Illustration by Toby Morris
Illustration by Toby Morris

OPINIONSocietyMay 8, 2021

Once a biodiversity basket case, Wellington today is the wind beneath our birds’ wings

Illustration by Toby Morris
Illustration by Toby Morris

We can stand back as the predators we brought with us wipe out our found-nowhere-else-on-earth island evolution, or do something about it, writes Paul Ward, founder of Capital Kiwi.

When Covid marooned us in our homes, the traffic stopped. In the silence we noticed the birds. Every morning a tūī provided the birdcall for our Newtown backyard. My daughters were convinced that he was mixing ‘Supalonely’ and sea shanties into his playlist of R2-D2 clicks and whirs. The tūī – white cravat bobbing – sung us a world beyond lockdown. 

We love our birds. In te ao Māori the manu are kin. Our sports teams, defence forces, and selves, are known as Kiwis. Like the bird we’re tough, proud, shy and weirdly evolved here. It was a kiwi shedding a tear that symbolised our collective grief following the mosque attack. It wasn’t a laser possum that was the people’s choice in the flag debate. Our birds are key to our identity and place in the world.

But in the light of the number of our manu struggling for survival in 21st Century Aotearoa, this pride looks passive, careless even. Our wildlife leads the per capita medal table no one wants to: “threatened with extinction”. 

Who cares? Who are the kaimanaaki, the carers? Isn’t protecting them the job of the Department of Conservation? The Predator Free 2050 goal, launched in 2016, targets the introduced predators – rats, possums, mustelids – that have the greatest impact on our native wildlife. Sir Paul Callaghan called it Aotearoa’s “moon shot”. In 2020 DOC released a strategy to get there.

My kids think kākā, tūī and kārearea are normal’: Estella Ward and kākā. Photo: supplied

Protecting te taiao (nature) wins near-unanimous approval, but for most New Zealanders it’s not apparent how they can help. Today there’ll be more New Zealanders scratching an Instant Kiwi than looking after the taonga. We have become aloof to the sanctity of our nature. But don’t freak out at the immensity of the challenge. A teaser for what’s possible when citizens get their act together as guardians is a city described 30 years ago as a biodiversity “basket case”: Wellington.

Wellington’s old names testified to a place of manu abundance. Paehuia was a ridge above where the prime minister’s residence is now. In the wind and cloud the bird must have been mystical to encounter, with its Hotere-black clerical robes and tail feathers dipped in mana. Huia Farm is down in Ōhariu Valley. Kaharore – aka Karori – was the place for snaring birds. Tarikākā – Mt Kaukau – was where kākā parrots rested. 

By the 20th Century all these manu were absent from their namesakes. There was no afternoon briefing from Dr Bloomfield to focus attention as they were depredated, and evicted from the hills they’d called home since Tāne Mahuta created them. They were simply gone. 

By the 1990s, when I went to high school and university in the city, barely the names remained; and the only birds were introduced pigeons, sparrows and blackbirds. Native nature was something you went somewhere else to experience. The nearest place I could’ve seen kākā resting was Kāpiti Island.

Now, thanks to a combination of spillover from the fenced Zealandia Ecosanctuary, plus decades of council and community efforts, this has changed dramatically. From being on the verge of local extinction, tūī are everywhere; kererū are load testing power lines, kākā are drinking craft nectar on Cuba St, and kārearea (falcon) are scoping pigeon from high-rise ledges. 

Wellingtonians have embraced the return of the manu. On Mākara Peak mountain bikers saddle up to check traps, on Te Kopahou Reserve it’s the petrolheads: 4WD drivers. On Miramar, an army of volunteer reservists are hunting down the last rats towards stage one of Predator Free Wellington. At Mākara School recycling means feeding the rats to the resident tuna (eels). 

A generation ago a community hub might’ve been a rugby or netball club; now sports like biking and running are pursued independently and organised online. Trapping pests, planting trees and maintaining trails are IRL gathering points that enable koha for using a shared space. Research touts benefits to health and civic unity. On social media, people post rat kills but also log nature buzz, and get to meet their neighbours. Trap are sited prominently on trails as care boxes. This is wild whanaungatanga – connectedness.

Every suburb has a reserve or backyard trapping programme. Each has its own trap-box stencil (Predator Free Brooklyn’s is a rat impaled on a wind turbine) and acronym (Mākara Peak’s Katch22, Ōtari’s RAMBO). Manu outnumber people as street art subjects, sprayed as markers of civic bragging rights: the Railway Station food cart’s resident kōrora (penguins); Brooklyn’s kākā scudding down the main road, Newtown’s sunnies-wearing ruru … 

David Attenborough reckons that people will only protect what they care about, and they’ll only care about what they’ve experienced. The challenge is that much of Aotearoa’s wildlife is removed from our experience. 

In Wellington the benefits of Predator Free aren’t conceptual. Encounters with ngā manu are not in a zoo or on an offshore island, but en route to work, while shopping, exercising or at sport. When we hear a tūī mixing backyard melodies with its two voice-boxes, we get why our music awards are the Tūīs. When you surprise a demon grasshopper wētā in the woodpile you see why the Oscar-winning film effects company is called Wētā FX. 

