Left: Students at Newton Central Primary School learn Ataarangi. Right: A photo from a news article on the unit. (Photos; Supplied, Image Design: Archi Banal)
Left: Students at Newton Central Primary School learn Ataarangi. Right: A photo from a news article on the unit. (Photos; Supplied, Image Design: Archi Banal)

ĀteaDecember 17, 2023

A school that loves you: The story of Te Uru Karaka

Left: Students at Newton Central Primary School learn Ataarangi. Right: A photo from a news article on the unit. (Photos; Supplied, Image Design: Archi Banal)
Left: Students at Newton Central Primary School learn Ataarangi. Right: A photo from a news article on the unit. (Photos; Supplied, Image Design: Archi Banal)

Lillian Hanly is a former student of Te Uru Karaka, Newton Central Primary School’s full immersion Māori language unit, which her mums played an integral role in developing. She talks to them both about what the school has achieved.

My old school is nestled near Grey Lynn in Auckland city, alongside the northwestern motorway and not far from Karangahape Road. Our caretaker, Matua Ross, would apparently, on occasion, have to roam the grounds first thing and remove needles or condoms – but I only found that out when I got older. When I was a student there it was a safe haven. We had a native forest full of mānuka trees, a field to play bullrush, a playground, a māra kai (food garden), a sand pit even, a music room and multiple murals.

It was vibrant and colourful in the thick of the city. It rang with laughter and chatter rings during lunchtime, and you would often hear singing in multiple languages, or Whaea Piri’s Rarotongan drums. The school principal while I was there, Hoana Pearson, would tell us we went to the “best little school in the whole wide world”.

And we believed her. 

Newton Central Primary School celebrated its centenary last month with two days of activities. Hundreds of people, including some who had attended the school in the 1950s, gathered for a pōwhiri before seeing a showcase from the current students. There was a school band performance, kapa haka and Pasifika drumming and dancing. There were speeches from former principals, a special centennial lunch and guided school tours. They held a fiafia day as well, with more live performances, and took photographs of whoever was present from various decades. The food trucks ran out of food by mid-afternoon.

I attended Newton from 1999-2004, though I definitely spent time in the classroom before I turned five. One of my mums, Tamsin, became a teacher there and she taught me and my older brothers. Some of the older students often remarked on how I, as a toddler, would be climbing around the windows of the classroom during lessons. We were students of Te Uru Karaka, the full immersion Māori language unit that started up at Newton in 1996. A number of kids in the same area, including my brothers, were finishing at kōhanga reo and needed a school where they could continue learning in te reo Māori, and so the unit was born. At the time, there weren’t many places like it in mainstream schools. There weren’t many kura kaupapa Māori in Auckland at all. This was the 1990s, the kōhanga reo generation was flourishing, but they were also getting older. Today, there are three full immersion units that make up Te Uru Karaka and also three bilingual units, under the name of Te Awahou. Together they are now known as Te Aka Pūkāea. The six classes, with as many teachers, currently have more than 100 students. 

My two mums, Tamsin (Pākehā) and Leonie (Te Ātiawa, Taranaki, Waikato), were instrumental in starting the unit. They approached the then principal Tim Heath who said, when asked about it this year, the case presented at the time was  “elegant” and “unarguable”. Growing up, it was absolutely normal to me that we were taught in te reo Māori. As I got older I realised this wasn’t the case everywhere. I interviewed both my mums in the lead-up to the centenary celebrations to share what I now understand to be quite an incredible story.

The crew of Te Kauta, the cafe at Newton Central Primary School (Photo: Supplied)

Leonie: We wanted [our kids] to be going into either a kura or an immersion context that was close to the community in which they lived. And because there was only one kura which was quite full at the time in Tāmaki, it seemed an appropriate idea to either look at establishing a second kura, or drawing on an existing bilingual unit and seeking to move it to immersion, and that’s what we did. … It was about doing what’s best for your tamariki, and that’s what was best. But not just for the boys. Because at least 20 tamariki started that first year.

Lillian: Was this only about the reo, or tikanga as well?

Leonie: First and foremost, immersion schooling. Because the tikanga comes with the reo, mātauranga comes with the reo. So once you commit to te reo Māori immersion schooling, you commit to all of the other kaupapa that come with kaupapa Māori. 

