Author/illustrator Jonathan King and his first graphic novel (Photo: Supplied)
Author/illustrator Jonathan King and his first graphic novel (Photo: Supplied)

BooksAugust 26, 2020

Toby Morris and his kids review a cool new comic

Author/illustrator Jonathan King and his first graphic novel (Photo: Supplied)
Author/illustrator Jonathan King and his first graphic novel (Photo: Supplied)

Kids will love Jonathan King’s graphic novel The Inkberg Enigma, according to actual kids Max (eight) and Iggy (six).

In a sleepy fishing town, there’s something strange going on behind the scenes. Luckily two plucky kids called Miro and Zia are here to investigate. It’s The Inkberg Enigma, a new graphic novel for young readers, by Jonathan King.

In look and feel, the instant comparison you might make is Herge’s Tintin, or the similarly retro-adventure vibes of Yves Chaland. It’s a classic euro-style album in clean lines and flat colours. Genre-wise it’s very classic too: a mix of mystery and adventure, and a tiny bit of scariness, in a relatively timeless small-town setting. Tintin in Lyttelton, perhaps.

But the closer to home comparison is the classic New Zealand kids’ comic Terry Teo. At times, in a nice way, the heroes Miro and Zia reminded me of Terry and his sister Polly – getting themselves in over their heads in the secret world of adults. Along with a bunch of other old and new NZ comic artists, Terry’s creator Bob Kerr gets a subtle shout-out in the clever end-papers map which serves as a kind of whakapapa of the comic.

The story is fantastic – there’s a town with secrets, sea creatures, an overbearing mayor, and a whiff of the supernatural in the air. King builds a great world and the story is pacy with some excellent twists and turns. People always say “Lovecraftian” when there are tentacles involved. I’ve never read Lovecraft, so I’ll just say “has tentacles in it”.

Of course there’s a cool trailer (Video: Jonathan King)

King is also a film director, known for features like the horror/comedy Black Sheep, so it’s interesting to see how he adapts when the camera and the sets and costumes and the actors’ performances are all at the whim of his pen. Without the practical and financial restraints of film making, I thought he’d be able to let loose a bit, so I was slightly surprised that the book is quite restrained in its camera angles, compositions and palette. But I’m really nitpicking here. Overall it looks great.

Books like this are an incredible amount of work, and I’m curious to know if this was more work over a longer period of time than making a feature film. I suspect it might have been. I’ll cheer any time New Zealand publishers are releasing comics or graphic novels or whatever people want to call them to make them respectable these days – and it’s even cooler to see Gecko Press having faith in a big project like this for kids. I hope the book does well, for several reasons, including that I hope it inspires other publishers to take a similar punt on local comic artists too – we’re out here!

But I’m getting off track. The point is: kids will love this. I read it together with my two sons, and they got totally dramatically swept up in it. So I thought I’d let them have the final say.

Miro with his loot (Image: Jonathan King)

Iggy Morris, six:

It had the best twist at the end, and I liked how they did the town.

Miro was cool. He really liked books, it was really funny. It really came in handy. Zia was really cool with her photos.

It wasn’t too scary. It was really funny when Miro was scared but Zia said “They’re right behind you” and Miro jumped and he was like “Hey, there’s nothing behind me!”

I like how one was more of a safe guy, and the other was really adventurous.

I think it’s a mystery. You don’t know what the creature-y thing is, and you don’t know about the castle – like, is it just like a normal house with lots of rooms, or is like a really fancy palace?

I would say it’s good for kids. It had some real good surprises.

Max, left and Iggy (Photo: Toby Morris)

Max Morris, eight:

I thought it was SO good. It’s a mystery … adventure … a bit of a mix. It hooked me in and I wanted to keep reading.

It seemed like New Zealand. The way that it was drawn was really cool. Maybe similar to Hilda, or Tintin. Maybe Tintin, I dunno.

The bit that was probably the scariest was when they had to go across the rooftop in the building.

