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Tā Tipene O’Regan (Image: Barry Durrant/Getty Images)
Tā Tipene O’Regan (Image: Barry Durrant/Getty Images)

Ātea OtagoOctober 3, 2018

How Ngāi Tahu turned a landmark settlement into a billion dollar iwi empire

Tā Tipene O’Regan (Image: Barry Durrant/Getty Images)
Tā Tipene O’Regan (Image: Barry Durrant/Getty Images)

Ngāi Tahu spent 150 years in cultural and economic poverty, dispossessed of the vast majority of their whenua and mahinga kai. Today, 20 years on from their landmark settlement with the Crown, they’re sitting atop a billion dollar pūtea, writes Don Rowe.

At the time of the signing of the Treaty of Waitangi, almost half the landmass of New Zealand was considered the rohe of the South Island’s Ngāi Tahu. Within 20 years, most of that whenua was gone. Huge tracts on which cities like Dunedin and Christchurch now stand were snapped up by the Crown in a series of inequitable land sales, pasture for settlers sent by the ill-fated New Zealand Company.

What followed was the decimation of Ngāi Tahu; a dispossession of whenua, the destruction of the reo, the seizure of land containing urupā and other sacred sites, and one of the longest and most complex legal claims in New Zealand history.

“In a sense, the grievance of the claim became our culture,” says Ngāi Tahu manukura Tā Tipene O’Regan, chairman of the Ngāi Tahu Māori Trust Board for more than a decade.

For more than 150 years Ngāi Tahu fought for the restitution of their loss, and the damage it did to Ngāi Tahutanga. On September 28, 1998, with the passing of the Ngāi Tahu Settlement Act, the Crown acknowledged the toll that more than a century of deprivation had taken on the iwi, and entered into a landmark settlement of $170 million. Guardianship over the South Island’s pounamu was also guaranteed, as was the return of maunga Aoraki from which the iwi descend. With this settlement the rejuvenation of Ngāi Tahu began, a process that has seen the iwi begin to emerge from beneath seven generations of dispossession to reestablish their mana and rohe. But it would take the life work of several generations to bring the Crown to heel.

Starting in the 1840s, negotiations between the Crown and iwi were consistently rushed and imprecise. During discussions for what would become known as Kemp’s Deed, or the Canterbury Sale, land boundaries were set by terms as vague as ‘so far as the eye can see’. Kemp’s Deed was notably signed aboard the HM Sloop Fly in Akaroa Harbour on 12 June, 1848 – a position from which visibility inland is limited.

At more than 13.5 million acres, and a sale price of just £2000, the Kemp Deed was the largest of all Crown purchases from Ngāi Tahu, and typifies the grievances carried by the tribe for more than 150 years.

As is consistent with colonial behaviour the world over, the Crown failed to meet Ngāi Tahu’s sale stipulations almost immediately. Instead of setting aside an agreed-upon 10% of purchased land for iwi – approximately 1,355,140 acres – the Crown ceded just over 6000 acres. This deprived Ngāi Tahu of their stake in a growing land-based economy. The promised schools and hospitals never materialised. And, despite having guaranteed the preservation of traditional mahinga kai sites, the Crown ruled that only areas already under cultivation, or the places where there were fixed structures such as eel weirs, were exempt. As a result, Ngāi Tahu lost control of, and access to, the vast majority of their traditional sources of food. Anything more than a subsistence lifestyle soon became impossible.

“You had this quite extraordinary transformation which is clearly observable and the result of what the tribunal eventually found to be unconscionable fraud,” says O’Regan. “It took a terrible toll on Ngāi Tahu. Whole communities disappeared.”

In 1849, less than a decade from the signing of the Treaty of Waitangi, Ngāi Tahu rangatira Matiaha Tiramorehu, a refugee from Te Rauparaha’s sacking of Kaiapoi, sent a formal complaint to Lieutenant Governor Edward Eyre demanding the Crown meet their obligations, and to deal with the iwi as equals. This letter is considered by many to be the genesis of Te Kerēme – The Claim – a fundamental facet of the Ngāi Tahu identity.

