Photo by Hannah Peters/Getty Images
Photo by Hannah Peters/Getty Images

ĀteaApril 16, 2019

Goodbye Israel Folau – I’m sad it had to end this way

Photo by Hannah Peters/Getty Images
Photo by Hannah Peters/Getty Images

Yesterday, Wallabies player Israel Folau was issued with a “high level” breach notice by Rugby Australia, bringing him closer to the termination of his contract over a social media post in which he claimed “homosexuals” and others would go to hell. For a gay, Pasifika man, it’s not necessarily something to celebrate, writes Patrick Thomsen.

Thursday nights are pretty uneventful at my house. It’s not uncommon to find me laid out on the couch watching the latest show on Netflix so I can tweet my reactions to my cool friends about it later.

Last Thursday wasn’t any different. Except for when my phone started blowing up in the middle of my Adventures of Sabrina marathon. Israel Folau, whose baffling tirades against all things LGBTIQA+ has been the target of much of my writing angst, was to have his contract terminated by Rugby Australia. Basically, his latest brain explosion was understood to be a violation of his contractual obligation to not be a dick to the LGBTIQA+ community.

OK, I get it – people expected me to openly rejoice, crack open a bottle of champagne and toast to the fact that this known homophobe, transphobe, anti-sex before marriage, anti-anything fun guy was going to lose his high-paying, high-velocity, high-visibility job.

But a Pacific Islander losing his job in a very public manner like this does not make me feel in anyway validated.


Read more: Dear Israel Folau – your unchristian comments hurt young, vulnerable Pasifika


Israel represents so much waste. His views and social media posts were undoubtedly a waste of space, but his talent, audience and potential has now also been painfully squandered. As a Pasifika man with that large a presence in a sport that for-the-love-of-me I wish we’d give up (especially as a long-suffering Manu Samoa supporter), he is important. The man has over 100K followers on Twitter alone and that type of reach can’t be easily dismissed.

Palagis like the idea of enforcing rules and regulations that we’re meant to contort our voluptuous and athletic Pacific bodies into. This type of thinking – let’s call it positivism – is all about separating and regulating people’s behaviour and views as single entities. It views them only as individuals. It’s one-dimensional and isolates people from their communities.

Isalaelu’s comments, then his subsequent dismissal (warranted, by the way, please don’t come at me over that) all played out in the theatre of modern-day positivist structures and logics. But the dude’s a visibly Pasifika (more specifically Tongan) person whose fame is based on his ability to represent sport and entertainment for a richer, whiter-looking crowd. The type of uncomfortable power-differential that is in operation here is one that all Pacific people, LGBTIQA+ or not, have to navigate as well. We literally geddit.

When Folau decided to, out of nowhere, post that everyone is going to hell, especially the homosexuals, I didn’t see anything ‘Pacific’ about what he was doing or saying. Homophobia is not a Pacific concept, nor in our cultures a legitimate framework to other and marginalize people. Having grown up in a very Sāmoan household, which also happens to be a very Catholic one too, I have long known that our people at the very worst are indifferent to the gays; at the very best, inclusive enough to allow fa’afafine to dress as their authentic selves and deliver sermons at church.

So, where does it come from? All this hate he thinks is love (go figure). Clearly his extremist views are a product of a loose interpretation of biblical texts that were all gifted to us (how thoughtful) from the missionaries. At its core, his beliefs are just a very wrong interpretation of a text whose creation bears no contextual relation to the one in which our peoples’ worldviews were forged (yes, colonisation).

But the complexity of this situation means that even I – a gay male, a male that is gay, a male that likes the company of other males (happy to draw a picture if you don’t get that I’m gay by now) – still has the future of all my community in mind. Especially our queer Pasifika youth. Folau refused to extend humanity to them, and his comments were oppressive and hateful and were dealt with in an appropriate manner.

But where does his sacking leave us as a community now?

As diaspora Pacific people in New Zealand, the church is important to all of us. To be honest, I don’t believe in the dogma or how the church says I should live my life, but the church as an institution is incredibly embedded and central to our way of life. Pasifika youth, queer or not, will be required to interact with church structures at some point if they wish to stay connected to their wider community.

