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Noel Edmonds

MediaJune 3, 2020

Noel Edmonds on his new life in NZ: ‘I’m not bringing Mr Blobby over’

Noel Edmonds

Noel Edmonds is a British TV legend with a 50 year career in broadcasting. So why did he move to Matakana and launch a radio station? Like an over-excited Mr Blobby, Tara Ward gave him a call to find out.

When Noel Edmonds answers the phone from his home north of Auckland, he’s multitasking like it’s a frantic episode of Noel’s House Party. The coffee machine needs descaling, the milk jug has overflowed, and Edmonds jokes his “demanding wife” is still waiting for her morning coffee. I feel like The Banker on Deal or No Deal, the top-rating UK game show Edmonds hosted during the 2000s, except I’m not about to offer anyone £25,000. I’m calling to find out what the heck Noel Edmonds is doing in New Zealand, after he gained permanent residency just before Covid-19 lockdown.

It turns out Noel Edmonds loves New Zealand as much as he loves being positive, which is why he’s launching a new digital radio network during a time of huge economic uncertainty. Positivity Radio New Zealand is part of Positivity Radio, and consists of 100 community-based radio stations dedicated to improving the lives of local people and businesses by “accentuating the positive”. Edmonds hopes the network will boost New Zealand’s post-Covid economic recovery by encouraging communities to promote themselves for free, a set-up he says has never been done before.

I called Noel at the height of a hectic coffee-descaling situation to talk Positivity Radio, his new life in Aotearoa, and old mate Mr Blobby.

Tell me about Positivity Radio New Zealand. How does it work?

Noel Edmonds: I’ve been involved in online radio and digital media for quite a few years, and in lockdown I started to think about what shape New Zealand will be in when we emerge at the other end. People talk about when “things get back to normal”, but it came evident very quickly there isn’t going to be a new normal. I call it the “new reality”. I think we’ve got to be creative, we’ve got to be inspirational and try and do things in a different way.

I thought, where will the major challenges be for New Zealand? They’re going to be in protecting the small businesses which make up 30% of GDP. They are the absolute backbone of an economic recovery. These guys will never, ever be able to advertise on traditional radio. How can we get them talking to each other?

A screengrab from positivitynz.radio

I talked to a couple of Kiwi chums and said, “do you think this would work?” They went “too bloody right it will”. We’ve got a small group of volunteers with great skills, and we created the website and app in six weeks. They’ve been running faultlessly for the last ten days, and we’ve had over a hundred applications for a free community radio station.

I’m saying, look, I’ll pick the bill up for this one. If your community wants a radio station, tell us why, tell us about your team, and if we like the sound of what you’re doing, then have a radio station and put whatever content on it you want. So, it’s rather exciting.

Lots of communities already have community access radio. How is this different?

At the beginning somebody made that point, and I said, look, we must be very careful. We don’t want to make enemies, because the whole point is that we’re positivity, we work with anybody. We found that a lot of the existing community radio stations are desperate for a new angle, for an online presence and help and support. We’re actually working with some of them, not competing with them. The same thing applies to traditional radio. We don’t have news, we don’t have commercials, so we’re not taking money away from traditional broadcasters.

You’re absolutely right, we have to work with communities. But with community radio in New Zealand, you only hear it in that community. There’s a community station in Matakana, but you can’t hear it in Queenstown and you certainly can’t hear it in San Francisco. So we’re spreading the word about individual communities in this extraordinary nation that I’m so proud to call home, and we hope that when we move to the new reality, Positivity Radio New Zealand will have a role to play.

A screengrab from positivitynz.radio

This must be a big financial commitment for you. What do you hope to get out of it?

I’m already getting it, to be honest. I’m getting my new Kiwi chums saying, “Edmonds, I’m very glad you turned up”. I’m a very, very positive person, and I don’t do everything in my life for money. You’re right, it’s a serious financial commitment which I’m very happy to make, because I came with my wife and our 16-year-old not to take from this country, but to make a contribution. I wasn’t expecting it to be this. We actually thought it was going to be in the area of the environment and conservation. I’d like to make a contribution to that sector as well.