“For some families it was seven generations from 1849 to the settlement,” says O’Regan. “It defied historical gravity. Having this fight for so long, the fight becomes your identity.”

Members of Ngāi Tahu perform a first-ever Waiata in the public gallery, holding a portrait of Matiaha Tiramorehu.

In 1857, Matiaha Tiramorehu wrote another letter, this time to the Queen. In it, he reminded the sovereign of her orders to the Governors of New Zealand: that the law be applied equally to settlers and Māori, that the nation was considered as a whole rather than two peoples, and that ‘the white skin be made just as equal with the brown skin’.

The late 1800s saw political churn smother more than one inquiry into the Crown’s treatment of Ngāi Tahu, though a Royal Commission in 1886 acknowledged the tribe’s poverty, if not the colonial cause of it. By the early 1900s, fewer than 2,000 Ngāi Tahu were living in their traditional rohe. O’Regan says there was a sentiment that Ngāi Tahu were somehow “less than Māori”, due to their cultural impoverishment.

National MP Chris Finlayson, who signed 59 deeds of settlement during his time as Minister for Treaty Negotiations in the Key government, served as a litigator for Ngāi Tahu during negotiations with the Crown. He says the details of the Ngāi Tahu claims make for “grim reading”, a litany of broken promises and cynical political gamesmanship.

“There are various levels of mendacity: there’s out-and-out raupatu, and there are shonky deals. Well, almost the whole of the South Island was the subject of shonky deals.”

In an impressive effort of forensic cataloging, Ngāi Tahu’s archives contain almost 150 years of legal filings relating to Te Kerēme. They tell a story of generational struggle, and a sort of righteous fury. For many, a settlement promised not just restitution but salvation.

“There was always going to be the pot of gold at the end of the rainbow,” says ‘Aunty’ Jane Davis, a Te Kerēme stalwart. “I think all our old people thought like that.”

Following WWII, in an effort to recognise Māori service, the Crown authorised the Ngāitahu Claim Settlement Act, which guaranteed the iwi an income of £10,000 a year for 30 years. The amount was far less than the value of the land ceded by Ngāi Tahu, but, impoverished and destitute, the iwi took what they could get.

The administration of the money necessitated the recreation of the Ngāi Tahu Trust Board, initially mooted in 1928 in preparation for any future claims against the Crown. The board would become the Ngāi Tahu Māori Trust Board in the mid-1950s, a driving force in the settlement of Te Kerēme and the revitalisation of Ngāi Tahu.

The Waitangi Tribunal was established in 1975 but it would be another decade before it had jurisdiction to hear historical claims. During this legal purgatory, the Ngāi Tahu Māori Trust Board undertook an effort to create a governance structure with legal personhood which was accountable to Ngāi Tahu rather than the Crown. These discussions would eventuate in the creation of the tribal council Te Rūnanga o Ngāi Tahu in 1996. Their motto: ‘Mō tātou, ā, mō kā uri ā muri ake nei’ – for us and our children after us.

Negotiations with the Crown commenced in 1991, following the release of the Waitangi Tribunal’s Ngāi Tahu Land Report. Representatives from Ngāi Tahu’s three negotiation teams met monthly with the Crown for three years, outlining grievances around what they call the Nine Tall Trees: the eight land sales and rights to mahinga kai. In 1994 talks broke down, but the iwi were not to be swayed, employing tactics Chris Finlayson calls a ‘masterful’ display of aggressive litigation.

“One of the faults of the Treaty process that I’ve been aware of in my nine years as a minister is that the government can say ‘we’ll put you to the bottom of the pile’, or ‘we will delay negotiating with you’,” says Finlayson. “But actually, once the tribunal has issued a report, the government is almost in the position of being a defendant, and it should get on with the process of settling the claim, not treating iwi who want to settle as recalcitrant schoolboys to be taught a lesson.”

