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MediaJuly 24, 2017

A play-by-play of Kim Hill’s weekend knockout match with Scott Brown

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Over the weekend, US Ambassador Scott Brown had what he probably thought was an interview scheduled with Kim Hill. What actually ensued was a brilliantly shady media boxing match. Sam Brooks gives his play-by-play.

My prevailing memory of Kim Hill is from something I once taped on One, back in the dark ages where you would tape things on video and not just watch them online. This was back when Face to Face with Kim Hill was on TV, and an ad for it popped up.

Who was this woman who moved around the screen with no regard for framing or camera position? What was that voice? That accent? She radiated intelligence and charisma, she was like a lost Tennessee Williams heroine who, instead of having a tragic life, had found her rightful place in the world of broadcasting.

I don’t often listen to her on the radio, because as a hated millennial I often forget that the radio exists, but when people were tweeting around her latest interview this rainy weekend, I had a spare hour and decided to lay back and listen to what was less an interview and more a verbal boxing match.

Pre-match loveliness between Scott Brown and Kim Hill.

What follows is my play-by-play of Hill’s interview with US Ambassador Scott Brown, covering topics as awkwardly broad as Trump’s misogyny and potential impeachment to Scott Brown’s upbringing and his daughter’s country music career:

00:33 – Almost immediately, Kim Hill brings up Scott’s ‘America’s sexiest man’ title, which he won in the 70s, and does so in a way that it is absolutely intended as a compliment, but it doesn’t really sound like one. This sets the tone for the interview that follows.

01:23 – “What’s the matter with Sean Spicer?” – Fair question, Kim.

02:15 – “Here YOU are.” It’s all in the inflection. If Hill was sympathising with someone who had to take the bus to work that morning, this would be the inflection.

05:38 – “Because you have such extreme levels of poverty in America, it seems absurd you’re such a wealthy country” is said in the same tone that someone might comment that their steak is overcooked. A robust discussion of welfare, poverty and jobs follows, and I can imagine Hill’s face is similar to her face from her famous John Pilger interview:

Kim Hill disapproves.

09:50 – “What’s y’background in music?” Said with the trained disinterest of a professional interviewer. Scott Brown namedrops someone from Cheap Trick, which I understand is a rock band of some kind, who Scott Brown has also played with once at some point for some reason? I tuned out because Kim Hill stopped talking, and I don’t tune into a Kim Hill interview to hear who she’s interviewing.

15:53 – After Cheap Trick’s ‘Surrender’ plays, Scott Brown talks about how he’s going to play with Alice Cooper when they come, which is… a thing? Kim Hill continues to sound professionally disinterested.

17:10 – Kim Hill apologises for saying Scott Brown USED to be America’s Sexiest Man.

17:35 – “You never took cocaine. Why would you not?” After hearing about Scott Brown’s wilder days in the ’70s-’80s, Kim Hill asks the question that I’ve often thought but never had the guts to voice.

21:38 – After a lot of political talk which is fairly dull, Hill says “You’re also a songWRITER” with the most strange emphasis but with such confidence that I think we’ve been saying it incorrectly all along.

26:30 – Kim Hill uses ‘soto voce’ in a sentence.

27:47 – “How’s the wall coming along?” is said by Hill in the same tone as “How’s your divorce coming along?”

28:02 – “What’s all this… tweeting about? The tweeting. That’s not Presidential.”

Scott Brown defends Trump’s tweeting as valiantly as someone with a brain but who is still on the payroll possibly can.

29:24 – “Come on! You can’t interfere with a special counsel.” 

Kim Hill, correct, once more.

Kim Hill reading a (different) right-wing politician his receipts.

30:50 – Scott Brown says overseas governments have been interfering with elections forever, which is a fun assumption to make! He then pivots to talking about the Democratic Party throwing Bernie underneath the proverbial bus. I can hear Kim Hill roll her eyes.

34:05 – “You don’t think he should have disaffiliated himself from [his businesses]… he’s put it in the hands of his children.”

Again, Kim Hill puts an emphasis on children that makes me believe wholeheartedly that rest of the world is incorrect.

36:40 – “She was in that competition…” “American Idol.”

The fact that Kim Hill forgets the name of American Idol brings me no end of joy.

