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Pop CultureSeptember 12, 2017

Labour is starting a new TV channel – so why won’t it sell TVNZ?

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Labour’s non-commercial RNZ+ multi-media network is a brilliant idea – but it makes no sense to keep it and retain public ownership of TVNZ, argues Duncan Greive.

Labour:
[We will] develop a new public digital media service… [including] a free-to-air noncommercial television service. The working title is ‘RNZ+’

Also Labour:
TVNZ will remain in public ownership.

Labour released the ‘Broadcasting and Digital Media’ section of its ‘Manifesto 2017’ today, a six page document which seeks to pivot to the future while not abandoning the past, much like the media itself. The hero item is a $38m package of funding for the first year’s work on RNZ+: a “a non-commercial, audio-visual and multi-platform entity [including] include a free-to-air noncommercial television service… developed from Radio New Zealand. The working title is ‘RNZ+’.”

This is essentially a beefed up version of what we already have at RNZ – which operates “a non-commercial, audio-visual and multi-platform entity” across radio, web, social and some free-to-air – chiefly bolting on a full non-commercial free-to-air TV channel.

How that $38m gets split will be critical. If it leans too much on television it risks resourcing a (slowly, but still) dying medium which is predominantly enjoyed by older New Zealanders.

Lean too far toward online and it could create another TVNZ7 – the non-commercial channel launched in 2008 which had a lot of worthy but poorly-lit content that few watched (though all that did signed a petition afterwards).

There’s a further danger that a really grunty online news channel would have a chilling effect on private news media – read: mainly Stuff and the Herald – cutting directly into their still-thin digital revenue streams just at the moment that earlier investment should be starting to bear fruit.

It also, in its emphasis on more state-owned and non-commercial media, represents a victory for the ‘Campaign for Better Broadcasting’ – a group of well-meaning public broadcasting enthusiasts who have long argued that New Zealand needs an ABC / BBC-style commercial-free TV channel.

On balance the RNZ+ side of the equation looks positive. Under Paul Thompson’s reign as Chief Executive the organisation has gone from a moribund and elitist bureaucracy to a much more vibrant and vital entity. There are new and younger hosts; syndication agreements and collaborations with multiple media outlets; an impressive online operation; a growing stable of original podcasts and a cool youth-centric website.

That all this has been accomplished with year after year of zero budgets suggests that RNZ has become adept at doing a lot with relatively little – and thus the $38m it’s being offered (roughly doubling its current budget) could go a long way.

That’s the good stuff. The rest is basically a kick the can exercise: NZ on Air to continue in current form, subject to a review; an interesting but maddeningly vague reference to “investigate ways to support” investigative journalism “across all media platforms” – including a specific reference to “print media”; “no policy to bring all media and advertising standards and complaints procedures together under one entity” – IE retention of the Broadcasting Standards Authority in its current archaic form.

So far, so good enough: the fact is that the pace media is changing – like that of many industries – is faster than government can realistically handle. Maybe it’s the new normal, maybe the smoke clears and some sort of stability ensues. But its definitely a hard environment in which to legislate, let’s not kid ourselves.

The one section which really screams out is this: ‘TVNZ will remain in public ownership’. Because, why? A decade ago the previous Labour government attempted to regain control of TVNZ. It instituted a charter and funded it to run identity-fostering channels like Heartland, TVNZ6 and TVNZ7. Bluntly, the host rejected its new appendages.

Now we have a very similar intention, pushed through a completely different entity. TVNZ has proven itself so resistant to even token displays of public-spiritedness that this current Labour administration has decided to cut it out almost entirely, only asking that it help RNZ+ with some basic “technical, operational and ‘back-office’ services”, while showing their trust in TVNZ by warning that these will come “at audited and transparent cost with an agreed margin”.

Given that we are now setting up, essentially, a second branch of TVNZ on a non-commercial basis – something New Zealand television was for only a matter of months following its debut in 1960 – the matter of TVNZ’s public ownership screams for attention. It is no longer paying a dividend of any substance to the government: a pitiful $1.4m will be returned this year, and, as mentioned before, it proudly refuses to entertain any conception of non-commercial public utility. Yet it retains a huge audience which would be valuable to some potential acquirers, and has enough green digital shoots to be plausible as something more than a pure sunset business.

For now at least. Who knows what the future holds? It might be that TV channels have only a few years of natural life left. In which case, isn’t the most responsible thing a government can do to get out while it still can, and to pour what it gains into RNZ+?

Unfortunately, while much of its policy implicitly shows how little faith Labour has in TVNZ, it remains unwilling to take the painful but necessary step of actually cutting the cord.


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Andy (1)

Pop CultureSeptember 12, 2017

Jane Yee on The Block: It’s the eleventh hour and we are all Andy

Andy (1)

Jane Yee tackles the eleventh week on The Block NZ, including giant eclairs, pergolas and a Jason Gunn cameo for the ages. 

A pergola. Four and a half hours of my life this week revolved around an effing pergola.