“The negotiation was always backed up if need be with litigation, so if we needed to go off to the court to seek interim orders or to challenge decisions of the Waitangi Tribunal, Ngāi Tahu certainly were prepared to go down that path. There are some people who may not want to, but they were. They understood.”

Though the strategy was not endorsed by the entirety of the iwi, two years into a stalemate they reached a breakthrough. Tā Tipene O’Regan, chair of the A Team responsible for negotiating with government, leaned heavily on a personal relationship with then-prime minister Jim Bolger after his relationship with Treaty Negotiations Minister Doug Graham broke down.

In 1997, not long after Waikato-Tainui became the first iwi to settle a Tribunal dispute, Ngāi Tahu entered into a Deed of Settlement with the Crown.

Aoraki, the sacred maunga of Ngāi Tahu. (Photo by DeAgostini/Getty Images)

The Crown had “acted unconscionably and in repeated breach of the Treaty of Waitangi”, the Tribunal found.”As a consequence, Ngāi Tahu has suffered grave injustices over more than 140 years. The tribe is clearly entitled to very substantial redress from the Crown.”

On the 29 September, 1998, O’Regan and a group of Ngāi Tahu resplendent in kahu huruhuru and other precious taonga made their way to parliament for the third reading and passage of Ngāi Tahu Claims Settlement Bill. This, the end result of 150 years of trauma and struggle, guaranteed Ngāi Tahu compensation of $170 million, as well as the vesting of all pounamu in their rohe, the return of the sacred maunga Aoraki, and mechanisms by which the iwi could guarantee their economic future, including the right of first refusal on numerous Crown properties and utilities.

As waiata echoed down from the public gallery in parliament, O’Regan says it was the culmination of his life’s work.

“I felt a measure of satisfaction – but also real anxiety to tie up the loose ends before I go.”

Ngāi Tahu estimate the economic losses to the iwi from the Crown’s land purchases as more than $20 billion, and thus the offer was, in Chris Finlayson’s words, “not derisory – but certainly nothing like damages.”

“The old rule of restitutio in integrum, i.e. putting people back in the position they would be in had the wrong not occurred – it’s nothing like that at all. But it was designed to provide people with a good economic base.”

In the 20 years since settling with the Crown, Ngāi Tahu have increased their wealth tenfold, moving into almost every area of economic significance in Te Waipounamu. In the 2017 financial year alone, the networth of Te Rūnanga Group increased by $89m to $1.36b, with a net profit of $126.78m. Almost $50 million was distributed to tribal initiatives and educational and wellbeing grants. Whai Rawa, a savings fund set up by Te Rūnanga o Ngāi Tahu in 2006, grew to $63.75m in the same time, an increase of more than $11m on the previous year.

Ngāi Tahu Capital, the iwi’s investment branch, has developed a substantial portfolio which includes investment in companies such as Ryman Healthcare and Go Bus, while Ngāi Tahu Farming manages three high country stations near Lake Whakatipu, as well as large scale farms on the Canterbury Plains and forests on the West Coast. Ngāi Tahu is also the biggest tourism operator in the South Island, and control huge swathes of fisheries and the Bluff oyster trade. O’Regan estimates the total value of the iwi at more than $1.8 billion.

“In that context the settlement seems alright. But it should have been better. I don’t deny the advance but there’s still a huge amount to do with those gains. And I’m not so interested in the cash value of the thing, I’m more interested in what we’re doing with it. What’s happening with the redistribution? What we’re doing to rebuild our territorial footprint?”

This economic base has allowed Ngāi Tahu to more readily put cultural values like manaakitanga and kaitiakitanga into practice. Following the Christchurch earthquakes, Ngāi Tahu partnered with CERA and began leading the Iwi Māori Recovery Programme in Christchurch.

“It’s been a wonderful evolution from what were very, very difficult times,” Christchurch mayor Bob Parker said on the announcement. “Very unjust crimes were perpetrated on Ngāi Tahu that have gradually been corrected.”

