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Pop CultureOctober 18, 2017

We found the genius behind the 1 News Tonight weather music

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Fascinated by the surprising and often inspired music curation on TVNZ 1’s evening news bulletin, Calum Henderson goes in search of the person responsible.

It is one of the great pleasures – only sometimes guilty – of modern TV viewing: being able to identify any piece of music on any show simply by holding your phone in the general direction of the screen.

Recently there is one particular show I have been whipping out my phone for time and time again, Shazamming more often than any other by far.

That show is 1 News Tonight.

Every weeknight TVNZ 1’s evening news presents a concise digest of the day’s top stories in a calm, reflective tone befitting its bedtime timeslot. Newsreader Greg Boyed gently guides viewers through the headlines to ultimately arrive at a final moment of serene contemplation: tomorrow’s weather.

Unlike the 6 o’clock bulletin, there is no weather presenter on the evening news, meaning the weather graphics play accompanied by a nightly piece of music. This has been happening for many years. As far as the actual song selection is concerned, expectations are generally low to nonexistent.

1 News Tonight’s weather music curation, however, is superb – frequently serving up an eclectic mix of classic hits and deep cuts from the past 50 years of popular music. I often wondered who was behind these inspired selections, assuming it to be the work of a shadowy and mysterious behind-the-scenes figure.

Could it be Dan leaving his Spotify open after the 6pm news?

The real answer was staring me in the face the whole time, straightening his wireless keyboard and shuffling his wireless mouse. The person responsible for the majority of the 1 News Tonight weather music… is Greg Boyed himself.

“Probably 80 percent of the time it’s me,” he admits. The amiable newsreader has been leading the weather music curation since he began on the evening bulletin, and says the song selection criteria has evolved over the years. “When we first started doing it we tried to kind of theme it to a big story,” he remembers. “Sometimes that was impossible. Sometimes it was just lame. So we kind of opened the gate.”

These days you never know what you’re going to hear over the top of tomorrow’s weather. One night it might be soul classic ‘O-O-H Child’ by The Five Stairsteps, on another, it could be 1997 hit ‘Say What You Want’ by the Scottish group Texas. “It’s a slinky one eh?” Boyed agrees when I tell him this is regularly one of my most well-received selections to when I put it on the UE Megaboom at Friday work drinks.

Recently, he says, he has begun integrating weekly themes into his weather music curation. “This is my new thing – when I’m not on, Ant [Muru, team leader edit] or the producer chooses, which I then try to use as a start point for a theme for the week. Sometimes it’s easy, sometimes less so. I once thought I was a smartarse making Iceland a theme… that proved harder than I thought.”

‘O-O-H Child’, which played on a rare night when Peter Williams was reading the evening bulletin, was one such selection. “I didn’t know the song,” Boyed admits, “but I thought: bands with numbers in their name.” The rest of the week saw songs from a list of artists as diverse as Maroon 5 (‘This Love’), Three Doors Down (‘Superman’), Grandmaster Flash & the Furious Five (‘The Message’) and U2 (“who I’d normally avoid”) with early single ‘Out of Control’.

Similarly, the Texas song was inspired by that Monday’s selection, ‘Heart of Glass’ by Blondie. “Blondie was chosen Monday, so I thought, ‘OK, either CBGB-type bands – Ramones, Talking Heads… – or women fronting bands. Ergo, Texas.” The rest of the week included tracks from PJ Harvey (‘A Place Called Home’) and Siouxsie & The Banshees (‘The Killing Jar’).

1 News Tonight is not the only evening news bulletin that plays music over the weather. Three’s Newshub Late does it too, even listing the track details on screen for the viewer’s convenience. But while an argument could be made for Newshub Late’s song selection being trendier, and certainly more up-to-date – last week, for example, they played the new Breeders single the same day it was released – for sheer depth, 1 News Tonight’s weather music selections are unparalleled.

Case in point: Tuesday two weeks ago, the day Tom Petty died. That night Newshub Late’s weather music was ‘I Won’t Back Down’ off 1989’s Full Moon Fever, one of Petty’s best-known hits (only ‘Free Fallin’’ has more plays on Spotify). Great song, and playing it over the weather a moving tribute, but over on 1 News Tonight Boyed went with a slightly deeper cut: ‘You Don’t Know How It Feels’ from 1994’s Wildflowers.

“It was a no-brainer,” he says of his inspired selection. “I always like the ‘next tier of hits’ songs, and frankly any song with the line ‘let’s get to the point, let’s roll another joint’ in it which doesn’t become a stoner anthem should be celebrated.”

Mining the ‘next tier of hits’ – that sweet spot just below the surface of an artist’s catalogue – is what sets 1 News Tonight’s weather music selections apart, and what makes it worth staying up for. In the last month alone it has reminded me of the brooding, majestic 1987 Gino Vannelli single ‘Wild Horses’ (part of a horse-themed week) and introduced me to Sheila E’s awesome Prince-penned ‘The Belle of St Mark’. “I wanted to do the not-so-obvious Prince stuff, but a heap of his earlier work is kind of X-rated,” Greg explains. “So, I started looking at people he’d written for or produced, which is another rabbit hole altogether.”

