spinofflive
weekend-27-july.png

MediaJuly 27, 2024

The Weekend: If in doubt, go to the funeral

weekend-27-july.png

Madeleine Chapman rounds out Death Week on The Spinoff with a final recommendation.

You can read all of our Death Week coverage here.

Nothing forces you to reflect on your life and relationships quite like proximity to death. For those whose nearest and dearest have died, there are reasonably obvious steps – both logistically and emotionally – that one would expect to take in the days and weeks following. The next circle out (extended family, close friends) offer support and admin assistance where possible.

But for those even further out, it can be hard to know where it would be appropriate to say something or do something or even be present. What’s the etiquette if your friend’s mum passes away but you haven’t spoken to that friend in a while and never met their mum? Should you go to the funeral or would that be impolite since you lost touch? What about if a colleague from three decades ago dies and you read about it online? Would it be weird to suddenly show up when you had no idea what they’ve been up to for the past 20 years?

The answer to these and all questions is: go to the funeral if you can.

Unless the deceased or the deceased’s family actively dislikes you and you would ruin their day by being there, just go to the funeral. Or visit the family if there is a tangi or viewings before the service. It can feel weird or intrusive (naturally) to just show up, but funerals are not birthday parties. You don’t get invited and there’s no limit to how many people are allowed in.

Think about it from the other side. Imagine your loved one dies and at their funeral you see all these beautiful faces of people who knew them – people you had no idea existed but whose lives were touched in some way by your loved one. You wouldn’t be expected to talk to all of them but the option is there and you might learn something new about a life you cherished dearly. Or maybe you are experiencing one of the saddest days of your life and you look over to see some old familiar faces you haven’t seen in a long time, and they bring you comfort.

This is why you go to the funeral. There’s no test to pass to show that you should be there. And I’m certainly not advocating for showing up at strangers’ funerals. But if you’re ever feeling sympathy for someone and wondering whether or not you should go to the funeral – just go. It’s a few hours out of your day and while it might feel a bit weird or awkward to you – it’ll be the last thing on the grieving family’s mind. They’ll simply be comforted by your presence.

This week’s episode of Behind the Story

Deputy editor Alice Neville joins me on the show this week as it was big week of news on The Spinoff, with the release of the final report from the Royal Commission of Inquiry into Abuse in Care. It was breaking news but also something we knew was coming, which is a very particular type of challenge for a small team without any dedicated news reporters. Plus, Alice makes a case for the crucial work that the invisible sub editors do every day.

So what have readers spent the most time reading this week?

Comments of the week

“Damn you, Spinoff! I live in a provincial city where it is hard (not impossible) to find any decent eateries that do anything other than elevated pub grub. About six months ago you ran a story about the best Roti Canai in Wellington. It turned me into a mad scientist, I had to crack the perfect Malaysian chicken curry and roti in my kitchen due to not being able to find any where I live. It took months. My family begged me to stop. But I did it. Now I guess it’s back to the lab. I can already see the looks of horror on my wife and kids’ faces when I stumble through the door with an assortment of baguettes under my arm, a bag full of every different kind of pate I can find and a crazed look in my eyes. Poor bastards.” – Steve Steveson

“Personally, I wish someone could just wrap me up in a canvas shroud.  Then tie some big rocks together with sisal rope, attach them to the shroud and throw me over the side of a sailing boat in 100 fathoms (200 m).  No pollution, no water, no electricity, no expensive machinery and recycling my body back to Nature.” – Annie

Pick up where this leaves off

Sign up for Madeleine’s weekly Saturday newsletter (authored by me this week), where we add more handpicked recommended reading and essentially bundle everything up to land in your inbox at 9 a.m.

Keep going!
Duncans-Graphs.png

ĀteaJuly 24, 2024

Ten important things the first ever Where Are the Māori Audiences report tells us

Duncans-Graphs.png

The report commissioned by NZ On Air and Te Māngai Pāho shows a hunger for reo Māori content, despite Māori not using the platforms where that content is.

The first ever Where Are the Māori Audiences report has been produced, providing an independent snapshot into the media behaviours, preferences, and motivations of Māori in Aotearoa. The research highlights the challenges ahead for funders, content creators, and platforms in reaching an increasingly youthful audience. Commissioned by Irirangi Te Motu | NZ On Air and Te Māngai Pāho, the research takes a deep dive through both qualitative and quantitative studies conducted between February and May this year.

While the researchers acknowledge the data may differ from that carried out by different platforms, they hope it provides a valuable snapshot of the current preferences and trends among Māori audiences. The funding agencies have said the data will unlikely influence the criteria for current funding rounds but will provide some context and insights for future rounds. The collection of data, especially around the language impacts of funded programming, continues to be a key focus in the meantime.

What the research shows is that although Māori value te reo and seeing themselves and environments reflected in the content they watch, they’re not necessarily on the channels where that content exists. There is a disconnect between the demand and supply of high-quality local content, with a majority of the audience instead consuming content on major streaming platforms such as Netflix or YouTube.