My mum, Leonie, speaks often about being a good ancestor. She grew up without speaking her own language, and has spent her life reclaiming not only te reo Māori but all that comes with it. She carries an unwavering sense of purpose and has a piercing clarity for what is just in this regard. Her life’s work has been around creating, sharing and maintaining kaupapa Māori initiatives, to ensure the next generations can thrive. She does this in research and academic spaces mostly, building connections between people and across oceans, but her strongest contribution in my eyes is the framing of herself in relation to her tamariki and mokopuna. She is us and we, her. As Moana Jackson would say, a series of never-ending beginnings. 

When I spoke to her about the beginnings of this unit, she explained how they came to choose a name for the classroom, Te Uru Karaka – the karaka grove. There was a karaka grove that ran along the bottom of the school next to the motorway near an area called Te Rae o Kawharu – a place of significance for Ngāti Whātua, on whose land the school sits. She said that a karaka grove was a place where trees grow together collectively, and how that brought up ideas of coming together in a particular way for wellbeing and survival. 

Leonie: When you want to have a rumaki or a kura, you have to just keep pushing through all the time. Keep pushing pushing pushing until you find the space, or the space opens, which it does sooner or later. It’s just got to be at the right place, at the right time with the right people. 

My mums were around 30 years old when they, along with other parents, embarked on establishing a space where my brothers, Kumeroa and Teahooterangi, could receive an education in their own language. The indigenous language of this country. I’m about to turn 30 and I keep telling myself I should make more films, get back into the piano, or simply read more, let alone contribute to a very serious and long-lasting form of language revitalisation. 

Leonie: Well… we created it. We created in the school a new initiative that was innovative, that was committed to te reo Māori and tikanga, that brought huge wellbeing to the Māori whānau that came into it. And we did it through developing strong alliances and relying on whanaungatanga. And a lot of talking. Long whānau hui. We had to write lots of different policies too around the functioning, the operations, and also the kaiako. The commitment the whānau needed to have, knowing that tamariki can’t be immersed in te reo Māori if they go home to English-speaking environments … I don’t know if they still have that early documentation. But it stood it in good stead.

A lot of students have come through that school, that classroom, since the unit opened 27 years ago. A lot of parents have been involved in maintaining the kaupapa behind it. A lot of teachers. Whaea Hoana was the first teacher in the unit before becoming the principal of the (best little) school (in the whole wide world). When that happened, Te Uru Karaka needed a teacher and my mum, Tamsin, was trained and had some reo Māori. She is also Pākehā. She initially didn’t think she should be the teacher, but with the blessing of the whānau, she took up the role, checking in each year as to whether it was still appropriate or not. She ended up spending 17 years as one of the lead teachers of Te Uru Karaka. Another parent said that she “possesses a talent and dedication for educating tamariki that is without peer. Quite simply, our tamariki flourished under Whaea Tamsin’s boundless energy for perfecting her craft as an educator supreme.”

Mum was brilliant, and creative, and wonderful – and she was strict. She would, without fail, make any student pick up rubbish if they walked past some on the ground. “It’s not my rubbish though, Whaea.” “Is this Earth your home?” she’d whip back. She was merciless around the rule of not speaking English in class, with some people calling her a taniwha. But I guess she had to be tough. They were creating something in a new environment and having to prove to everyone that not only was it a good idea, but it would be successful. 

Tamsin: I had high standards on myself, therefore I had really high standards on the kids. We all had high standards on each other, really. 

She’s a force. In a way, I felt like she was an extension of the unit. I can still remember her conducting experiments and research at home to bring to school. We had beehives at home and did recycling well before it was cool.

Tamsin: I had to learn all the glossary words, looking them up in the Māori dictionary. Te Taura Whiri didn’t exist then, you had to create everything yourself. I had to spend weekends working and nights once the kids went to bed. And you didn’t have a computer then either, everything was handwritten. It was a steep learning curve, learning all the kupu Māori. And the whānau, not just parents, but extended whānau, also helped us learn the new vocab.

Lillian: But you essentially developed your own curriculum?

Tamsin: We absolutely did, but as a community, a whānau, we did. It wasn’t just me. 

Press clippings on the immersion unit at Newton Central Primary School. (Photos: Supplied)

The curriculum was engaging and enlightening. I have the best memories of doing outrageously creative things as part of our learning. We mixed kutu shampoos using native plants and rongoa māori; we made manu aute using natural resources to test which materials flew best; we stayed overnight at school planning for an environmental disaster using survival skills and Māori resources; had noho marae around different parts of the country to learn our history; started an organic māra kai (with the help of our Matua Ross) and a compost for the school; we planned and ran a functioning cafe, with aprons of our own design, that sold kai Māori; we held Matariki celebrations; and we were taken on the foreshore and seabed hīkoi as a classroom. All the while doing the basics as well.

