Photo: Phil Walter/Getty Images
Photo: Phil Walter/Getty Images

BooksJanuary 30, 2024

A Te Tiriti reading (and watching and listening) guide

Photo: Phil Walter/Getty Images
Photo: Phil Walter/Getty Images

Feeling like you’d fail a Te Tiriti quiz? This is the list for you.

It’s the most important document in our country. It frames all of our pasts, presents and futures. But how many of us can say we understand the why, when, where and what of Te Tiriti o Waitangi? 

Last week, human rights lawyer and Te Tiriti educator, Roimata Smail (Ngāti Maniapoto, Tainui, England, Scotland, Ireland) released a 32-page pocket guide to understanding Te Tiriti o Waitangi, in time for what looks to be a year (plus) of political and public debate thanks to perpetually threatened David Seymour’s incendiary Treaty Principles Bill which essentially seeks to erase Tino Rangatiratanga, or Māori Rights.

“I have empathy for my own generation who didn’t get to learn our history,” says Smail, “and anyone else who just doesn’t know the basic facts that I’ve been lucky enough to learn over the course of my career as a lawyer.” 

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Thanks to a systemic chasm in acknowledgement of, and education in, Aotearoa’s own history, it’s fair to suggest that heaps of us could do with brushing up on the basics. Smail’s book covers things like how Māori asserting Tino Rangatiratanga has benefited New Zealand both historically and today; the key differences between Te Tiriti o Waitangi and The Treaty; what was agreed to in the three Articles; Kawanatanga; Tino Rangatiratanga; Tangata Whenua and Tangata Tiriti – why they’re different, and more.

If you’ve read this far and you’re wavering on whether you should keep going, this quote from an interview with Dr Moana Jackson might help spur you on: “… hearts aren’t necessarily changed in a school; hearts are changed in the dialogue that people can have at home, at work, with friends, with antagonists.” 

The following Te Tiriti info guide is designed to support well-informed conversation with a list of articles and books to sort the basics first, then provide deeper reading (and watching, listening and doing) after that. The (Level) notes show degree of information: Level 1 being most simple, Level 5 being more complex.

Human rights lawyer Roimata Smail with her new book, Understanding Te Tiriti. (Photo: Supplied)

Online guides for the basics

Understanding Te Tiriti o Waitangi, Re: News 

This short video is a super clear summary of Te Tiriti o Waitangi narrated by journalist Liam Rātana, with excellent infographics, and is the perfect place to start to get the historic foundations sorted. (Level 1) 

What’s required from Tangata Tiriti by Tina Ngata 

Tangata Tiriti means to be a person of the treaty. But how do we do that? Tina Ngata’s 10-point list is essential reading. Read it, share it, keep it in your bookmarks. (Level 1) 

See also: this article (and podcast) in which two non-Māori share what being Tangata Tiriti means for them.

Te Tiriti of Waitangi, a summary by Claudia Orange 

Dame Claudia Josepha Orange DNZM OBE CRSNZ is one of the foremost Pākehā historians on Te Tiriti. Her 1987 book The Treaty of Waitangi (adapted from her PhD thesis) is one of the seminal histories of Te Tiriti and has been published in multiple, revised editions (see below). This online resource, published on Aotearoa history website Te Ara, is a concise summary of key historical aspects of Te Tiriti and includes a reference list and footnotes. (Level 1)

See also: this video (approx. 40mins) of Claudio Orange and Dr Carwyn Jones talking about Orange’s work on Te Tiriti (produced by BWB).

The Principles of the Treaty of Waitangi – what are they?

