Remember when all these a-listers came to Wellington? (Image : Getty/Tina Tiller)
Remember when all these a-listers came to Wellington? (Image : Getty/Tina Tiller)

MediaDecember 10, 2021

When The Hobbit – and Hollywood’s A-list – came to Wellington

Remember when all these a-listers came to Wellington? (Image : Getty/Tina Tiller)
Remember when all these a-listers came to Wellington? (Image : Getty/Tina Tiller)

Stewart Sowman-Lund spent his teen years spotting cast members from The Hobbit around the streets of Pōneke.

Growing up in Wellington in the early 2000s felt like not being invited to the greatest party ever. In this case, the “party” was “being in Wellington while the Lord of the Rings was being filmed” and the lack of invitation was down to the fact I was a toddler. But the analogy stands: everyone older than me has a story to tell from their time in Wellywood. Like my parents, who casually stumbled upon the filming of the Isengard scene from Fellowship of the Ring, with Christopher Lee wandering around in our neighbourhood Upper Hutt park. Or simply the fact that seemingly everyone was in the damn films in some role. 

As someone who has suffered from fomo my entire life – a state of mind possibly stemming from this exact time – it made child-me deeply envious of the generation of Wellingtonians who lived through the moment when the city became forever intertwined with Tolkien. 

Jump forward to the late noughties, and things started to change. Suddenly, there was talk of The Hobbit being made. Sure, it would just be one movie – not a trilogy – but maybe it would be made in New Zealand. Some celebrities might visit Wellington. Perhaps I could be an extra!? After a few years of boring legal drama, the film inevitably became a trilogy (because everything Peter Jackson touches trebles in size) and, yes, celebs once again flooded Wellington.

The Embassy Theatre in Wellington on November 24, 2012, four days before the world premiere of The Hobbit: An Unexpected Journey (Photo: Marty Melville/AFP via Getty Images)

It wasn’t long before every visit to the city resulted in a close brush with fame. During the 2012 comedy festival, I’d often see Billy Connolly or Ian McKellen sneak into the back of a club or theatre moments before a show started. Stephen Fry would crop up in the audience of a Shakespeare production at the arts festival. A friend of mine was accused of being a stalker by Martin Freeman because of how often he’d end up seated next to him at a gig. To be honest, that was probably fair. 

One time, Ian McKellen came to my school to help teach a drama class and answer questions. Why or how, I’ve no idea. Orlando Bloom frequented the same cafe that I would sometimes skip class to go get a coffee from. And in the hills near my school, a life-size village was being constructed that you could spy on if you knew how to get to it. 

I and a few of my equally celebrity-devoted classmates would obsess over meeting the cast a little like one might collect trading cards. The goal was to get the whole set. 

In mid-2012, a few months before the first Hobbit film premiered (and before we experienced the crushing reality of how average the film actually was), we hit the jackpot. Ian McKellen was touring the country with a one-man show raising funds for the quake-damaged Isaac Theatre Royal in Christchurch. It was part Q&A, part theatrical experience, with McKellen performing renditions from Tolkien and Shakespeare while also happily answering questions about his experience working with Ricky Gervais on Extras. 

I was sitting down in my slightly above-average seats when a ripple of excitement pulsed through the crowd. Peter Jackson was walking down the row in front of me, flanked by Martin Freeman. Lee Pace and Luke Evans were there too. Billy Connolly came in next, followed by the rest of the core Hobbit cast, including Richard Armitage, Aiden Turner and James Nesbitt. I couldn’t believe it; I was going to score almost the whole cast in one go. 

It got better. The final act of McKellen’s show involved audience participation. We were given the chance to come on stage to act out a brief scene from Henry V with McKellen himself. It was already a pretty exciting opportunity, but McKellen added to it by inviting the whole Hobbit cast on stage too. McKellen said it was “a good opportunity” if anyone wanted to do “a little bit of Shakespeare acting with me and the cast”. An almighty understatement, by my reckoning. I didn’t even bother putting my hand up; my friend and I were out of our seats as quickly as we could manage.

So there I was, on the stage of the Wellington Opera House, squished between Gandalf and Bilbo Baggins. I was an actor… kind of. All I had to do was pretend to be a dead French soldier. But I was a dead French soldier next to Bilbo Baggins.

I didn’t quite secure the whole cast set that night. Cate Blanchett proved elusive, though I did see her sneaking out of a theatre into a waiting taxi. I never laid eyes on Andy Serkis – although based on his shower routine that’s possibly for the best. Nevertheless, Wellington continued to offer up bizarre celebrity encounters for the next few years. In 2013, I walked the red carpet with Benedict Cumberbatch at the local premiere of Edgar Wright’s film The World’s End. Why did it premiere in Wellington? Because Peter Jackson wanted it to, I assume. I later bumped into Dominic Monaghan and Billy Boyd – better known as Merry and Pippin – on Courtenay Place (they weren’t even in The Hobbit; I’ve no idea why they were in Wellington). I met Evangeline Lily, then most famous for her role in Lost, at Lyall Bay beach. 

There’s never really been a time like it in Wellington since. For me, the defining legacy of The Hobbit was the chance for a new generation of New Zealanders, like myself, to experience the excitement of having Hollywood on your backdoor step. And unless Avatar 2 starts shooting its underwater scenes in Shelly Bay, it probably won’t happen again.