Boyed says he usually begins thinking about the weather music on his way into work. It is not always easy. “At times I’ve sat there thinking, ‘OK, any song in the world which tickles my fancy – nope, can’t think of a single tune’.”

He has just two rules for choosing a song. Rule one is “Nothing with ‘weather’ or ‘rain’ or so on in the title – it’s just too bloody obvious.” Rule two? “Lisette [Reymer, 1 News reporter] can’t choose. With her it’s just Beyoncé and that isn’t a choice. It’s just one woman… constantly.”


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Pop CultureOctober 17, 2017

Hot Chip’s Alexis Taylor: ‘I’m alright with people knowing I’m a person.’

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Matthew Crawley chats with Alexis Taylor, who saved many a dancefloor in Hot Chip and now tours the world playing solo songs on the piano.

Once was a time when you couldn’t hit a dancefloor without being treated to a sweet little Hot Chip party gem. Over the years, many a flailing DJ has rescued the mood with ‘Over And Over’ or ‘Ready For The Floor’, but did you know that lurking behind the Hot Chip party mask was a pensive singer-songwriter just waiting to escape? Alexis Taylor the Sensitive has always hidden in plain sight. His party anthems are more often than not tinged with moments of melancholy, and with the 2016 release of the ultra-spare, piano-based album conveniently titled Piano, the world was introduced to the Hot Chip frontman’s tender side. 

Now, after spending the past year taking the solo show to sympathetic souls around the globe, it’s finally our turn: Alexis Taylor plays solo at The Tuning Fork on Wednesday, October 18th. And, thanks to a delightful turn of events, he made himself available for a quick early morning chat with The Spinoff to drum up some interest for the big gig.

Hello! How are you?

I’m fine, thank you. Just about to take my daughter to school, but yeah I’m good!

I resist the urge to make a joke about how Alexis used to be a boy from school, and now he’s dropping off his daughter to school and does it make him feel old and instead ask: So, uh, have you been touring solo a lot?

I’m not doing lengthy tours, like six-month tours back to back, shows every night, but I am travelling quite far and wide doing it. It’s such a quiet record that I made, quite a niche thing in a way, although the songs are fairly melodic, it means that it’s had quite a nice slow reach, it’s reached people who are interested in that kind of intimate setting for the songs.

The show has kind of evolved a bit over time as well, so that I’m playing quite a lot of the piano music but also playing some other things that weren’t necessarily originally just at the piano, and also playing some guitar and using some of the more electronic elements from some of my other records. Some Hot Chip covers, some other covers, taking requests… it’s quite loose at one end of the spectrum, and it’s also quite precise and based around the actual Piano record.

So I think it’s something that I think is nice for people to see, people who know me through Hot Chip, but also people who know the solo stuff and the About Group stuff.

Do you throw the covers of Hot Chip in there to appease the inevitable one leery person in the front row demanding the hits, or is it more to do with reconstructing some of your favourite songs?

For me, it’s just that I just play things that I want to play. If I was just doing it to appease people they would probably want slightly different material anyway, like ‘Over and Over’, or ‘Ready For The Floor’, that I haven’t yet worked out a way to play on the piano. So it’s much more natural than that, I like to sort of shine a light on some of the songs that I’ve written over the years that maybe work in this piano context, and also songs I’ve written that just haven’t really had much of a live performance up til now. So it’s fun to dig into it; I tend to enjoy other people’s concerts that have a feel like this. Somebody like Bonnie ‘Prince’ Billy, somebody that I’ve loved for years and years, he often plays quite long shows where you never really know which bit of his catalogue he’s gonna be selecting from.

Does it scare you playing solo, or are you pretty tough about it?

I just find it really natural for me to do those solo shows. I began playing solo shows before I did Hot Chip gigs. Although I took a break from it for a long time and focused on the band, it’s still something that comes naturally to me, and I enjoy being up there on my own. Not only do I feel quite confident and comfortable in that environment, but also I like quite a lot of music that is as stripped down as that, other people on record or other people solo live: Neil Young, Richie Havens in the past, all kinds of different people… Bonnie ‘Prince’ Billy as I mentioned, Smog… It doesn’t always seem to me that you have to have a backing band or lots of layers of sound necessarily.

I guess with Hot Chip there are layers of performance there to guard anyone from realising you’re an actual person. With the solo thing, it’s a lot easier maybe for people to say “Oh, he’s got feelings!”

I’m alright with feelings, I’m alright with people knowing that I’m a person. I’m not trying to pretend otherwise, really.

I’ve been picturing a giant grand piano and white tuxedo… please tell me that’s what we’re in for?

I tend to play piano when that’s what the venue can provide, so hopefully that’s what it’ll be! I’ve done some with a Wurlitzer electric piano, but it’s basically a grand piano or upright piano if the venues can get that, in combination with a few other elements, so that’s what you’re in for.

Sorry… I have to just… get my daughter out the door… to get to school…

No worries Alexis, thanks for your time! Just before you go, though, you know how you’re dropping your daughter to school, so like… you know how you’ve got a song about being a boy from school, like, there’s a joke in here somewhere eh?

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Alexis Taylor plays the Tuning Fork at Spark Arena on Wednesday 18 October. 

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