A Trees That Count planting in Queenstown (Photo: Ryan Quirke/Snapt Photography)
A Trees That Count planting in Queenstown (Photo: Ryan Quirke/Snapt Photography)

PartnersNovember 11, 2020

How giving native trees helps tackle climate change – and Christmas waste

A Trees That Count planting in Queenstown (Photo: Ryan Quirke/Snapt Photography)
A Trees That Count planting in Queenstown (Photo: Ryan Quirke/Snapt Photography)

More than 500,000 native trees have been planted through the Trees That Count programme, funded by New Zealanders and the local business community. 

Here comes Christmas, and with it the season’s usual tsunami of plastic garbage: trinkets bought, exchanged, discarded. Wasted. 

But how else is one expected to navigate the gift-giving season? Simply refuse to recognise the spirit of the holiday? Ban gifting itself? Say bah humbug to the whole thing? 

There’s no need to take such extreme measures. 

Just plant a tree, bro. For 10 bucks and two minutes of your time, you can fund a real live native tree that will get thoughtfully planted in the perfect spot (by somebody else!) somewhere around New Zealand that needs it. 

That’s the big idea behind Trees That Count, New Zealand’s marketplace for connecting people who want to donate trees to people who want to plant them. 

Managed by the Project Crimson Trust, formed 30 years ago to save the pōhutukawa from extinction, the Trees That Count programme is designed to help New Zealanders plant 200 million native trees over the next 10 years, and to tally the number of native trees that are planted in New Zealand: 32,353,528 and counting since 2016, with over 530,000 trees gifted or donated through the Trees That Count marketplace. 

This Christmas supporting native reforestation has never been easier. It’s literally the gift that will keep on giving. 

A typical full grown tree can absorb around 21 kilograms of carbon dioxide per year. So, of those 32,000,000+ trees counted so far, Trees That Count estimates a potential removal of between 5,400,000 and 7,400,000 tonnes of carbon dioxide from our atmosphere over the next 50 years. 

And it’s not just about fresher air. The environmental benefits of trees are myriad. Not only do trees absorb carbon dioxide as they grow, they also provide habitat, food and shelter for a range of species, while reducing ambient temperatures and the rate of soil erosion. 

Native trees are particularly good at this, says Adele Fitzpatrick, CEO of Project Crimson and team leader of Trees That Count. Pine and many other exotics grow very quickly, but what they don’t do is last a long time. They don’t have as strong root structure as natives either, and they aren’t as resistant to the effects of climate change. 

“A native forest will also have great diversity within it,” explains Fitzpatrick, “which means it’s very resistant to fire, the soil is healthier, it’s a healthier forest for bird life, and it has its own kind of micro climate. Plus it’s great for our mental health. There’s a very strong wellbeing aspect to native forests.”

Adele Fitzpatrick, CEO of Project Crimson and team leader of Trees That Count (Photo: supplied)

Tackling erosion at Turihaua Station

Trees That Count currently receives donations from New Zealanders of all shapes and sizes – both individuals and SMEs, as well as significant support from corporate Aotearoa – and matches that funding to worthy planting projects around the country. 

A marketplace manager is responsible for approving projects and then pairing them with native trees from specific funders. The system allows donors to be matched to projects with specific environmental outcomes. For individuals, the manager can match their trees to a particular region for planting. Donors are always notified which project their trees have been matched to, and can follow the project’s progress on the planter’s profile page on the Trees That Count website.

Trees That Count has so far supported more than 560 such planting projects, including the planting currently underway at Turihaua Station in Gisborne, where Paul and Sarah Williams (zoologist and environmental scientist-farmers, respectively) are using natives – some funded by corporate donations and matched to the farm by Trees That Count – to restore the waterway that runs through the farm. 

The stream flows into Turihaua Bay, a popular beach used by everyone from campers to recreational and commercial crayfishers. The Gisborne area in general is very prone to erosion, making the quality of water flowing into the bay an issue of concern. 

