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Number ones (Design: Archi Banal)
Number ones (Design: Archi Banal)

BooksSeptember 23, 2022

The Unity Books bestseller chart for the week ending 23 September

Number ones (Design: Archi Banal)
Number ones (Design: Archi Banal)

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington.

AUCKLAND

1  Lessons by Ian McEwan (Jonathon Cape, $37)

New novel by the master of literary masters, Ian McEwan. An enticing summary hot off the publisher’s press:

“While the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines’s life is turned upside down. Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.

“Twenty-five years later, as the radiation from the Chernobyl disaster spreads across Europe, Roland’s wife mysteriously vanishes and he is forced to confront the reality of his rootless existence and look for answers in his family history.

“From the fall of the Berlin Wall to the Covid pandemic and climate change, Roland sometimes rides with the tide of history but more often struggles against it. Haunted by lost opportunities, he seeks solace through every possible means ­- literature, travel, friendship, drugs, politics, sex and love.”

2  Before Your Memory Fades by Toshikazu Kawaguchi (Picador, $25)

The new Japanese time travel cafe novel in the Before the Coffee Gets Cold series. Inexplicably, everyone is reading it.

3  The English Text of the Treaty of Waitangi by Ned Fletcher (Bridget Williams Books, $70)

Legal historian Ned Fletcher spoke about his new book – arguably, the most important read of the year – with the NZ Herald: “It’s a very strong view in our history that the two texts of the Treaty don’t reconcile, that there was a mistranslation, that in all likelihood that that was a deliberate mistranslation and that the Treaty is a fraud.

“My principle point of difference from the mainstream of New Zealand scholarship is that I think the two texts do reconcile, that sovereignty wasn’t this monolithic beast that meant absolute indivisible, thorough-going power but that sovereignty as used in the Treaty was compatible with plurality in government and law and that means that sovereignty or kāwanatanga reconciles with rangatiratanga.

“And on the British side, they were perfectly happy with the idea of Māori continuing to manage their own affairs.”

4  Kurangaituku by Whiti Hereaka (Huia Publishers, $35)

The winner of this year’s Jann Medlicott Acorn Prize for Fiction, and the just-announced winner of the Allen & Unwin Award for Best Commercial book for adults at the PANZ Book Design Awards. And according to essa may ranapiri, the literary vessel for hot gay sex.

5  First Person Singular: Stories by Haruki Murakami (Vintage, $24)

Short stories by the master of magical realism, published after Murakami was poetically dumped by Michelle Langstone.

6  Things We Lost to the Water by Eric Nguyen (Vintage, $37)

The bestselling and stirring debut novel about an immigrant Vietnamese family who settle in New Orleans, leaving one member of their family behind.

7  The Daily Stoic: 366 Meditations on Wisdom, Perseverance and the Art of Living by Ryan Holiday and Stephen Hanselman (Profile Books, $28)

Readers smugly say, “Forget about coffee. This is my new daily pick-me-up.”

8  Yes, Minister: An Insider’s Account of the John Key Years by Chris Finlayson (Allen & Unwin, $37)

Essential reading for the politico in your life. A taster, via Toby Manhire, here.

9  The Song of Achilles by Madeline Miller (Bloomsbury, $25)

A 2011 novel that leaves readers weeping, and has enjoyed a renewed fervour since the phenomenon that is BookTok. 

10  Life Ceremony by Sayaka Murata (Granta, $33)

Treat time! A book of short stories by Sayaka Murata – author of bestselling Convenience Store Woman – has been freshly translated into English. The publisher describes the stories as “weird, out of this world and like nothing you’ve read before.” One short story is about a girl’s obsession with her curtains, and another is about people eating their dead as a way to honour them… so we’d say, yeah, that sounds about right.

WELLINGTON

1  The Bullet That Missed by Richard Osman (Viking, $37)

The third book in the Thursday Murder Club series is out, and Wellington is pleased as punch for another dose of these mystery-solving retirees. 

2  Imagining Decolonisation by Rebecca Kiddle, Bianca Elkington, Moana Jackson, Ocean Ripeka Mercier, Mike Ross, Jennie Smeaton and Amanda Thomas (Bridget Williams Books, $15)

As shiny and popular as if it were born just yesterday.