The Principles of the Treaty of Waitangi have been developed since 1987 as a way to interpret and apply Te Tiriti. This Wikipedia article is a good, quick overview. Then this Te Ara summary in six-parts takes you through how the principles have been developed by the courts, by laws, by the Waitangi Tribunal and by the Crown. (Level 1)

Interview with Dr Moana Jackson, National Library of New Zealand (video and transcript)

Dr Moana Jackson (Ngāti Kahungunu, Ngāti Porou) was a trailblazing activist and renowned lawyer whose thinking has shaped and propelled progressive conversation in Aotearoa. In this interview he really gets to the heart of Te Tiriti. His answers are wise and insightful, for example: “… long before 1840 our people were treatying with each other, because that’s what independent bodies do. And in Ngāti Kahungunu, the phrase we use is mahi tūhono, and so treaties are seen as work that brings people together, and I think that’s a lovely description of what a treaty should be.” (Level 2) 

Two older people, a man and a woman, hugging in a bookstore
Moana Jackson at Unity Wellington. (Photo: Unity Wellington via Facebook)

Treaty Resource Centre – He Puna Mātauranga o Te Tiriti

There’s a lot in here and to be honest this website can feel dense to navigate. A useful section though is this one on working as allies, which points to samples of a publication of interviews with people who are working for indigenous justice, and why and how they do it. (Levels 1 – 5) 

About Te Tiriti o Waitangi, video guides in NZSL

This seven-part video series created by Treaty People (a Te Tiriti education service) is a guide to Te Tiriti, Māori Rights and Disability Rights, how to celebrate Te Tiriti, all in New Zealand Sign Language. (Level 1)

Short books for the basics

Understanding Te Tiriti – a handbook about Te Tiriti o Waitangi by Roimata Smail

Hot off the press from human rights lawyer and Te Tiriti educator Roimata Smail (Ngāti Maniapoto, Tainui, England, Scotland, Ireland). At just 32 pages this nifty guide is designed to backfill common knowledge gaps. (Level 2)

Te Tiriti o Waitangi, by Ross Calman, Mark Derby and Toby Morris (with Peter Adds, Hōne Apanui, Ian Cormack, Hinerangi Himiona, Jen Margaret, Dame Claudia Orange, Jock Phillips, Kate Potter, and Piripi Walker)

This graphic novel style bilingual book is a genius way to immerse in Te Tiriti. Perfect to have at home and in the classroom, there is also a downloadable teaching resource to go with it, and a brilliant 20-minute audio overview of Te Tiriti: “it’s about all of us and this means we need to understand it.” (Level 2)

Introducing Te Tiriti o Waitangi, Jared Davidson and Claudia Orange

This slim book (from the BWB Texts series) is a condensed version of the much larger illustrated Te Tiriti o Waitangi | Treaty of Waitangi by Claudia Orange. In it you’ll find the facts of what happened at Waitangi, what was at stake and the circumstances surrounding the agreement. (Level 2)

Imagining Decolonisation, Bianca Elkington, Moana Jackson, Rebecca Kiddle, Ocean Ripeka Mercier, Mike Ross, Jennie Smeaton, Amanda Thomas (a BWB Text)

This small but mighty book, published in 2022, stayed on the bestsellers lists for literally years. It’s a genius collection of essays by generous thinkers who tackle what decolonisation actually is by first showing the effects of colonisation, and then by showing how that damage can be healed, why it should be, and how everyone’s lives could improve. (Level 3)

Seven people photographed together in a bookstore, happy
The authors of Imagining Decolonisation at the launch of the book at Unity Books Wellington. (Photo: Supplied)

Deeper dives

Colonising Myths, Māori Realities by Ani Mikaere

Published by HUIA, this ground-breaking collection of essays by leading legal scholar Ani Mikaere (Ngāti Raukawa, Ngāti Porou) is, importantly, very readable. The book covers over two decades of Mikaere’s experiences of teaching Māori and Western Law and the struggle to create a genuinely bi-cultural law school (at University of Waikato). The book shows the effects of colonisation on Māori lives by looking at the justice system and how it was built to benefit Pākehā, and marginalise Māori. It’s an invigorating, inspiring, and generous book. (Level 4)