And after the Kaikoura earthquakes, Takahanga marae served more than 10,000 meals while Ngāi Tahu Tourism helicopters provided a vital lifeline to stranded locals.

Savvy and aggressive reinvestment has also funded the revival of Ngāi Tahutanga – a reversal on the cultural impoverishment of the 19th and 20th centuries. Annually, $1 million is made available to whānau to facilitate involvement in cultural activities and language revitalisation. Another $1 million is funnelled into various marae. The iwi has their own radio station, and an Aoraki Bound programme modelled on Outward Bound.

“The great challenge as we move forward from settlement is to redevelop a different sense of purpose – what are you once you’ve taken the grievance away?” says Sir O’Regan. “What is your life? How do you want to be? That’s the reason for this enormous surge through the archives, the reconstruction of new musical composition, why we’re bringing out the old waiata and hunting through manuscripts and place names and the histories of them.

“Renaissance is not too strong of a word. It’s remarkable and quite dramatic. Even to see where te reo is today would have been unimaginable even just six years ago. I am constantly seeing remarkable examples of that renaissance. It’s extraordinarily vigorous and strong. There is more cultural competence among our young than I’ve seen in my lifetime.

“But, as the late great John Rangihau used to say: more and more young people speaking more and more Māori is wonderful, so long as they’ve got something Māori to talk about.”

leonie

ĀteaSeptember 4, 2018

Whakawhiti te rā: New Zealand sport, haka and the Māori perspective

leonie

From an erratic flailing of limbs to the psychological powerhouse we know today, little is known about how haka developed into a steadfast tradition in New Zealand sport. Leonie Hayden talks to post-grad student Nikki Timu about how it all started and how Māori can shape its future. 

Kapa haka has always been important to Nikki Timu (Ngāti Kahungunu, Ngāti Ranginui). She lead Manurewa High School’s kapa haka group Te Ahikaaroa to Polyfest in 2004, and has been a passionate advocate since.

But it wasn’t until post-grad study after gaining a degree in sport management that the subject of haka in sport solidified as an academic interest – a natural intersection of her love of sport, education and kapa haka. In August she submitted her Masters thesis Haka in Sport: A kaupapa Māori perspective to the University of Otago.

Timu says her thesis topic was born from an interest in the flash mob haka that were erupting around the 2011 Rugby World Cup.

“At the same time as studying I was lecturing at Unitec and it came up as a topic in one of the first year courses. It was glaringly obvious the ignorance people had about the underlying meaning, purpose and aim of haka, and so I made it my area.”

Before Timu’s thesis there had been some research into the benefits of kapa haka – Professor Leonie Pihama, Dr Jillian Tipene and Herearoha Skipper produced a report for Te Matatini and the Ministry of Culture and Heritage in 2014 – but little had been done in the area of sports, and nothing from a kaupapa Māori perspective.

Timu used all Māori participants in her research – varying ages and genders, athletes, kapa haka exponents, educators and community leaders. “There’s been a bit of mahi around the commodification and intellectual property rights, but very much from a Pākehā point of view. [My work] preferences an indigenous worldview on the topic.”

Today the haka is entrenched in not only the All Blacks brand – the All Blacks, Black Ferns, Māori All Blacks and All Blacks Sevens all perform it – but in all our national sides, including soccer, basketball, wheelchair rugby, ice hockey, softball and even lacrosse. It serves to put athletes in a state of readiness – when done correctly, it focuses a player’s mind and helps to channel the appropriate energy for the task at hand. It also lays down a challenge to the opposition.

But one thing that’s not as well known is that the pre-rugby match haka tradition was initially introduced to entertain the crowds.

In 1888, the Natives – touted as an all-Māori rugby team but containing a handful of non-Māori players – set out on the now infamous tour of New Zealand, Australia, Egypt and the British Isles where they played a whopping 107 games. The team were asked to do a cultural performance before each match to help pay their way. “Instead of it being for the purposes of uniting a team or being a team identifier, it was done to defray the costs of the tour at the time,” explains Timu. “The team had done it in full attire, with piu piu and mats.”