I’d say to other kids “Oh I know this really cool book called Inkberg, I think you’d like it. It’s really good, I liked it”. I think it’s quite an all-age book.

I hope they make more books about Miro and Zia, because there could be more adventures. Like, maybe they have to go to Antarctica. That would be a good quest.

The Inkberg Enigma, by Jonathan King (Gecko Press, $29.99) is available from Unity Books Wellington and Auckland

Keep going!
Graeme with Sebastian (Photo: Supplied)
Graeme with Sebastian (Photo: Supplied)

OPINIONBooksAugust 23, 2020

Losing the clot: the story of how I nearly died, by Graeme Lay

Graeme with Sebastian (Photo: Supplied)
Graeme with Sebastian (Photo: Supplied)

A trip to the bookshop ends in calamity – and an encounter with the calm, candid and kind medical staff of North Shore Hospital. 

As a great admirer of Hilary Mantel’s writing, I looked forward to reading the final novel in her trilogy set in Tudor England, The Mirror & the Light. I drove down to my local bookstore, Paradox Books, to buy a copy. First, though, I parked the car in the New World carpark. It was the afternoon of March 14, 2020.

I duly bought the novel. It was big, 875 pages. I carried it in its paper bag back to the car and put it in the boot. Then I went to open the driver’s door of the car, and stopped. Something was wrong. Very wrong. The world began to tilt, wildly, as if an earthquake had struck.

I knew nothing more until I partly regained consciousness, aware that I was lying in a pool of blood and vaguely aware that the blood was my own.

There were the voices of strangers. Women’s mainly. They had seen me fall and rushed to my aid. The men’s voices were coolly professional – paramedics. Someone had called 111. I was on a gurney in the ambulance. Someone else had cut off my shirt, another someone had attached electrodes to my chest. “I’m Steve,”* one of the someones said. The siren was activated, the ambulance began to move. What the hell is happening? I wondered. “Not the heart,” I heard Steve say to his colleague. “An embolism,” the colleague diagnosed.

Pulmonary embolism: a condition in which one or more arteries in the lungs become blocked by a blood clot. A pulmonary embolism is most often caused by blood clots that travel from the legs.

Cars, houses, streets rushed past. In minutes I was admitted to the Intensive Care Unit of North Shore Hospital. I had not spent the night in a hospital since I had had appendicitis, when I was twelve. Curtains were drawn all around the bed I was in. Curtains for me? I wondered in another madly confused moment.

Doctors and nurses surrounded the bed and conversed in low, calm tones. There were bright lights. A bladder was wrapped around my left bicep and inflated. A dressing was placed over my right face where a wound had opened after it came into abrupt contact with the carpark concrete. The source of the blood. A ventilator was activated, a twin oxygen line inserted into my nostrils. It made an unending gushing noise. Lines flowed from above and into a vein in my right arm. There was no pain, but I was conscious of the wound on my face, and the bloodletting it caused.

In this way I was welcomed into the world of ICU. Here I resided for the next four days, receiving 24-hour nursing care. Never had I been the centre of so much attention. Haematologists, cardiologists, radiologists and assorted technicians came to my bedside. “You can’t drive for a year,” I was informed sternly by one doctor. A year?

Graeme Lay pre-embolism, Bora Bora, 2019; his most recent book (Photo: Supplied)

I was transported to the radiology department, where a brain scan revealed some cranial bleeding. An interior vena capa filter, made from the alloy Nutrinol, was inserted into my right femoral vein, to prevent the blood clot from migrating north to my lungs and heart. By an extraordinary coincidence the IVC filter turned out to have been one devised in the US by my wife Gillian’s cousin, an English materials engineer. I later emailed Neil to thank him for his good work. From now on, visits from Gillian and my adult children were the highlights of the day.