Ka Whawhai Tonu Mātou | Struggle Without End by Dr Ranginui Walker

This hugely influential book (first published in 1990 and revised in 2004) is a history of New Zealand from a Māori perspective. The Spinoff published this excerpt from the chapter called Tauiwi, which discusses the differences between the Māori and English versions of The Treaty / Te Tiriti. (Level 3)

Land of the Long White Cloud, video documentary series on RNZ
This watchable seven-part series is about Pākehā confronting inherited privilege. The final episode is particularly interesting: it covers theatre makers Jo Randerson and Tom Clarke, who created a show imagining if Cook came back and saw, and reflected on, the impact of the colonisation that he spearheaded. (Level 4)

The Treaty of Waitangi: What Really Happened (pretty much), made-for-TV film 

This 2011 documentary uses comedy and a bit of creative licence to dramatise the days leading up to the signing of Te Tiriti in 1840. It’s very watchable and fun for family viewing. Starring Jarod Rawiri as Hōne Heke, and co-written by Witi Ihimaera and Gavin Strawhan. (Level 3)

The English Text of the Treaty of Waitangi by Ned Fletcher

OK, look, this book is bigger than the Beehive and could endanger anyone who fell asleep while reading it in bed, such is its physical weight. Fletcher’s research into the British motivations for writing Te Tiriti has added another dimension to scholarship and thankfully there are some excellent reviews out there that illuminate its core contributions: Morgan Godfery did a heroic job of analysing the book for The Spinoff, here, and Michael J. Stevens did a brilliant job on the Ngāi Tahi website, here. (Level 5)

See also: Ned Fletcher gives fascinating talk about the book in this National Library of New Zealand recorded Zoom video on YouTube, here (about an hour long).

Image: Creative Commons

Te Tiriti, creatively

A poem for Waitangi Day by Te Kahu Rolleston

Performance artist Te Kahu Rolleston’s 2015 poem speaks to ongoing inequalities that show that Te Tiriti is not being upheld. “Can we at least be courteous and decent as Treaty partners?”

Turncoat by Tīhema Baker, a novel

This satirical sci-fi novel published by Lawrence & Gibson in 2023 was, and is, a huge hit: it’s funny, it’s inventive, and it’s based on Baker’s (Raukawa te Au ki te Tonga, Ātiawa ki Whakarongotai, Ngāti Toa Rangatira) own experiences of working in the Public Service. This article on e-Tangata tells you why he wrote it, and this review on The Spinoff gives you a glimpse into what it’s about. If you’re in Wellington on 25 February you can go to this event and listen to Tīhema talk about this book, and the experiences behind it, at the Aotearoa NZ Festival of the Arts.

Cook Thinks Again by Barbarian Productions, an audio experience 

You can download this walking-tour show that beautifully works with comedy to make us life while also making us think about what colonisation means, and is today. Here’s the show blurb: “Based on Barbarian’s award-winning live walking tour experience, this site-specific, historically accurate and contemporarily contextualised tour has Cook ‘thinking again’ about his contribution to Aotearoa New Zealand’s history. A fun and accessible opportunity for tourists and locals alike to reflect on the effect and legacy of colonisation.”

Our Watch Now by Witi Ihimaera, a poem

This poem is one of a few offered to teachers as part of learning materials made by National Library of New Zealand for He Tohu. Witi Ihimaera shows, through a series of imaginings, what Aotearoa might be like if Te Tiriti was honoured. Beautiful, stirring, and includes this banger: “Māori Earth … not / Middle Earth”.

See also: more excellent resources online here.