When Folau’s palagi bosses signalled their intention to fire him on Thursday night (well it was his third strike) what they also did was something I knew was going to happen: they created a martyr. Now queer Pasifika people as well as their allies are being blamed for “letting down the culture”. That argument clearly assigns blame to the wrong postcode, but it’s a logic that was sitting there ready to be exploited by the oppressive mainstream forces that exist within any community, marginalised or not.

So, after I checked the millions of notifications, unmoved by the celebrations that were going on in my wonderful Twitter bubble, I realised that Israel Folau being fired didn’t make me happy. It made me sad (just for two seconds) because nobody won. The expendable brown body was made to go, the pain he inflicted on the marginalised community was being piled on, and meanwhile the “innocent” good white-folk and straight allies got to condemn and show us their woke-credentials for standing up to homophobia.

All this complexity is enough to make your head spin like a spiral passed rugby ball. But at the receiving end of all of this sits the LGBTIQA+ community. For those of you who, like me, are Pasifika and queer, I think it’s OK for you to feel both happy and sad – joy and pity, celebratory and sombre (you get the picture). We’re all a multitude of things, not a singular monolith; it’s our complexity as a people that makes us beautiful.

To Mr. Folau, all the best. I have only ever wanted you to apologise, learn, grow and lead; not get fired. Reshaping people’s minds and the discourse they use to talk about us is important for building understanding between all of us within the community.

But if you can’t or refuse to do that, then maaayte, as you start your new job search, I’ve got nothing else to say to you besides: thoughts and prayers.

Keep going!
ruia feat

ĀteaApril 11, 2019

From Rotorua to Wimbledon: the unlikely tale of lost tennis legend Ruia Morrison

ruia feat

One of New Zealand’s most successful tennis players has fallen through the cracks of sporting history. Madeleine Chapman tells the story of Ruia Morrison, Wimbledon quarter finalist.

Ruia Morrison is standing on her back porch, whacking her neighbour’s overgrown hedge with a tennis racquet. She’s employing a forehand overhead volley technique and it’s working. Satisfied, the 82 year old settles into a deck chair and picks up a cup of tea. Inside the small unit, the walls are lined with framed photos of Morrison as a young tennis player, frozen mid-stroke in front of a large crowd.

“These boys here,” she says, pointing at a Māori tennis team photo from 1947. “They played like Roger Federer plays today. All well balanced. All timing. The boys down here, they were beautiful to look at play.” Sitting in front of the boys, and the youngest in the team at only 11, is Morrison. She’s grinning and holding a small trophy, the first of many she’d go on to win at tennis tournaments around New Zealand and the world. This 1947 tournament was when people realised they were witnessing a marvel. For Morrison, it was just fun to play. “I never had a clue, really. All I wanted to do was play. And that’s all I did. I used to go from one court to another and play because I kept winning.”

Ruia Morrison at home (Image: Alex Twentyman)

The courts Morrison played on as a child were in Te Koutu, Rotorua, built across the road from the marae in the early 1940s. It wasn’t rare for marae around the lake to have tennis courts, and inter-marae tournaments were a regular occurence. But few promising Māori players played outside of those local tournaments and into larger (read: whiter) competitions. So when a wealthy woman from Auckland, Mrs Mowbray, visited Rotorua while on holiday, Morrison’s father took the opportunity to give his daughter a chance.

“Dad said that he talked to her and said, ‘I think I’ve got one that’s going to play tennis.’ And she said, ‘well is she going to be any good?’ He said, ‘yeah I think I’ve got something here.’ I was with them and she said, ‘Well you better give the sprog to me and I’ll take her up and I’ll put her in a club up there, and she can stay with me.’”

“The world just opened so quickly it wasn’t funny, with mentors that came. I went to Auckland and that was the beginning of … literally every day the doors opened and I walked through them.”

Away from family and in a new city at 14, Morrison had nothing else to do but play. Receiving formal coaching for the first time at Eden-Epsom Tennis Club, she quickly advanced through the junior ranks and within a year was playing against the top players both within the club and around Auckland.

Hoani Waititi, a young teacher at St Stephen’s School in Auckland, had seen Morrison play and wanted to help her grow. He enlisted the help of St Stephen’s sister school, Queen Victoria School for Maori Girls, where he taught te reo, and they arranged for Morrison to board and play tennis there. Once again, Morrison was largely unaware of the plans being made around her and simply worried about what was happening on the court and chopping wood for Mrs Mowbray to earn her keep off it.

At 17, Morrison was the top junior player in the country.

