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ĀteaJune 7, 2021

The incredible story of lost tennis legend Ruia Morrison

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Ruia Morrison has been named a Dame Companion of the New Zealand Order of Merit on the Queen’s Birthday Honours list announced today. A trailblazer in tennis for Māori and women, her extraordinary achievements and relative obscurity made her the the perfect subject for the launch episode of the Spinoff webseries Scratched. Here, Madeleine Chapman tells the story of Ruia Morrison, Wimbledon quarter finalist.

This article was first published in 2019.

Ruia Morrison is standing on her back porch, whacking her neighbour’s overgrown hedge with a tennis racquet. She’s employing a forehand overhead volley technique and it’s working. Satisfied, the 82 year old settles into a deck chair and picks up a cup of tea. Inside the small unit, the walls are lined with framed photos of Morrison as a young tennis player, frozen mid-stroke in front of a large crowd.

“These boys here,” she says, pointing at a Māori tennis team photo from 1947. “They played like Roger Federer plays today. All well balanced. All timing. The boys down here, they were beautiful to look at play.” Sitting in front of the boys, and the youngest in the team at only 11, is Morrison. She’s grinning and holding a small trophy, the first of many she’d go on to win at tennis tournaments around New Zealand and the world. This 1947 tournament was when people realised they were witnessing a marvel. For Morrison, it was just fun to play. “I never had a clue, really. All I wanted to do was play. And that’s all I did. I used to go from one court to another and play because I kept winning.”

Ruia Morrison at home (Image: Scratched)

The courts Morrison played on as a child were in Te Koutu, Rotorua, built across the road from the marae in the early 1940s. It wasn’t rare for marae around the lake to have tennis courts, and inter-marae tournaments were a regular occurence. But few promising Māori players played outside of those local tournaments and into larger (read: whiter) competitions. So when a wealthy woman from Auckland, Mrs Mowbray, visited Rotorua while on holiday, Morrison’s father took the opportunity to give his daughter a chance.

“Dad said that he talked to her and said, ‘I think I’ve got one that’s going to play tennis.’ And she said, ‘well is she going to be any good?’ He said, ‘yeah I think I’ve got something here.’ I was with them and she said, ‘Well you better give the sprog to me and I’ll take her up and I’ll put her in a club up there, and she can stay with me.’”

“The world just opened so quickly it wasn’t funny, with mentors that came. I went to Auckland and that was the beginning of … literally every day the doors opened and I walked through them.”

Away from family and in a new city at 14, Morrison had nothing else to do but play. Receiving formal coaching for the first time at Eden-Epsom Tennis Club, she quickly advanced through the junior ranks and within a year was playing against the top players both within the club and around Auckland.

Hoani Waititi, a young teacher at St Stephen’s School in Auckland, had seen Morrison play and wanted to help her grow. He enlisted the help of St Stephen’s sister school, Queen Victoria School for Maori Girls, where he taught te reo, and they arranged for Morrison to board and play tennis there. Once again, Morrison was largely unaware of the plans being made around her and simply worried about what was happening on the court and chopping wood for Mrs Mowbray to earn her keep off it.

At 17, Morrison was the top junior player in the country.

“I won three junior titles: doubles, mixed doubles and singles. Then the next year, again. I was actually playing in the seniors as well.”

But when a New Zealand juniors team was announced later that year to play Australia, Morrison’s name wasn’t on the list. Morrison herself was unaware that those around her were packing “A bit of a fuss, which I was aware of, that I was missing from the team and yet I had the three titles.” A couple of top coaches protested the selection and Morrison was added to the squad. As luck would have it, she suffered an infected toe on the trip and didn’t play a single match.

It wasn’t long before Morrison was dominating not just the junior grades but the premier competition. By 20, she was the open singles champion, meaning automatic qualification for Wimbledon. But qualifying didn’t mean anything unless Morrison could find the money to get to London, and according those around her at the time, New Zealand Tennis were reluctant to invest in her talent. As Morrison remembers it, it was Waititi who decided she had to go, and he was going to be the one to make it happen. “He said, ‘This is it. It doesn’t look like she’s going to get a trip overseas and she deserves one. We could be waiting a long time, let’s move now.’”