Positivity Radio wants to help listeners live better lives through positivity. There are motivational quotes between songs, and you’ve also written a book about the power of positivity. What makes you so passionate about being positive?

First of all, you can’t measure happiness. Happiness is different to different people. But it’s a scientific fact, you can measure the human body energy, a positive energy system, if you like. Therefore, being positive is a whole body experience. It’s about your diet, your exercise, your approach to other people, and it is possible to turn a negative frame of mind into a positive one.

I know this isn’t for everybody, and I’m very relaxed that some people go “oh, that’s mumbo-jumbo”. I’ve found in New Zealand that people are far more receptive to this than they are in Europe. Kiwis have a “get up and go” approach to life, and a strong relationship with the natural world. Those two things I find hugely attractive, because it underlines there’s a positive energy in the Southern Hemisphere. It’s a positive energy on these two wonderful islands that you don’t get in other parts of the world.

Speaking of energy, Positivity Radio has some unusual stations, like healing frequencies, detox music, and my favourite, Positively Plants – music designed for plants. Noel, tell me, will the radio really make my houseplants grow?

Yes. You need to run an experiment. We ran an experiment with two plants, one of which we neglected and the other we played Positively Plants to. The difference was absolutely amazing, and then we played those tones, because it’s all about tones, we played those tones to the plant that didn’t look so good, and it perked up again.

I know it sounds crazy out of context, but it’s scientifically proven. Some countries will only plant crops at key time in the lunar cycle, so why do they do that? It’s an energy thing. We know that plants near power lines don’t do as well. There’s a lesson for us in that.

Positively Plants was a little bit tongue and cheek. We’re going to launch pets as well.

I was hoping to talk about Positively Pets, because I feel like a radio station for animals is an untapped market in New Zealand.

Absolutely. We’ve got music that scientists say relax dogs and make cats feel good. Animals in general feel better with these tones. They hear things we don’t, we know that, dogs are on a totally different spectrum with their hearing. We also know that cats are totally different. Our cat from the UK would suddenly look away from you, look around the room, because clearly it saw some sort of energy in the room. Lots of people put the radio on for their pets when they go out, so definitely put on Positively Pets when we get that sorted.

Will you get behind the microphone? Do you see yourself getting into broadcasting in NZ?

Kiwis can rest easy, I’m not going to inflict myself upon this proud nation. I’m definitely not bringing Mr Blobby over. I’m here to behave, not to inflict Noel Edmonds on you. Seriously, Positivity Radio New Zealand is not a Noel vehicle. Yeah, I thought of it, I’m going to fund it for as long as I can, but it’s very much being driven by our Kiwi chums, and the pick-up has been astonishing.

You’re probably best known here for Noel’s House Party, which I remember being a very fun, chaotic show. Looking back, what do you remember about that time?

You got the right word – chaotic. We used to plan that show to the second, and it never turned out the way it was planned. The ‘90s were an amazing period for me, because that show dominated Saturday night television. The BBC had been having a terrible pasting from ITV, with stars like Michael Barrymore and Cilla Black doing shows the Beeb couldn’t compete with. Then in ‘91, up pops House Party, and suddenly the BBC were back in the game.

We regularly had the biggest viewing figures on Saturday nights, and it was the show that stars wanted to come on. If you came to the door, it was an accolade. If we “Gotcha’d” you, they might have found it embarrassing or uncomfortable, but we never, ever showed people badly. It became quite an honour to get a Gotcha. It was a wonderful period for me, absolutely wonderful.

Have we lost that chaotic energy in TV, do you think?  

I think society has changed so much, it would be impossible to bring back that kind of show. We used to do horrific things to our audience, dropping crap on them, pulling people out of the audience, all sorts. You couldn’t do that now. Certainly in the UK, somebody would be on to their solicitor saying “my bag was ruined! My suit is absolutely destroyed!”

In 2018 you went on I’m a Celebrity: Get Me Out of Here, which you described as one of your top ten life experiences. What was it like to go on TV as a contestant, rather than a host?

