No one can be cute forever. (Left: Te Papa. Right: ROV SuBastian / Schmidt Ocean Institute).
No one can be cute forever. (Left: Te Papa. Right: ROV SuBastian / Schmidt Ocean Institute).

ScienceApril 16, 2025

Breaking news: the colossal squid is… beautiful?

No one can be cute forever. (Left: Te Papa. Right: ROV SuBastian / Schmidt Ocean Institute).
No one can be cute forever. (Left: Te Papa. Right: ROV SuBastian / Schmidt Ocean Institute).

We’ve known colossal squid exist for 100 years, yet this is the first time one has been seen alive in the deep. Best of all, it’s a beautiful baby.

Te Papa’s most popular exhibit is not known for her beauty. The colossal squid is laid out in a sealed bed of discolored liquid. She is limp, a little shrivelled and very, very dead. Her flesh is a washed out grey with peeling orange skin and stitched up damage. We are not seeing her in her best light (the darkness of the deep sea), but she is the only complete colossal squid on display in the world. It might cross the minds of the most sensitive visitors that perhaps it would be better for humans not to know what’s down there after all.

Since two arm crowns (the arms and tentacles found around a squid’s mouth) with a strange combination of suckers and hooks were found in a sperm whale stomach at the South Shetland Islands in 1925, we’ve known that colossal squids (not to be mistaken with giant squids) exist in the deep sea. Yet, for 100 years we’ve only seen them as remains in the stomachs of whales and seabirds, or on the surface, either dying or slipping back to the depths after following fish caught on long lines. 

This all changed on March 9, and this morning, the embargo lifts on footage from the very first confirmed sighting of a colossal squid in its deep sea habitat. It’s a baby. The footage was captured by an Ocean Census expedition in the remote South Sandwich Islands in the South Atlantic Ocean. 

tiny glass quid so beautiful in the deep sea
First confirmed live observation of the colossal squid, Mesonychoteuthis hamiltoni, in its natural habitat. (Photo: ROV SuBastian / Schmidt Ocean Institute).

“This animal is so beautiful – actually quite stunning,” says Dr Kat Bolstad, a world-renowned squid expert based at Auckland University of Technology who was called on to identify the baby squid. She thinks it looks like a “little glass sculpture”. Indeed colossal squid are one of about 60 species in the Cranchiidae family, commonly called glass squid. The baby squid, which is about 30cm long, is almost entirely transparent in the footage, but the colour cells (chromatophores) visible mean that it is iridescent, and it can “probably” switch to being opaque. This switch is thanks to the ability of the coloured chromatophores to expand and contract.

Bolstad is pleased that our first official glimpse of a colossal squid in the deep is of a baby. “It’s such a nice contrast to the monster hype or stuff of nightmares that gets thrown around for deep sea animals,” she says. “Our first look at a colossal squid shows us this life stage, rather than the large version, which, when we do see it, will inevitably have some of that hype.” 

She seems to be suggesting that some people will inevitably cry that adult colossal squid do resemble monsters and the stuff of nightmares. Te Papa’s beloved exhibit comes to mind. Science is not sure yet what adult colossal squid look like when they’re alive and well in the deep sea, since we haven’t seen them. Bolstad says the specimen at Te Papa was likely not as transparent as the baby because the tissue of the mantle and fins gets “very thick” as they grow up. Colossal squid can probably reach lengths of 6–7m and can probably weigh more than 500kg. On the surface, adult colossal squid are opaque and a dark red or reddish purple colour, like the skin that’s coming off the one in Te Papa.

Kat Bolstad and Tyler Northern show the colossal squid beak to John Bennett in 2014. (Photo: Norm Heke, Te Papa).

In an educational CGI video on Te Papa’s website, an adult colossal squid is pictured as a big red blob. Though they won’t look like little glass sculptures, Bolstad thinks that adults are likely to have more details than the blob. She expects that they will be able to control those colour cells to have some transparency and make different, changing patterns on their skin. 

In any case, they will be a far cry from Te Papa’s prized corpse in that glass tank. “What we can see dead is a very poor approximation of the magnificence of these animals in life,” she says. Bolstad helped prepare that squid for exhibition back in 2008 and she says that “given the consistency of the muscle in that animal, she looks pretty good, all things considered”. She says when we look at the squid, we should consider what’s involved in getting a large gelatinous animal from the surface of the sea onto the deck of a ship, storing it, freezing it, thawing it, then putting it in a preservative. Flesh loses structural integrity throughout the whole process.

For Bolstad, glass squid, including colossal squid, are some of the most beautiful animals – when alive. Now that we have seen the little glass sculpture, we can try to erase previous monstrous images of them from our heads, and agree. The little baby is beautiful.

Keep going!
Three images of a kea searching for food on a cafe table, the last of which shows it has knocked a plate off the table
A kea searches for food, finds none and knocks a plate off a table at Arthur’s Pass Cafe

SocietyApril 16, 2025

Arthur’s Pass tourists love kea, but locals are desperately trying to keep them away

Three images of a kea searching for food on a cafe table, the last of which shows it has knocked a plate off the table
A kea searches for food, finds none and knocks a plate off a table at Arthur’s Pass Cafe

A campaign to discourage New Zealand’s charismatic mountain parrot, the kea, from hanging out at a tourist hotspot appears to be working. 

