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BusinessJuly 9, 2019

The Facebook chatbot here to solve your renting woes

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Don Rowe speaks to the founder of a new chatbot connecting tenants with the rental information they need. 

In a world where Facebook is culpable in genocides, sham elections and the corrosion of trust in the media, it’s nice to know it can be used for good, too. 

Rentbot is a new chatbot from Citizen AI, a Wellington-based not-for-profit which uses artificial intelligence and machine learning to bridge the gap between information and the uninformed. Their projects include Wagbot, a help service for high school students, and an upcoming Workbot, for employment issues. The bots live on Facebook and are interacted with through the Messenger platform like any other conversation. 

Joshua Barlow is a fourth year law student at Victoria University and a third of the Rentbot team. He says accessibility is at the heart of everything they do, and that means catering to both varying levels of English and fundamentally different cultural reference points.

“We wanted to make a tool that would be accessible to all kinds of people,” he says. “Many diverse people are renting and all of them can face tenancy issues so we need information that is accessible and in plain English. We want people to have a form of guidance for tenancy disputes that is less arcane.

“One of the problems we have is that the bot is only accessible in English, and so we’re training it to understand less conventional English – so things like the wrong grammar or spelling. It’s never going to be perfect because how we write is so different to how we speak, but while it doesn’t natively handle slang it’s still doing really well at the moment because we train it to recognise errors.”

Citizen AI are bankrolled by Community Law and the Borrin Foundation, which funds charities, education and legal research in New Zealand. Creating the Rentbot is an open-ended process, Barlow says, as the bot learns through use and repetition of legal terms. 

“We started by gathering questions that can’t be answered on Facebook and researching the answers. For example we had someone ask about pet bonds and the bot didn’t know the answer, so we researched, found the answer and trained the bot to pick up key words – it’s never fully done, its iterative.”

Rentbot is programmed by a team of two self-taught developers, says Barlow. Their work is checked for accuracy by lawyers at Chapman Tripp, Russell McVeigh and Bell Gully, with Chapman Tripp taking the lead on the Renbot project. 

“None of our team are trained in computer science, and neither of them are lawyers either but we saw a hole in the market and tried to plug it. We have so many advisors and we get quite a lot of our legal information checked pro bono, which is really great,” says Barlow.

“We’re just trying to focus on the pros of Facebook,” he says. “It’s a great tool to democratise information and we really want to use the social side of social media. It can be hard to break out of the bubble but Facebook, used the right way, can be really useful to our target demographics that otherwise might not have access to legal research.”

Barlow points to the recent healthy homes legislation as a key area of success for Rentbot, saying the bot has been instrumental in informing Wellington tenants of their rights concerning the July 1 insulation deadline. That success has provided a proof of concept for the chatbot model. 

“It’s had hundreds of messages from hundreds of people, so it’s already helping people. It’s not a lawyer – it can’t represent you – but it can point out where something might be going wrong. The Rentbot has been live for a while and it’s now at the stage where it’s learned enough that it’s functional and useful. When you look for example at employment rights and employment law, there are so many areas where we could help people. It’s really exciting.”

Keep going!
From left: Magdalene’s Devi Asrami, New Naratif’s Kirsten Han and Frontier Myanmar’s Sonny Swe (images: supplied)
From left: Magdalene’s Devi Asrami, New Naratif’s Kirsten Han and Frontier Myanmar’s Sonny Swe (images: supplied)

BusinessJuly 9, 2019

The incredible vitality of Asian media told through five startups

From left: Magdalene’s Devi Asrami, New Naratif’s Kirsten Han and Frontier Myanmar’s Sonny Swe (images: supplied)
From left: Magdalene’s Devi Asrami, New Naratif’s Kirsten Han and Frontier Myanmar’s Sonny Swe (images: supplied)

One startup was banned by the government. Another founder was thrown in prison. Duncan Greive describes what he found on two trips to Asia earlier this year.

The moment I realised where I really was is etched into my mind. Kirsten Han, the editor-in-chief of New Naratif, was explaining the constraints under which her news organisation operates, and casually dropped this bombshell.

“We cover eleven countries in this region,” she said. “The highest ranked on the press freedom index is 95. And that’s East Timor.” 

It was March and I sat in a small lecture theatre at Singapore Management University, attending Newsgeist Asia, a conference organised by Google bringing together media people from around Asia and the Pacific. To this point I had been uncritically enjoying all the things which make Singapore hum – the density, the transport, the co-mingling of different cultures, the phenomenal ambition evident everywhere. 

I had only dimly thought about what it might be like to practise journalism there.

The reality is terrible: New Naratif is a bold startup publishing podcasts, comics and longform on socio-political issues throughout the region. It’s also banned in Singapore, where Han and many of its key people live, and its press is heavily scrutinised and directed by the government.