The big fundraising concert (Image: Scratched)

The fundraising concert, featuring Māori bands from around the country playing to a sold out Auckland Town Hall, raised close to $2000. In 2019 money, that’s $100,000. Within a month, Morrison was on a plane to Wimbledon and the European circuit.

And did she win?

“Yes. Let’s put it this way, I didn’t lose to anybody I should not have lost to.”

Sixty years later, Morrison is unsure how well she did in the first of four Wimbledon appearances. “I thought it was the round before the quarter finals, but apparently, according to Wimbledon and everybody else, it was the quarter finals.” All she knows is she lost to the woman ranked number four in the world at the time, American Betty Pratt. “She just pipped me. She came up, she hugged me, and she said ‘thank you for letting me win.’ And I said, ‘I didn’t. I ran out of steam.’”

Ruia with her sisters Lorraine (left) and Nan (Image: Scratched)

Morrison may not have won Wimbledon, but her performances on the circuit had her earning good money, money she didn’t even know she had. “I never had any clue really about money until I came back, it was just going straight into the bank. ” When she returned home for the final time and learned she had winnings left over, Morrison gave it all to the educational trust that Waititi had set up for Māori achievers. “That was the only way I could give it back. In a way it was mine, but really there was so much that people put in so it seemed… I was happy to give it.”

Te Koutu marae sits five minutes by car from Morrison’s home in Rotorua. It’s the hub of the local community, one where tennis has always featured, but never as strongly as when Morrison was in her prime. Morrison’s family and old tennis friends have gathered to pay tribute to her on camera. Off camera, like every brown auntie, they spend most of the time mocking her and each other.

“Be careful with Nan,” says Morrison, referring to her older sister. “If you let her, she’ll talk on and on and on.”

When Nan arrives, she’s surprisingly succinct. “Ruia was spoilt…whereas we were just normal.”

She’s not joking but it’s said almost admirably. Morrison was the only sibling to excel at tennis and travel out of New Zealand to pursue a career. While it was all exciting and fast, Nan worried about her little sister being alone so far from home. “I’m sure it wasn’t good for her. We had each other but she just had herself.”

The telegrams from the late 1950s are sparse in content. One from Waititi simply reads “kia kaha”. But while Morrison was separated from her family because of her talent, she only ever played for them, not to beat anyone. “Never did I think about who I was playing,” she says, sitting inside the marae. “That sounds a bit egotistical, but I was thinking about myself. ‘Cause the only people that I felt, were interested in what I was doing, was Mum and Dad and the people close to me. The old people and the families from here.”

When Morrison returned to Aotearoa each year, she “was lucky to squeeze maybe a week and a half, two weeks at the most, to go visit all the kuia and koroua around and go to the old people and say thank you for the help. They were with me the whole time over there, the old people.”

Morrison’s whānau know that she’s the matriarch of Māori tennis, one of the most successful players in New Zealand history. Morrison herself isn’t so sure she’s an inspiration, and doesn’t feel the need to remind anyone. “I don’t think so because I wasn’t inspired myself,” she says. “I was just doing something that I had to do.”

But every once in a while, when the neighbour’s hedge grows long, she’ll reach for the tennis racquet again.

Keep going!
(Image: Charlotte Muru-Lanning)
(Image: Charlotte Muru-Lanning)

BooksJune 4, 2021

Hinemoa Elder’s book is getting the Oprah effect

(Image: Charlotte Muru-Lanning)
(Image: Charlotte Muru-Lanning)

A mention from Oprah’s Book Club is manna from publishing heaven. It can burst a book onto the mainstream and shoot sales sky-high. Last week, the first book by Dr Hinemoa Elder, Aroha, was included on one of the club’s lists.