Tamsin: We were the first science fair entries in Māori ever, and they had to get in Māori language judges to mark them. So that was cool. 

I think my mum has always known what they did was amazing, she’s proud for sure, but she won’t rub it in your face. Just a simple, “Yeah buddy! We did such cool things.” Such cool things. Leonie doesn’t really hype it up either, it’s as though she accepts it just had to be done. But as I’ve grown older, I’ve realised we were a little ahead of our time.

Leonie: We had Matariki celebrations from the very first year, because the whānau wanted it. They may have been small, but they were there and they built through the 27 years. So now that Matariki is a fully fledged nationally recognised way of being and day of acknowledgement, that’s been really pushed by those who are leading it at the moment, that was a part of our curriculum 27 years ago, as it was in kura and kōhanga.

Tamsin: So Matariki was a whānau thing. But in class I taught astronomy, planets, space – looking at western science as well. [I] looked at Matariki and Puanga and taught that through mātauranga Māori. We would go to the beach, as a way of getting out of the classroom. We would bake kūmara and smoke fish, and leave an offering to the atua. We would make masks and puppets of the atua and tell their stories. We would acknowledge those who had passed on that year by writing letters to them.

The cafe too, I can’t believe we ran a cafe at school where people actually came and sat and ate and paid money. It was called Te Kauta. We made such sick aprons for ourselves. 

Tamsin: I think cafes were starting to become popular in NZ then. So I thought, why don’t we have a Māori cafe. And then used the whole term of all the curriculum areas to prepare for running a Māori cafe for a week in the school, with the kids doing everything and the parents and whānau and community helping as well. 

All with parental permission, of course.

Tamsin: It was the same when we thought it would be a good experience to take our little choir busking. We went at lunchtime every day for a week up to K Road singing songs in multiple languages. We had to get permission from the parents. And imagine asking to take a group of primary kids up K Road! 

Te Kauta was such a cool thing to do to look at how you could learn things in a different way. As children we were trusted and encouraged and respected by our adults to do what seemed to be grown-up things. 

Tamsin: There was a real high expectation on the kids of their involvement and commitment, and for us loving them.

Loving them. Perhaps that reads strangely, who would think that your school might actually love you? They’re supposed to be a safe place to explore, to grow and to learn. But beyond that, can they also offer you a grove where those around you can support you, uplift you, uplift each other, survive and thrive together? It’s hard not to feel like Te Whānau o Te Uru Karaka, and Newton Central School, were really onto something.

Leonie: Now that I think about it, it’s quite an achievement. Having fought for a context like that in a mainstream school. But it feels like because there are so many of them now, it’s just kind of taken for granted. Which is what Graham [Smith] says about kaupapa Māori initiatives driven by community, is that they should be taken-for-granted initiatives, where te reo is taken for granted. All these things are what we should be, are what we’re expecting and what we have a right to and what we shouldn’t be begging for any more. It should be taken for granted that they have an obligation and a responsibility to do something about te reo Māori.

Growing up, I took it as normal that the other students and I were loved, that learning to be curious could be so much fun. I took it for granted. When I think about how to be a good ancestor, and what we might leave behind for the next generation, I wonder what exactly it will be that they take for granted? What will we fight for that will become normal for them? I have been privileged to be raised with access to te reo Māori and to have a connection with this land. I am unbelievably grateful to those who have fought to make that access, and the sense of pride and responsibility that comes with it, a reality.

A sense of pride and responsibility that was planted and nurtured in a karaka grove, along the side of the northwestern motorway near Grey Lynn, at the best little school in the whole wide world.

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Keep going!
Image: Tina Tiller.
Image: Tina Tiller.

ĀteaDecember 15, 2023

Kirihimete gift guide 2023: cool stuff from Māori and Pasifika businesses and creators

Image: Tina Tiller.
Image: Tina Tiller.

It’s back again – the Kirihimete gift guide, a collection of picks from Māori and Pasifika businesses and makers that you can support by buying their beautiful wares for friends and whānau this Christmas – or any time, really.

This guide stands on the shoulders of giants, AKA our previous years’ guides. As always, there were too many things to include here, so make sure to check those out too. Happy shopping!