Te Tiriti training

This is a (non-exhaustive) list of organisations that provide Te Tiriti training in-person and online:

Aotearoa-wide, (educators can travel) / online options:

Introduction to te Tiriti o Waitangi the Treaty of Waitangi workshops, Treaty Training

Self-paced Te Tiriti workshops, as well as in-person for individuals or groups, and tailored solutions, Groundwork

Our Tangata Tiriti, Treaty People workshops, Treaty People

Te Tiriti o Waitangi – a Visual History (for non-Māori), Ako Aotearoa 

Ōtepoti / Dunedin

Introduction to Te Tiriti o Waitangi workshop, Otago Polytechnic

Ōtautahi / Christchurch, Timaru, Hakatere/ Ashburton (or online)

Introduction to Te Tiriti o Waitangi, Ara Institute

The books mentioned in this list can be ordered directly from the links provided, or ordered from Unity Books Wellington and Auckland.

Keep going!
Kathryn van Beek with the plan for her choose-your-own adventure story for adults. (Photo: Supplied / Additional design: Tina Tiller)
Kathryn van Beek with the plan for her choose-your-own adventure story for adults. (Photo: Supplied / Additional design: Tina Tiller)

BooksJanuary 28, 2024

The ManyEnding Story is an online choose-your-own-adventure for grown-ups

Kathryn van Beek with the plan for her choose-your-own adventure story for adults. (Photo: Supplied / Additional design: Tina Tiller)
Kathryn van Beek with the plan for her choose-your-own adventure story for adults. (Photo: Supplied / Additional design: Tina Tiller)

On the launch of The ManyEnding Story, Robert Burns Fellow Kathryn van Beek reflects on what compelled her to put a new spin on a format most of us haven’t read since we were kids. 

During the pandemic you look around and notice that your life is less under your control than all those American podcasts about grit and resilience have led you to believe. Things have taken a turn for the worse, but you’re pretty sure you didn’t personally do anything to bring about the global spread of a novel virus, make your geriatric cat incontinent, or start the restructure that’s turned your workplace into what feels like an elimination-based reality TV show. 

At the same time, you’re studying towards a doctorate in creative writing and learning about ergodic literature: interactive narratives that involve the reader. You write the words “multiple narratives, footnotes, gamebook, concrete poetry, unconventional typesetting” and “secret path adventure” on your notepad. 

You remember the pick-a-path books you read as a kid, where even the best choices could have you falling into quicksand or getting eaten by a snake – outcomes that now seem all-too-relatable. You return to your notepad and underline the words “secret path adventure”. Your fingers twitch. You want to write one of your own.  

Do you:

A) Write your own secret path adventure? Go to Part One.

B) Put your notepad away and return to your textbooks? You’ll never finish this thesis if you keep getting distracted. Go to Part Two.

C) Put away your notepad AND your textbooks? You really need to focus on getting a new job. Go to Part Three.

D) Decide it wouldn’t hurt to read some ergodic literature – just for fun? Go to Part Seven.

Part One 

You write a nihilistic secret path short story about the Canterbury panther in which every outcome is terrible. You follow this up with another nihilistic secret path short story about a woman choosing between two romantic partners. There’s only one fairytale ending, but there’s no way to get to it (ha!). “No Happy Ending” is published in takahē magazine, but you’re not ready to let it go. It strikes you that the secret path format is perfect for exploring the tensions that face your 30-ish protagonist: the sometimes-conflicting desires and expectations around finding a partner, developing a career, owning a home, having children, and finding creative satisfaction. 

Do you:

A) Follow your curiosity, à la Elizabeth Gilbert? You want to see where this secret path adventure story could go. Go to Part Four.

B) Forget about your silly little story? You’ve had your fun – time to finish that doctorate. Go to Part Two.

C) Forget about your silly little story? You’ve had your fun – time to apply for a new job. Go to Part Three.

D) Procrastinate by reading some ergodic literature? Go to Part Seven.

Part Two 

You resolve to finish your doctorate – but as you work on your thesis, you can’t help dipping into your secret path manuscript. As interesting as it is to learn about creative activism and ecofeminism, sometimes it’s just fun to kill off a character by having them choke on a cheese roll as they flee a malevolent goose. Go to Part Four. 

