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Sam Neill’s life in TV.
Sam Neill’s life in TV.

Pop CultureAugust 24, 2024

‘It’s toe-curling’: Even Sam Neill has a reality TV guilty pleasure 

Sam Neill’s life in TV.
Sam Neill’s life in TV.

The Twelve star Sam Neill reflects on his life in television, including his favourite reality franchise, and how The Avengers caused sewage problems in Christchurch. 

Sam Neill is one of the most well-known and beloved New Zealand actors of all time, appearing on our screens in everything from Jurassic Park, to The Piano, to Peaky Blinders, to all these charming photographs with his cute farm animals. This week he returns as Brett Colby QC in The Twelve, a drama which delves into the complex lives of the jurors tasked with reaching a verdict on a murder case in the rural Australian township of Tunkwell. 

What might be not as widely-known about Neill is that he studied first year law but, according to his Wikipedia page, failed all four papers. “I’m not proud of it but it’s true. I just didn’t have the brain or the application to pull it off,” he told The Spinoff. “If I’d become a barrister, my father would have considered that a real job. He liked what I did, but it wasn’t a real job as far as he was concerned.” Real job or not, there’s no denying that Neill has done all right for himself since.

“Now I can just be a pretend lawyer,” he chuckled.  

Sam Neill, pretend lawyer in The Twelve

While he says traditional courtroom dramas risk becoming “claustrophobic”, the strength of The Twelve is that it expands into the outside world and the lives of the people involved. “Juries are supposed to be 12 ordinary men and women, but there’s no such thing as an ordinary man or woman,” he said. “Everyone has their own story and their own dramas and The Twelve really explores how those stories intersect or influence what’s happening in the courtroom.”

While he’s aware of the appetite for high profile and sordid court cases, mentioning a certain trial unfolding at the High Court in Auckland right now, Neill isn’t a huge consumer of the genre. “I binged our own show, and I thought it was really good, but I can’t remember the last courtroom drama I watched.” That said, he’s still watching plenty of television. “Probably too much television,” he laughed. “I’ve had some really great binges over the last few years.”

Please approach the My Life in TV bench with your evidence then, Sir Sam Neill. 

My earliest TV memory is… We must have been about the last country in the world to actually get television. We had a great big TV set at the time which took up half the room, but had a very small screen, about the size of a computer screen. We all gathered around it watching black and white shows, and I very much clearly remember Dad swearing and fiddling with the aerials. It was often a very frustrating experience, but it was sort of amazing to have moving images in your own sitting room. Bonanza is probably the earliest thing I remember watching on TV.

My first onscreen role was… I think the first thing I did that I’d actually own up to would be a little docu-drama called Ashes made by Pacific Films. Barry Barclay wrote it, and I played a priest in it. That was the first time I thought, “oh, this is interesting, this is something that maybe I could do”. There was almost no work for actors on screen in New Zealand at that time, so it was something that I never considered would be possible. But events took over, and that’s what I ended up doing.

My earliest television crush was… Emma Peel in The Avengers. Like most of New Zealand, I was dreaming about her at night. I was living in Christchurch at the time, and I remember the whole of Christchurch would get up at the same time and go to the lav during the commercial break. So there would be this sort of tidal wave, and the sewage system in Christchurch always had a lot of problems during The Avengers. 

The NZ TV ad I can’t stop thinking about is… I think the cheesier the better, really. But the one that I’ve never been able to get out of my head is the early Chesdale Cheese ad. It’s an old-fashioned cartoon, with these two blokes in gumboots singing “we are the blokes from down on the farm, we really know our cheese.” And it ended with this extraordinary couplet: “it’s ched-dar, made bet-ter. That’s a really bad rhyme and shouldn’t be encouraged. 

My TV guilty pleasure is… This really is guilty. There was a while where I just could not watch the news anymore. Everything was so depressing and alarming, Ukraine and Gaza and the looming elections in the US and so on, and so I’d have to watch something really, really stupid. I got hooked – not for long – but I did get hooked on Married at First Sight Australia. I am so embarrassed to say, but it’s just excruciating and hilarious. Everything about it is toe-curling, but that is what is so great about it. Utterly toe-curling and you get so caught up in it. It’s ridiculous. 

