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“Our company is gonna be thiiiis big”: Mark Weldon on stage in Auckland on October 30, 2014.
“Our company is gonna be thiiiis big”: Mark Weldon on stage in Auckland on October 30, 2014.

Pop CultureMay 1, 2016

Coup on at MediaWorks

“Our company is gonna be thiiiis big”: Mark Weldon on stage in Auckland on October 30, 2014.
“Our company is gonna be thiiiis big”: Mark Weldon on stage in Auckland on October 30, 2014.

A year of chaos and controversy may end today, as Mark Weldon fronts the new-look MediaWorks board with his most important star on her way out and senior staff close to revolt.

UPDATE: Newshub has confirmed that Mark Weldon resigned this morning; Wednesday 4 May – more to follow.

In the aftermath of news of Hilary Barry’s shock resignation on Friday, The Spinoff understands insurrection is in the air at MediaWorks. Executives, senior staff and on-air talent are said to be furious with the company’s embattled CEO, Mark Weldon, and are planning a series of individual actions being referred to by some as ‘operation take him out’. 

“There is a threat of mass resignations across TV and Radio, not just news,” said a senior Mediaworks source. “If there are no actions by the Board in the next 48 hours then resignations at the executive level – and throughout the rest of the company – are expected within days.”

Weldon’s brief but tumultuous tenure has already seen the loss of experienced staff, the end of Campbell Live and 3D, concerns over declining TV ratings and ad revenue, along with a steady stream of embarrassing news stories about the organisation.

While there have been rumblings from MediaWorks for a long time, Barry’s resignation is being seen by a number of key staff as a bridge too far. A senior source says the problem is company-wide – contrary to the idea dissatisfaction is isolated to the newsroom – and that Weldon has lost the confidence of a number of members of the executive.

“Company leaders are very anxious and unhappy about the way he handled Hilary’s resignation,” another senior MediaWorks figure says. “There’s been concerns about his leadership for a while – but this feels like a tipping point.”

"Our company is gonna be thiiiis big": Mark Weldon on stage in Auckland on October 30, 2014.
Mark Weldon in happier days, on stage in Auckland on October 30, 2014. (Photo: Getty Images)

The stage is now set for an explosive board meeting, scheduled for today, featuring two new members who have recently joined the tight four-person board. Company sources suggest staunch Weldon ally Rod McGeoch – who granted Weldon a controversial contract extension last year – is likely to step down as Chair, to be replaced by Jack Matthews, one of two recent appointments by MediaWorks owners’ Oaktree Capital.

A number of senior staff are said to be waiting on the outcome of that meeting to determine their course of action. Anything short of Weldon’s resignation will likely be viewed as an inadequate response to their concerns.

The losses of John Campbell and now Hilary Barry, who impacted everything from revenue to mentoring, have had flow-on effects throughout the business. They are emblematic of the large number of senior employees who have left the company since Weldon’s appointment in August of 2014.

While Weldon cannot be held responsible for every departure, the seniority and sheer number of those who have left has troubled remaining staff. Losses include Peter Crossan, Liz Fraser, Clare Bradley, Paul Maher, Katie Mills, Rachel Lorimer, Amanda Wilson, Mark Jennings and Inna Goikhman – key figures from areas as diverse as finance, revenue, legal, television, marketing, communications, news and research. 

Ironically Weldon was allegedly critical of MediaWorks’ legendarily low staff turnover on arrival: “There’s not enough new blood,” he is said to have told members of the executive. That is one problem he seems to have solved. Our sources allege that turnover has soared to between 20 and 30 per cent under his watch, with Stuff citing “hundreds of redundancies and resignations”. This has lead to retention and recruitment becoming a far more arduous and expensive task company-wide – a bitter blow for an organisation that was once the most coveted employer in the industry for on and off-air talent.

“The company can’t afford to keep losing people because the reputational damage means you have to pay even more to replace them,” a MediaWorks source said. “You’re essentially paying them danger money.”

An image circulating amongst TV3 insiders
An image circulating amongst TV3 insiders

The steady stream of negative news stories has been felt acutely within sales, and The Spinoff understands the most recent revenue figures are particularly troubling. The already-difficult current media environment has been exacerbated by the the erosion of the once-rock solid TV3 brand, and “there are concerns among the leadership about what advertisers must be making of all of this,” says a senior management figure.

While radio and television have both suffered, no area has been as problematic as the new ventures Weldon has championed. Gossip site Scout was the subject of an embarrassing investigation by The Spinoff, and has had consistently poor audience figures. The much-vaunted launch of an events division as a joint venture with Australia’s Channel 9 has been similarly lacklustre, with little to show for its first year in business.

However, unlike television and radio, both Scout and events seem to be above criticism internally. “You bring them up at your peril,” said a source privy to executive-level discussions.

The bungled handling of Barry’s departure was allegedly the final straw for several senior company leaders. The presenter was the organisation’s most well-liked star, and a beloved figure in the newsroom. Despite that, many senior staff only learned of her departure hours before it was announced – after the news had leaked to Herald journalists Matt Nippert and Miriyana Alexander. To make matters worse, when Weldon finally informed staff, he misspelt her name in the email subject line:

Screen Shot

Now, with Barry gone, there is huge concern she might tempt other media organisations to approach MediaWorks’ remaining talent. Internal fears abound that Paul Henry, who loved working with Barry, might follow her lead and resign. The Spinoff understands his contract is up toward the end of the year, and that he will likely be devastated by Barry’s departure.

“Henry will be asking ‘how could this have happened?’,” and will demand an answer from Weldon, said a senior MediaWorks source, who characterised Henry as being “intensely loyal – not to corporates, but to the people he works with”.