Kākā were reintroduced to Zealandia in 2002. The Wellington kākā flock now numbers several hundred; the parrots have secured digs in pine stumps and roofs of student flats and are regulars hooning through the Town Belt. It’s one of the bird’s biggest wild populations, and helped shift its conservation status from “threatened” to “recovering”. When Garage Project ran a naming contest for the kākā nesting behind the brewery, the winner was “Cortina”.

Illustration: Toby Morris

The manu resurgence in city parks and skies has opened imaginations to a special K: kiwi. Like kākā, adult kiwi are able to fend off most predator threats with their big raking claws; where they get hammered is depredation on chicks before they reach fighting weight. 

As kākā, tūī, kārearea and kererū have shown: provide shelter and food and manage threats, and populations can grow. I’m the founder of Capital Kiwi: the mission to restore kiwi to the hills west of Wellington. With the help of iwi, landowners and community groups, we’ve got 4,400 traps across 24,000ha of farms, forestry, homes and reserves, from Pariwhero (Red Rocks) to Porirua. It’s the largest community-owned mustelid trap network in NZ. We’ve hit all our targets towards establishing a safe nohoanga for kiwi. 

Grassroots efforts are also the foundations of Predator Free Wellington, whose purpose is to rid the city of rats (alongside mustelids and possums). Both projects are umbrella initiatives providing landscape-scale cohesion; their aspirations are only possible because of DIY community mandate.  

It would be overstating Wellington’s turnaround to say it’s become urban nature nirvana. Reversing 180 years of loss doesn’t get moving overnight. Even diehard pastoralists would agree that the colonial haircut took too much ngahere (forest) off the hills. The awa (streams) need attention as desperately as the sewerage pipes. And the balance of survivorship is still tipped against the smaller birds (toutouwai, kākāriki, hihi) in the cat and rat race. 

But remarkably, amid Earth’s Sixth Great Extinction, the city has increased its indigenous biodiversity. Only stumps of giant tōtara and rātā remain, but the birds have inspired care for what’s left, and imbued the scrappy, scrubby, wind-beaten hills with possibility. 

Millennials are having nature encounters unimagined by Boomers, and they’re getting tats to brag about it: ExtINKtion, a native bird tattoo fundraiser, raised $10k for the birbs in 2019. Baselines have shifted.

Old stories are revived: a gecko in your letterbox evokes the harbour’s taniwha origin story. When we get to see tīeke in the flesh, the myth of its saddle-coloured back is evoked: branded by Maui’s reproving hand, red-hot from taming the sun. And new associations are prompted: the tīeke moves along branches like a parkour exponent, and clears grubs from rākau like TJ Perenara passing from a ruck. 

These encounters are portals to think outside ourselves, and a challenge to reimagine our compact with nature. They have been created in a generation or so by people “doing their bit”, in backyards, paddocks and reserves. Capital Kiwi and Predator Free Wellington are not aspirations buried in a Long Term Plan, but strategies that people can already see. 

Join your local Predator Free group, trap, plant native: our birds face a housing crisis too. Consider the impact of our four-legged companions: our manu, ngarara (bugs) and mokomoko (lizards and geckos) are taonga, not free-range pet-food. 

Don’t do it because the press release told you to… Do it for the joy of kākā rollicking down Willis St like every week is Orientation. Do it to meet your neighbours. Do it to defeat the doom scrolling. Do it for the wētāpunga, the God of Ugly Things (and that Aotearoa has a god of ugly things). Do it for kapa haka with a piwakawaka.

Do it because it’s their home too; we know how to look after it, so we ought to. Could you stomach telling your grandkids that we let the animal that we’re named after go extinct? Do it for the heart-tug of seeing a mini T-Rex kiwi footprint in the mud on your farm or reserve track.

We can stand back while the predators we brought with us wipe out our found-nowhere-else-on-earth island evolution, or do something about it. 

My kids think kākā, tūī and kārearea are normal. When kōkako singing up the western suburbs sun, and takahē roaming South Coast hills are normal too, we will have delivered on the promise of that kākā screech above the city. We will have shifted from passive pride to active guardianship of our manu taonga. 

We are the Night’s Watch for kiwi and kōkako. Our Covid response has shown us what we can do collectively if we set our will to it. What if the team of five million was expanded into the team of Tāne’s children? 

Who cares? We do. See you round the traps.

Kia kākā, go kiwi!

In memory of Wellington conservationist Colin Ryder (1946 – 2021). Check out RNZ series Fight for the Wild for more on Aotearoa’s Predator Free mission.

Keep going!
izzzyzzz

SocietyMay 7, 2021

The web historian preserving our weirdest moments

izzzyzzz

An Auckland teenager’s YouTube channel has taken on the mammoth task of explaining 2010-era internet to the world. Josie Adams spoke to Izzzyzzz.