Tfw toe-curling television

My favourite television show of all time is… That’s easy: Babylon Berlin. It’s an extremely ambitious show set at the end of the Weimar Republic, just before the rise of the Nazis. And it follows two main characters – a detective who has PTSD from the first war and a drug addiction, and a young woman who is a wannabe detective also a part time sex worker. Every level of society is explored and it has such great storylines. Those first two seasons of Babylon Berlin were the greatest thing I’ve ever seen on television. 

My favourite character I’ve ever played on TV is…  I don’t have favourites, that’s policy. But the television character that I’ve got the most positive feedback from is Inspector Campbell from Peaky Blinders. He was a lot of fun to play, a very multi-layered, complex character.

My favourite TV project I’ve ever worked on is… The one I’m the most proud of was the Captain Cook series I did around the Pacific from Alaska down to Antarctica. It was a great privilege to visit those places and be with all those people and to follow that story. We also had very important rules that we set for ourselves – the main one being that I wanted to know the story from both sides of the beach, so to speak. So when a ship turns up, what were the indigenous people thinking, and what were Cook and his crew thinking? I think the series stands up well because of that. 

Sam Neill making Captain Cook’s Pacific

The TV project I wish I had been involved in is… I’d probably land myself in Berlin in 1929 in Babylon Berlin. What wonderful actors and what an incredibly interesting time in world history that was. They’d have to make a role up for a New Zealander who’s got lost, of course. 

My controversial TV opinion is… I think that those in charge really need to look at what their responsibilities are. Now that newspapers are in decline and we’re living in an age where the truth is increasingly under attack, it really is the responsibility of people who run television stations to bring us the news and in-depth current affairs. We need really good information. It’s more critical today than it’s ever been, and I think there’s a lot of dereliction and the people in charge have got to do better.

The TV show I will never watch is… I’m in Vancouver at the moment and I’ve turned on Fox a few times here, just out of morbid curiosity, and I will never turn it on again. The stuff they talk about and the misinformation is incredible. It defies belief that it’s allowed to continue. When Joe Biden gave his blessing to Kamala I was watching Fox, and they started talking about how they hadn’t heard from Biden for 24 hours and needed proof of life, kind of propagating the idea that there’d been some kind of coup and Joe Biden was dead. It was crazy, crazy shit. Yeah, I definitely don’t need to watch any more of that rubbish.

The last thing I watched on television was… Not only was it the last thing, but it’s also one of the best things, and you can find it on Netflix. It’s called Island of the Sea Wolves. I love a good nature documentary, and this is as good as any I’ve ever seen. It was absolutely fantastic, it follows these animals through a year cycle on Vancouver Island. A couple of seagulls bringing up a chick, an otter mum with her little baby, and these wolves that get separated. All these amazing stories that are so involving and moving, I cannot tell you how much I enjoyed it. Much more wholesome than Married at First Sight, that’s for sure. 

Watch Sam Neill in The Twelve here on TVNZ+ 

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Kween Kong
Kween Kong

Pop CultureAugust 24, 2024

‘Ancestry at the forefront’: Kween Kong on bringing her village to the drag Olympics

Kween Kong
Kween Kong

South Auckland-raised Kween Kong is already firmly on the podium in RuPaul’s Drag Race Global All Stars, aka the Olympics of drag. 

If you are missing the patriotic highs of Lisa Carrington gliding across the finish line, Hamish Kerr sailing over the high jump bar, or Finn Butcher conquering the rapids, look no further than the first episode of RuPaul’s Drag Race Global All Stars. In the thrilling conclusion to the season’s first global talent extravaganza, South Auckland-raised Kween Kong took the stage with Drag Race royalty Alyssa Edwards in a lip sync battle to Rihanna’s ‘Only Girl the World’. 

Edwards is a formidable opponent with a decorated history in this specific arena. She’s known for spinning jump splits, writhing for her life in the face of wig reveals, and this entire performance of ‘Shut Up and Drive’ in All Stars 2, often referred to as the best lip sync in Drag Race history. But that title might be contested after Kween Kong went totally airborne mid-song to execute a jaw-dropping barrel roll. She was, as Vanity Vain simply put it, “rolling in the sky”.

When asked about her now-signature move from London, where she jokes she is “turning barrel rolls into bankrolls”, Kong reveals the manoeuvre hasn’t always elicited the warm response it received on the Drag Race mainstage. “Before, people would be like ‘what a crunchy move, this is gross’,” she chuckles. “I’m like, ‘you try it first and see if it’s hard or not – you land on the ground gracefully, without breaking your knees, while also being a stacked 110kg man’.” 

