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OPINIONMediaNovember 23, 2024

The Weekend: What would you march for?

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Madeleine Chapman reflects on the week that was.

When I was a junior writer at The Spinoff, Simon Wilson joined the team as Auckland editor. He’d been the editor of Metro for many years and was easily the most experienced journalist in the room. So if we both happened to be working late on stories, I’d pick his brain about his career and, eventually, his life.

One night, the topic of the 1981 Springbok Tour came up. I was not alive then and knew very little about it beyond the YA novels I’d read in primary school and occasional news articles on anniversaries of the protests. Simon was alive, and told me that he was part of a protest at Wellington Airport. In fact, he had run onto the runway. I was so shocked, mostly because I had never considered that Simon had participated in historic events, only that he had written about them.

As someone who did not grow up around protests, they always felt like another world to me. A world where people were so angered by something they were willing to paint signs, march in the streets and even get arrested to make their point. It surprised me to learn as a teenager that everyone in those protests was just a regular person who cared about something.

A lot of journalism work involves talking to people protesting something. It might be a 50,000-strong hīkoi or 100 workers striking. It could be a whole community advocating for their needs or just one family who’s been through a shocking ordeal and doesn’t want anyone else to experience what they have. Even those funny photos of residents with their arms folded, looking sternly at a cycleway, are protest shots.

Journalism is all about writers sharing other people’s protests, so it’s rather ironic that once you become a journalist, it’s frowned upon to be a protester yourself. As media, it’s easy to use work as a reason to stay away from protests in a personal capacity (even things as simple as an online petition) but the sheer volume of demonstrations this year has made me wonder what I, free from the rules of the media, would paint a sign and march in the street for.

Accompanying the hīkoi this week was a 280,000-signature petition to scrap the Treaty principles bill. It was suggested that this might be the biggest petition in New Zealand history. Turns out it’s not even close. Rather bleakly, the biggest petition ever presented to parliament was in 1985 and signed by a whopping 800,000 New Zealanders (though it was later suggested to be closer to 600,000). The cause? Opposing the decriminalisation of homosexuality.

For tens of thousands of New Zealanders, that would have been the first time they put their name in support of a cause. For many, it would also be the last. A single, public expression of opinion, their first time feeling enough fear or anger to protest.

The petition didn’t work, and I’m sure a huge portion of New Zealand was angry about it. But it’s interesting to note the sheer volume of opposition to something that would positively impact the lives of relatively few and not at all impact the lives of everyone else.

Something like the Treaty principles bill would affect every New Zealander in some way, but Māori would be impacted the most.

A new narrative in this week’s hīkoi was the massive growth in Pākehā participation compared to the foreshore and seabed one 20 years ago. I saw people posting from the protest who I’ve never seen post anything remotely political before, let alone show up in person at a demonstration. For many, it would be their first time having a reason to march. Will it continue?

This week on Behind the Story: The apology and the hīkoi

Last week, staff writer Lyric Waiwiri-Smith attended the Auckland event of the national apology to survivors of abuse in care. That historic event was quickly followed by another, with the nine-day hīkoi arriving in parliament to protest a number of government decisions, particularly the Treaty Principles bill. Lyric and Ātea editor Liam Rātana reported on the hīkoi as it passed through Auckland. As journalists, these were big stories, but as Māori journalists, they held an even greater weight and sense of responsibility to tell them in the right way. It’s a responsibility not shared by most other journalists in New Zealand, and one that can be hard to leave at work at the end of the day. Lyric and Liam join editor Madeleine Chapman on Behind the Story to discuss the apology, the hīkoi, and the challenge of separating work and life when your work involves reporting on your own lived experiences.

Listen here or wherever you get your podcasts.

What have readers spent the most time reading this week?

Comments of the week

  • On All 33 malls in Auckland ranked from worst to best

“Thoughts:

I felt sad to see the Plaza at the beginning (last place) of the list but fully understand why.  The roadworks ensure people can’t tell how to get in and I’m sure many think it’s already shut.  Always sad to see an old fave in a death spiral.  

While Manukau is mostly a very good mall, the thing it really lacks since Whitcoulls pulled out is a book/stationery shop.  It’s close to my work and convenient in every other way.  I thought mention was due to the Japan Mart and Rivendell, an odd little shop selling crystals and incense and tarot cards which has been there since I can remember (early 90s?).  I cannot believe how it just keeps hanging on.  If it ever closes I will wail. I don’t even buy anything there.  I just need it to be okay.”

  • On Was the hīkoi New Zealand’s largest-ever protest?

“After the hikoi I asked my 10 yr old son to  share me his reflections this is what he text me: ‘Mum this is my reflection on how it was today.’

What it was like to be at the hikoi:
So many people from other countries where supporting the hikoi to protect our culture from being destroyed tahi rua toru wha seymore is a hoha hoha hoha. I really enjoyed it although my legs were really tired but lots of respect for those who did the longer walk. It was really important to do this for future generations.”

Pick up where this leaves off

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A black and white photo of the large Christmas tree at the Rockefeller Centre in New York
The Christmas tree at the Rockefeller Centre in New York.

OPINIONMediaNovember 16, 2024

The Weekend: In defence of Auckland’s ‘incredibly’ expensive Christmas tree

A black and white photo of the large Christmas tree at the Rockefeller Centre in New York
The Christmas tree at the Rockefeller Centre in New York.

Anna Rawhiti-Connell reflects on the week that was.