Part Three 

You jump out of the restructure and into a new job. Working during the pandemic isn’t super fun, so in the evenings you dive back into your secret path adventure story. You kill off your character by attacking them with a pack of labradoodles. And an incel. And a shark. The deaths are fun to write, and so are the romantic endings. You’re stuck in a pandemic bubble, but your character visits Rarotonga, Toronto, and the alpine town of Annecy in France. Go to Part Four.

Part Four 

You flesh the narrative out into a novella with 25 potential endings and call it The ManyEnding Story. It’s shortlisted for the Laura Solomon Prize. You shop it around a couple of publishers, but unsurprisingly no one’s too keen to publish a secret path adventure story for grown-ups. 

Do you:

A) Forget about it? You’ve had your fun. Go to Part Five.

B) Decide to publish the story online? Go to Part Six.

C) Pick up your lovely old cat and give her a cuddle? Go to Part Nine.

D) Decide to write an essay about huia instead? Go to Part Ten.

Part Five 

You give up on The ManyEnding Story, but then something unexpected happens. In a twist that could come straight from a secret path adventure, you learn you’ll be the 2023 Robert Burns Fellow at the University of Otago. When you begin the fellowship, you tell a lecturer about your story and his eyes light up. Ergodic literature is his jam – and he knows a student who could help you put it online using a programme called Twine. You take a look at Twine. You’re pretty sure you could figure it out yourself – it would just take a couple of weeks of swearing and crying. 

Do you:

A) Meet the student who could help you put The ManyEnding Story online? Go to Part Six.

B) Decide to put The ManyEnding Story online yourself? That’s a terrible idea. Go to Part Six.

The University of Otago (Photo: Kristina Simons)

Part Six 

You rewrite the story and work with a sensitivity reader to help ensure an ADHD storyline isn’t way off base. You collaborate with a photographer who takes dreamy photos of the Ōtepoti locations that feature in the story. (Neither of you are great drivers and a significant chunk of the photoshoot is spent backing down a steep dirt road in Pūrākaunui that turned out to be a private driveway.) And you work with Jacob, the master’s student who migrates everything into Twine. And then – it’s done! 

Do you: 

A) Make the story free to play and share it via The Spinoff? Go to Part Eleven.

B) Write an essay about huia for The Spinoff instead? Go to Part Ten.

C) Procrastinate by reading some ergodic literature? Go to Part Seven.

The Pūrākaunui boat sheds. One of the locations in The ManyEnding Story. (Photo: Kristina Simons)

Part Seven

You start with Vladimir Nabokov’s Pale Fire, and move on to Mark Z. Danielewski’s House of Leaves. Go to Part Eight.

Part Eight

It’s dark. Rooms get bigger, and then they get smaller. You walk down a corridor and come to a dead end. You turn back, only to find the corridor has transformed
             into stairs.
                    You descend
                           what feels like
                                    twenty, thirty,
                                             eighty flights. 

The air is stale and clammy. You hear chains being dragged across a stone floor, and feel cold breath on the back of your neck. You don’t know if you’ve been in the house of leaves for minutes or days, but one thing’s certain – you’re never going to get out.

Part Nine

You pick up your cat and kiss her. Instantly she is cured of her ailments and gains an additional five lives. You embark on a new career as an animal healer. You and your cat live happily ever after. 

Part Ten

Your essay is bublished on The Spinoff! Go to Part Nine.

Part Eleven

The ManyEnding Story goes viral and is turned into a movie, a TV series, a graphic novel, a computer game and an amusement park. With more money than you know what to do with, you buy an island – the South Island. You secede from the North Island, establish a universal basic income, and become the beloved queen of Mainlandia. But, over time, the power goes to your head. You develop some weird habits. You bathe only in the tears of rugby players, and insist upon being carried around on a palanquin. Public sentiment turns against you. Held aloft in the air, you have no protection when the assassin strikes. As the arrow enters your breast and blood drains from your body, you wish you’d simply donated your billions to Forest and Bird. 

The ManyEnding Story by Kathryn van Beek is online here.

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