Marten Rabarts is resigning as the director of NZIFF after two years (Photo: Supplied; additional design by Tina Tiller
Marten Rabarts is resigning as the director of NZIFF after two years (Photo: Supplied; additional design by Tina Tiller

MediaNovember 19, 2021

After two tumultuous years, the NZ Film Festival’s director has quit

Marten Rabarts is resigning as the director of NZIFF after two years (Photo: Supplied; additional design by Tina Tiller
Marten Rabarts is resigning as the director of NZIFF after two years (Photo: Supplied; additional design by Tina Tiller

Marten Rabarts is resigning from his role as festival director after two events blighted by Covid and allegations of mismanagement.

Bill Gosden spent 40 years as the director of the New Zealand International Film Festival. His successor has lasted just two. The Spinoff understands Marten Rabarts will this weekend confirm his departure from his role as NZIFF’s director. His decision will be effective immediately.

His exit comes in the middle of the festival’s 2021 season, and follows two events blighted by Covid-19 lockdowns and, some allege, mismanagement. The Spinoff understands Rabarts attempted to quit earlier this year, but was persuaded to stay on to run this year’s festival.

In total, Rabarts has spent just two years at NZIFF after taking over from Gosden, who retired at the end of 2019 following 40 years at the helm. He died at the end of 2020.

“It’s been a wild ride taking on the role of festival director just as the pandemic descended,” Rabarts said, in a draft press release obtained by The Spinoff that is yet to be circulated. “Having steered the festival through what we hope is the worst of the storm, it’s time for a director who will consolidate and future-proof the festival.”

Rabarts’ resignation continues a run of upheaval for the festival. After Gosden’s departure, long-serving general manager Sharon Byrne and communications manager Rebecca McMillan also left the festival. It also comes at a troubling time, including concerns about its future. Both festivals under Rabarts’ watch have been heavily affected by Covid-19 lockdowns, with Auckland’s festival cancelled in October following the level four lockdown, while Christchurch’s festival was delayed by a week.

Calls for NZIFF to offer an online streaming service, as it did last year, were ignored.

That decision has been criticised by John Barnett, the veteran screen producer, who blames this year’s festival struggles on a lack of planning.

“When the world changes, you change with it, or you die,” he told The Spinoff this afternoon, adding that festival management should have realised “the only way the festival could go ahead in this time was to make it as accessible as possible to as many people as possible”.

In October, The Spinoff reported that Shift72, the Hamilton-based streaming service that helped more than 300 festivals operate around the world during the pandemic, including NZIFF in 2020, was told its services weren’t required for this year’s event.

Instead, NZIFF planned for a festival to be held only in cinemas, a decision that backfired when the arrival of delta saw cinemas shut around the country.

Barnett, a director of Shift72, says NZIFF should have planned to hold an online festival, or hybrid version, from the start. At the very least, it should have been delayed. “We’re in a country where … nearly half the people couldn’t go to a cinema,” he says. “Is that the right time to hold it? I’m sorry it isn’t … it’s irresponsible.”

In October, NZIFF chairwoman Catherine Fitzgerald said a hybrid festival couldn’t be done, blaming a lack of time and staff. “We are just not resourced to do it,” she said. Fitzgerald called on the rest of the country to help save the festival. “We hope we can sell every ticket we have for sale,” she said at the time. “It’s that audience support that will help us be here to fight another day.”

Following the cancellation of NZIFF’s Auckland leg, two new festivals were launched to fill that gap, including In the Shade, which will host many of the same films offered by NZIFF in two Tāmaki Makaurau cinemas across January, and the Auckland Online Film Festival, a curated selection of films listed on Letterboxd.

When Rabarts, 60, was appointed as festival director in 2019, he arrived after spending 20 years in the Netherlands, most of that spent as head of the EYE Film Museum. A New Zealander by birth, Rabarts’ previous roles include artistic director of the Binger FilmLab in Amsterdam and head of development at India’s National Film Development Corporation, based in Mumbai.

He told Variety he promised to continue Gosden’s legacy. “A film festival can’t pretend to offer easy answers in our turbulent times, but I look forward to presenting films and unique cinema voices from our own Pacific region and around the world that pose the most urgent and artistically intriguing questions of our times, just as NZIFF has done for the past 50 years,” he said.

He also told Stuff.co.nz in a lengthy profile that “any festival has to be really on its game right now”.

