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Pop CultureDecember 9, 2024

New to streaming: What to watch on Netflix NZ, Neon and more this week

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We round up everything coming to streaming services this week, including Netflix, Amazon Prime, Disney+, Apple TV+, ThreeNow, Neon and TVNZ+.

If you enjoy dreamy love stories: Before Sunrise (Neon, December 10)

Although dismissed by many critics upon its release in 1995, Richard Linklater’s Before Sunrise has become an iconic indie classic. Jesse (Ethan Hawke), a young Texan, and Celine (Julie Delpy), a young Parisienne, meet on a train in Austria. Their mutual attraction is instant and electric. Jesse has an admittedly insane idea: When the train pulls into Vienna, why doesn’t she hop off with him so they can continue chatting and explore the city? What follows over 90 hyper-verbal minutes is possibly cinema’s “most perfect depiction… at once concrete and intangible, of two people beginning to realize that they are falling in love.” Ooh la la.

If you love video games: Secret Level (Prime Video, December 10)

From Tim Miller, the mad genius behind Deadpool and the hit sci-fi anthology series Love, Death & Robots, comes Secret Level. The adult-animated anthology series features original stories, but all set within the worlds of some of the most beloved video games. Even if you aren’t an hardcore gamer who doesn’t know what griefing or smurfing means, you’ll have heard of treasured franchises such as Dungeons & Dragons, Pac-Man and God of War. With breathtaking animation, visionary storytelling and a stellar voice cast that includes Arnold Schwarzenegger, Kevin Hart, Keanu Reeves and Temuera Morrison, Secret Level is sure to push all the right buttons.

If you love Pixar films: Dream Productions (Disney+, December 11)

Set in between the events of Inside Out and Inside Out 2 is Dream Productions, a charming mockumentary-style series “about the studio inside Riley’s mind where dreams really do come true – every night, on time and on budget.” In the series, acclaimed “day-dream director” Paula Persimmon’s (Paula Pell) signature combo of dreams featuring princesses, fairies and unicorns doesn’t interest the now-tween Riley. To save her career, Persimmon teams up with Xeni (Richard Ayoade), a smug hotshot looking for his next big break, to create the next hit day-dream. You’ll turn blue with sadness if you don’t watch this one.

If you think Die Hard is a Christmas film: Carry-On (Netflix, December 13)

The Kingsman’s Taron Egerton is a TSA agent blackmailed by a mysterious traveller into slipping a dangerous package onto a jam-packed Christmas Eve flight. In a thrilling cat-and-mouse game of life and death, Egerton must outsmart Ozark’s Jason Bateman, a brooding Hans Gruber-like antagonist. Behind the camera is B-movie action auteur Jaume Collet-Serra, the master of the one-location thriller. With the tagline “Every holiday season, millions travel safely by air. This Christmas will be different.” Carry-On looks as explosive as a festive season political bust-up.

If you like natural disaster documentaries: Tsunami 2004: The Day the Wave Hit (December 15)

On Boxing Day 20 years ago, one of the worst natural disasters in recorded history occurred when 230,000 people in 14 countries around the Indian Ocean basin were killed in a devastating tsunami. The docuseries Tsunami 2004: The Day the Wave Hit, provides a minute-by-minute account of the catastrophe through jaw-dropping archival footage and harrowing interviews with survivors. Described as “horrifying, heart-rending and essential”, Tsunami 2004: The Day the Wave Hit serves as both a historical record and a memorial to the lives that were tragically lost.

Pick of The Flicks: The Lost City Of Z (TVNZ+, December 11)

In the same year Tom Holland was introduced to the world as Spiderman, he also co-starred in the epic adventure flick The Lost City of Z. The film, “a lush, melancholic story of discovery and mystery,” is helmed by James Gray, a modern master of American cinema. Holland, Charlie Hunnam, Sienna Miller and Robert Pattinson are revelatory in the tracing of the true-story Col Percival Fawcett and his doomed obsession with finding the illusive El Dorado-like city he called “Z.” One critic called The Lost City of Z an “enthralling masterpiece.” Check-out the film if you dare adventure into the Amazonian abyss.

The rest

Netflix

Jamie Foxx: What Had Happened Was… (December 10)

Polo (December 10)

Rugged Rubgy: Conquer or Die (December 10)

The Kings of Tupelo: A Southern Crime Saga (December 11)

Makayla’s Voice: A Letter to the World (December 11)

One Hundred Years of Solitude: Part 1 (December 11)

Queer Eye S9 (December 11)

Dune: Part Two (December 12)

La Palma (December 12)

No Good Deed (December 12)

1992 (December 13)

Carry-On (December 13)

Disaster Holiday (December 13)

TVNZ+

DNZ: Predict My Future (December 9)

Britannia S1-S3 (December 10)

The Replacement Killers (December 10)

My Kitchen Rules S10 (December 10)

We Are Your Friends (December 11)

Lowdown Dirty Criminals (December 11)

The Lost City Of Z (December 11)

Dracula (December 12)

Love Triangle UK (December 13)