Marketplaces

Some of us are slow ambling browsers, and that’s OK. These shops have put together selections for us to wander about, waiting for a particular thing to hit right.

Konei has recently opened a flagship shop in Manukau, selling Māori and Pacifica made beauty products, jewellery and gift friendly items like Kāri.

There’s InnoNative, one of the biggest and best markets for Māori makers based in Whangārei and online for the rest of us. They’ve got baby stuff, beauty products and rongoā, toys, taonga, kai and kākahu.

Hine Raumati, also in Whangārei and also online, has stationery, candles, pukapuka, bags and heaps of handmade earrings and mugs.

Mako Design is a small whānau business based in Ōtautahi, and stocked in shops around the motu (or buy online). They design and create contemporary Māori jewellery, art, and homewares, all of which are beautiful, and none expensive. Take their earrings, all cool and all under $31. 

Moana Fresh in Avondale is still as cool as ever, and the website has an “Under $100” tab, which is very, very helpful, though there’s still a lot of options to narrow down.

Iti, based in Rotorua, has a stronger focus on traditional Māori crafts and design, with taonga carved from bone, and harakeke products. 

Kāinga

Lissy and Rudi Robinson-Cole, the duo behind the full-scale crocheted wharenui, have an online shop, and we love the aprons. Perfect for standing by the bbq this summer, and saving nice clothes from stains. There’s two different design options, both colourful and joyous, like the rest of the pairs work. 

AHO Creative make beautifully detailed minimalist paper cuts for hanging. They’re cut from 300gsm archival quality watercolour paper, and can be bought with a beautiful wooden hanger. The Ihi design is an exploration of the “energy that tingles in your spine, that reverberates, rhythms and ripples through our being.”

I think everyone in the world wishes they had a Noa blanket. The wool comes from sheep all over the motu, is sorted, dyed, blended, pressed, conditioned, mixed, teased and spun into yarn in Te Whanganui a Tara, then weaved into custom designs in Tāmaki Makaurau. At the moment there are three designs on their online shop.

Tivaevae Collectables make bedding with Cook Island tivaevae (traditional quilting). The result is beautiful duvet covers, cushions and pillow slips, with hibiscus flower patterns. Honestly, forget Bed Threads, get these.

Kaputī Studio, known for their delish teas, also have beautiful hand-carved Kauri Wooden Tea Scoops which I would like to use to scoop just about anything. 

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If you know someone who loves flowers, perhaps they would love to put them in a potted vase in a mid-century style shape. Thea Ceramics Tumu Vase comes in a happy māwhero glaze or pōuriuri, if you prefer something darker and more mysterious. Buy them online or check the stockists.

Puhoro serving platters are made from recycled rimu and laser etched with a split koru design which represents strength, courage, and power or speed and agility. They come in two sizes, with the small size being perfect for crackers and cheese and only $55.

If you’re giving to someone who has made “getting into tableware” a cornerstone of their personality recently or who simply loves to host dinner parties, then consider giving them the gift of having a really great bowl to receive compliments about at their next party. Artist Monty Kirkwood (Ngapuhi) fuses glass at high temperatures to create unique designs that are a little bit kitsch in a good way. A more affordable option is a coaster set. 

Parāoa parai (fry bread) recipe tea towel – it’s all in the name. They claim it’s a “no-fail” with “perfect results every time” so you don’t even have to give it to someone good at cooking – just someone who likes to eat (anyone?).

Kākahu and accessories

If you’ve been influenced by the TikTok “scarf top” trend, or know someone who has, then this MATA scarf would be an excellent gift, in a luxurious silk/cotton blend. It would also be an excellent beach wrap for your favourite swimmer.

Papa clothing is always a favourite, and recently they have released the Taro tee, with a delicate screen printed illustration on the back. Also on our wishlist is the Bubble hoodie, which has a juicy, fluoro hibiscus on the back.

Weaver Hazel Grace’s Harakeke Pōta come either with a short or long brim, and in three different sizes, to suit small and big noggins.

Nōku’s unisex corduroy shirt can be thrown over anything for a layer of warmth. On the back it’s got a panel that’s embroidered with their Matariki tohu.

Maybe your Secret Santa is the kind of person who is always lugging around heaps of stuff. In that case a Whai tote bag from Miss Maia will always be useful and not confused with the millions of other black bags around with its bright print, inspired by the undulating movement of whai (stingray).

We all have to drag things home from the supermarket regularly. This large kete from Iti can at least make the cost of living crisis a little more chic – and it would be great to sling around your shoulders for a beach day. 