“The fact that you’ve moved it puts it under the recession plane, and I can’t see any reason that it shouldn’t stay there.” This is how Peter Wolfkamp informed the HamDads their beloved structure had been given the green light.

What he should’ve said is “that monstrosity is really fugly, the judges and all other humans are ten thousand percent going to hate it and you’d be mad to leave it up.”

Every year I commit to watching The Block NZ. Every year it gets to the tail end of the season and I start questioning all my life choices that have led to this moment. Why am I not learning to scuba dive? Travelling the world? Writing a novel? Why is my Sunday night being spent in front of the TV, waiting through actual commercial breaks to find out the fate of a pergola? Cancel my memoirs!

Getting to this point in the season has been hard slog for everyone involved: the contestants, the tradies, you and me. Let’s not forget the poor Mediaworks intern who mentally checked out ages ago and for this week’s challenges just ripped a leaf out of the 48 Hour Film Competition handbook before drawing a circle around the latest Coffee News brain teaser.

Helping to lift the mood a little this week, family and friends visited with hugs, kisses and words of encouragement for their beloved Blockies.

When Mum comes to wipe down the benches, pick up undies from the bedroom floor and give the bathroom a good going over you know the end of The Block is nigh. Just thinking about getting my Sunday-through-Wednesday nights back has me as high as a reddy-brown pergola on a roof terrace in Northcote.

#1 LING AND ZING

I have no issues leaving The Ings at the top of the power rankings from here until the bitter end. Look, I realise their rooftop terrace was lacklustre and they don’t seem to know the difference between a musical short film and a music video, but none of that will make a blind bit of difference come auction day.

I’ve said it before, and I’ll say it again (next week probably), the brothers have the best house. Their closest competition is House Four but The Besties have well and truly cocked up the layout there, and that works bloody nicely for Ling and Zing.

The Christchurch cruisers might have underwhelmed the judges in both Room Reveals this week, but they impressed me with their quality NZ Post promo. Honestly, it fit so seamlessly into the narrative arc of the show that had I barely noticed it was sponsored content.

#2 JULIA AND ALI

When Julia and Ali look back on their time on The Block, week eleven will be like a fifty dollar note poking out of a pile of dog poo. It was a great week for the twins; everyone was too scared to be mean to them, they managed to swap some outdoor furniture for a paint job from Nate, and they had the opportunity to prove to the nation they have friends IRL.

On top of all this, the twins took out both the short film and brainteaser challenges and then rounded up the winning streak with the top score at Room Reveal. If only their terrace view wasn’t interrupted by the blight on House Two’s rooftop, they might have had a fighting chance for the top spot in this week’s rankings.

#3 STACE AND YANITA

This week, the Besties accepted no responsibility for a paint spill that was clearly their doing, did a half arsed Dinner Wars paint job for Ling and Zing, and produced a sci-fi short film that had primary school AV monitors nationwide shaking their heads in disbelief. You would think after three months of fake smiling on camera they would have this acting thing down, but alas…

Things looked up for Steak and Cheese when the judges gave them decent scores during Room Reveal, but The Twins threw down a minus-two to turn what would’ve been a draw into a win.

The Besties have spent the last eleven weeks bobbing around the middle of the scoreboard at Room Reveals, in challenges and in these very influential power rankings. With only one week left on The Block, it’ll take more than a couple of strategically placed romantic polaroids to lift the spirits of the Palmy pair.

#4 ANDY AND NATE

Things started well for Andy and Nate. As the only contestant qualified to operate a paint sprayer, Nate became the most popular guy in Northcote. Once again, the HamDads impressed Bernie and Jason, taking out the midweek Room Reveal with their Entrance, Stairwell and Powder Room. Things ramped up to awesome when the wives and mums showed up with some elbow grease and a banana box of ginormous choccie eclairs.

All was going great for the HamDads, Andy even got a little frisky suggesting a christening of the double shower with wife Caroline.

Then it all came crashing down at room reveal when Jason and Bernie tripped over the thousand outdoor features piled up on House Two’s terrace before coming face to face with Nana’s carport. Lovely lighting, pretty planting and a boss barbeque couldn’t hide the eyesore in the room and couldn’t stop the judges raining ridicule on the HamDad’s pergola parade.

HONOURABLE MENTIONS

BRENT THE BUILDER

That pergola would never have happened under Brent the Builder from House Three’s watch. I mean, we all thought the HamDads’ pergola was a very, very bad idea indeed, but Brent was the only builder prepared to go on national telly and say it. Nay, score it.

WOLF ON WHEELS

If Peter Wolfkamp keeps up this embarrassing dad act for a few more years, he’ll be leader of the National Party in no time.

JASON GUNN

He’s reached lofty heights as host of smash hit shows like Dancing with The Stars, The Rich List and Wheel of Fortune, but he’s still humble enough to don a More FM tee shirt and guest judge The Block NZ’s worst challenge yet. Jason Gunn: national hero, man of the people, sacrificial lamb.


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