At Arthur’s Pass Café on a sunny autumn day, every table is full. Staff are hard pushed to keep up with coffee orders and clear the tables. When an outdoor table momentarily becomes vacant, a kea seizes its chance. It lands on the table appraising the likelihood of leftovers. It nudges a spoon with its hooked black beak, pecks at crumbs, then – seemingly disgruntled – sends a  plate crashing to the floor before hopping away. 

A crowd gathers and cameras click. Visitors are delighted with the show. Locals are less happy. For them, even one kea scavenging human food is still too many.

Arthur’s Pass conservationist Renée Habluetzel has spent four years trying to dissuade kea – New Zealand’s second largest native parrot (the kākāpō is bigger) from coming to town. When she took up her role as community engagement co-ordinator with the Kea Conservation Trust in 2021, kea were abundant, especially at the café where they would steal food from diners’ plates and hands and pose for selfies without fear.

“They are such playful birds,” she says. “They will do anything to get your attention.” But their love of the limelight is also their downfall.

When the birds come to town to scavenge for human food, they cross busy roads. Or they perch on moving car bonnets or surf on their roofs until they fall off and are hit by passing vehicles. Between 2020 and 2022, 12 kea were killed by cars including eight in Arthur’s Pass village itself. Habluetzel says the autopsies revealed the birds’ crops were full of “crap food”

She says the food they steal sticks in their gullets and prevents distribution of seeds. Some foods, such as chocolate, contain ingredients toxic to them. 

A kea with brown and green feathers and a curved black beak
A kea waits

In towns, kea will also peck the lead on roof nails or flashings and get tangled in electrical wires. Lead from tyre weights or flashings cause nervous system damage, organ failure and eventually death. Forest and Bird spends up to $10,000 a year treating lead-poisoned kea. In other words, “towns are death traps,” says Habluetzel.

Kea are now listed as “threatened and nationally endangered”. They are thought to number less than 5,000. 

The Kea Conservation Trust was established in a 2006 campaign to preserve kea in their natural habitat and research issues related to them. Habluetzel was appointed to co-ordinate the trust’s activities and monitor kea in Arthur’s Pass, a popular stopping point for travellers between the South Island’s east and west coasts. “Don’t get me wrong,” she says, “I’m not a goody two-shoes trying to kill people’s fun. Once upon a time, I would have fed kea because they are so much fun to have around. Now I know we are harming the birds by encouraging them into our world.” 

She says attitudes in the village have also shifted and more people are spreading the message about the dangers of human interaction. Road deaths of kea have reduced markedly in the past 10 months.  

 Today in Arthur’s Pass – including at the café – posters urge people not to feed kea. Other efforts have been made to remove any objects on private property that might be a threat. In 2018, the KCT secured more than $1million from Jobs For Nature (Mahi mō te Taiao), a government initiative that funds programmes that benefit the environment. The money was used to remove lead nails and flashings from houses. “Residents were delighted. They got a freebie and it underscored our message,” says Habluetzel.

on the left a headshot of a woman (Renee) and on the right an image of a man putting up a poster of a kea that reads "thank you for not feeding me"
Renée Habluetzel and the installing of a kea poster in Arthur’s Pass

The departure from the village of a resident who refused to stop feeding the kea has also had an impact. Habluetzel says the man had continued to feed the birds despite repeated warnings from the Department of Conservation. “Birds were killed as they flew across the road to access the food. When he left town two years ago, the birds continued to turn up at the property for their feed.” Habluetzel posted pictures online of berries and other food to assure people they would not go hungry.

Sean Moran, who has leased Arthur’s Pass Café for 10 years, is also passionate about kea but he says the biggest threat to their survival is not access to human food, it’s predators. “We need to do more to get rid of the pests and vermin that prey on the young and eat the eggs. That goes for all birds.”

He believes kea will congregate in the village no matter whether there is human food available or not. “They are naturally social birds. They love human contact. If you go up to their natural habitat without food, they will still flock around you.” But he agrees human food is not good for the birds. “It’s like giving a child whisky. But some people ignore the signs or don’t understand them. Every day, staff ask people respectfully not to feed the birds, but some still do. There’s not much more we can do.” 

Renée Habluetzel would like infringement penalties introduced to deter those who continue to ignore the signs. The Kea Conservation Trust, Arthur’s Pass Association and the Arthur’s Pass Wildlife Trust have made submissions to the Selwyn District council seeking a bylaw to ban kea feeding on non-conservation land except for a conservation purpose.

Andrew Spanton, the environmental team leader at the Selwyn District Council says the council has investigated introducing a bylaw because of the effect on the health of kea and other risks associated with human contact. “If deemed suitable, the bylaw would give the council authority to stop the practice,” he said.

Meanwhile the lone kea at Arthur’s Pass Café waits patiently for the next plate to arrive. A couple sits down at the table. The woman points to the bird and breaks off a piece of her muffin. Her companion nudges her and points to the poster above her head. “Please Don’t Feed Me,” it says. She pops the piece of muffin in her mouth. The kea flies away.