Last Holiday (December 14)

The Divergent Series: Allegiant (December 14)

Puss In Boots: The Last Wish (December 15)

Trainwreck (December 15)

Tsunami 2004: The Day the Wave Hit (December 15)

Inside Prison: Britain Behind Bars (December 15)

Forensics: The Real CSI (December 15)

ThreeNow

9-1-1 Lone Star S4 (December 11)

Mean Girl Murders S1-S2 (December 12)

Deep Water (December 13)

In Limbo (December 15)

Borderline (December 15)

Neon

The Capture S1-S2 (December 9)

The Accidental Tourist (December 9)

Before Sunrise (December 10)

Before Sunset (December 10)

Feasting with the Stars (December 11)

Dune: Part Two (December 12)

Bookie S2 (December 13)

Darkness of Man (December 13)

Fred Claus (December 13)

Treadstone (December 15)

Seven (December 15)

Prime Video

Secret Level (December 10)

Bandish Bandits S2 (December 13)

Disney+

Sugarcane (December 10)

Dream Productions (December 11)

Elton John: Never Too Late (December 13)

Vow of Silence: The Assassination of Annie Mae (December 13)

Invisible (December 13)

Apple TV+

Wonder Pets: In the City (December 13)

Eva the Owlet (December 13)

Hayu

Paris and Nicole: The Encore (December 13)

Acorn TV/AMC+/Shudder

Annika S1 (AMC+, Acorn TV, December 9)

Keep going!
Scotty Stevenson’s life in TV (Image: Tina Tiller)
Scotty Stevenson’s life in TV (Image: Tina Tiller)

Pop CultureDecember 7, 2024

‘Damn near knocked me out’: Scotty Stevenson’s biggest live TV headache

Scotty Stevenson’s life in TV (Image: Tina Tiller)
Scotty Stevenson’s life in TV (Image: Tina Tiller)

The TVNZ sports commentator and writer looks back on his life in TV.

When The Spinoff reaches Scotty Stevenson he’s in a reflective mood, caught in between calling an intriguing test cricket series, and a second round of deep staffing cuts at TVNZ. Asked how he’s going, and he immediately goes to his colleagues. “You’re surrounded by a lot of carnage, because we’re obviously in an industry under some significant threats, commercial threats,” he says. “It’s really hard when people have been going about what they do for a very long time, and suddenly the numbers don’t add up anymore.”

This is, to put it mildly, not what you’re meant to say at the start of an interview to promote TAB Chasing the Fox, a new event which “features New Zealand golf legend Ryan Fox as he competes against a diverse field of challengers… including sports stars, media personalities, politicians, and YouTube golfers”. But that’s why Stevenson remains such a singular presence in sports and television – his intellect, his laconic humour, and his rare combination of passion for sports and an acerbic eye for its excesses.

‘Help keep The Spinoff funny, smart, tall and handsome – become a member today.’
Gabi Lardies
— Staff writer

He understands what the show is for – some fun and frivolity at the end of a very hard year in his business. “We’re going to be pretty focused on the party hole, which sounds like something that the royal Auckland Golf Club has never seen before, and that’s probably going to be half the fun… there’s music, there’s noise, and golfers are going to have to go and play.”

Chasing the Fox is the flipside of The Upside, a series of searching longform interviews on the subject of mental wellbeing he made for TVNZ earlier this year. “I loved interviewing people for a decent chunk of time in a really intimate space about some really personal experiences. Reflecting on that series afterwards, it was both uplifting and at the same time, exhausting… You could just focus on that person sitting in the seat opposite you, and delve into their life in some really profound ways.”

The absurd and the profound can both be found on television, particularly in sports, the place Stevenson has worked in for more than 20 years. Here is the commentator, writer and giant-hearted human’s life in television.

My earliest TV memory is… Growing up in the north, we’d play Saturday morning sport then go to my grandparents, who lived in Whangārei. We’d stay for lunch, and we would stay for dinner, and then we’d invariably stay the night. Then I remember my brother and I literally turning on the TV and watching the test pattern. I laugh about it now, when you look at everyone staring at a phone – we literally watched the test pattern waiting for the cartoons to start.

A TV moment that haunts me is… I’ve been falconed [rugby league slang for being hit on the head with a ball] in the middle of a live broadcast. It was before a Super Rugby game in Wellington, during the pre-match on the sideline, and it damn near knocked me out. I think it was Jackson Garden-Bachop. He was warming up with his kicks and it sconed me right on the head. I remember afterwards feeling pretty dazed, but I guess that’s the thing about live TV, and especially live sports, surrounded by crowds and with the ball in play – there’s always this element of jeopardy.

The TV ad I can’t stop thinking about is… I think Lotto does a really good job in the cliffhanger. There are a couple that stand out, particularly the woman who has an accident in Thailand. And they find the cast, and they find the ticket under a cast. That’s one of the greats.

I know everyone fantasises about winning a lottery, but I think the way that the creative teams on those commercials set up the proposition that it could be a win, and leave you wanting more. They play on the emotion, and it’s just really good storytelling.