It was wonderful. Those naughty tabloid people in the UK tried to make out that I was a broken man after being voted out first, but I loved it. I’m a big fan of [hosts] Ant and Dec. I felt, yeah, this would be good for Noel. How am I going to react in this scenario? It was a fascinating challenge physically, I enjoyed the interaction with people I vaguely knew but didn’t know as human beings, and I was so bored. I was at the end of my tether after 11 days. It was so boring. They don’t even give you a pen to write with. You just sit there, or lie there. I meditated a lot.

You only remember who gets voted out first and who wins. Harry [Redknapp] was the winner, while I was paid the biggest fee they’ve ever paid and I left straight away. I stayed in a five star hotel with my wife, and when we were released from the contract on December 11, what did we do? We got straight on Air New Zealand, we spent Christmas and New Year here, and that was what cemented it. We went back to the UK, sold up and thought, right, we’re going to try a new chapter in our lives.

We know where Noel Edmonds is now, but where is Mr Blobby?

It’s a sad story of how fame can corrupt. He never got over the end of House Party. He went to open a bar in southern Spain, Mrs Blobby briefly went with him, but it failed because in Marbella temperatures get over 35 degrees and the smell of rubber was hitting people in the bar. She left him, took the kids, he hit the bottle. The last I heard, he was getting counselling.

I just wish him well. I wish him to stay a long way away from me.

You won’t be sponsoring him to emigrate to New Zealand?

Definitely not.

This interview was edited for clarity. 

Keep going!
The many moods of Todd Scott (Image: Toby Morris)
The many moods of Todd Scott (Image: Toby Morris)

BusinessJune 2, 2020

The NBR owner just sold his mansion to live in a motorhome

The many moods of Todd Scott (Image: Toby Morris)
The many moods of Todd Scott (Image: Toby Morris)

Todd Scott made millions as a sales genius, and bought New Zealand’s best-known business publication. Then he lost his house. Duncan Greive profiles the country’s most enigmatic owner, and hears some blunt criticisms from the old friend he bought the paper off, Barry Colman.

When Sinead Boucher bought Stuff for $1 last week, it brought to an end two of the most enduring sagas of New Zealand’s recent media history. The first was the on-again, off-again courtship between Stuff and NZME, publisher of the Herald. Two star-crossed lovers that the Commerce Commission forbade from consummating their relationship. 

Yet the second had its own intriguing narrative arc too. That of Todd Scott, owner and publisher of the National Business Review, the oldest and best-known business publication in New Zealand. Scott had himself campaigned for years for the right to be considered a serious bidder for Stuff, but could never seem to get anyone to take him seriously. Ever since Nine, until yesterday the owners of Stuff, revealed they wanted to sell it, Scott made it very clear he was interested in buying, saying he had $40m-$60m on the hook and ready to go, if only someone would take his call. 

He saw it as part of a new media empire, with him taking what he learned through the digital transition of the NBR and applying it to the biggest publisher in the country. The difference in scale between the organisations is immense. Stuff is one of the biggest sites in the country, and publishes the Dominion Post and The Press, along with dozens of other newspapers and multiple digital businesses. The NBR is an institution, but also a niche publisher with just 25 full-time staff.

This did not blunt Scott’s ambition. When Bauer Media NZ, the country’s biggest magazine publisher, abruptly collapsed, he raised his sights further. “Here’s a ballsy call,” he said in an interview with his friend Shaun O’Neill, owner of the Essential talent agency, conducted during lockdown. “I believe that Stuff is gonna fold the same way Bauer folded.”

He was responding to a question about where the NBR would be in five years’ time. Scott said he thought he would own Stuff and the Bauer titles, adding mastheads like The Listener and Metro to the burgeoning imagined empire. “NBR Stuff, Listener Stuff, North & South Stuff.”