After the word arrived, staff stood around the counter at Unity Books on Auckland’s High Street last week talking in excited tones: a local book had been mentioned by Oprah’s Book Club. Two customers overheard, asked what it was and on the strength of the Oprah tip, bought the book on the spot.

That book was Hinemoa Elder’s Aroha, published late last year. And it’s the first time Unity Bookshop owner Jo McColl can think of that a New Zealand book has been sprinkled with the Oprah’s Book Club magic.

That a mention of Oprah can achieve such influence, more than 10,000 kilometres from her headquarters and a decade after her final talk show aired is testament to the enduring cultural resonance of every part of the sprawling Oprah empire, and especially that of her book club. 

Oprah’s Book Club was launched in September 1992 on her television show. The first book to be recommended was Jacquelyn Mitchard’s “The Deep End of the Ocean”. 

After her talk-show ended, the club was relaunched in 2012 as Oprah’s Book Club 2.0; a digital version of the once televised segment that could be accessed in multiple forms through social media and E-Readers.

Last month, prior to the official announcement, The Mental Health Foundation New Zealand contacted Dr Hinemoa Elder (Ngāti Kuri, Te Aupōuri, Te Rarawa, Ngāpuhi) to let her know that her book Aroha, which explains 52 whakatauki, had been selected for one of Oprah’s lists. 

It was only once she had been tagged in the Instagram post last week that Elder knew for sure her book had been included. “It felt so exhilarating to be part of this club that is so influential.” 

Shaun Robinson, chief executive of the Foundation, contributed the book to the list which was curated by mental health experts around the world for the club. It ‘s not the core Oprah Book Club list, but it’s still a big deal.

The Oprah’s Book Club Instagram post featuring Dr Hinemoa Elder’s book, Aroha.

A mention like this from Oprah’s Book Club is a godsend for writers and publishers alike. The famous interviewer’s sticker of approval can make careers, propel book-sales and help books reach a far broader audience.

Toni Morrison is a case in point. Morrison held huge cultural standing before gaining mainstream popularity, but it’s hard to ignore the role that Oprah’s Book Club had in kickstarting that broader pop-culture success. When Morrison’s first novel, The Bluest Eye, was first published in 1970, it sold 2,000 copies. After being featured as one of Oprah’s Book Club picks in 2000, it sold 800,000 copies.

Post-talk-show Oprah has taken a step back from the overwhelming influence she once held. However, sporadic interviews like that interview with Meghan and Harry continue to fan the flames of her enduring cultural resonance. She remains the original fairy-godmother of taste-making.

Elder was inspired to write her first sole-authored book, Aroha in part through her work as a psychiatrist. “I see that in my work and life, human beings are in a lot of pain,” Elder explains. “I could see one source of that was to do with our relationship with the planet, especially for Māori”. Elder saw that whakatauki were one small way to help people reconnect to the environment.

Aroha had already proved a resounding success, says Claire Murdoch, head of publishing at Penguin. The book has consistently ranked in top 10 lists since it was published last year.

The book has sold 25,000 copies to date – “a very sound figure,” Murdoch says. Ordinarily, a non-fiction work selling 5,000 copies would be a figure to celebrate. It sets Aroha up as likely one of the bestsellers in New Zealand for 2020 and 2021. Publishers are struggling more generally to keep up with demand for Te Ao Māori books, says Murdoch. That demand for and recognition of indigenous knowledge frameworks “says a lot about the world now”.

As for the mention by Oprah, Murdoch says it’s too soon to tell exactly what the effects will be, but she speculates that its biggest impact could be overseas. “It’s well known to be instrumental in taking books to that next level in terms of wider audience engagement.”

And it’s part of a wider mechanism that gets people reading good books; talented book sellers, radio interviews, celebrity endorsements, good reads reviews, teachers, librarians and more, she says. “Any opportunity to take a great book to the biggest possible audience is a happy, happy thing by me.”