“Gisborne has soft mudstone soils,” says Sarah Williams, “so we’ve been really focused on our impact on the receiving environment and how we can improve the health of the stream.”

The farm has embarked on a project to plant the three kilometre length of the river with natives from Trees That Count, in an effort to hinder the erosion of the stream bank, help filter the farm’s run-off into the river and ensure the waterway remains hospitable for fish. The focus is not so much on capturing nutrients – as would be the case with more intensive farming operations – although capturing sediment bound phosphorus in runoff is a benefit. 

To stabilise the banks, a mix of tree species that can withstand floods are being planted, as well as larger species further away from the stream. Those larger plants will, in the long term, provide a forest canopy and much-needed shading of the stream. 

“We have carried out a baseline freshwater biodiversity study in the stream which was found to be lacking,” says Williams. “Long term we hope the tree shade will lower the stream temperatures and less sediment will smother the rocky bottom, improving habitat for fish and macroinvertebrates.” 

“Another biodiversity benefit is that the trees will also provide a corridor for birds to travel between bush blocks.”

The stream restoration project forms just one part of a larger environmental project underway at the farm, which includes introducing pest control, fencing of bush blocks, regenerative farming practices and widespread planting of natives species to encourage biodiversity.

“We’ve planted a range of species sourced by our local Makaraka Native Garden Nursery from our farm’s East Coast pūriri forest,” says Williams. “There’s a scattering of manuka and kānuka throughout the planting – they establish quickly and can provide shading for the other trees to get established – and we’ve got a lot of favourites like kahikatea, rimu, totara, pūriri and kōwhai.” 

 Restoring the waterway fits in nicely with the couple’s holistic approach to farming the land, Williams says. “As custodians of the land we want to make sure we are constantly improving it for the benefit of our three boys like our parents and the generations before us.”

(Photo: Ryan Quirke/Snapt Photography)

Big business comes to the tree-planting party

Currently, Trees That Count is highly reliant on corporate funding, and Fitzpatrick says the organisation provides plenty of tangible benefits in return. “We’re a great partner for businesses – from environmental, cultural and community perspectives,” she says. 

“Every tree funded is a tree in the ground and we can show where the tree is planted and its carbon value over time. And there’s not much that’s prettier than a native tree in bloom with tui jumping around in it.”  

That’s been an attractive enough proposition to win over Mazda NZ, which has so far funded a whopping 50,000 trees for 137 planting projects across Aotearoa since 2018. 

“A couple of years ago we were fed up with sending out Christmas gifts,” explains David Hodge, managing director at Mazda NZ. “We just thought ‘this is wrong, we should be doing something good for the environment’.” 

So, instead of sending out 25,000 gift bags, Mazda planted 25,000 native trees in their customers’ names. Then they did it again the next year. And they’re doing it again this Christmas. 

And the company is about to get even more serious about putting New Zealand native species in the ground. 

“Going forward, instead of sending out one tree per customer, we’re going to fund four trees for every vehicle sold,” says Hodge. “We might sell 10,000 cars per year, so that will eventually get us up to around 40,000 trees per annum.”

Trees That Count planting at Kani Rangi Park in Murupara (Photo: Neil Hutton)

“Trees That Count is all about native trees and permanent forests and I love the idea of all this ending up as a living, breathing, regenerating forest. It’s not just pine trees that are going to get ripped out after 25 years.”  

“For us it’s the right thing to do and it’s doing good things for the environment.” 

It’s a good start, but it’s just the beginning for Trees That Count. “We want to see 200 million planted across the country,” says Fitzpatrick, “and have the data to prove it.” 

In the immediate term, the group is looking to increase both its financial backing and the speed at which trees are being put in the ground. 

“It’s time to increase funding and activity and move at scale and pace if we really want to make a difference,” says Fitzpatrick. “And when I say ‘we’, I mean we all need to get engaged.”  

She says the organisation is now looking even further ahead, to the long-term benefits of native planting beyond sequestering carbon. To that end, they are currently developing a system of credits that more fully recognises the benefits that native tree planting can bring, such as water quality improvement, increased wildlife numbers and erosion prevention. 