These feats of physicality are nothing new for Kong, who joined contemporary dance company Black Grace at age 16 – just as an offer also arrived from the All Blacks. The Sāmoan-Tongan powerhouse was also a young track and field star, inspired by Beatrice Famuina and Valerie Adams. “These Pacific Island women who competed at the Olympics were my icons,” she explains. “So when I heard that about the theme being the Olympics of drag, it felt so good.”

Having warmed up in Drag Race Down Under, where she made history as the first Pacific Island queen in the Drag Race multiverse, Kong says Global All Stars was a significant step up. “Firstly, me and Spankie [Jackzon] had to walk sideways to get onto the main stage in Down Under, because we’re such big bitches, and the stage was so small,” she cackles. “So when we walked onto that Global main stage, it was just overwhelming… I almost passed out.” 

Kween Kong, trying not to pass out. Image: Supplied

Competing against queens from all around the world, Kong describes a fascinating mix of cultures in the workroom. “Everyone had such different cultural references. Some of the fashion and ideas that those European girls brought-” she pauses. “I mean, Down Under we are just such cheap queens.” For example, a quick drag challenge saw Kong purposefully “look a mess” in one of Spankie Jackzon’s old wigs, where the other competitors arrived perfectly coiffed. 

“When we were standing up in the lineup, I was like ‘I think I misheard the brief’,” she laughs. “Our humour is very different, we’re a lot more like the UK in that we are very good at taking the piss out of ourselves and each other.” 

That said, Kong’s artistry could not be further from any suggestion of cultural cringe. “I was always so lucky to work under Neil [Ieremia, Black Grace founder] and learn how to honour your Pacific heritage, but meet it in a more contemporary way,” she explains. “Any opportunity that I have to be on a platform like this, I take it so seriously. I like to use this time to make an impact, start a dialogue, or push versions of Down Under drag that haven’t really been seen before.”

Those versions of drag look less like blonde-haired, blue-eyed waifs and more like Big Bertha, Buckwheat, and all the other local queens who raised Kong back home in Aotearoa. “I’m always thinking about my aunties on K Rd that were seven foot stacked drag queens, that had size 15 feet and big shoulders,” she says. “They are these big Pacific Islanders with such maternal and loving natures, and that ancestry was always at the forefront of everything that they did.” 

Kong has already brought much of her heritage to the mainstage, dressing in a handwoven corset inspired by Samoan tapa and custom jewellery which also drew from traditional designs. Performing her own song ‘Global Savage’, which weaves in Samoan and Tongan language and was written with the help of Samoan-Māori artist Jamaica Moana, Kong cried the first time she watched the episode back. “I just knew that I wanted to bring the village to the main stage.”

The performance ended with Kong yelling “stay down, coloniser”, which soon became a catch cry on set. “For the whole rest of the production, Ru [Paul] would scream that out,” Kong laughs. While drag is inherently political, Kong’s performance felt like the most overt activism on the mainstage. “Yeah, there are queens that are the life of the party, which are amazing, but then there are the queens who stand at the front of the protest and throw the bricks. And that’s me.”

Which brings us to the current moment of backlash towards the LGBTQIA+ community, most recently manifesting in protests against drag storytime events. “It’s ridiculous and it’s all a distraction tactic,” says Kong. “Until a drag queen walks into a school and beats a child to death with a copy of To Kill a Mockingbird, I feel like the real predators are not the ones dressed in glamorous wigs and costumes – they are hiding in plain sight.”

To the Brian Tamakis of the world, Kong has a clear message: “all we want is to be seen as equal, and all we’re doing is trying to make sure people know that they have a community that they can connect to if and when they’re ready.” While the battle for queer rights rages on, Kong is buoyed by the next generation. “I look at the kids now and I see how open and beautiful and free of shame and guilt they are, which is such a departure to what I experienced growing up.”

And when she’s not on the frontline of activism, or plotting “global domination” on the Drag Race stage, Kong can be found in Melbourne, where she was able to buy a big house for her whole family and move them over from South Auckland. “It’s totally grounding,” she laughs. “Because no matter how big and successful I get, or how much money I make, as soon as I walk through the door, my mum does not care – ‘do the dishes, do the washing, babysit the kids…’” 

Even the best of the best can’t barrel roll their way out of that one. 

Watch Kween Kong in RuPaul’s Drag Race Global All Stars on WOW Presents Plus.