their knees in the end. The slavers began to dress them down “You are nothing, scum!” screamed the lead slaver, his lips all but brushing the ear of one of the cowering wretches. He was really getting into it.

But the prize for real over-enthusiasm went to the surprisingly aggressive employees from EB Games, who all but pleaded for people to come through their stall.

“What are you doing?” one demanded of me.

“Um, looking at my phone?”

“Well come in here and buy some games!”

“Hmm. No.”

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And that’s the weird paradox of Armageddon. It’s where raw amateur enthusiasm crashes against corporate cynicism. Mass entertainment is a commodity of its own, of course, but nowhere else is the connection between this kind of culture and consumerism more apparent. Some people were there to dress up, others to look at one another, but it seemed like a good deal of the crowd were just there to buy shit.

It doesn’t matter what it was, if there’s a tenuous link to video games or anime, they wanted it. A stall offering a ‘ten games for ten dollars’ happy hour was swamped with a huddle three rows deep within seconds, games and cases flying into the air above the ravaging crowd. Elsewhere, people were getting tattooed with video game protagonists and anime characters. Online giant Mighty Ape had a serious presence, as did Games Workshop, Logitech and more.

The upshot was that at times Armageddon felt like a cosplay expo in a mega mall, where the products took precedence over the people. This feeling was emphasised by the supermarket layout. The fatty, processed big brands dominated both visually and audibly, and smaller, more interesting stalls struggled for attention on the metaphorical bottom shelf. EB Games were doing a ferocious trade just across the way from a caged and lonely Immortan Joe, advertising a costume company. Elsewhere, energy drinks were outselling indie art by a significant margin. A few solitary book salesmen stared out at the throng, melancholy dripping from their self-published titles.

Of course, this kind of event doesn’t happen without some serious corporate coin. However, while the big players are right to expect a return on their investment, the unique spirit of the thing felt somewhat crushed under the neon-lit, big-screened, kaleidoscopic corporate roar for attention.

Not everything went the way of Big Gaming. The cosplayers were taking serious liberty with otherwise jealously guarded intellectual property on every corner. Ironman kissed a Roman legionnaire, Teemo drank a beer, machine gun slung over his shoulder, and Luke and Darth seemed on suspiciously friendly terms. They were the costumed feeder fish to Armageddon’s great corporate shark – but the halls of the Trusts Arena were still teeming with life.

It’s all a bit overwhelming. The sheer crush of sights and sounds may be tolerable to the screen-fried brains of the youth of today, but there’s only so many explosions and sirens and screeches I can take. Skipping out on a chance to play archery tag to System of a Down, I made an escape from the crush through a joyous crowd of what might have been furries.

It seems there were two tribes at Armageddon. On one hand, the freak party: shirtless slavers, drunken pirates, unabashed nerds and all the others who, for most of the year, repress their urges to strip down, lather up and get their swords out. On the other were the consumerist hordes, loot bags clutched white-knuckled and eyes peeled for the next cheap deal.

On my way out the gate I asked one of the latter what he thought of this year’s expo.

“There’s less giveaways,” he said. “Not really anything free, just heaps of promotional stuff.”

I guess you just can’t win.


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