3  Nona the Ninth by Tamsyn Muir (Tor, $38)

The third book in the Locked Tomb fantasy series is out. Publisher’s Weekly called it “characteristically brilliant”.

4  Lessons by Ian McEwan (Jonathon Cape, $37)

5  The Marriage Portrait by Maggie O’Farrell (Knopf, $38)

Maggie O’Farrell has followed up her historical fiction success Hamnet with a story about the life and suspicious premature death of Lucrezia, the third daughter of Cosimo I de’ Medici, ruler of Florence. It’s been met with mixed reviews from the Guardian (“melodrama reworked to appeal to a progressive 21st-century audience”) and the New York Times (“ridiculous”). 

6  Undoctored: The Story of a Medic Who Ran Out of Patients by Adam Kay (Trapeze, $38)

New non-fiction from the author of ultra-bestseller This is Going to Hurt, where Adam Kay told all about his experience as a junior doctor in the NHS. Is Undoctored as good as its predecessor? These folks say yes:

“Brilliant – even better than This is Going to Hurt.” – Jacqueline Wilson

“Every bit as funny as the first one, every bit as powerful, surprising and unflinching.” – David Whitehouse

7  The English Text of the Treaty of Waitangi by Ned Fletcher (Bridget Williams Books, $70)

8  We Don’t Know Ourselves by Fintan O’Toole (Head of Zeus, $37)

A new history of modern Ireland, beginning from O’Toole’s birth in 1958 – the year that the Irish government opened the country to foreign investment. The New York Times writes: “Indeed, it is not a memoir, nor is it an absolute history, nor is it entirely a personal reflection or a crepuscular credo. It is, in fact, all of these things helixed together: his life, his country, his thoughts, his misgivings, his anger, his pride, his doubt, all of them belonging, eventually, to us.”

9  I’m Glad My Mom Died by Jennette McCurdy (Simon & Schuster, $56)

iCarly and Sam & Cat actor Jennette McCurdy has released a confessional memoir which has received universal praise. Despite her sobering experience as a child actor – eating disorders, addiction, and a highly dysfunctional relationship with her mother – it’s still a book that is being described as “stingingly funny” by Time, “laugh-out-loud-funny” by Shondaland and “mordantly funny” by the New York Times. 

10  Before the Coffee Gets Cold by Toshikazu Kawaguchi (Picador, $20)

The original time travel cafe novel, getting a boost from the release of Before Your Memory Fades.

Keep going!
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BooksSeptember 23, 2022

Let’s hear it for the bees: All the winners from the 2022 PANZ Book Design Awards

Conversatio-Anne-Noble.png

The awards where Aotearoa’s books are totally judged by their covers.

It’s hard to beat a lovely looking book as an object to have and to hold. Textured, eye-catching, sitting there waiting to be all handled. Beautiful books are an art object that expects to wear the interest in it over time. There’s that whole thing about not judging a book by the cover etc., but that concept seems so dated in this age of high-volume publishing.

There are a heck of a lot of books published every year, every week, so it can’t hurt to ensure that they’re competing for our eyes and aesthetic tastes as much as for our imaginations. Here are this year’s PANZ Book Design Awards winners along with some thoughts, controversies and otherwise:

Gerard Reid Award for Best Book sponsored by Nielsen BookData 

WINNER: Conversātiō In the company of bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press). Cover designed by Anna Brown & Matt Law. Interior designed by Anna Brown.

I did actually gasp with bibliophilic pleasure when I received this book earlier in the year. Mainly because the dust cover is a very tactile, deep blue fabric and when you take it off and fold it out there reveals a constellation and a swarm of golden bees. It’s friggen gorgeous. And then you see the stunning binding, all quires and stitching in neat U-shapes. It feels like you have something old-school, almost Medieval. And that’s big for a book nerd. Real big.

Inside it’s just as wondrous. The paper is delicious, the reproductions of Anne Noble’s art works are stunning, the variety of content from the scientific to the whimsical is dynamic and fun. Very deserving winner. Anna Brown is a marvel. No complaints here. Carry on. 

Books editor’s own copy with the fabricy dust cover off so you can see the beaut binding (Photo: Claire Mabey)

Penguin Random House New Zealand Award for Best Illustrated Book

WINNER: Conversātiō — In the company of bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press). Cover designed by Anna Brown & Matt Law. Interior designed by Anna Brown.

See above. Excellent. Onwards.