Other media companies, scenting blood in the water, might be emboldened to make a play for Henry or the statesmanlike anchor Mike McRoberts, who has lost both Barry and his wife, Paula Penfold, as colleagues within a matter of months. “It’ll be open season on talent,” said a source. 

The loss of either Henry or McRoberts would be a further blow to the company’s radio and television schedule, and create another empty shelf in its increasingly bare cupboard of stars.

This is the backdrop to today’s board meeting, which shapes as the most important of Weldon’s MediaWorks career. It’s a pinch point that has loomed for nearly a year now.

It’s one he will have seen coming. Weldon has what was described to the The Spinoff as a suspicious nature. It wasn’t always justified. “When he arrived, everybody did have an open mind,” a Mediaworks insider said.

Now, the same source says, he’s absolutely right to be paranoid – senior staff really are out to get him.


Read more of The Spinoff’s coverage of Weldon-era Mediaworks here

Keep going!
Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)
Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)

Pop CultureApril 30, 2016

Why Hilary Barry’s resignation is the climax of TV3’s red wedding

Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)
Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)

The shock resignation of Hilary Barry from Mediaworks represents a bigger blow than any of the other high profile TV3 newsroom departures, says Duncan Greive.

Last night, just before 9pm, news broke that Hilary Barry had become the latest and biggest casualty of the Mark Weldon era at Mediaworks. It’s a cataclysmic event for the organisation, a multi-pronged nightmare with implications stretching from dawn to dusk and across all platforms.

Barry is the most universally beloved figure in New Zealand television, a woman who managed to embody everything TV3’s brand once stood for – smart, funny and relatable in a way that TVNZ’s slightly aloof figures have struggled to match. Yet if the rumours of her recruitment to One are true – and it seems near-certain – then this is one of the most audacious and admirably ruthless coups in recent broadcast history.

Every prior departure could be sold as part of a rejuvenation process – Mediaworks as a sports franchise in rebuild mode: trading ageing assets, doubling down on young talent.

You can imagine the thought processes: John Campbell? Earnest old-fashioned leftie – gone! Paula Penfold and investigative journalism? That doesn’t sound very snackable – gone! David Farrier? Speccy nerd – gone! Mark Jennings? He hired all those idiots – gone!

Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)
Hilary Barry on launch day for Paul Henry (Photo by Hannah Peters/Getty Images the Paul Henry Show)

The point is that each and every one was, in some ways, a departure which Mediaworks executives either wanted or could live with. They could still frame the whole situation as a modernisation exercise. What seemed to get lost for Mediaworks bosses was that those people were friends and colleagues for Barry, and the heartless way they were cut affected her deeply.

Indeed, viewing staff solely as tradable and disposable assets, and not as human pieces of a newsroom ecosystem, seems to be a key failing of ex-NZX boss Weldon’s understanding of his organisation’s culture.

So while the prior events in TV3’s red wedding could be watched without major distress by senior executives, Barry’s departure represents a major narrative rupture. 

‘Renewal’ was only plausible so long as she was there. In a position renowned for ego and a cool distance she cut an immensely sympathetic figure – laughing like a drain at times, weeping unselfconsciously at others. Even though the contemporary newsreader can feel like an attractive autocue robot – at least, that’s what you feel is wanted of them – she had bags of personality and even a moral compass which would flare up whenever needed.

I twice saw her present the Canon Media Awards, the first at incredibly late notice, as John Campbell had been summoned to David Cunliffe’s house (it sounds so quaint, but was really less than two years ago). She boiled over with wit and mischief, really lighting up the room. I don’t think anyone there would have failed to come away thinking “she’s wasted on the news”.

TV3 knew it too – and adroitly placed her alongside Paul Henry on Paul Henry, a true casting masterstroke. The pair had terrific chemistry, and she allowed him to conform to his natural troublemaker role. Her sheer proximity meant that there was both a brake and implicit endorsement by a person we knew to be of unimpeachable character. If it was OK with Hilary, it was OK with us.

The resignation could not have been worse timed. After a solid year of tumult, things were starting to look like less of a war zone. The Newshub brand had launched and bedded in. Paul Henry has just turned one, and started to really hit its stride both in form and in ratings. Same goes for Story, whose audience had stabilised and grown after launching into the void left by Campbell Live. Indeed, the news broke just a couple of hours after the debut of The Friday Story, a promising panel discussion to fix the gaping hole on Friday.

Weldon and Mediaworks could have forgiven themselves for thinking the bad times were over. Now the channel’s heart is gone and they’re plunged into chaos anew. Shockingly, abruptly we’re about to witness the end of the stellar Barry-McRoberts combo – the greatest newsreader combo of this era.

It’s not irrecoverable. The channel’s incredible recruitment machine means talent like Samantha Hayes and Kanoa Lloyd are on hand and likely to be promoted. And in the past the likes of Hawkesby, Bailey and even Holmes have left channels without the world collapsing.

But Hilary is a rare talent, and far from being on the down curve, it feels like she’s still discovering what she can do – rounding into her prime, rather than at its peak.

This era too, is markedly different: audiences are atomising and another bad year might make the already difficult task of a profitable exit for Mediaworks’ owners, Oakbridge Capital, entirely impossible.

The ramifications are not quite on the level of the loss of Home & Away, but they’re close. For TV3, and her very large and loyal audience, she leaves a gaping hole they’ll already know they cannot fill. For Mark Weldon, Mediaworks’ embattled chief executive, this loss is one he will find very difficult to bear.



Read more of The Spinoff’s coverage of Weldon-era Mediaworks here