Izzy* is a 19-year-old with more than 13 million views on YouTube. She lives with her aunts, like Sabrina. She has the same haircut and everything. But instead of being filled with dark potential, her magic power is understanding the chaos of the adolescent internet.

“I wouldn’t say any of my family understands what I do, but they’re supportive,” she says.

When we meet, she visually embodies the past two decades of web activity: she’s wearing Garfield earrings, face sequins, and a Kurt Cobain badge. “I pretty much grew up terminally on Tumblr,” she says.

Tumblr is a blogging platform that’s still running, but had its heyday between 2009-2013. It was anonymous, easy to use, and is often considered an originator of what some folks call “cancel culture”.

“I never saw the worst of Tumblr because I actually had quite a sheltered childhood in terms of the internet,” she says. She would have been about 10 years old during its worst years. Izzy’s mum banned her from reading popular urban legend website CreepyPasta after seeing something on the news; she can’t recall exactly what it was, but the timeline matches up with the Slenderman stabbing in the US, where two 12-year-old girls repeatedly stabbed a third saying the Slenderman – a CreepyPasta invention – told them to do it. 

It was a terrifying time to be online, and while Izzy missed the most dangerous years, she logged on early enough to find threads of internet culture to pull at. Now she works full time on a YouTube channel dedicated to remembering the web we all tried to forget.

Her channel, Izzzyzzz, has almost 230,000 subscribers. She covers topics most of us will be familiar with, like Furbies and Garfield; but her most popular content is also extremely niche. One of her most-viewed videos – The Homestuck Cosplayer Who Dyed Her Skin with Sharpies – sits at just under 900,000 views.

The channel took off a year ago, when she first delved into web nostalgia. “I made a video about something that happened to me on Tumblr – I made a really bad art tutorial,” she says. “It was just so badly drawn, and it got circulated throughout Tumblr. It became a meme.” She laughs when she describes it to me, because despite the vitriol she received this isn’t a painful memory. It’s history. The video has since been deleted to protect the feelings of one of the people making fun of her art.

Off the back of this success she moved into “drama content”, a form of YouTube storytelling based around dissecting online drama. “If you grew up on the internet you saw that stuff all the time. It’s a way to grow, and it’s a way to find a community. But it wasn’t for me.”

She moved her storytelling into the past, and found her niche. “People have said I’m doing a historian thing,” she says. She’s going down wormholes of forums and screenshots and compiling them all into scripts and, ultimately, mini-documentaries. One of her videos, about the Warrior Cat fandom, is almost an hour long.

Near the end of last year, thanks to her audience size and the resultant sponsorship, it became a viable job. Even so, she laughs at the thought of YouTube as a “career option”. “It’s important for me to not make YouTube everything, because that’s not healthy.

“But it’s what I do full time.”

 countless garfield toys sitting underneath a movie poster of The Room
Izzzyzzz’s workspace (Photo: Supplied)

Izzy’s been categorised as a Tumblr historian, but she’s just as interested in other platforms: DeviantArt, 4chan, Reddit. “I really want to cover something from MySpace – I’m still on the hunt for a good MySpace story,” she says.

The problem is finding a story that’s weird enough for a video, but not too dark to handle. She has a list of potential topics, and will go all the way down the wormhole of each – Alexandria’s Genesis, Homestuck skin dye, Timmy Thick – before she starts writing or filming. Sometimes, she pulls the plug.

“Talking about serious topics is something I experimented with early on. It’s definitely not a responsibility that I think I would be able to uphold.” One of these experiments was a video about StickyDrama, a “teen drama site” that ended up doxxing underage children and leaking nudes. Ultimately, she decided against making more videos on subjects that involve serious abuse. “I try not to touch topics like that. I don’t want to pose any harm.”

“They’re interesting videos, but they’re not what I want my channel to be.”

Izzy works with brands to sponsor her work: NordVPN, a genderless jewellery brand called Vitaly, a blanket company called Warm People, and an online art class platform called WingFox. She has other suitors, but these are the current winners. “Being able to pick and choose [sponsors] is definitely a luxury,” she says. “I completely understand why people think [sponsorship] is inauthentic, but I also understand why people take deals that seem inauthentic. You’ve got to get that bread somehow.”

She makes one video a week, or one a fortnight depending on how long the videos are. She’s not thinking about the future, and stresses that there’s more web history being created now than ever before. “Things move very quickly these days,” she says. “It’s flash-in-the-pan kind of drama.”

It takes tenacity now to follow a rabbit hole or take all the right screenshots before the world’s moved on and scrubbed Kaitlin “Gun Girl” Bennett’s frat party shit or All Gas No Brakes’ employment contract from the walls of the web.

But with the right backing, maybe she could keep up with the mammoth task of archiving the weird web for years to come. Is there anyone she’d work with long term? “It would have to be Garfield himself. If Garfield sponsored me I would never take another sponsor.

“Jim Davis, hit me up.”

*Surname absent to protect her identity.


Follow Remember When… on Apple Podcasts, Spotify or your favourite podcast provider.