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Mirama Kamo, Kiwibank New Zealander of the Year Awards patron (Photo: Supplied)
Mirama Kamo, Kiwibank New Zealander of the Year Awards patron (Photo: Supplied)

BusinessAugust 9, 2021

Miriama Kamo on what makes a great New Zealander

Mirama Kamo, Kiwibank New Zealander of the Year Awards patron (Photo: Supplied)
Mirama Kamo, Kiwibank New Zealander of the Year Awards patron (Photo: Supplied)

Last year journalist Miriama Kamo was named patron of the Kiwibank New Zealander of the Year Awards, and she has big plans for its future. She talks to The Spinoff about creating an awards programme that speaks to the diversity of Aotearoa.

Miriama Kamo isn’t one to run from her fears. The wahine Māori journalist, author and mother has dealt with loss in her life – from miscarriages to early menopause and generational loss of her reo, together with the challenges that come with being an indigenous woman in the media. 

A judge for the Kiwibank New Zealander of the Year Awards for four consecutive years, Kamo (Ngāti Mutunga, Ngāi Tahu) was asked last July to become Te Koruru – the patron of the awards. At first, she says, she was surprised to even be considered.

“Here I was, being asked to be the patron, to take over from former prime minister Jim Bolger and guide the awards. I felt wildly unqualified,” says Kamo.

In the year since accepting the role, Kamo has become instrumental in creating a culture of change at the awards. Her mission is to ensure the awards embrace the cultural diversity of Aotearoa and provide support for the finalists and winners.

In her patron speech at this year’s awards, Kamo described the people acknowledged by the awards as pillars that represent what it means to be a New Zealander. She refers to them as pou, the Māori word that captures the way someone strongly supports a cause or is a symbol of support for a community. 

As a person, a pou is someone around whom we can gather, for wisdom and for inspiration, for courage and for leadership. Someone who, by their deeds, tells the story of who we are as a country.”

To truly honour those pou, Kamo has big plans for the future of the awards under her patronage, establishing a pastoral care model to look after the nominees and winners and create a formal alumni network.

We spoke to Kamo to find out more about what the New Zealander of the Year Awards represent, and what their future looks like in an ever-diversifying Aotearoa.


Make your voice heard by nominating in one of the seven award categories at www.nzawards.org.nz by 31st August.


Miriama Kamo flanked by recipients of the Community of the Year award, the Christchurch Mosque Victims group (Photo: Supplied)

How did you become involved with the New Zealander of the Year Awards?

I was invited to become an executive judge for the awards. As a storyteller, it really appealed to me. The people we honour and acknowledge at these awards have the most amazing stories. They are inspirational, service-driven people who have often fought against the odds to achieve what they have. To be in a position to hear those stories and know who is out there doing incredible things was just a no-brainer for me.

What is the significance of these awards?

These awards are important because they recognise the diversity, the beauty and the differences in who we are. We have a diverse and incredible range of people that live here and they should be recognised and acknowledged as New Zealanders and as contributing members of our society. Every nominee is driven by a deep sense of service and that service is what we want to honour. We see these awards as being for all communities of our country. 

I think of the New Zealander of the Year as a pou, which we see in the pillars of a whare and in palisades of a pā. A pou stretches up and reaches down, it grounds and supports, and it tells a story of our whakapapa and of who we are. And that’s what our Kiwibank New Zealander of the Year winners do too through their courage, their values and their mahi.  

What does being a patron involve?

Having been a judge already, there were areas of the awards I wanted to see improved. It was a really wonderful opportunity to see those ideas enacted. We have had to ask ourselves hard questions such as what is New Zealand and who is a New Zealander? Who are we aiming to honour and to what end? How do we activate in all communities, so that all New Zealanders feel included and able to be nominated in these awards? Many of these questions are hard because they go to the heart of our identity, of our belonging, and of our right to be here. They are questions which very often evoke fear, but I’ve learned as a journalist and from our nominees that it’s looking into, rather than away from what frightens us, that helps us to overcome fear and to succeed. The whole story is always the best story, with all those messy, inconvenient bits – in fact, it’s those dark corners where the best story often lies. So, for me, the role of patron is to find where we can step more fully into who we are, to reflect our values, and to help guide the awards into a full expression of that.

Miriama Kamo at the 2021 Kiwibank New Zealander of the Year Awards (Photo: Supplied)

What are some of the ideas you are implementing?

I wanted to institute a pastoral care model. When people are given these honours, it is an honour but it can also be a burden. People need to feel supported to be able to embody that role because it’s a big responsibility. I wanted to make sure all of our winners and finalists felt prepared, able and supported in taking that journey.