“I won three junior titles: doubles, mixed doubles and singles. Then the next year, again. I was actually playing in the seniors as well.”

But when a New Zealand juniors team was announced later that year to play Australia, Morrison’s name wasn’t on the list. Morrison herself was unaware that those around her were packing “A bit of a fuss, which I was aware of, that I was missing from the team and yet I had the three titles.” A couple of top coaches protested the selection and Morrison was added to the squad. As luck would have it, she suffered an infected toe on the trip and didn’t play a single match.

It wasn’t long before Morrison was dominating not just the junior grades but the premier competition. By 20, she was the open singles champion, meaning automatic qualification for Wimbledon. But qualifying didn’t mean anything unless Morrison could find the money to get to London, and according those around her at the time, New Zealand Tennis were reluctant to invest in her talent. As Morrison remembers it, it was Waititi who decided she had to go, and he was going to be the one to make it happen. “He said, ‘This is it. It doesn’t look like she’s going to get a trip overseas and she deserves one. We could be waiting a long time, let’s move now.’”

The fundraising concert, featuring Māori bands from around the country playing to a sold out Auckland Town Hall, raised close to $2000. In 2019 money, that’s $100,000. Within a month, Morrison was on a plane to Wimbledon and the European circuit.

And did she win?

“Yes. Let’s put it this way, I didn’t lose to anybody I should not have lost to.”

Sixty years later, Morrison is unsure how well she did in the first of four Wimbledon appearances. “I thought it was the round before the quarter finals, but apparently, according to Wimbledon and everybody else, it was the quarter finals.” All she knows is she lost to the woman ranked number four in the world at the time, American Betty Pratt. “She just pipped me. She came up, she hugged me, and she said ‘thank you for letting me win.’ And I said, ‘I didn’t. I ran out of steam.’”

The big fundraising concert (Image: Alex Twentyman)

Morrison may not have won Wimbledon, but her performances on the circuit had her earning good money, money she didn’t even know she had. “I never had any clue really about money until I came back, it was just going straight into the bank. ” When she returned home for the final time and learned she had winnings left over, Morrison gave it all to the educational trust that Waititi had set up for Māori achievers. “That was the only way I could give it back. In a way it was mine, but really there was so much that people put in so it seemed… I was happy to give it.”

Te Koutu marae sits five minutes by car from Morrison’s home in Rotorua. It’s the hub of the local community, one where tennis has always featured, but never as strongly as when Morrison was in her prime. Morrison’s family and old tennis friends have gathered to pay tribute to her on camera. Off camera, like every brown auntie, they spend most of the time mocking her and each other.

“Be careful with Nan,” says Morrison, referring to her older sister. “If you let her, she’ll talk on and on and on.”

When Nan arrives, she’s surprisingly succinct. “Ruia was spoilt…whereas we were just normal.”

Ruia with her sisters Lorraine (left) and Nan (Image: Alex Twentyman)

She’s not joking but it’s said almost admirably. Morrison was the only sibling to excel at tennis and travel out of New Zealand to pursue a career. While it was all exciting and fast, Nan worried about her little sister being alone so far from home. “I’m sure it wasn’t good for her. We had each other but she just had herself.”

The telegrams from the late 1950s are sparse in content. One from Waititi simply reads “kia kaha”. But while Morrison was separated from her family because of her talent, she only ever played for them, not to beat anyone. “Never did I think about who I was playing,” she says, sitting inside the marae. “That sounds a bit egotistical, but I was thinking about myself. ‘Cause the only people that I felt, were interested in what I was doing, was Mum and Dad and the people close to me. The old people and the families from here.”

When Morrison returned to Aotearoa each year, she “was lucky to squeeze maybe a week and a half, two weeks at the most, to go visit all the kuia and koroua around and go to the old people and say thank you for the help. They were with me the whole time over there, the old people.”

Morrison’s whānau know that she’s the matriarch of Māori tennis, one of the most successful players in New Zealand history. Morrison herself isn’t so sure she’s an inspiration, and doesn’t feel the need to remind anyone. “I don’t think so because I wasn’t inspired myself,” she says. “I was just doing something that I had to do.”

But every once in a while, when the neighbour’s hedge grows long, she’ll reach for the tennis racquet again.

Ruia Morrison features in episode one of Scratched, a new web series that finds and celebrates the lost sporting legends of Aotearoa. Watch her episode here.

Ātea