Last Monday those dreams came crashing down with the news that Boucher had succeeded where he and NZME CEO Michael Boggs had failed. The following day, I received a call from Scott, who I’d been trying to interview for weeks – ever since he made his plans public on Twitter. He’s a prolific and at times erratic user of the platform, hectoring and firing columnists and contractors – “lobbing the odd hand grenade”, as he puts it, claiming it’s done “strategically”.

On that Tuesday, though, it was a far more subdued and reflective Todd Scott on the phone. His visions of empire in tatters, all his big talk ultimately having produced nothing. He asked me to wait before starting the interview, saying, “I’m walking outside to go into my office, which is actually the motorhome parked in the driveway.”

The motorhome is a TrailLite Landmark 700 series, a well-appointed four-bed vehicle that retails for more than $250,000. It’s currently parked in the driveway of his mansion in Auckland’s affluent seaside suburb of St Heliers. He and his wife Jackie will soon vacate the property, having sold it in April. Then the motorhome will cease to be Scott’s office, and become where they live. It’s part of a great realignment of his life; he has talked about giving away his suits and selling his books too. 

It is a striking image. Last week Scott had dreams – and, he says, private equity backing – to complete its merger with two other media powerhouses. Within a few short days, and Boucher’s move, it all fell away. The would-be titan of New Zealand’s media industry finds himself alone in his motorhome, making plans to head south chasing good wifi, wondering why he could never get anyone to take his plans seriously.

The butcher turned sales master

Todd Scott’s story is no tragedy. In fact, he’s had one of the most entertainingly circuitous careers in New Zealand media. He started his working life in butchery. “I was actually good at it – in 1989 I was Young New Zealand Butcher of the Year.” Not long after, though, he was drawn into radio, presenting on More FM, and eventually moving into television, where he hosted Lotto for some years and had a stint on Target. But it was in sales where he found his true calling. It’s a part of the business many journalists are sniffy or suspicious about, but one that pays the vast majority of its wages.

Scott joined RadioWorks and rapidly became an indispensable part of its sales operation. For years he operated on commission only, taking his energy and drive and turning it into repeat business. It was during the last golden age of New Zealand media: Google was barely out of the garage, Zuckerberg was still at Harvard, and the system still worked. Scott earned around $400,000 a year while selling millions of dollars in ad spots, and was perfectly happy, until a chance encounter that changed his life.

He met Barry Colman in a corporate box at an All Blacks test against Ireland played in freezing conditions. Colman, now retired, is a media industry titan, owner of dozens of publications during a decades-long career, with an estimated net worth of around $160m. The pair hit it off, and a couple of weeks later Scott, who lived in Wellington, received a call summoning him to Auckland for a meeting. Colman picked him up in Rolls Royce Phantom and told Scott over lunch he wanted him to lead a digital transition for his flagship publication, the NBR. Colman agreed to match his average earnings from the previous two years, and Scott agreed to join him. He hit the NBR like a hurricane. “I literally did take over his business,” Scott told O’Neill. “People who only answered to him were answering to me. I took control, because I needed to.”

Image: Toby Morris

The Colman years

In time, Scott became deeply entangled with the NBR, and Colman granted him a profit share, but one with a vicious provision – if profits shrank radically, Scott would end up writing Colman a cheque. This was 2008, the beginning of the GFC, a tough time to be selling anything. Despite the potential for calamity, the post-GFC recovery was very kind to Scott, and he says he earned over a million dollars both years the profit share was in operation. 

He raised the prospect of buying the business outright, but Colman initially demurred. Scott kept at it, and eventually they agreed to terms, leading to his buying the venerable National Business Review in 2012, for an amount rumoured to be around $12m. 

It was an opportune time to sell a media asset. While the digital disruption was well under way, most well-run media businesses remained very profitable, and the scale of the havoc the tech giants would wreak was not yet fully absorbed. And besides – Scott and Colman had moved early into online, and established a paywall from the start, so the business seemed well-positioned to withstand what was coming.

Yet today the price paid is widely seen as significantly overvaluing the asset. “It was a fleecing,” says Scott. “That’s what it was.” Colman feels very differently, telling The Spinoff the relative value of the NBR has been impacted by its largely abandoned ventures into multimedia and neglect of the print product.

