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Pop CultureApril 14, 2025

New to streaming: What to watch on Netflix NZ, Neon and more this week

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We round up everything coming to streaming services this week, including Netflix, Prime Video, Disney+, Apple TV+, ThreeNow, Neon and TVNZ+.

Āku Hapa (Whakaata Māori, April 14)

If you like mouthwatering kai and choice kōrero, the bite-sized Āku Hapa! is tailor-made for you and the whole whānau. Join the haututū reo Māori hosts Eda Tang and musician James Dansey, “as they chop, fumble, and laugh their way, i mara ki tēpu on their quest for te kai a te rangatira.” Across the series, the fun-loving duo welcome an awesome array of te reo Māori students to share their stories, practice the language, and cook up a feed. First at the table is investigative journalist Paula Penfold in this snack-tacular celebration of te reo Māori.

The Last Of Us (Neon, April 14)

HBO’s powerhouse adaptation of the beloved video game The Last Of Us is back for a second heart-wrenching season this week. Picking up the story five years after the first season’s crushing conclusion, Joel and Ellie are settled in the relatively peaceful Jackson, Wyoming. However, it’s not long before things go horribly awry, and the pair are torn apart as their tortured past finally catches up with them. Unsettling as ever with plenty of clicking Cordyceps critters, season two also “expands its storytelling horizons while narrowing its thematic interests to a fine point.” Be prepared: every path has a price.

The Narrow Road to the Deep North (Prime Video, April 18)

Gen Z heartthrob & Saltburn star Jacob Elordi teams up with Australian auteur Justin Kurzel, for The Narrow Road to the Deep North, a “big, bold, complicatedly sensual epic of wartime anguish and personal reckoning.” An adaptation of Richard Flanagan’s Booker Prize-winning novel, the non-linear mini-series follows the Brando-like Elordi over several decades as a brooding Australian surgeon. He’s haunted by the memories of a brief, intense affair and the  harrowing experience as a POW on the infamous Burmese death railway. The Narrow Road to the Deep North looks to be no The Bridge on the River Kwai, but a visceral, shell-shocking piece of work.

Government Cheese (Apple TV+, April 16)

Starring Silo’s David Oyelowo, Government Cheese is a sharp, surreal comedy about a recently released ex-convict who, with the help of a little divine intervention, hopes to reunite his family and leave his criminal past behind. With shades of Wes Anderson, the series doesn’t look like it’ll be cheesy, but an offbeat exploration of life on the margins and the cost of daring to dream. If you’re feta-up with one-note comedies, then Government Cheese is the series for you.

The Wild Robot (Netflix, April 18)

Peter Brown’s The Wild Robot trilogy was a smash hit, and it’s now time for the big-screen animated adaptation of these beloved children’s novels. From Chris Sanders, the director of How to Train Your Dragon, comes the stirring story of Roz, an intelligent robot marooned on an uninhabited island. Voiced by Lupita Nyong’o, Roz must build relationships with the native flora and fauna to survive the island’s harsh surroundings. Labelled as “a dazzling triumph of animation in which you feel the filmmakers’ attention on every frame,” The Wild Robot is perfect for children and discerning critics alike.

Pick of the Flicks: The Edge of Seventeen (Neon, April 18)

Hailee Steinfeld earned an Oscar nomination for her breakout performance in the Coen brothers’ True Grit, but Steinfeld’s turn in The Edge of Seventeen is arguably her finest hour. In Kelly Fremon Craig’s coming-of-age directorial debut, Steinfeld plays Nadine, a sarcastic, socially awkward teen in the throes of an identity crisis. High school life becomes even more unbearable for the frazzled freshman when her best friend starts dating her goody-two-shoes brother. On par with The Breakfast Club or Clueless, this “disarmingly smart, funny and thoughtful piece of work,” may be the best coming-of-age film of the 2010s.