Alan Soon and Rishad Patel at the opening of Splice Beta (image: Jittraporn Kaicome)

Six weeks later I flew back to the region, to Chiang Mai, a gorgeous small city in Northern Thailand, for Splice Beta, another Asian media conference, this one entirely focused on startups. Many of the same people attended both, the best and brightest of the region’s innovators all there to learn and share.

Thailand (136) is higher than Singapore (151) on the press freedom index, but the difference is marginal. Coming from New Zealand (7), where what the government thinks of your work is something you rarely, if ever, contemplate, it was a lot to take in. 

Splice Beta was easily the most professionally nourishing couple of days I’ve ever had, and I’m very grateful to the Asia New Zealand Foundation for helping me attend. Run by Splice, itself a startup, which aims to be something like a Nieman Lab for Asia, helping media businesses large and small grapple with the new commercial reality for 21st century media in the region.

What I learned at Beta has profoundly shaped The Spinoff Members, a programme which allows readers to contribute to the growth and development of The Spinoff. I’ve also made friends and contacts with many organisations which have helped move us away from the more anglosphere-centric view I’d had before. 

Below I’ll briefly background five of the Asian startups I found most interesting and admirable.

Rappler – Philippines

Begun as a Facebook page in 2011, Rappler has gone on to become one of the most successful startups in the region, despite operating under unimaginable pressure. Founded and led by Maria Ressa, a veteran of CNN who was named one of Time’s people of the year in 2018, Rappler harnessed the explosive growth of social media for both news-gathering and distribution, and has become something like the de facto opposition to the ugly presidency of Rodrigo Duterte. Ressa has been subject to extraordinary persecution for her work: When I get back I’ll be arrested for a seventh time. I expect to lose every one of those cases,” she said in Singapore. That attitude, a refusal to allow ever-present danger impact your mission, was common to a number of those I heard speak.

The Ken – India

Rohin Dharmakumar is a former Forbes journalist who set up The Ken along with a pair of former colleagues. The site runs hard against the click-driven grain, with a model I love: publishing just one story a day, distinguished by an emphasis on deeply reported longform work on business, policy, healthcare and more. The site has a neat formula for growing its audience, publishing a daily email with sharp, voicey summaries of the day’s story, and giving away one story a week to subscribers. This list, which numbers over 75,000, is dominated by university students who will soon graduate and be able to afford a subscription.

From left: Malaysiakini’s Premesh Chandran, Magdalene’s Devi Asmarani, Frontier Myanmar’s Sonny Swe and Deal Street Asia’s Joji Philip (image: Jittraporn Kaicome)

Frontier Myanmar – Myanmar

During a roundtable organised by Facebook, I sat across from a lean, bald man named Sonny Swe, who spoke engagingly about his startup magazine, Frontier Myanmar. It was only later I learned that Swe spent eight years in prison for his work at the Myanmar Times, which was declared to have retrospectively broken censorship laws. “I had to keep hope,” he said of his time inside. “I wanted to get out and do it again.” Do it again! After nearly a decade in prison! He was the spirit of the new Asian journalism personified, hopelessly committed to his work regardless of the personal hardship he endured.

Magdalene – Indonesia

A strongly feminist publication operating in yet another profoundly difficult environment – more than 80% of Indonesian MPs are men, and women and LGBTQ+ people have few rights or legal protections.

Magdalene was reprented by its founder and editor-in-chief Devi Asmarani. It’s funded by a mixture of advertising, live events and merch, along with branded content – a topic Devi and I have exchanged emails on subsequently. It emphasises “the voices of feminists, pluralists and progressives, or just those who are not afraid to be different, regardless of their genders, colors, or sexual preferences.” 

New Naratif – Southeast Asia

No one impressed me more than New Naratif’s Kirsten Han, who literally wrote the book on the relationship between government and political journalists in her home country, due to both the complexity of her job and the creativity of New Naratif’s solutions to its many challenges. The complexity comes in part from geography, with New Naratif covering 11 countries and publishing in five languages. It’s compounded by having been banned in Singapore within months of launching, and its founder being hauled before a select committee. Yet rather than be cowed by the scale of what they face, New Naratif seems energised. 

The site is funded by members, and operates with an innovative hard paywall – the site requires a login, but members can share links with whomever they choose. Those reading see a banner atop the site letting them know the name of the individual who funded the link they’re reading. It has a relationship with its readers like no one else in media, with its audience translating its stories and transcribing its podcasts, bringing food to the office on late nights, and handing over cash in brown paper bags due to the risks of being associated with the organisation. It’s an example of the extraordinary level of innovation going on in the region, despite operating in circumstances unimaginable to us in New Zealand.

Duncan Greive attended Splice Beta thanks to a travel grant from the Asia New Zealand Foundation