1. Rangatahi Māori will make up a large proportion of the country’s future viewership

Nearly one in three New Zealanders under 25 are Māori. This demographic is not only growing but is also distinctive in its media consumption habits, which differ greatly from older generations. Their preference for mobile devices, streaming services, and gaming indicates a shift that media producers and platforms must adapt to in order to stay relevant. Engaging this demographic will be crucial for the long-term success of media content in New Zealand.

Rangatahi Māori will make up one third of the country’s audience.

2. Māori want shows with simple conversations in te reo Māori, even fluent speakers, but it isn’t a key factor in choosing the content they watch

The amount of te reo Māori in a programme is not the primary factor influencing Māori viewership. Māori audiences, including fluent speakers, prefer shows that incorporate simple conversations in te reo Māori over those broadcast entirely in the language. This preference suggests a desire for accessible and relatable content that integrates cultural elements without overwhelming the viewer. It highlights the importance of balancing cultural representation with broad mass appeal to ensure content appeals to a wide audience.

3. Gaming takes up the most time but watching videos online is the most prevalent activity

While watching online videos is the most prevalent activity, gaming takes up the greatest share of time, especially among younger Māori. On average, 15-24-year-olds spend 121 minutes gaming every day, more than any other activity in terms of time commitment. This indicates a deep engagement with interactive media and suggests that gaming is not just a pastime but a significant aspect of daily entertainment.

4. Whakaata Māori is struggling to capture a broader audience

Despite producing culturally rich content, Whakaata Māori faces challenges in expanding its audience base. The report indicates that about 17% of Māori who watch TV will tune in to Whakaata Māori and this figure nearly doubles among those with high reo fluency. The niche appeal highlights the channel’s success in engaging fluent speakers but also underscores its struggle to attract a broader audience. To increase its reach, Whakaata Māori will likely need to diversify its content offerings and enhance its presence on platforms frequented by younger Māori and those less fluent in te reo.

5. TVNZ rules the mainstream and Māori

TVNZ’s dominance in the mainstream and among Māori audiences is clear from the report’s findings. TVNZ 1 is the most-watched channel among Māori who consume live or recorded TV, highlighting its stronghold in the market. This widespread viewership is likely due to TVNZ’s diverse programming that includes news, entertainment, and culturally relevant content. For Māori viewers, TVNZ’s ability to deliver both mainstream appeal and local relevance makes it a preferred choice, cementing its position as a leading broadcaster in Aotearoa.

6. Māori prefer local content, but are mostly not on the platforms where this content is

While there is a clear preference for local content among Māori, the platforms they use do not always align with where this content is available. The report shows that Māori audiences predominantly consume international online videos, with platforms like Netflix and YouTube being highly popular. This disconnect means that local content providers need to find ways to make their offerings more accessible and appealing on these widely-used platforms. Bridging this gap is essential for ensuring that local content reaches its intended audience.

7. Captions are helping those with some proficiency in te reo to learn more

Captions in te reo Māori shows are proving to be a valuable tool for language learners. The report indicates that about 40% of Māori viewers use captions to help learn te reo, with this practice being especially common among those with some proficiency in the language. This suggests that captions can play a crucial role in language acquisition and retention, making content more educational and accessible. For content creators, incorporating captions could enhance viewer engagement and support language learning initiatives.

8. The higher the reo fluency, the more likely to watch NZ on demand

A clear correlation exists between reo fluency and the likelihood of watching NZ on demand content. The report reveals that those with high fluency in te reo Māori are more likely to consume on-demand content that includes cultural and language elements. This trend highlights the importance of providing high-quality, culturally relevant content on-demand to cater to fluent speakers. Content providers could leverage this insight to develop and promote shows that resonate with this engaged and discerning audience.

tiktok icon with cool shades watching a video while youtube and instagram icons look on in ENVY
TikTok is significantly more popular than traditional search engines and media channels among 15-24 year-olds.

9. Word-of-mouth is critical

Discovering new content among Māori audiences is heavily influenced by word of mouth, social media, and algorithms. According to the report, 64% of Māori rely on recommendations from friends and family, while social media platforms and algorithm-driven suggestions also play critical roles. This highlights the importance of a multi-faceted approach to content promotion that leverages social networks and digital algorithms. For media producers, understanding these dynamics can help in crafting effective marketing strategies that reach and engage Māori viewers. Funders like Te Māngai Pāho are continuing to place greater emphasis on marketing plans when it comes to funding applications and this trend is likely to continue.

10. TikTok is the new Google

The rapid rise of TikTok among Māori youth signals a profound shift in media consumption and search behaviours. The report highlights that platforms like TikTok, Instagram, and Snapchat are significantly more popular than traditional search engines and media channels among 15-24 year-olds. This demographic is increasingly turning to TikTok not just for entertainment but also for discovering new content, trends, and even news.

The trend highlights the weakening influence of traditional media such as TV, radio, and print, particularly among younger Māori. Traditional media usage is more prevalent among older Māori, but its overall influence is declining as digital platforms offer more personalised, engaging, and on-demand content. For content creators and marketers, this means shifting focus towards creating bite-sized, engaging content optimised for social media platforms to effectively reach and engage the next generation of Māori viewers.

This is Public Interest Journalism funded by NZ On Air.