My earliest television crush… Fenella Bathfield, who used to do 3.45 Live, which came on after school. I was a young teenage boy, and she was super confident and cool. It was the name too, Fenella. It just sounded cool. She was in The Other Side of Paradise, and she worked on the Bugs Bunny Show as well. She had some serious hair. 

My TV guilty pleasure is… I have to be honest, I just don’t watch a lot of television, outside of sports. But I would confess that if mum’s visiting and she’s watching Coronation Street, which, invariably she will, I just get dragged into it. I feel like the success of Coronation Street is they have just run the same storyline for 50, 60, 70 years, and nothing really changes. The storylines sometimes get a bit more ridiculous, and sometimes we’re back to normal. My youngest son, Joe, he loves to tune in as well. If Granny’s watching Coro, then Joe will tune in and literally say, “Granny, this is the same story”. I love that.

My favourite TV moment is… Dennis Connor on Holmes. It was the shock of it more than anything else. It revealed something about everyone involved. Holmes being dogged and adversarial – while pretending not to be – but knowing full well that he had a volatile guest and he was going to needle. Connor just being an abject prick. I think there was something shocking yet unsurprising about how that entire thing unfolded. And then just walking out – you didn’t expect to ever see it happen, and it reinforced New Zealand’s opinion of Americans, and I guess it reinforced Holmes’s position as, you know, the best in the business at what he did. 

My favourite TV character of all time is… Hawkeye, from M*A*S*H. He was a man dealing with a shit sandwich by trying to be funny all the time, and losing his mind. I liked Hawkeye. I forget the character arc, but it was a beautifully acted character, and a beautifully written character. The show was of its time, but there are a lot of moments in that show where you sort of understood the unraveling of human beings and how much pressure they can withstand.

The most stylish person on television was… Anthony Bourdain. He was just fucking cool constantly. There was a guy who just gave zero fucks. And could pull it off – the heroin physique, the love of punk and rock. I don’t think it was an affectation – he looked like a man who was born to be on the road. He looked like a man on the run from both himself and everyone else. And he dressed that way. He was a vagabond, sort of a modern day pirate. A simple pair of denim jeans and a loose fitting linen shirt and fucking off you go. How good.

The sport which leaves me cold is… Netball. I’ve never commentated netball, and I appreciate the athletes, but I find it’s a sport that’s never really been able to get its hooks into me. That’s not to criticise the sport itself. It’s merely to say that it hasn’t captured me in the way it’s captured so many others. I get why people play it. I kind of get why people like watching it. There’s just something about the game – it’s almost like it avoids the contest too much.

The funniest TV show of all time is… Curb Your Enthusiasm – because it’s just the most painful watch you could ever put yourself through. I love comedies that centre on really unlikable people. Larry David – there’s just not a situation that he can’t make worse. I think there’s genius in terms of the writing, but then the performing of it as well. There have been times where I’ve had to pause the television and just go, “actually, I don’t know if I can keep going here”.

The greatest moment of commentary I’ve ever heard is… It’s an Australian commentator, Dennis Cometti. He had a line in an AFL game. He had many lines, to be honest, but I believe he had a line when a player went to grab the ball or go into a pick, and came out and had blood gushing around the eye. His line was, “you could say he went into the pick optimistically and came out misty optically”. I think that’s probably one of the greatest lines I’ve ever heard. He may well have had it on his mind for some time. But even so, the moment’s got to arrive, and that delivery has got to be there. That is just such a great line.

A controversial TV opinion is… We’ve been slow to adjust. I think newsrooms have been slow to adjust to a new reality. The old ways of doing things, while they might still pull good audiences, I think we probably should have been looking at different ways to operate a long time before now. There’s a lot of resource that goes into making a news bulletin, obviously, and in the case of 1News it is a really important news bulletin too. But the way that that comes together is still very traditional, and whether that was the optimal form of operation over the last wee while, I don’t know. 

It’s certainly one that could have done with a little bit more foresight, and maybe looking at how that came together, and what the end result of the day’s labours was – whether that should have all been focused in on one hour of news, or whether that had potential to be spread far and wide across the daily landscape.

A show I’ll never watch… Love Island. Or anything on an island. Unless it’s Attenborough on an island, talking about something mating. 

The last thing I watched on television was… I’m still working my way through Yellowstone. It’s appointment viewing for my partner [White Fern Suzie Bates] and I, and she’s away a lot. Yellowstone is brutal, it’s beautiful. Rip’s got to be one of the greatest characters in the history of television. Costner’s outstanding in that series. I think it’s a fucking achievement. Yellowstone as a series, both visually and artistically, and from a story point of view as well. 

There is an appeal to seeing an America that Americans, in some way, idealised. People want to see Montanans and Texans and hats and cows and frontiers and valleys and people with guns taking care of business. You can’t escape that in American life. You can’t escape that in American history. We’re seeing in American politics that there’s been a repudiation of the liberal elite, and you’re going to see that in forms of art and media as well.

TAB Chasing the Fox begins on Friday December 13 on TVNZ1 and TVNZ+.