This dispute would be a footnote were it not for the way Scott acquired the NBR. It was through a method known as vendor financing, wherein Scott essentially took on a huge debt to Colman, rather than taking a loan from a bank – which might have been leery of making such a large loan to an individual in such an unstable industry.

As part of the deal, Colman retained the ability to keep an eye on the NBR’s accounts, so has been privy to the business’s fortunes ever since. That view in, the size of the debt, and the relationship between the pair set the stage for a deeply tumultuous period in Scott’s life.

A dramatic decade

Scott is an atypical owner and CEO. If not trained in business, executives in this industry typically come from either journalism, like Boucher, or accounting, like NZME’s Michael Boggs. To have a salesperson owning and running a journalistic organisation can give it a particular type of ambition. Jane Hastings’ tenure at NZME is typical – known as “Hurricane Jane”, she threw herself into an expansive vision for the group’s future, starting video service WatchMe and the Alternative Commentary Collective – one of which has become a real asset to the company, one less so.

Todd Scott had a similar mentality. He saw a future without print, with the NBR as a full-service multimedia empire – and seemed impatient to get there. He built a well-appointed audio studio, started publishing strong podcast packages from the likes of Andrew Patterson and even recruited Simon Dallow and Susan Wood to front video work. The venture was dogged by low views, often in the single or double digits, and has been significantly scaled back over the years.

He also began using Twitter in unconventional ways, sending instructions to his staff, ranging from the mundane (keep the kitchen tidy!) to the very serious (critiques of individual stories), while self-styling himself as “raw and real”. 

It all boiled over in 2018, in a chaotic period when in quick succession Scott and the NBR:

Almost all of this either played out on Twitter or saw Scott giving his account of it in something like realtime. He developed two abiding obsessions during that period, perhaps because both conspired to cost him a lot of money, either in lawyers’ fees or theoretical revenue forgone. 

The first is a loathing of opinion in almost any form, something he expounded on recently. “Who gives a flying f about the opinions of Mike Hosking, Kate Hosking [Hawkesby] or Lizzie Marvelly?,” he asked O’Neill. “Opinions are cheap. Just like a fart.”

The other is a long-running and furious campaign against media agencies that refused to advertise in the NBR, or asked that the company pay commission in return for placing advertisements on their clients’ behalf. “You are not qualified. You are not knowledgeable. You are not passionate … I will not pay you a commission.”

Within years Scott would be bragging about how empty of advertising the NBR’s pages were – a somewhat strange situation for a publication run by an award-winning salesperson.

This also extended to the developers of his website and app, both of which appeared perfectly adequate, but led to strong claims made against the firm that developed them. Evidence of how little faith he has in the NBR’s app: it now directs users to open a mobile browser. 

In 2018, the Herald’s Matt Nippert, an ex-NBR journalist himself, wrote a story addressing a potential source of all this drama. His former boss and lender Colman filed a general security agreement over Scott’s company, Fourth Estate Holdings, in late 2017. Not long after, Scott extended the mortgage on his home. All the while, Colman watched the NBR’s accounts through the window his debt granted him with a growing sense of unease.

The big swing

All this forms the backdrop to the events of the recent lockdown, when Scott and the NBR, like the rest of New Zealand and the world, stared in horror at Covid-19 and all that came with it. On a practical level, he made the decision to send his staff home a week before level four began. He boasted about the generous $200 per month allowance he’d granted them, and seemed to enjoy the contrast between that and the turmoil at his larger competitors, which were shutting radio stations, making people redundant and asking staff to take pay cuts. 

As an event, the virus was fraught with danger for the media – those reliant on advertising revenue were massively exposed to the collapse in it associated with the lockdown. Yet that peril also contained the seeds of opportunity. Scott started tweeting again, and recording videos. He seemed to see the economic impact of Covid-19 on the media as a kind of cleansing fire, one that might finally allow him to get in front of the right people, and achieve his vision of purchasing the likes of Stuff and the recently collapsed Bauer brands. 

