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Erna and Karl Van Der Wat. (Image: Tina Tiller)
Erna and Karl Van Der Wat. (Image: Tina Tiller)

SocietyOctober 2, 2022

The couple that WoWs together, stays together

Erna and Karl Van Der Wat. (Image: Tina Tiller)
Erna and Karl Van Der Wat. (Image: Tina Tiller)

The secret to a long and happy marriage? Bizarre Bras. 

Erna Van Der Wat was out for dinner with her husband Karl when inspiration struck. She was fiddling with a bundle of straws on the table, twisting them around her hand, when she unearthed her next big World of Wearable Art project. “I held up the straws and I looked at Karl and I said ‘this is what I want’,” she laughs over the phone. Months of trial and error with aluminium tubing followed, resulting in a garment that weighed about 18kg when it eventually debuted on the WoW runway in Wellington. 

As the model made her way down the stage wearing the piece – ‘Reflections’ – a civil engineer leaned over and asked the Karaka couple how on earth they managed to get the heavy tubing to stick together like that. Karl laughed and answered his question with another question. 

“Have you ever heard of Super Glue?” 

Reflections in action. Image: Supplied

Property developers by day, the Van Der Wats have been “pulling the sleigh” of marriage together for over 30 years and entering the iconic World of Wearable Art competition since 2006. Erna remembers the moment that WoW entered her life very clearly – she was watching TVNZ’s Good Morning in 2006 when a clip came up from the show. “I just thought ‘Oh my gosh, this looks really really lovely’. And then I just entered, stupidly not knowing what I was getting myself into.” She had always dreamed of making costumes for theatre, but followed her parents’ advice to “get something behind your name first”. 

Her first entry was a piece called ‘Intrigued’ in the Illumination category, where models walk under UV lights against a black backdrop. “It was basically just three wooden triangles and white elastic,” Erna says. “It was simple, very simple.” As simple as her entry was, it was the elaborate showcase it featured in that got her husband Karl, a former ostrich farmer who previously thought WoW was “crazy”, intrigued to start creating alongside her. “There’s that old saying that if you can’t fight them, join them,” he laughs.

They joined forces in 2007, entering the infamous Bizarre Bra category with ‘A Pair of Good Lookers’. “That was a really nice one,” remembers Erna. “It was two eyes and the eyelids actually opened and closed and she had these beautiful long lashes and it was all made out of beads.” They still display it in their lounge to this day, alongside the other Bizarre Bras they’ve made through the years, including one made out of copper and old trophies and another that resembles a giant pair of spectacles. 

Storage is an enormous problem for WoW-heads, and the Van Der Wats have had to kill some of their darlings over the years to stop their home being taken over by enormous and elaborate garments. “There was an entry that I sent in one year that I knew was not even going to make the show,” says Erna. “My heart was so broken when they sent it back that we poured a glass of wine, took the chainsaw, and we cut it up into pieces.” Karl remembers struggling to get the piece, titled ‘Stairway to Heaven’, out of the house in the first place. “No courier wanted to touch it – we probably needed a space shuttle.” 

They’ve needed everything from horse floats and boats to get their creations to Wellington over the years, but Karl says that participating in WoW has never caused much stress in their relationship. In fact, he reckons WoW has been great for their marriage. “You’ve got the ups and the downs, the good and the bad, the ugly and the beautiful.” The couple tend to disappear from social life in the months leading up to WoW, so much so that their friends and family refer to it as their “counselling” time. 

“We only have cats, no kiddies, which makes it easier because there’s a lot of stuff always lying around – screws and nails and hot glue guns. But it’s good fun. We’re a good team.” 

This year they will be heading back down to Wellington where their latest creation – ‘Unravelling’ – will feature in this year’s World of Wearable Art competition. Given that last year’s event was cancelled due to the pandemic, the pair haven’t seen the garment since they sent it off in June 2021. “I can’t even remember what my entry looks like so it’s gonna be really exciting to see,” says Erna. They will also be looking forward to seeing some of their fellow WoW-heads, a group called “the old trouts” who have been entering since the early noughties. 

And once they’re back home in Karaka, it will be back to “counselling” they go. “There is one piece that I’ve been working on in my head for about six years now,” reveals Erna. “And I think it’s actually going to happen next year, but we are still figuring that out.” Karl’s been working on the prototypes with matchsticks, but he’s still figuring out elements of the mechanics. “The stuff she wants to do is too difficult for NASA scientists,” he laughs. “But we’re not competing against anybody else, we’re only competing against our own creative boundaries.” 

The World of Wearable Art is on in Wellington from Sep 30 – Oct 16

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Illustration: Cat Atkinson
Illustration: Cat Atkinson

The Sunday EssayOctober 2, 2022

The Sunday Essay: Dunedin made me

Illustration: Cat Atkinson
Illustration: Cat Atkinson

We conclude Rent Week with an essay by Britt Mann, whose personality was forged in rough, icy, shared accommodation near the bottom of the world.

The Sunday Essay is made possible thanks to the support of Creative New Zealand.

Illustrations by Cat Atkinson

No one has ever accused me of peaking in high school. Having alienated myself from my school friends early on with a headfirst dive into evangelical Christianity, my social life throughout most of my teens was concentrated on Sundays. The rest of the week was spent skipping school, self-harming and convincing myself I was being persecuted for Jesus.