We’re talking about elves, dwarves, cave trolls and sneaky little hobbitses for an entire week. Read the rest of our dedicated Lord of the Rings 20th anniversary coverage here.

Keep going!
This image is all we’ve seen of Amazon’s Lord of the Rings. Until now. (Image Design: Tina Tiller)
This image is all we’ve seen of Amazon’s Lord of the Rings. Until now. (Image Design: Tina Tiller)

MediaDecember 9, 2021

Exclusive: Amazon’s Lord of the Rings TV show, reviewed

This image is all we’ve seen of Amazon’s Lord of the Rings. Until now. (Image Design: Tina Tiller)
This image is all we’ve seen of Amazon’s Lord of the Rings. Until now. (Image Design: Tina Tiller)

Sam Brooks shares his world-exclusive review of Amazon’s much-anticipated Lord of the Rings series – a full 10 months before anybody has seen it.

Let’s get this out of the way right at the start: Amazon Prime Video’s Lord of the Rings prequel is an eight episode series, with each episode being anywhere between 40 and 60 minutes long. There, I said it.

The news of this series first broke in 2017, when it was announced that Amazon, which once exclusively sold books, had bought the rights to the series for $250 million, a sum slightly less than the $281 million that Peter Jackson’s trilogy cost at the dawn of the millennium. Jeff Bezos, record holder for the world’s most expensive divorce, wanted the company to develop a series that could rival Game of Thrones. I can say with 100% certainty that this new version of Lord of the Rings exists in the same reality as Game of Thrones, which has dropped almost entirely from the cultural consciousness since ending in 2019, well after Bezos paid a huge amount of money to develop his own rival.

The Lord of the Rings, for those of you who aren’t in the know, is a popular fantasy series by JRR Tolkien. It features elves, hobbits, humans, and an uncomfortable amount of racism that was reflective of a lot of fantasy writing of its era. Peter Jackson memorably adapted it for a film trilogy that would later go on to win a record amount of Oscars – for the film that is arguably the worst, and inarguably the longest, of that trilogy. The image of New Zealand would be tied to Lord of the Rings forevermore, so much so that anybody wishing to fly in or out of Wellington has to submit to the risk of potentially being crushed by a replica of a giant eagle that shows up for like, 30 seconds in the original trilogy, and significantly more seconds in Jackson’s succeeding trilogy The Hobbit.

While the Amazon series is called The Lord of the Rings, it is not actually an adaption of the books of that name at all. Instead it is based on material from The Silmarillion (a history of Middle-Earth, a place that does not exist) and other Tolkien doodlings. This series is set during the Second Age, thousands of years before either Bilbo or Frodo Baggins would encounter any type of cursed, invisibility-bequeathing and insanity-damning jewellery. One of the characters is Galadriel, memorably played by Cate Blanchett and a blonde wig in the films, but played here by Morfydd Clark. Another character is Trevyn, played by Simon Merrells, who was also a cast member in Spartacus, a less expensive series that was, by some coincidence, also filmed in New Zealand.

Other actors in the show include, but presumably are not limited to, Robert Aramayo, Owain Arthur, Nazanin Boniadi, Ismael Cruz Córdova, Ema Horvath, Markella Kavenaghm Joseph Mawle, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, Daniel Weyman, Cynthia Addai-Robinson, Maxim Baldry, Ian Blackburn, Kip Chapman, Anthony Crum, Maxine Cunliffe, Trystan Gravelle, Lenny Henry, Thusitha Jayasundera, Fabian McCallum, Geoff Morrell, Peter Mullan, Lloyd Owen, Augustus Prew, Peter Tait, Alex Tarrant, Leon Wadham, Benjamin Walker, Sara Zwangobani, Charles Edwards, Will Fletcher, Amelie Child-Villiers and Beau Cassidy. In an exciting and welcome shift from Tolkien’s novel and Peter Jackson’s adaptation, Middle-Earth is now resident to at least several people of colour, and many of them have lines that they successfully speak.

The vistas of the series, which look somewhat reminiscent of places to the west and north of New Zealand’s Tāmaki Makaurau, but not so reminiscent that they could not be replicated in a country with slightly more beneficial tax laws or slightly fewer border controls, are nice. It is a fine addition to a streaming platform that includes such titles as Fleabag, The Wheel of Time, and random episodes of The Carol Burnett Show.

Although Jackson is not involved with this series, it features many hallmarks of his trilogy, like special effects, costumes, and props. Patrick McKay and JD Payne, whose only previous credits are as uncredited writers on Star Trek: Beyond, bring that trademark voice and personality to Middle-Earth. Wayne Che Yip, noted for directing many episodes of Doctor Who, brings his talent for directing franchises that nobody was begging to continue existing, but which nobody is especially mad at. Other episodes are directed by J.A. Bayona and Charlotte Brandstrom, who have both directed things in the past.

Ultimately, the excessive secrecy that surrounded the production, an adaptation of several book sources that are currently freely available and have been so for several decades, has been rewarded. I can say with no reservations that The Lord of the Rings is a fantasy series that exists on Amazon Prime Video.

You can watch The Lord of the Rings on Amazon Prime Video from September 2, 2022. This review is obviously satire, please don’t sue me, Jeff Bezos.

We’re talking about elves, dwarves, cave trolls and sneaky little hobbitses for an entire week. Read the rest of our dedicated Lord of the Rings 20th anniversary coverage here.