Also of great interest to me were the doctors, consultants and the nurses on their twice-daily ward rounds. One consultant, a middle-aged woman with a headmistressy manner, would introduce me to the team. “This is Graeme. He’s 76, and he walks and swims.” Doesn’t everyone? I wondered. Evidently not. She was also the one who informed me candidly that if the embolism reached my brain, “You will probably die.” Although I did my best to persuade the clot to not make this fatal move, I was well aware that it was principally the skill and attention of the medical staff who were doing their best to ensure that the clot was not traveling north.

The medical professionals were superb. When one night I suffered seizures – far more terrifying than the initial collapse – two young doctors, Andrew and Matt, calmly restrained me and administered drugs that overcame the seizure.

Then there were the nurses who cared for me during the long night hours, first introducing themselves. “Hello Graeme.” Hugo was from Hungary. “Good evening Graeme.” Luigi was from Milan. “Hi Graeme.” Eleanor was from Manila. Yes, they had come to the ICU ward of North Shore Hospital from all over the world. And they were wonderfully considerate, all of them.

There were amusing aspects to my time in ICU. Aware that the world outside was beset by the Covid-19 virus and needing to follow the news, I asked that my little transistor radio ($41 from the Warehouse) be brought to me from home. That happened. I was lying in bed listening to the increasingly grave news from overseas when Danielle, a lovely 20-something night nurse, noticed the radio.

“What’s that?” she asked.

“It’s a transistor.”

“What does it do?” she asked, mystified.

“It receives radio stations,” I turned it on. “See, it can get FM, AM, RNZ, the BBC.”

“That’s awesome,” said Danielle. “I’ll get one for Granddad for his birthday.”

After five days I was deemed sufficiently stable to be transferred from ICU to a standard hospital ward. I didn’t want to leave. “I like it here,” I told Louise, one of my nurses, “this is like being in Business Class.” She feigned indignation. “This isn’t Business Class, it’s First Class.” She was right. Being in a standard ward was a come-down to Economy. I shared a room with an elderly dementia patient, one who had the mental health “issues” of a National Party politician and another whose trolley constantly clinked with the wine bottle collection that he had somehow smuggled in. None of the three made appealing company.

I was in the ward for several days. The treatment was working. The face wound began to heal, the purple bruising on my right arm began to fade. However a tremor in my right hand prevented me from writing. I also felt enfeebled – even going to the bathroom was like walking on Mars – and I had little appetite. But my blood pressure was normal and the filter had blocked the embolism’s passage. Another brain scan revealed that the cranial bleed had almost gone.

I still felt like a clot, though, realising that I had had warning signs before the occurrence of the initial seizure: extreme shortness of breath and a persistent dry cough. It was not the dreaded Covid-19 virus, but the symptoms were disturbingly similar.

I was discharged and returned home, after 10 days in North Shore Hospital and just a few days before the whole country went into lock-down. Or lock-up, as I thought of it, since I was locked down within a lock-down. The whole world had undergone a circulatory seizure, caused not by clotting but a virulent virus.

During my internment I had missed an important family event, the birth of another grandson in Waitakere Hospital. I wasn’t able to see Sebastian for another six weeks. I remain car-less, and I’m on a strict course of blood-thinner and anti-seizure medication, twice-daily doses of Levetiracetam and Pradaxa (Just who in Big Pharma dreams up these weird names?). The care I received from our public health system was exemplary. And thanks to that care, I’m able to write again.

Like all near-death experiences, this one made me doubly grateful to be still alive and acutely aware that every living day is precious. And the realisation that marrying a nurse was one of the best things I ever did.

Oh, and what of Hilary Mantel’s new novel? During my recuperation I read as much as I could manage, getting to page 320. Then I gave up. Although the novel is wonderfully well written, a convalescing reader can take only so many stake-burnings, disembowelings and beheadings. Not even August’s Lockdown Revisited could drag me back to reading that novel.

I will finish The Mirror & the Light, but not this year.

*Names of medical staff have all been changed.

Graeme Lay’s latest work is 100 Days that Mapped a Nation (New Holland, $65), which is available from Unity Books Wellington and Auckland