“It wasn’t ‘Ka Mate’ at the time, the title of the haka is unknown. But in 1905 the first rendition of ‘Ka Mate’ was performed, and at that stage it was just a follow-on from what we’d initiated in 1888.”

Little is known about how, or why, this pre-match entertainment became a team-wide tradition. Timu thinks the popularity of the Pioneer Battalion in WWI and the Māori Battalion in WWII may have been an influence. But what we do know is that by the 1980s erratic takahia, sloppy wiriwiri and a final, flailing leap into the air had become the mainstay of All Blacks haka.

A terrifying display in Cardiff, 1973.

It wasn’t until Buck Shelford lead the All Blacks to the 1987 Rugby World Cup that the team began to re-examine what the haka meant and what it could achieve.

“[Shelford] had just had enough and said, ‘Well if we’re going to do it we’re gonna do it right.’ At that point he got kaumātua to come in and advisors to come in and hone what it meant to haka and why. So from then on we’re seeing some of the better performances.”

The subject of sports and haka hit the headlines in August when a new book by British journalist Peter Bills, The Jersey, featured former All Blacks Sir Colin Meads and Kees Meeuws criticising overuse of the haka.

Meeuws argued for limiting it to either home or away games, but not both.

The All Blacks perform ‘Kapa o Pango’ before the 2011 Rugby World Cup final against France.

The Black Ferns perform ‘Ko Uhia Mai’ at the 2017 Rugby World Cup semi-final against the USA.

Timu doesn’t believe the haka can ever be overdone because it’s “a very intrinsic, very personal thing.” It’s a sport unto itself, she reasons, but the skill and discipline required are often underestimated.

“You see that play out on the secondary school First XV rugby field more than the All Blacks rugby field – it’s where people aren’t used to channelling the energies of atua and tūpuna, which is what happens naturally when you engage in haka.

“If they’re not used to being trained and disciplined in that space, that’s when you get over-aroused and you get into fights, or you get completely overwhelmed and you cry.”

She says the way forward is training athletes how to haka in a way that is appropriate to the energy of the sport, and part of that is understanding the traits of the atua that are being called on.

“If we go back to Tūmatauenga, the atua or the deity of war, his attributes were really about controlled aggression, they weren’t about going completely over the top and losing your nut.”

“I had one participant talk about doing haka in basketball and how they would give it so much but would come off the court more fatigued than they went on the court… If you’re calling to Tūmatauenga, or if you’re calling to Hineahuone, or whoever you’re calling to, you’d better know the characteristics or the traits of that atua so you know how to channel that energy really well otherwise you’re totally going to lose it.”

All of which begs the fundamental question for Māori: should haka be used in sports at all?

“I asked that question of my participants. They’re all Māori, remember. Eighty percent said absolutely, we believe the haka should stay in the context of sport. Twenty percent said no, it’s completely out of context and we should leave haka where it belongs which is on the marae first and foremost. But then that would question our performances on stage in the kapa haka space, which spirals into a big conversation around whether the haka belongs there.

“My opinion is that it does so much for so many people in the sporting space that I would hate to see it no longer be there. But do I think it belongs? I think that is a question that needs to be hashed out over the table with only Māori, in various positions, to hash out the good, the bad, and the ugly. There are real risks associated with having haka in the sports space, for example appropriation, bastardisation, stigmatisation. We’ve gotta really find the balance between how much and how little we share because we need to be able to protect it.

“Haka’s been the pioneer in terms of sharing our culture with the world, and so it’s rendered all sorts of different responses and opinions and it’s also suffered from things like being in a gingerbread man advertisement for bakery of the year, in an Italian car ad with women doing it really terribly, in movies, etc. We have to keep asking – what is the new face of kaitiakitanga for our cultural customs and traditions today?”

Sigh