The rest

Netflix

Keeping Up with the Kardashians: S15-S16 (April 15)

The Glass Dome (April 15)

The Diamond Heist (April 16)

Project UFO (April 16)

Ransom Canyon (April 17)

Istanbul Encyclopedia (April 17) 

The Wild Robot (April 18)

Oklahoma City Bombing: American Terror (April 18)

 iHostage (April 18)

Heavenly Ever After (April 20)

WWE WrestleMania: 2025 (April 20)

TVNZ+

Weird: The Al Yankovic Story (April 14)

Amanda and Alan’s Spanish Job (April 14)

My Policeman (April 15)

Jungle (April 15)

The Rehearsal (April 15)

Respect (April 15)

Riddick (April 15)

Love Triangle Australia S3 (April 15)

Gypsy Rose: Life After Lock Up (April 17)

Can Elon Musk Rule The World? (April 18)

Hook (April 18)

Book Club: The Next Chapter (April 18)

Peter Rabbit 2: The Runaway (April 18)

Charlie and the Chocolate Factory (April 18)

You Don’t Mess with the Zohan (April 19)

Hunting Aotearoa S19 (April 20)

Hop (April 20)

Big Daddy (April 20)

Back to the Future (April 20)

Per Elisa: An Italian Crime Story (April 20)

Mythbusters: There’s Your Problem (April 20)

Honey Girls (April 20)

Back to the Future II (April 21)

Bros (April 21)

Back to the Future III (April 22)

Street Fighter (April 22)

ThreeNow

Wild Cards S2 (April 14)

Leverage: Redemption S3 (April 17)

1000-lb Sisters S1-S4 (April 19)

Longmire S1-S6 (April 20)

Neon

The Last Of Us S2 (April 14)

Death in Paradise (April 15)

Return to Paradise (April 15)

Poolman (April 16)

Fanny: The Right to Rock (April 18)

The Edge of Seventeen (April 18)

Baby Looney Tunes (April 19)

Law & Order: Organized Crime S5 (April 20)

Prime Video

Get Smart (April 15)

#1 Happy Family USA (April 17)

The Boogeyman (April 17)

Leverage: Redemption S3 (April 17)

The Narrow Road to the Deep North (April 18)

Disney+

How I Escaped My Cult (April 16)

The Stolen Girl (April 16)

Tracker: S2 (Episodes 9-14) (April 16)

Light & Magic: S2 (April 18)

Titanic: The Digital Resurrection (April 18)

Apple TV+

Government Cheese (April 16)

Jane S3 (April 18)

Hayu

The Valley S2 (April 16)

Acorn/AMC+/Shudder

In Flames (Shudder, April 14)

Chain Reaction (2006) (Shudder, April 14)

The Little Girl Who Lives Down the Lane (Shudder, April 14)

Doomwatch (Shudder, April 14)

Knife in the Water (Shudder, April 16)

Love After Lockup S3A P1 (AMC+, April 17)

Dead Mail (AMC+, Shudder, April 18)

DocPlay

Jazz (April 14)

Mark Twain (April 14)

Keep going!
David Lomas’s life in TV (Image: Tina Tiller)
David Lomas’s life in TV (Image: Tina Tiller)

Pop CultureApril 12, 2025

‘I’ve watched them all’: David Lomas on his soft spot for rom coms

David Lomas’s life in TV (Image: Tina Tiller)
David Lomas’s life in TV (Image: Tina Tiller)

The host of David Lomas Investigates takes us through his life in TV, including the power of the Chesdale Cheese ad and his passion for 90s romantic comedies.

It’s hard to imagine these days, but David Lomas never actually wanted to be on television. “Oh, I had no ambition to have anything to do with it,” he laughs over Zoom. “I only joined television when the newspaper I was working for folded.” He was offered a job behind the scenes for the 6pm news and picked up a few on-camera stories, doing the same for Holmes when it debuted in 1989 – “not very many though, because I was very uncomfortable in front of the camera.”

Things changed in 2004 when Lomas was approached to host a documentary about Mr Asia after his extensive reporting on the drug smuggling syndicate. “I was a bit bemused by it all, but I said yes,” he says. “It was amazing because I traveled on my own to Australia and Singapore, found camera people over there, and voiced it all.” He rewatched it recently and realised another career-making detail within: the documentary begins with what would become his catchphrase: “I’m David Lomas”. 

Over two decades later, that iconic introduction can still be heard in the newest season of David Lomas Investigates. Continuing his quest to reunite families, heal decades-long hurt and unearth generational secrets, Lomas travels from Lithuania, to Greece, to Mexico and the Philippines. “Every story has emotion, heartbreak and mystery,” he says. “It’s just great to help people and see the change that happens to them with they finally get the answer they’ve been looking for.” 