You saw that flexing not only in his tweets, but in an advertisement for NBR that screened during TVNZ’s 6pm news. It’s the most expensive ad spot in the country, and on one level was a canny ploy – sources suggest it cost just $5,000 due to the lockdown, a fraction of what it would normally. Yet the production values were deeply compromised, with one observer describing it as “clip art”, not unfairly.

Despite Scott’s big talk and bold moves, the NBR was not immune to the pandemic’s impact. Having sent his staff home and seen that the site continued to run fine, he elected to make the end of the office a permanent feature of the business and put the newspaper’s downtown Auckland character offices out to sublease. A similar shift played out on the distribution side. The government’s decision to ban the publication of magazines and non-daily newspapers appeared to preclude him from printing under lockdown. And while it later relaxed that rule to allow most newspapers to continue publishing, Scott made the decision to cease printing the NBR indefinitely. 

The move infuriated Colman, who called the cessation of printing an “unmarked grave” for the newspaper, and believes Scott used the pandemic as an excuse to kill it off. “He claims conveniently it was killed by the virus when delivery was temporarily halted. I think a lack of parental care was responsible.”

By early April, Scott was caught between the halting operation of the NBR and the media empire he believed was more accessible than ever before. From his motorhome office, he worked to try to square the circle – but all the while the big debt hung over him. 

Scott forecast that he would be unable to pay August’s forthcoming instalment, and told Colman as much. He got a decidedly unsympathetic reception from the rich-lister, who accused him of trading while insolvent, and threatened to call in the receivers.

This was what finally ended the duo’s decade-long business relationship. After rejecting an initial offer, Colman found the second acceptable, and agreed to a final payment that would see the debt settled after eight years. To make the payment, Scott sold his home, settling for $5.15m, which, when coupled with a loan from ASB, saw the debt repaid in full, and finally made him the sole owner of the publication.

Image: Toby Morris

The pursuit of Stuff

Despite the pain of realising his years of hard work had taken almost everything but the business from him, having Colman off his tail allowed Scott to renew his focus on the twin prizes of Bauer and Stuff. He continued to talk about his strong relationship with Sydney-based private equity firm Anacacia Capital, yet became frustrated as Nine and its bank, Macquarie, persistently refused to engage with him.

What happened next is widely known, but still a neck-snappingly fast turn of events. In the space of two short weeks, NZME CEO Boggs announced an emergency appeal to the Commerce Commission for permission to acquire Stuff for $1. An hour later Nine released a statement saying it was unwilling to sell to NZME, and that talks between the two parties had broken off the previous week. Then there was a quick trip to the high court, before Boucher ended up shocking New Zealand’s media with her purchase of Stuff – the biggest newspaper chain in the country, sold for less than the price of a newspaper. 

The mood among Stuff’s journalists seemed ebullient – largely because Sinead is one of them, and mostly liked and respected by the newsroom. But also because she is not Todd Scott. During a period when he was nominally courting Stuff, he took time out to cast incredibly serious and entirely baseless doubts on the company’s integrity. 

When he called on Tuesday last week, Scott had come down from the high of his doomed hunt, and was in a reflective mood. “I’m disappointed, but also relieved,” he said. “You go all in on something and then you don’t get it and obviously it’s disappointing because you had your own vision, and had you had the opportunity, you would have carried that out. 

“But at the same time, you see a worthy opponent that gets the same opportunity, and I look at Sinead and I go, ‘God bless you, and everybody that sails with you.’”

In his mind, the Bauer titles made sense only with the juggernaut of Stuff there to hold them together, so the big project collapsed entirely with that one piece of news. 

Within 24 hours of the deal falling over, Scott had another big plan. He and his wife Jackie will hit the road in a month’s time, pointing the motorhome south and seeing where it takes them. But as soon as Fiji’s border opens, they’ll be on the first flight they can book, with the pair planning on spending at least a year away. Under the new NBR reality, with no office and no print edition, geography becomes largely irrelevant. Scott plans on running the business remotely for as long as he feels like it.