“All of these other aspects have a monetary value,” says Fitzpatrick, “so we want to create a credit that recognises that.”

Christmas is coming, dear reader: fund a tree.

Same goes for you, businesspeople: fund several.

Keep going!
The Phoenix Summit

PartnersNovember 8, 2020

Lessons from 2020: How the creative industries can move forward

The Phoenix Summit

Has the year 2020 taught us anything, in between all the disease and political upheaval? The Phoenix Summit asked some of New Zealand’s top creatives how their industries are changing.

At the beginning of the year a new decade full of festivals, audiences and showcases was promised. By March, many people were writing off 2020 and looking to ride out Covid-19 as best they could.

Although most impacts of the virus have been objectively bad – over a million deaths, a global recession, closed borders, political turmoil that only exacerbates the pandemic’s effects – it’s been an opportunity for creatives to pause and assess the damage to their industries. For some, 2020 has only brought to light damage that already existed.

This year has been a lesson in how we respond to crisis – as individuals, as businesses and as countries. It’s also been an opportunity to develop new ways of empowering creativity. The first Phoenix Summit for creatives was held last year, and started a movement to connect and inspire New Zealand creatives. This year’s will bring together the community again, this time with the goal of visualising a future we can feel optimistic about again.

The Spinoff reached out to some of our country’s most brilliant creatives – all of whom are speaking at this year’s summit – and asked them to look back and reflect on how this year has changed their approach.

Georgia Robertson

The biggest lesson I have learnt this year is that we all have boundless ability to express our creativity. I feel often, if we’ve pursued a pathway not typically categorised as a creative discipline, so many of us write ourselves off as “not that creative”, but this year has provided countless lessons demanding we respond creatively to crisis across all fields.

For me that looks like being a storyteller about how Humanitix as a ticketing platform is changing the world by addressing educational inequality. It also looks like being able to put ourselves in other people’s shoes, investing time and genuine curiosity to understand the world of our event organisers. This empowers us to build game-changing tech that is not only disrupting the status quo but responding swiftly to changing needs in the events industry. One example is building our virtual events hub, a creative idea serving the needs of events going digital.

So don’t box yourself out from getting out there and doing amazing things! Play to your strengths, listen carefully and be fuelled by the knowledge that amid the chaos and uncertainty, there are limitless opportunities to harness your creativity for good in the world, no matter what you’re passionate about.

Georgia Robertson is CEO at Humanitix

When Bauer ended its New Zealand operations earlier this year, many magazine creatives were put out of work

Sido Kitchin

I guess I’ve never thought I was that creative. I believed leading groups of people was my thing, and I’d surround myself with creative people – photographers, stylists, designers, makeup artists, writers – to make great magazines.

My world crashed when my workplace closed down and I lost my job during lockdown. I watched former colleagues dig in and get creative – books, websites, blogs, entire new careers – but I was inert. I tried to write, but I couldn’t find the words. I was overlooked for jobs I could do, and I lost my confidence. After 30 years, I thought it was time to say goodbye to my beloved career in journalism. And at my stage of life, that was pretty frightening.

But it turns out it took my entire world to turn upside down to embark on the most creative thing I’ve ever done: launching a new publishing venture and four magazines from scratch. It was as if my entire life had built up to this moment. This is what I was meant to do all along. To do my own thing.

Being handed the opportunity, freedom and independence to make the magazines that I would truly like to make – to tell the stories that I think matter most and will be appreciated by New Zealand women today – has been the most incredible gift. It’s definitely unleashed creativity I never gave myself credit for. It’s taught me to be brave, to have confidence in my experience and to listen to my gut. I know now that I’ve been given this chance because I’ve earned it and I know what I’m doing. And being able to give so many other wonderful women on my team the chance to unleash their creativity making these beautiful and meaningful magazines is the best feeling of all.