David Lomas sits on a park bench while taking a phone call
David Lomas in David Lomas Investigates

The change is so palpable in the participants that the crew can’t shoot any pick-up scenes after the “reveal” has been captured. “We have to make sure we’ve got everything beforehand, because afterwards they always look different,” says Lomas. “You can put them back on the same street and in the same clothes as before, but their face has completely changed.” And even after so many years and countless transformations, he still feels “extremely fortunate” to have a role on our screens. 

“A while back, I was just having a coffee in a cafe, and a woman came and sat with me, and said ‘I’ve never told anyone this, but I gave up a child for adoption’,” he says. “She had never spoken about it for 50 years, but the programme helped her.” As the country gets the tissues ready for another season of moving television, we asked Lomas to take us through his life in TV, from hiring a set at university to watch the rugby, to his passion for romantic comedies, to the one case that sticks with him to this day.

My earliest TV memory is… When I was growing up we didn’t have a TV, and I had no interest in it. It was black and white, the shows weren’t that great, and we just spent our life outdoors, playing. The first time I lived in a house with television was when I was at flatting at varsity in 1972 and the flat made a decision to hire a TV from Dominion TV rentals, because the All Blacks were going to play during their England tour. On the night of the match we got up at 2am, turned the TV on, and it failed. We all jumped in and drove across town to another flat where they had a TV that was working. 

A black and white image of an woman in a hairnet, frowning and pointing
Ena Sharples found a fan in young Lomas.

My earliest television crush is… The person I quite liked on television for a long while was Ena Sharples on Coronation Street. In my first years at varsity, a big group of us all used to watch Coronation Street together and Ena was just so fabulous. She was a biddy who wore a hair net and was a grumpy old thing. Her mates used to sit in what they call The Snug at the pub in Coronation Street, and they were the big gossips of the town. Fabulous character. 

The NZ TV ad I can’t stop thinking about is… It’s probably the Chesdale ad – “we are the boys from down on the farm, we really know our cheese.” It’s the funniest thing, because when I was in Toulouse in 1978 for the All Blacks tour, all the New Zealanders in the crowd were hopeless singers while the French were so marvellous. Somehow I managed to hook up with another bunch of Kiwis – about 10 of us in the same vicinity – and the only song we knew was “we are the boys from down on the farm, we really know our cheese” so we just sang that. 

My TV guilty pleasure is… I’ll watch a good British drama – things like Shetland, Sherlock, Elementary, Line of Duty. I like really good drama and not bang, bang shoot everyone stuff. But the thing I actually watch most on TV are rom coms. They are a bit like my own programme I suppose, in that they always have a happy ending. I’ve watched them all. I like Sleepless in Seattle with Meg Ryan, Notting Hill and Pretty Woman with Julia Roberts, those are just amazing. I’ll watch any good rom com – they are on at my place all the time. 

Sleepless in Seattle is a Lomas favourite.

The one story from my career that sticks with me is… There was one we did in Rome which we dubbed The Runaway Priest. It was a guy, Filipo, whose family were from a Catholic Island in Tokelau, and he was was sent to join an order in Rome. When he got there he was abused and used for manual labor and treated like a secondary person. Filipo fled the priesthood and was too ashamed to come home, so he just disappeared in Rome.

For around 30 odd years, his family tried to find him with no luck, so we went in search of him. It was a story which took a few years to solve. When we finally found Filipo, we got him to come to this hotel just outside of Rome and do an interview in the courtyard. We then got his sister Malia to walk out. She did this stage whisper from behind – “Filipo?” – and his face just died of shock because he recognised her voice immediately. 

As a television story, that one was just super magic – a very, very tearful, very, very successful reunion. He’s come back to New Zealand and he’s a big part of the family now, so that’s great. 

My controversial TV opinion is… Looking at the state of current affairs television now, someone has to step in. The government has to start taking it seriously. The demise of Sunday, which was a programme that I helped start, was just disgraceful. Trump is actively isolating the news media in the States, but here we’re almost doing it by default by not supporting it. It’s our visual history too – who’s left capturing these big events and stories in an in-depth way? It should be set in stone that we have decent current affairs programmes, which work hard and challenge the government. 

The last thing I watched on TV was… That’s easy – it was a rugby game on the weekend. 

Watch new episodes of David Lomas Investigates on ThreeNow every Tuesday