Scott’s self-image is of a battler who made good, who didn’t make every decision right along the way, but is content with the hand he’s holding. Yet others don’t share that view. A former employee called him a “prick”, while a former contractor characterised him as a “bully”. Colman is unequivocal in his assessment.

“Scott has become a tragic figure of ridicule,” Colman wrote in an email to me. “His grandiose future plans have imploded on him. It has been a sad experience to watch his self-destruction. The man who created his own headlines with claims he could take over Stuff was behind the scenes unable to meet his own financial commitments.”

When told about Colman’s comments, Scott resisted the temptation to fire back, as he has so often before. “It’s a tale of the old bull and the young bull, with an outcome the old bull should be proud of but isn’t,” he wrote in a text. “It’s a shame, because every young bull would like to make the old bull proud.”

Only, will he? While Scott says the NBR remains profitable, and that it will have 11,000 subscribers by the end of June, the field is getting more crowded. The Herald continues to beef up an already impressive group of business journalists, Interest and Stuff have strong rosters (and give content away free), while more niche sites like Tourism Ticker show that narrowly targeted work can be sustainably created.

Perhaps the most direct challenge comes from BusinessDesk, a long-time supplier turned rival. Last year it sold a major stake to legendary investor Brian Gaynor, the head of Milford Asset Management. It resulted in him moving his mainstay Weekend Herald column to BusinessDesk, but more than that, saw the platform pivot from a wire service to a pure-play online direct-to-consumer paywalled product. That is to say, an identical proposition to the NBR.

The NBR’s previous entanglement with BusinessDesk ended in the small claims court, and the rivalry is complicated. Co-founder Smellie recently held back a story on Colman threatening to place NBR in receivership due to not wanting to be perceived as punching down, but also finds himself unable to resist the odd shot across the bows.  

Scott will not take the bait.

“I don’t think anybody should be discounted as a threat to our business model, and we don’t take our members’ support for granted,” he says. “We’re very aware of the fact that we set ourselves a higher price to access content [the NBR remains New Zealand’s most expensive media product at $400 per year], so we are fully aware of people’s expectations that the quality that they will find behind our paywall is of a higher nature.”

Is it really higher quality? Scott thinks so. “I think that comes down to personnel.” On that front, NBR journalists Calida Stuart-Menteath and Tim Hunter’s awards for Business Journalist of the Year two years in a row help Scott’s case considerably.

When asked about the Herald, rumoured to be eyeing another raid on his talent pool, Scott allows a flash of his bullishness through. “Let’s just say that NZME aren’t the only ones trying to poach my top staff,” he says. “I’m trying to poach theirs.” So far, while senior editors Hunter and Fiona Rotherham remain loyal, NZME is winning the talent tug-of-war. 

The road trip

Today, Todd Scott is preparing for a different phase of his life. After ravenous years spent chasing ever larger scale, he’s admitted defeat, and heading out on the road. Speaking to him lately, he seems humbled, but also content. As if the line drawn underneath the unlikely pursuit of Bauer and Stuff has granted him a kind of absolution. Instead of bitterness at the prizes that eluded him, he talks with pride of what he has achieved. Which is not small: taking a bastion of newsprint and making it a commercially funded and purely online operation is something no one else has accomplished. 

He allows himself a measure of satisfaction at his station. “The truth is that in 2012 I had a personal debt of $14 million,” he says. “Today, I have a lovely motorhome.”

In July, he’ll point it south and see where it takes him. To many in business, and in the media, it’s a strange idea – that the man who was until last Monday the proprietor of the largest sole-owner media operation in New Zealand would be reduced to living in a motorhome and fleeing the country’s centre of commerce for a peripatetic life. Yet Scott seems at peace for the first time in a long time, cutting the cord on an ultimately fruitless quest, and trying not to worry about what others might think of him.

“For now, job done,” he says. “Let’s just take some time out.”

Update: this story originally stated that Scott had informed Colman he would be unable to make April’s debt payment. In fact, the payment was due this coming August.