We also wanted to put a partnership lens across the awards and make sure they were embedded in Treaty principles and the agreements we made as a country… Part of that was to institute te reo across our awards materials and names, for example, the name for the patron is Te Koruru.  All our names were gifted by my incredible friends and reo mentors Pānia Papa (Ngāti Korokī-Kahukura, Ngāti Mahuta), Leon Heketū Blake (Tūhoe, Tūhourangi, Ngāti Wāhiao, Ngāti Porou, Ngāti Whāwhākia, Taranaki, Ngāti Kahungunu), and Dr Karena Kelly (Ngāpuhi, Ngāti Hine).

We have also begun building an alumni network for all winners.

What are you hoping to achieve with the alumni network? 

We invited them all [past winners] to the table and asked them to help us to build this alumni network. We asked how we could continue to have a relationship with them and how we could best support them and their mahi. The alumni network has agreed that there will be a mentoring aspect to what we are doing, to ensure that people coming into this space are supported. And some of our alumni have started working together and developing kaupapa together. A really important part is making sure that [the winners] feel like what we’re building here is actually going to help them and enhance their mahi. We want to create something with them that provides a platform for their mahi, celebrates and helps shine a light on what they’re doing, and creates opportunities to work together.

Keep going!
(Photo: Supplied)
(Photo: Supplied)

BusinessAugust 7, 2021

How Wynyard Quarter brought Auckland back to the sea

(Photo: Supplied)
(Photo: Supplied)

Ten years after it first opened for the 2011 Rugby World Cup, Wynyard Quarter is being celebrated as a world-class model of waterfront redevelopment. Michael Andrew asks what makes it so unique.

‘Wonderful!” “Magnificent!” “An enormous success!” These are just some of the glowing words I’ve heard people use to describe Wynyard Quarter – the redeveloped precinct near the western edge of Auckland’s waterfront.

Hearing this praise, I felt like I’d missed something. I haven’t spent much time in Wynyard Quarter, but whenever I have it hasn’t blown my mind in the same way. Sure, its buildings and parks are well designed, its cafes have character and the silos are quite novel. But really, without context, it’s quite easy to judge it as just one of a number of Auckland urban redevelopment projects; modern, pleasant, gentrified – certainly not a place I’d go out of my way to visit. Sir Bob Harvey has an entirely different take:

“It’s one of the great waterfronts of the world!” declares the former mayor of Waitākere. “Waterfront developments have to be treated with enormous care, because you can really stuff it up. It’s got to be people friendly. It’s got to have cafes and restaurants. You’ve got to make it live. And we gave Wynyard Quarter life.”

Westhaven Marina and Wynyard Quarter (Photo: Supplied)

As the former chairman of Waterfront Auckland, which had a heavy hand in the development, it’s understandable that Harvey would think so much of it. But there’s another reason why he, and many others, laud Wynyard Quarter with such acclaim – they remember what used to be in its place.

For much of its life, Auckland city’s waterfront consisted of separate wharfs, sealed off behind barbed wire. With ship yards, chandlers and bulk storage facilities dominating the shoreline from Mechanics Bay to Westhaven Marina, the waterfront was a grey, rusty spot on the map; a place the public seldom went, and only to buy some fish or boating equipment if they did.

Wynyard Quarter circa 1960 (Photo: Supplied)

Such sprawling industrial waterfront estates were typical features in many countries throughout the 20th century. Which is why, in a great wave of retrospection in the early 2000s, multiple cities began taking stock of these areas, with the hope of diversifying them and making them accessible to the public as mixed use zones. It was in this spirit that the Ports of Auckland transferred ownership of the majority of Wynyard Quarter to the Auckland Regional Council in the early 2000s, which then worked to regenerate it and build the Wynyard Crossing bridge in time for the 2011 Rugby World Cup.

With Britomart and the Viaduct to the east, the development created an east-west axis that pedestrians and cyclists could use to travel seamlessly across the northern edge of the CBD, without being blocked off from some of the most picturesque harbour views in Auckland.
“I think people forget what a terrible relationship the city of Auckland had with the water,” says Jeremy Hanson, project manager at Britomart Group. “There were very few places in the heart of the city that you could actually go and spend time beside it. Wynyard Quarter has helped provide another big slice of that.”

On hearing such rave reviews, I decided to head back to Wynyard Quarter to see what I had missed on earlier visits. With the 10-year celebration happening today, August 7, it also seemed a good time to ask whether the development achieved what it set out to do. Did it actually become a place where people and families would want to live and visit, and allow them to connect with the sea? And if so, what are the features that set it apart from the more tacky, varnished waterfront developments?

When I went back down there for an afternoon stroll, I discovered the answer almost immediately – it smells like fish.