This week I hosted The Spinoff’s Year In Review live event In Wellington. Everything went remarkably well, and you can attend the same (but maybe more refined) event in Auckland on December 11. The welcoming crowd in Wellington even wanted more of an opening bit I thought I’d designed to be deliberately awful and very short.

Hubris got the best of me, and I felt bold enough to slip in a line about it being legal to start playing Christmas music in mid-November. People booed. Only one person in the sold-out Hannah Playhouse agreed with me.

I love Christmas. I know a lot of people don’t, and have good reasons. I respect that but as someone who identifies as a hater, Christmas is when I get to shed the skin I mooch around in for most of the year and find joy by embracing seasonal traditions.

I also firmly believe there’s a bit of Christmas magic that belongs exclusively to children, and my husband and I haven’t been able to have kids. I used to think I was compensating for that in my embrace of traditions, both grand and very silly, but I now recognise it’s a core value, made manifest.

I think that in life, you get out what you put in, and that applies to your work, your relationships and your community. Participating in shared traditions is binding and offers moments of connection. At a time when hundreds of thousands of words have been spilled describing and defining a loneliness epidemic, and our sense of each other and the world is delivered secondhand via screens, connecting in real life, even fleetingly and over silly things, feels both crucial and under threat.

All of this is to say that when I heard about the Christmas tree being erected in downtown Auckland, my heart leapt.

That wasn’t how everyone reacted. Because it’s one of those things that cost money, “ratepayer” money at that, and it isn’t made of bitumen, it got “baulked at”, “criticised”, and Auckland Council was accused of “splashing the cash”.

Auckland Ratepayers’ Alliance spokesperson Sam Warren told the NZ Herald that the cost raised questions around spending priorities. “There’s no doubt the tree will look stunning – it should, given its incredibly high price tag,” Warren said.

“But considering the state of the books, and how everyone else has had to tighten their belts, it’s hard not to wonder if this is a ‘nice to have’ and not a necessity.”

The tree is going to cost $1.2m. No one clicks on a headline that says, “The council contribution is $400,000, which comes from the city centre targeted rate, a rate collected from residents and businesses in the central city, and not the wider ratepayer base”. “High price tags” for “nice to haves” are good for clicks, so that’s the angle that led.

As deputy mayor Desley Simpson articulated in a LinkedIn post, the city centre targeted rate take can only be spent on things in the central city. Heart of the City’s Viv Beck explained to RNZ that the cost was split three ways and that there is benefit for the many businesses who’ve had a tough year in attracting more people into the city during the biggest trading month of the year. Beck also pointed out that the tree is made of stainless steel and that it will be durable. Hopefully, the tree will have a long life ahead of it.

Even if it didn’t have a bunch of foot traffic KPIs (probably) attached to it to justify its brazen attempt to bring spirit and joy to the city, and was just a “nice to have” that might make people feel a wee bit more connected to each other, I’d still support the tree.

A couple embraces warmly in front of a festive store window.
New York on Christmas Eve on my honeymoon in 2018 (Image: Anna Rawhiti-Connell)

Auckland constantly talks about itself as an international city. It wants to play on the same stage as other big international cities. You know what a lot of big international cities have? A honking great Christmas tree in the middle of town just for looking at and gathering around. I’ve been lucky to have two Christmases in New York, and the streets heave on Christmas Eve as thousands go to look at the tree at the Rockefeller Centre and the lights along Fifth Ave.  

Hear me out, but some cities understand that big and spectacular things play a role in making a city feel big and spectacular. Big and spectacular things often beget more big and spectacular things, and weirdly they’re often quite good for making cities richer in more ways than one.

Bring on the tree lighting ceremony on November 23. Desley Simpson says the Auckland Council choir will be there (along with Anika Moa and Tami Nielson), and I reckon seeing that is not a “nice to have” but an absolute necessity. 

It’s been a grim and tough year for so many people. A honking great civic Christmas tree isn’t going to magic that away, but maybe traditions, both grand and very silly, have a role to play in manifesting the international city we want Auckland to be.

It turns out that there’s something I love even more than Christmas, and that’s the city centre targeted rate being spent on activating the central city.

This week on Behind the Story

Wellington editor Joel MacManus joins editor Madeleine Chapman to talk about his latest Cover Story, Inside the urgent race to solve homelessness in Aotearoa, and his time speaking to those on the frontline in the fight to solve homelessness once and for all.

Listen here or wherever you get your podcasts.

What have readers spent the most time reading this week?

Comments of the week

“I too used to send books to people who like to read and who appreciated good writing. People who liked to read and think about the future, in what are becoming increasingly uncertain times. Friends and recipients used to call me “the country library service.”  I’ve stopped doing it. Its too expensive.  The last straw with NZ Post (and I was a postman 50 years ago..) was seeing an older woman upset on the streets of Lyttelton because she could not afford to send her sister a birthday present. I wrote to the CEO of NZ Post…and heard nothing back. I guess its hard to live with the shame.”

— Gary McCormick

On the same story

”Love the post office! I need to get back in to writing letters…My friend’s supervisor did regularly used to post live bees (on account of studying said bees). She’d frequently get calls from AgResearch asking her to “please come and pick up your parcel IMMEDIATELY, the buzzing is scaring the receptionists.”

Pick up where this leaves off

Sign up for Madeleine’s weekly Saturday newsletterwhich includes more handpicked recommended reading, watching and listening for your weekend.