The turning point came in the form of a long lunch at Christchurch’s pre-quake C1 cafe with a bestie who’d recently started studying at Otago University. Her account of hall life was nothing short of Narnian: a parallel universe where kids were in charge of their own destinies, jocks were friends with nerds, lions lay down with lambs and sometimes, it snowed.

I was sold; my parents kindly forked out the fees for my fresh start. And so began Year Zero of the me I am now.

I showed up at Carrington College knowing almost no one, but with a self-imposed mandate to socialise, I soon befriended posh pissheads and brainy God botherers and lots of people in between. We’d all come from somewhere else. Now, we had barely a degree of separation between us.

The bonds were cemented fairly swiftly: ours was the final cohort to suffer through many long-standing Scarfie traditions that were axed – for better or worse – for subsequent generations. I have never known a dread so incandescent as that which consumed me at Otago’s terminal toga parade: a kilometres-long gauntlet along which thousands of impractically dressed teenagers sprinted in various states of inebriation, while being pelted with home-made missiles by older, gleeful peers. By the end, some of us were drenched; others were bleeding. But together, we’d survived. And, electric with our own adrenalin, we were ready to take on the world. 

It is only at the age of 31 that I appreciate the rarified beauty of the Dunedin student experience. It was, as far as I’m concerned, an egalitarian utopia: on arrival, former statuses as head prefect or sporting champion faded into insignificance on this blank social canvas that stretched from the shadow of Signal Hill towards the sea. Come second year, it didn’t matter how rich your dad was, your inaugural flat was as freezing and shitty as everyone else’s. Everyone wore the same Kathmandu puffer jacket, drank the same fetid Double Browns, and ended up on the same sticky dance floor on Saturday nights.

This was a time and a place for drunken hijinks but we were under no illusions it would last forever. An illustration from the annual Hyde St Keg Party: I am in a gypsy costume and have consumed a bottle of cheap sav on an empty stomach before 11am. I set off, along with flatmates outfitted variously as “Pirate Batman”, “Jesus Batman”, and a giant tomato, down Cargill St towards the fray.

Hours later, I’ve pashed a severely platonic friend, blacked out in broad daylight on the Frederick St footpath, and arrived home at sunset in a backless hospital gown. A decade later, the same friend unfurled his yoga mat alongside mine before 8am on a recent Saturday morning. Where once we revelled in suburban decay, today, we perform self-care before sun-up.

As much as Dunedin was a playground, it was also a training ground. It was, for example, where I became a journalist, though I didn’t recognise this at the time. The stories I produced for the student mag remain some of my best work, notwithstanding an “exposé” of the city’s least popular property managers, one of whom stormed the office claiming – not without reason – that I had defamed him. I wrote about New Zealand’s refugee quota, restorative justice, abortion protestors and, apparently trying to exorcise some latent demon, a piece entitled: “The Strange Phenomenon of Christian Flatting.” A year later, this eclectic portfolio was enough to land me a job in a mainstream newsroom and launch a career I’d never planned.

Professionally, I was grateful to learn about the concept of “right of reply” in a low-risk context. On the home front, I routinely learned things the hard way. Turns out people don’t have to love you and they also don’t have to live with you. After my first semester of second-year flatting, a flatmate* rang to inform me he and the others would be renewing the lease the following year. I would not be on it. There was no way around this breakdown in relations but through: I had half a year in the house to go and there was no thought of skulking back to Mum and Dad’s. So I went on antidepressants, bucked up my attitude, and I wish I could say I only had to learn that lesson once: your actions have consequences. And karma is a bitch.

Amid the melodrama, there were practical lessons, too. Without any proper grown-ups on the scene, we raised each other: cooking shared dinners from Alison and Simon Holst’s Very Easy Vegetarian Cookbook Sunday to Thursday, weekly flat shopping at the South Dunedin Pak‘nSave, and trialing increasingly gruesome methods to annihilate the rat who kept eating our fruit and crapping on our couch. This was the time and place to learn these life skills. I know former Scarfies who, in their late 20s, found themselves housetraining flatmates who’d stayed at home to study but never learned to load a dishwasher.

In the hearts of many who’ve passed through, Dunedin can feel more akin to a worldview than a location. Since graduating, I have discovered that the common experience of forging one’s identity near the ends of the earth has been enough to sustain friendships, build new ones, and resurrect those I thought I’d left behind. In the past year, I’ve spoken at these dear ones’ weddings, held their hands at funerals and danced with them barefoot in a paddock in the rain. We’re still growing up together.

And, some of us are still flatting. Earlier in the year, I lived alone for the first time on a dodgy street in a drug-addled part of town, an empowering if disquieting experience where I levelled up my adulting even further by killing cockroaches and twiddling screwdrivers. But with a deposit on an off-the-plan apartment, I knew I’d have to apply for a mortgage, and felt it financially prudent to move back in with a flatmate.

In a sparkling twist of fate, the development fell through within days of giving my notice. However, I had no second thoughts about sharing a flat again; and the house hunt is on indefinite pause. There’s a lot to love about living in community; Dunedin showed me that. The key is finding the people – and the place – that bring out the best in you. It might be a gentrified street with a view of the Sky Tower. Or it might be somewhere between Signal Hill and the sea.

* Britt Mann’s erstwhile flat ouster has been her best friend ever since. At 31, she lists him as her emergency contact on various documents.