Upstart Press Award for Best Non-Illustrated Book

WINNER: A Clear Dawn: New Asian Voices from Aotearoa New Zealand edited by Paula Morris and Alison Wong (Auckland University Press). Cover designed by Keely O’Shannessy. Interior designed by Keely O’Shannessy with typesetting by Tina Delceg.

This book was up against Rita Angus: An Artist’s Life by Jill Trevelyan, which is stiff competition. I was curious as to why it was on the shortlist, given it was first published in 2008 – the response was that the book was eligible for this year’s awards because it underwent a complete redesign for its re-release in association with the recent Rita Angus exhibition at Te Papa.

Nevertheless, A Clear Dawn deserves this win. The cover is mesmerising. The notes on the book say the cover is “Flexibind cover printed 4c with gloss machine varnish on cloth-wrapped 250gsm board”. Well, that glossy cloth was a great call because it shimmers and shifts and is a beguiling beginning. From there on in, the book is stylish and sleek. Sometimes anthologies can feel overwhelming or crammed but not this one: A Clear Dawn gives each writer space on a very lovely page.

Scholastic New Zealand Award for Best Children’s Book 

WINNER: My Cat Can See Ghosts by Emily Joe (Beatnik). Designed by Emily Joe.

Tough category! Among the shortlist is Gavin Bishop’s Atua which cleaned up at the NZ Book Awards for Children and Young Adults; and The Tiny Woman’s Coat by Joy Cowley and Giselle Clarkson, which has some of the sweetest, sweeping double-page spreads. 

Emily Joe’s My Cat Can See Ghosts compels from the start with those spooky eyes. I tested this cover on a four-year-old who immediately wanted to know more about the ghosts and why they are inside a cat’s eyes. Also the text is hand drawn (custom typography is the tech term for it) and they melt into the images just perfectly, like ectoplasm.

Lift Education Award for Best Education Book or Series Primary

WINNER: Inside New Zealand Wildlife by Dave Gunson (Bateman Books). Cover design by Dave Gunson & Alice Bell. Interior designed by Alice Bell

 

So it’s literally about the insides of creatures and the cover shows a cross-section of a Takahe so you’re right … in there, bones and arteries and all. It’s certainly an arresting start. The word “Inside” is stamped in red across the words “New Zealand Wildlife” so it’s like, a beware-classified-information-ahead typographical joke. That vibe doesn’t spill through into the spreads – inside it’s a classy affair: detailed, scientific drawings reminiscent of 19th century natural history illustrations. Plenty of accompanying information alongside. 

The shortlist contained two worthy competitors: Toitoi Jillion 2 (Cover: Vicki Birks, Toitoi Media with cover illustration by Jasper Macknight-Wilson (aged 11) Interior: Kelvin Soh and Sam Wieck, DDMMYY) which showcases student art work (mad, colourful, moving) and writing; and Why is That Spider Dancing? Amazing arachnids of Aotearoa (designed by Kate Barraclough, Kate Frances Design).

The Arachnids really should have taken it in my opinion. The enthusiasm for spiders leaps from the cover and onto every page. The mix of photography, diagrams, illustration keeps every spread dynamic and the curiosity level high. The consistency of design principle matches the bug-eyed feeling you want young readers to imbibe, especially when it’s about a potentially intimidating subject. 

Lift Education Award for Best Education Book or Series Secondary/Tertiary

Winner: No winner but special commendation to Social Policy Practice and Processes in Aotearoa New Zealand edited by Graham Hassall and Girol Karacaoglu (Massey University Press). Cover designed by Tim Denee. Interior designed by Megan van Staden.

So there were only two books in the shortlist for this category (the other book was Tūtira Mai: Making Change in Aotearoa New Zealand). So neither were good enough to win but Social Policy Practice and Processes in Aotearoa New Zealand got “special commendation”. So basically the winner? OK. 

1010 Printing Award for Best Cookbook

WINNER: Homecooked: Seasonal recipes for every day by Lucy Corry (Penguin Random House NZ). Cover designed by Cat Taylor with original cover art by Evie Kemp. Interior designed by Cat Taylor.