Sido Kitchin is group publisher at School Road Publishing

Robert Knight and Maryanne Bilham

The two main lessons we have learnt from 2020 is to be adaptable and always have hope. We are thrilled to be 100% back living in New Zealand and are both looking forward to offering our shared decades of knowledge and wisdom, having worked for a very long time in the international music business.

We have a wonderful programme called the Brotherhood of the Guitar and mentor over 100 young musicians from around the world, many of whom are in New Zealand. We believe New Zealand is the future – it’s one of the first places on the planet to be back open for touring and live shows. While the major A-list bands may have trouble for some time in coming to New Zealand, there has never been a better time for young up-and-coming artists that can adapt and be flexible to shine brightly.

Robert Knight and Maryanne Bilham are celebrity photographers and owners of the Anthology Lounge

Teremoana Rapley

In the music industry, I see broken systems everywhere. It is only when we are forced by a global pandemic that the industry that “manages” the infrastructure has begun to highlight poignant facts: we don’t openly acknowledge the fact that the current ecosystem only supports a handful of artists, and the industry uses these five to 10 artists to sell both a local and international picture of “success” both here and overseas.

But is that really success? A system that has continued to operate in a purposeful reductionist manner that has millions of dollars of taxpayers’ money poured into it every year with minimal understanding of uplifting the entire sector for sustainable, long-term-focused outcomes.

Now, what are we going to do with few to no overseas artists hitting our shores? Here is an idea: focus on the local industry, really look at what is needed, prototype, test, reiterate, do it better, don’t get complacent – stay on your toes.

Teremoana Rapley is a creative economy senior adviser at ATEED

Teeks and Hollie Smith performing at the Auckland Town Hall. Going forward, we could have a greater focus on empowering local musicians (Photo: Adrian Malloch)

Hamish Pinkham

Stop. Pause. Go.

It’s important to take time to stop and assess your situation before you continue on your creative journey and 2020 has certainly taught me this. Often we find ourselves tired, uninspired and busy being busy. First break from the path you are on to stop and take stock. Look around you and what you are trying to achieve. Pause to look at your habits, your team and the reason you are committing to your journey. Take time to assess your situation and your goals.

Then, once recharged and refocused, take off again with new energies, new insights and new inspiration.

I found this lesson useful in the half marathon I did on the weekend. I was floundering halfway through the race, tired and uninspired to continue. I managed to have a quick water stop and paused for a minute or two to regain my composure. When I took off again, I had a new lease on life – more energy, increased motivation and a faster pace. My output was markedly better after applying “Stop. Pause. Go.”

2020 has been a huge reset for many people. I’m hoping to implement more of this lesson in my life; learning to stop, and appreciating the pause before continuing to achieve my creative goals to the highest standards.

Hamish Pinkham is the founder of Phoenix Summit

Cori Gonzalez-Macuer

I’ve never been able to or had the attention span to just sit down and work on material or just write something. It either comes to me or it doesn’t, plus I’m pretty lazy. During lockdown I had no choice but to sit down and try to work on stuff and it actually worked out pretty well. So I guess the main lesson I learned is that once I stop being a lazy piece of shit, I can actually get things done.

Cori Gonzalez-Macuer is an actor, comedian and mental health advocate

The second Phoenix Summit has been postponed due to the most recent community transition case of Covid-19 in the Auckland CBD. See a note from the promoter below:

13 Nov 2020: The Phoenix Summit is all about the community it gathers; bringing together Aotearoa’s creative community for a day of conversations and connection around our shared passion.

Due to the recent community transmission of COVID-19 and the government direction for people to avoid the Auckland CBD, where we intend to hold the Phoenix Summit tomorrow. We have decided that we will and shall always put our community first, therefore we are postponing The Phoenix Summit 002. We had an incredible day lined up for you, and we promise to bring you the Phoenix Summit 002 continued bigger and brighter than ever. We will keep you updated with the next steps in the coming days, as things unfold.

Thank you to all of our speakers, sponsors, pass holders and supporters who have made the Phoenix Summit rise!
We are with you. We are you. We will rise.