They play a song by 13th-place finisher Ayla Brown, Scott Brown’s daughter, and they talk about her on the show, in a masterful gear shift. Ayla Brown’s song ‘My Hometown‘ is played, and it’s a catchy pop country song that I would probably be caught listening to in my darkest moments (Brown himself has played this song onstage with her at some point, for some reason).

41:20 – “Basketball.” Again, the practiced disinterest of an experienced interviewer. After Scott Brown explains exercising and Kim says, “I’m tired already” with the practised disdain of an experienced disdainer.

42:00 – “Even I can kayak.” Shade, pure and simple. I would also pay to see Kim Hill kayak, if anybody has that footage.

43:10 – Scott Brown says “All Blacks” with the incorrect emphasis and it is absolutely incorrect. He does not have Kim Hill’s skill of being able to twist words to his will.

44:00 – And this is the start of the most beautiful, intense five minutes of the interview, where Kim Hill pivots like a goddamned ballet dancer at whatever the Dance Olympics are, going from talking about Scott Brown’s country-music toting daughter to addressing Donald Trump’s misogyny:

“Talking about women… one of the main problems people have had with your president is his apparent misogyny.”

Other burns, or you know, just facts stated in this section are:

“He addresses women on their appearance rather than their merits.”

“We watched him on the campaign trail when he was taking on Hillary, and that wasn’t taken on merit, he was making faces… it was misogyny.”

“We’re talking about a president who says on record, he clutches woman by the pussy.”

And then there’s the most genius moment, where Kim Hill appears to channel Ursula the Sea Witch at her most violent and deadly. Scott Brown says that Donald Trump paid a price for saying that and Kim Hill replies, “What was the price?”

She repeats, suddenly channeling Eartha Kitt at her most lethal and dangerous, “What was the price?” (The emphasis is my own, but I guarantee you that Kim Hill is perfectly fluent in spoken italics.)

“He was criticised for it, and that was the price he paid? … Can you apologise for a basic attitude of misogyny?”

47:08 – “Are you suggesting Donald Trump is getting a hard time because the media is disaffected?”

47:30 – “It’s unbelievable to me that all women don’t find Donald Trump disgusting. He is on the record for his distaste and disgust for women!”

49:45 – “I don’t see Hillary Clinton in jail yet.”

“So he doesn’t always keep his word.”

“I’m not twisting anything. I am simply taking you at your word. You’re telling me that Mr. Trump keeps his word. I am saying that he obviously doesn’t.”

“Well that was bullshit then during the campaign.”

“At what point does he start telling the truth?”

51:42 – “Mmhmm.”

52:25 – “I have no liking or disliking of your answers.”

I have no idea how Kim Hill manages to deliver that with complete truth while also making it sound like a performative lie, but kudos to her for that.

53:45 – Kim Hill asks if Scott Brown misses the cut-and-thrust of Washington, as though he hasn’t just been skewered like a meat slab at K’ Rd’s Turkish Cafe.

“I mean you’re just talking to me, relax.” That chills me to my soul, listening on tinny laptop speakers. I can only imagine what it would sound like sitting maybe a metre away from the tiger herself.

The interview wraps up quickly but not unpleasantly after that.

It’s a fun listen, but what’s most remarkable is a journalist actually taking a member of the Trump administration to task, because for all his practised charm and trained banter, Scott Brown is undoubtedly a full-fledged, card-carrying member of the Trump administration.

So kudos to Kim Hill for doing what Kim Hill usually does, and I encourage you to watch excerpts from Face to Face on NZ on Screen to see what a formidable interviewer she actually is, and we should all be taking lessons from her.

And god forbid anybody who gets in a boxing ring with her.

Listen to the full massacre here


The Spinoff Media is sponsored by MBM, an award-winning strategic media agency specialising in digital, with vast experience across all channels. We deliver smart, tailored media solutions as well as offering a leading data and analytics consultancy. Talk to us about your communications challenges and how MBM can help bring you success through the power of media and technology.

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MediaJuly 23, 2017

The best of The Spinoff this week: handguns, the nanny and MORE WINSTON PETERS!

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Compiling the best reading from your friendly local website.