One hundred per cent worthy winner. This is the book I turn to on days when the idea of trying to come up with a dinner for my family makes me want to curl up in the corner of the kitchen and cry myself to sleep. Evie Kemp’s cover makes it all feel much more do-able, even delightful. There’s a picture-book vibe about it – as if Vanessa Bell had made a Bloomsbury picnic book for a charming and arty time with vegetables and canned fish. Inside, the photography is crisp, delectable. The layout is clear, simple and rich with colour. Yum.

Allen & Unwin Award for Best Commercial Book for Adults

WINNER: Kurangaituku by Whiti Hereaka (HUIA Publishers). Designed by Te Kani Price and Camilla Lau.

I was initially bamboozled by this shortlist. It was definitely surprising to see Kurangaituku here though in a great way: literary fiction, particularly boundary-breaking novels like this one, isn’t usually considered a commercial offer. Jenna Todd’s (one of the judges) opening comment for this category says: “This category could be considered controversial? What is commercial? This led to a lengthy discussion amongst our team of judges. Therefore, we presented a list of finalists that sit within the definition of commercial to us. Concluding that commercial equals a book that appeals to a large audience and…quite simply, sells.”

Well that’s quite brilliant. Simply sales, no attempt to pigeonhole genres into categories. So, to the winner: Kurangaituku is one of the most exciting books to arrive in Aotearoa in recent times. This is the novel with two covers because readers can start the story from either end of the book. There is no back or front, only one way or the other, and an interweaving halfway through: this completely flips linear ways of reading, and thinking about story, and it is genius. Whiti Hereaka’s formal challenge was I am sure a tough one for her publishers to pull off but they absolutely did. The weight and texture of the cover is also luxe (“linen finish paper stock”) – it is a pleasure of a thing to hold as you devour the story, just as the font inside (Arno Pro, regular) is a delight on the eye.

HarperCollins Publishers Award for Best Cover

WINNER: Rangikura by Tayi Tibble (Te Herenga Waka University Press). Designed by Xoë Hall.

Yup. Impossible to beat Xoë Hall’s striking art and the way this cover shatters any preconception that poetry is a quiet, reserved kind of literary form. Tayi Tibble’s star is so bright and this cover has that ascension written all over it.

Te Herenga Waka University Press Award for Best Typography

WINNER: He Ringatoi O Ngā Tūpuna by Hilary and John Mitchell (Potton & Burton). Designed by Floor van Lierop, This is Them.

About the typography, the book notes say:

Body text: Morison Semi Light, 8.5pt, 14pt leading

Emphasis/quotes within body: Morison Semi Light Italic, 8.5pt, 14pt leading

Footnotes: Morison Light, 7pt, 12pt leading

Captions: Morison Regular, 6 pt, 9pt leading

Tables, including whakapapa tables: Respublika FY X Bold, 6pt, 7pt leading, capped and Respublika FY Bold, 7pt, 7pt leading

Section opening pages: ‘Part’: Morison Regular 100pt, capped. Title: Morison Semi Bold 36pt, 42pt leading, capped

Part IV of the book (on Isaac Coates’ Māori subjects):

Titles: Morison Display Bold, 54pt, 34pt leading

Subtitles: Morison Display Italic, 21pt, 24pt leading

Subheading 1: Morison Bold, 10pt, 14pt leading, capped

Subheading 2: Morison Bold, 10pt, 14pt leading, sentence case

Blue portrait pages within Part IV:

Titles: Morison Bold, 21pt, 25pt leading, caps

Subheading: Respublika FY Bold, 10pt, 13pt leading, capped

Sub-subheading: Respublika FY Bold, 7pt, 9pt leading, capped

Captions: Respublika FY Semi Light italic, 7pt, 11pt leading, capped

Parts I, II, III, V (context and background on Isaac Coates):

Titles: Morison Display Italic, 32pt, 37pt leading

This will mean a lot to someone. The book is very nice to the eyes. Well done.

2022 Hachette Aotearoa New Zealand Emerging Designer 

WINNER: Te Kani Price (HUIA Publishers)

One of the designers of Kurangaituku, surely one of the most fascinating challenges in the realm of fiction publishing for ages. Super work, worthy win.

Booksellers Aotearoa New Zealand People’s Choice Award 

WINNER: Conversātiō — In the company of bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press). Cover designed by Anna Brown & Matt Law. Interior designed by Anna Brown.

Perfect symmetry. What a buzz.

For more information on the PANZ Book Design Awards 2022 visit the website.