The Auckland Fish Market has been a fixture of the city’s seafood industry since 1904. Managed and stocked by Sanford and Sons, which operates an active fishing fleet and fishmonger from Wynyard Quarter, the fish market was revamped and reopened as a modern food court in 2018. The resulting odour, which permeates the alleys and courtyards around Jellico St, is the perfect embodiment of what separates the precinct from other “SoDoSoPa”-type developments – it’s a working marine environment jumbled in with a corporate and residential hub.

The Auckland Fish Market/Sanford (Photo: Michael Andrew)

Rather than simply leveraging the rough industrial aesthetic, Wynyard Quarter has deliberately embraced its barnacled roots. Other than Sanford, the area is home to a number of maritime businesses along Wynyard Wharf to the north, all actively working with the water as they’ve always done. Juxtaposed against the very modern ASB building, the Willis Bond apartments and the cafes and boutiques, the medley of industries and businesses is a carefully engineered attempt to balance the old world and the new.

Frith Walker, head of place making for Eke Panuku – the council-controlled organisation leading the regeneration – agrees this combination has made the quarter a success.

“It’s about retaining those very important marine services, which are vital, and also opening up the waterfront to the public. Parts of Wynyard Quarter are polished, but other parts are also still rough and working and proper,” she says.

“The way you make a good city environment is by having a mix. Part of the science of creating urban regeneration involves creating different reasons for people to engage with the space; some of it’s got to be commercial, some of it should be residential and some of it should be public.

Frith Walker (Photo: Supplied)

With an expected 3,000 residents and 25,000 employees across multiple office buildings by 2030, Wynyard Quarter has been designed so that neither group is isolated from the other, and that walking is easy and free flowing between the open spaces. The heavily landscaped Daldy St works to create a north-south axis connecting the apartments and cafes of Wynyard Central with the Datacom, Microsoft and IBM headquarters further towards Victoria Park, and the Amey Daldy Park sits in the centre like a kind of open green hub. Rapidly maturing native trees and shrubs spill out from every verge and swale; deliberate features that Walker says were carried out in accordance with Māori design principles in partnership with mana whenua, who were heavily involved in the quarter’s redevelopment.

Of course, the most well-known feature and another example of the working history of the precinct are the silos. Previously used to house bulk materials and liquids, they are now either decorative, used as venues, or as a canvas for the popular film screenings. The petrochemical companies that once used the silos have since moved to Tauranga, and a decontamination process is ongoing for a number of the areas.

“Those bulk storage guys were incredible partners for us to work with,” says Walker. “They were generous and clear because it wasn’t always safe or straightforward. There’s a huge amount of work being done around decontamination.”

“We made the weird decision quite late in the piece to screen the movies onto the silo rather than on a screen on the gantry, which was the original plan. But we put them on the silo and it worked. So that’s part of the charm.”

The vine-covered silos and gantry (Photo: Michael Andrew)

Patrick Clifford, principal at Architectus, which worked on much of the quarter’s design and the master plan, says keeping the silos is just one of many instances where a natural decision to retain a piece of infrastructure added so much to the end product.

“When we discussed the silos, they were something we never wanted gone, even if they couldn’t be used. They had memory and scale. But at the time in the 2000s, people weren’t all that comfortable with density and height.

“We had to work really hard to keep the rest of it rusty. All the features: the park, the artwork, the sculptures, the native trees and bits of old infrastructure, all of it has gathered together like barnacles on a mooring rope. It’s a fantastic, ongoing project.”

When you’re not distracted by the silos, the ASB building’s “decaying leaves” exterior, or the avant garde playground, it’s easy to see what he’s talking about. Almost every feature, from the corten steel benches to the vine-covered gantry to the sunken tram tracks have been deliberately preserved or modified to pay tribute to the old industry, and somehow infuse it with a sense of nature.

Residents Mark and Pamela Peryman moved to Wynyard Quarter 18 months ago, after they sold their North Shore home. They say the balance between the industries, residences and businesses has made it a fantastic place to live.

“We love it,” says Pamela. “And it’s not just old people living here. My son lives a few apartments down from us.”

“People think it’s quite noisy too,” adds Mark. “But it’s not. It doesn’t have the same nightlife as other parts of town. Down at the end of the wharf you can sit by the water, and it almost feels rural. It’s very serene.”

Wynyard Point (Photo: Michael Andrew)

I follow the couple’s tip and head down to the end of Wynyard Point, where Eke Panuku plans to begin phase two of the development and construct the future park space – currently cordoned off for decontamination from petrochemical storage.

Mark’s right; there’s nothing but the red bill gulls, the fresh salt air, and the green Waitematā lapping at the wharf.