Lucy Kelly: I had an eating disorder, and To The Bone gets it almost completely wrong

“Anorexia is not these gaunt girls looking like Kate Moss with dark eyeliner and baggy clothes; anorexia is not beautiful. It is not a phase, it’s not a diet gone too far, it’s not a choice, and you will not look like some frail little pixie with boys saying they’re in love with you and handsome doctors trying to unlock the door to your soul while gentle music plays.”

Branko Marcetic: I joined NZ First and went to their conference to find out what they’re really up to

“Although it continues to see itself as a party of the centre, the New Zealand First on display at the conference often sounded like it had been founded by Jim Anderton when it came to economic issues. The running theme was that New Zealanders are caught in the clutches of the unscrupulous, wealthy and often foreign; in the thrall of the failed post-1984 neoliberal experiment. The ordinary working Kiwi is getting shafted – particularly in the regions – runs the message.”

Don Rowe: Hapū and handguns: the battle of the Kaipara continues

“‘We bought this place for the sole reason of creating a forever home,’ says Chris. ‘We wanted a place to bring up a family and children in peace and quiet – not to the sound of gunfire. Now that’s the reality that we’re facing.'”

Madeleine Chapman: Power ranking the most violent acts female actors have committed against male fans

“There’s nothing worse than blatantly miscasting a fictional character, and no one knows this more than the die-hard male fans of movies and television. They’re an angry bunch, those nerds. They’ll defend their beloved characters to their dying day, so long as that beloved character is white and male. Which, until recently, was a given.”

Simon Wilson: The Greens roar into election mode

“We saw a new Greens at AUT, tabling policy materially different to anything their opponents are selling. But more than that, it was delivered with agenda-setting power, and a knowledge of how media – both social and traditional – would absorb it. For the left, which was looking like it was going to watch another election slide by, it was the most impressive statement of the year.”

Hayden Donnell: Our body language expert decodes Winston Peters’ interview with Duncan Garner

“Here Peters is about to say “Good morning”. It’s subtle, but if you look closely Peters’ body language is saying “Good morning, I am going to get roughly 16% of the vote in the New Zealand General Election and spend 14 weeks brokering a coalition agreement that bans Newshub and Duncan Garner”. You can see him savouring the prospect four seconds later.”

Peter Newport: The Ministry of Transport fraud case: Why the rot goes deeper than Joanne Harrison

“The Harrison case has some similar dynamics to the Todd Barclay drama. It’s become less about the initial problem than how it was handled. Who told the truth and who tried to obscure or even bury the truth. The difference with the Harrison situation is that she is now in jail and the truth is coming out – fast.

The Spinoff has been looking at exactly who did what, and when. That job has been made easier by a new, recent MOT whistle-blower who has produced and provided to us a detailed timeline noting all the evidence, which we publish here, utilising material released by the Ministry of Transport and available to view here. The same whistle-blower has shared a bizarre insight into Martin Matthews’ statements during his time at the Ministry of Transport.”

Pete Douglas: ‘New Zealand is like a second home’: Queens of the Stone Age return

“Being at the bottom of the world we usually we get bands at the end of a world tour, but here we get you before the album is even released. How do you decide how much of the record to reveal in these shows?

I think we’ve come here early on because it’s like a second home, even though we’re from the States it feels much better to come here and play. Also, we’ve just booked one New Zealand show, which might mean we come back round.”

Lucy Zee: Remembering the white men who tried to sell us stuff on TV

“TV back in the day wasn’t as diverse as it is now (or didn’t try as hard), so commercials were 99% white people with big white teeth, followed by more white people with even bigger and whiter teeth. As I got older, the flashy whiteness steadily got more mind numbing and much more obnoxious. I couldn’t tell if my TV was showing the same amount of whiteness it always had, or if I had simply become more aware of my racial identity and demanded more diversity. My entire life I had been raised by white men telling me what to buy, what to eat and how to eat it. Some ads worked, some didn’t, but I remembered all of them”

Sam Brooks: How re-watching all 146 episodes of The Nanny changed my life

“You might remember The Nanny as the sitcom with the lady with the high voice and the annoying laugh. You’re not remembering this incorrectly, but you are remembering only a little bit of the picture. I say this as someone who has watched all 53 hours of it very recently. I know The Nanny. My flatmates probably worried for my sanity hearing the theme song come out of my bedroom that many times in such a short period of time. By this point, The Nanny is in my soul.”