Following his resignation, Rabarts plans to enjoy “a bit of a sabbatical” — one he’s been planning since 2010.

For now, doubts hang over the festival’s future. Fitzgerald told The Spinoff NZIFF was “talking to all our funders … we have to be thinking in the long term”.

But Barnett says he is opposed to any kind of government handout to save the festival. “I don’t see that there is any justification for the cultural funds to give them a bail out,” he says. “I am absolutely opposed to that. There is not one new job created from that. There is not one new idea that is generated.”

NZIFF screenings continue into December in Tauranga, Hawke’s Bay, New Plymouth, Palmerston North, Masterton and Nelson.

Keep going!
Image: Tina Tiller
Image: Tina Tiller

InternetNovember 19, 2021

My first death threat: The rise of violent rhetoric against local journalists

Image: Tina Tiller
Image: Tina Tiller

The rise of conspiracy theory and anti-vax sentiment has brought with it a rise in violent threats aimed at New Zealand media. Dylan Reeve writes for IRL

I got my first death threat recently. It wasn’t a bullet in the letter box, or a horse’s head on my pillow. It wasn’t even an email. In fact, it wasn’t even a specific threat, certainly nothing I could report to the police. Instead it was a public reminder that, according to popular conspiracy beliefs, I would soon be rounded up, tried and executed for treason. It felt like a strange coming-of-age for someone writing about the Covid-denial, anti-vax and conspiracy rabbit holes that litter the internet.

From the very first article I wrote for The Spinoff about the more conspiracy-oriented side of the internet, I saw myself being incorporated into those same conspiracy theories, even briefly becoming the focal point for some of the obsessive personalities I wrote about. For example, in the comments on a long-since-deleted Facebook post, related to one of the people mentioned in the story, posters were asking questions like “who is he taking orders from?”

So I knew that, upon embarking on the IRL project, I would face similar attention if I was going to write about these corners of the internet. But still it was alarming to see posts referencing me in groups that frequently fantasise about executing perceived traitors – the politicians, bureaucrats, police and journalists that have supported the Covid-response, or maybe simply been in league with the Deep State.

In an unhealthy way I find the attention from these obsessive online personalities almost validating, but more reasonably I find it unnerving and threatening. I know I’m not remotely alone among my journalist colleagues in receiving this type of online attention, so I’m naturally curious about how they respond to this attention. Are they watching what’s said about them online? How do they react to threats they find or receive? I reached out to some colleagues who also find themselves the centre of attention within some of these conspiracy communities.

Newsroom journalist Marc Daalder has written extensively about New Zealand’s alt-right, conspiracy theory and Covid denial communities, and as such he has found himself a frequent target. Recently Daalder wrote about the growing threat of violence from the anti-vaccine community, and late last year about his own experience being on the receiving end of online threats after finding a detailed online missive about his impending murder.

Daalder’s article details a very specific threat to stab him to death in his sleep, posted on the anonymous online message board 4Chan. But the majority of the threats he sees now are vague and build upon the various conspiracy theory narratives about the stark future of military tribunals and execution that awaits journalists. Most of them are written about him, not to him. “One thing [the police] seem to think, which doesn’t make much sense to me to be honest, is that if someone hasn’t sent it to you, then it’s less of a threat. It’s less of a threat if they post about it with other people on a Telegram channel,” Daalder told me over the phone.

The threat that provoked me to write this article took the same form. My work was brought to the attention of thousands among the many Telegram groups of the local conspiracy community. The post was shared widely and various commenters weighed in. “Will just add this person’s name to the Crimes Against Humanities list,” posted “Amy” in one reply, apparently ensuring my inclusion in the upcoming tribunals. A post from “DeltaSierra46” was more direct: “I see dead man…” they replied along with an image of the Punisher skull on a background of flames.

Image: Dylan Reeve screengrab

There was nothing to suggest that Amy, DeltaSierra46 or any of the others who commented on or shared the posts about me were actually going to do me harm. But there was a clear sense that they would be happy to see me face capital punishment for my work. During interviews with vaccine-resistant New Zealanders, at least two subjects warned me that I should consider how I would “be held to account in future”, and that I should “remember what happened to the media at the Nuremberg”.