Taonga and jewellery

Artist Cora-Allan Wickliffe has been beading Kupenga earrings, so you can finally wear her art.

The silver mirror Whetu earrings by Mako Design are, well, shiny and pretty. The design is inspired by the Matariki whetu and represents wahine toa. If you’re looking for something smaller, you can’t go past the pink Manawa Studs. They look like candy. 

If your loved one prefers necklaces, the Hononga necklace is bold and bright on one side, and neutral on the other (everyone loves versatility). I’m a particular fan of the kingfisher blue and black colourway.

Who knew a tiny butt-plug could look so cute? This charming charm is a gift to the world from turumeke harrington, a Ngāi Tahu artist based in Pōneke. Perhaps a safer gift could be her enamel Tussock pin (or is it a crown?). 

There are heaps of small and shiny objects on the website for Whangārei store Hine Raumati, which highlights local creators. We particularly like this ‘e hoa’ necklace for a cherished friend, or this enamel guided by my tūpuna pin. 

Takutai Studio sells the stunning creations of Tia Kirk. Takutai pieces are affordable but may be cutting it close on delivery as Kirk is now based on the Gold Coast.

Pukapuka

WhānauKai Cookbook is perfect for those sweet toothed members of the whānau. It’s filled with recipes for cakes, slices and other treats in te reo Māori and English. 

Tusiata Avia’s latest poetry book, Big Fat Brown Bitch, is one of our picks of the year, described as “furious, funny, urgent and beautiful” by books editor Claire Mabey. Another poetry pick of the year is Talia by Isla Huia.

Rewi: Āta Haere, kia tere, by Jade Kake & Jeremy Hansen is a beautiful tome of a book. It’s about the visionary architect Rewi Thompson (Ngāti Porou, Ngāti Raukawa) and his legacy. Many of us have walked along his City to Sea bridge in Wellington, which is currently under threat due to repair costs, but many of his unrealised designs are also documented here.

Hiwa is a collection of contemporary short stories in te reo Māori and english. It’s wide-ranging in subject, style and genre and perfect for keeping on the shelf to dip in and out of. Should be at your local bookshop!

Whakawhetai: Gratitude by Hira Nathan is a lush object perfect for the stationery lover or the coveter of all things notebooks, journals, and diaries. It’s the perfect, positive present that takes in the four aspects of hauora: taha tinana (physical), taha hinengaro (mental), taha wairua (spiritual) and taha whānau (family). 

Wawata: Moon Dreaming, and Aroha: Māori wisdom for a contented life lived in harmony with our planet, both by Dr Hinemoa Elder are two, beautifully produced, books that share indigenous knowledge for a life more in tune with ourselves, and our planet.

The arty farty section

Pōtiki poi make a range of poi with plastic and fabric heads. The fabric is upcycled, found in  op-Shops around Ōtepoti. They also make mini poi earrings which are eye-wateringly cute.

If swinging poi catch your eye, then check out Poi Yeah, who have incredibly cool poi made from a range of textures and materials. Iridescent rainbow poi? Pink poi with white tassels? All are stunning. The team behind Poi Yeah helped host the FIFA World Cup fan zone with their amazing skills, and they’re collaborating on a pop up in the Auckland CBD until December 22nd. 

If you know someone who loves colourful and intricate patterns, then these gorgeous A3 prints of works by Karere Brown, a Māori artist of Ngāti Porou and Rongowhakaata descent might be a perfect gift. You can buy them with or without a frame. 

Māori Mermaid sells A3 and A2 prints. Some of our favourites are Kawakawa Kare 2, Pastel paradise and Marama.  

If one of your loved ones wants to be more in touch with the whenua in 2024, why not start in the garden? Hue (gourd) seeds come in a pack with instructions for growing according to the maramataka, which is great for beginner gardeners. You also get heaps of artistic credit for this one – the seeds are a tie-in with the Āniwaniwa exhibition by artists Zena Elliot and Tina Tangiweto. 

We all know people who are prone to getting tangled in things and some of them are knitters. Renee Paku describes her work as “big kaupapa, tiny stitches” and sells absolutely beautiful hand dyed yarn on her Instagram – we’ve also spotted some on the Knit Nook website. It would pair well with one of her knitting patterns, which is also a not-so-subtle way to hint to your giftee that you might appreciate a knitted object in return some day. 