Journalists are constantly reminded by those steeped in online conspiracy rhetoric that we will, at some point, be rounded up alongside politicians and academics and placed on trial for our “treason” against the people of Aotearoa. The idea is drawn from QAnon and MAGA ideology out of the US, but has been swiftly rolled up into our local anti-vax conspiracy mythology.

Image: Dylan Reeve screengrab

The non-specific nature of these threats means that police generally aren’t able to take action. Daalder explains: “For them, having something like ‘I’ll be at your house at 4pm and kill you with a knife’ that’s a threat, but without all the specific details they don’t consider it [a threat]”. But he still makes reports about anything he feels is threatening. “I find it useful to make a record, even with something that’s anonymous.”

“Now I’m at a point where I don’t really care what the police say, but when this first started happening to me I’d only written about three articles on the far right in New Zealand,” Daalder recalls. “There was a mob baying for my blood and I definitely expected the police would do something. It was an incredibly alienating experience to have them not do anything and sort of gaslight me to say ‘there’s no threat to you’.”

I asked the police to comment on the issue but received no response.

Police reports don’t appeal to Stuff journalist Charlie Mitchell, who has also written a lot about Covid denial and vaccine resistance. “It would have to rise to a serious level for me to go down that path,” Mitchell told me by email, but he’s aware of his relative privilege (as am I) in ignoring these things. “I’m a 30-year-old able-bodied Pākehā man who rarely fears for my physical safety. I imagine there are many good reporters who won’t go anywhere near this issue because they know they’ll get abused or worse for doing so, and that’s a loss for everyone.”

Mitchell’s suspicion was supported by my struggle to find people to speak to about these experiences. Others I approached (including a number of women and people of colour) didn’t want to speak about the harassment and threats they received — they didn’t want to make it any worse by suggesting that the threats might be making any sort of impact on them.

One high-profile media figure I spoke to, who didn’t want to be identified due to the risk of inciting further attacks, told me they’d seen a steady increase in both volume and violent rhetoric in the threats they receive. But with so much of it anonymous and lacking threats of specific action, they felt there was little they could do.

Threats are nothing new to Mitchell (or most journalists) and he still remembers the first threat he received in response to his reporting: “I was a community reporter in North Canterbury and I’d done a few stories in quick succession about issues at a particular town — nothing especially controversial, just run of the mill community reporting stuff,” he recalls. But one story, about a local bridge, somehow struck a nerve. “There were multiple death threats against me on a community Facebook page.”

The nature and volume of the threats have changed since the pandemic, however. “The anti-vaccination stuff recently is truly wild. It’s on a whole other level,” Mitchell muses. “It’s one thing to get an angry email or a phone call from a farmer who’s just letting off some steam — that’s understandable, and I don’t hold it against them — but another to be told you and your colleagues are going to be executed for crimes against humanity because you’ve written favourably about a vaccine that’s been safely administered to billions of people during a pandemic.”

As someone who observes these online communities without taking part in them, it’s often easy for me to simply laugh at, or minimise, the claims and ideas I see posted. I don’t, for a minute, believe a Trump-commanded force of international soldiers is going to land in New Zealand to round up our politicians, journalists and academics, so I am not worried about those warnings. But there are people in those groups who do believe this stuff, and the concern lingers that some may decide they’ve waited long enough; that it’s time to get it started themselves — an idea known as stochastic terrorism.

A recent email from a high-profile New Zealand conspiracy theorist to many members of the media declared that journalists were terrorists. “Many of you everyday continue to act in ways that meet the legal definition of both criminals and terrorists under current NZ statutory law and common law,” it read. This is an idea that has been explicitly repeated many times by this person to an audience of thousands.

For Mitchell, the underlying threat in this rhetoric looms large: “It’s basically received wisdom now in some groups that vaccine mandates are equivalent to the worst atrocities of 20th-century dictators. You can justify pretty much anything if you think you’re preventing a literal holocaust,” he says.

“It’s bizarre and irrational, but that’s where some of them are coming from when they think about me and my colleagues, simply because they’ve become radicalised on the idea that a safe vaccine literally billions of people have taken is something sinister.”

Personally I want to ignore it, and mostly I do. However much I might annoy some in these communities, I’m still barely worth a mention to most. I’m not (so far?) on any of the “traitor” lists I’ve seen, and I have yet to see or receive anything that constitutes a direct threat. But the idea that some people are cheering for my execution (alongside my more prominent colleagues) remains alarming.

This piece was updated to include that the author had approached the police for comment.