Tamariki, games and toys

Hawaiki Pēpi make Māori designed stuff for the smallest and arguably cutest of our family members – the playmats look especially comfy for play and beautiful for the home. If there’s a pēpi on the way, or one that’s just arrived there are also muslin wraps, printed with designs by artist Karere Brown.   

Paku, a design studio started by Dr Johnson Witehira (Ngāti Hinekura, Ngāi-tū-te-auru) and James Prier (Ngāti Pākehā) reimagine Māori agricultural tools for tamariki. The result is brightly coloured Toki and Timo made from recycled nylon – I personally can’t see why these wouldn’t be useful for gardeners of all ages.

If you’ve got a little artist to buy for, Māori Mermaid has colouring in bundle, with 14 A4 illustrations. Endless fun.

Or if bugs are the hot thing of the moment, you could brighten a child’s room with AHO Creative‘s native butterfly and moth decals. The set comes with three Kahukura, two Pepe Tuna and two Lichen moths. It’s promised that they’re reusable and movable, simply by peeling them on and off, so no need to worry about regretting where they’ve been put or chipping any paint.

The just launched Z the Great is a Māori owned clothing business for tamariki up to 6 years old. They make the cutest little sets in comfy fabrics. If you prefer more colour, artist Numa Mackenzie has been woodblock printing onesies with layers of Pacific patterns and motifs.

Kura Rēhia‘s Phases of the moon memory card game is gorgeously illustrated and will help little ones start to get a grasp of the Maramataka.

Kai and inu

Tawhiti wines make a very bubbly and light pet nat, but it may be hard to get your hands on any. Huntress wines are easier to find, and made with an intention to connect place and palette. They’re available at Moore Wilsons and Everyday Wine.

Ao Cacao make artisanal chocolate, one which is described as “Northland in a bar”. Northland is apparently 65% dark chocolate with a splash of Tai Tokerau olive oil adding fragrance and silkiness. Sounds yum.

If there’s one vice that is socially acceptable to support, it’s caffeine. Get the often sleepy, sometimes buzzing person in your life a bag of Premium Samāori Blend beans. While you’re there, you may as well also get some of the Cacao Nibs, which are like chocolate but healthy.

Waikirikau is a small, whānau owned business. Each bottle of the fermented Tī contains nothing but healing plants, herbs, native leaves, fresh fruits and spices. There’s mixed flavour packs, or singles available. 

Our food editor Charlotte Muru-Lanning highly rates KAI – Food stories and recipes from my family table by Christall Lowe, which won an award at the Okhams (for being beautiful). Inside, yummy flavours weave together warm family memories. It’s nostalgic and has 100 recipes, some suitable for everyday and others for special occasions. There is mānuka honey muttonbird and pūhā, rēwena bread, oven-cooked hāngī, and Nana’s famous burnt sugar-steamed pudding.

Health and beauty

If you need a present for a gym bunny, why not get them this Earthsent Tūpākihi Healing Cream to rub on their sore muscles after leg day or arm day and whatever the other days are.

The Brown Pride gym in South Auckland describes its origin story as “a group of ordinary Samoan dudes from South Auckland on a mission to better our people”. If you’re giving to someone local who you would love to have a conversation about lifting with when you see them next Christmas, a gym membership could be a wonderful gift. They also have some awesome hoodies, or if motivational music is a barrier to exercising, they release music on their in-house record label.

Hydration is the name of the game over summer (and always actually). The Mamaku Advanced HydraGel uses Mamaku (black tree fern) as its key ingredient, which has been an important part of rongoā for generations. Also – great packaging.

If you’re cashed up and invisible things are important to your loved one, OF BODY is making some very cooooollll “fumes”. They call themselves “a Māori run, aromatic future-fume lab”. The resulting “scentscapes” come in almost brutalist packaging, mostly adorned by barcodes. A still luxurious but more affordable option for nose pleasures would be a Curio Noir pocket parfum. They’ve recently released Moon Moss, a scent with notes of hyacinth, white lily, algae, pack moss and more.

Kawakawa is an ingredient with amazing healing properties. Creator Georgina (Ngāti Porou) of Frankie Apothecary makes kawakawa balm that soothes eczema and is also great for babies – it’s a great gift for your colleague who brings hand cream to work, keeps it in their backpack, and has at least four open moisturiser bottles in their home. They also have shampoo and conditioner bars, for the person in your life who hates unnecessary plastic packaging, or likes to have an aesthetic shower-shelf.