The coalition leaders.
The coalition leaders.

OPINIONPoliticsApril 30, 2024

On the politics of vengeance

The coalition leaders.
The coalition leaders.

Last night’s dismal poll result for the coalition government shows the limits of trying to govern as an opposition, argues Joel MacManus.

There’s a quote from the American political activist Barbara Deming: “Vengeance is not the point; change is. But the trouble is that in most people’s minds, the thought of victory and the thought of punishing the enemy coincide.”

Anger is the single most powerful motivating force in politics. Any significant change needs a groundswell of anger to motivate and empower people to overturn the existing regime. Those of us in the media know this too; we can guarantee a lot of clicks when writing about something that outrages our readers. 

Good political strategists intimately understand how to tap into the issues that make people feel potent emotions. Those emotions aren’t usually anger, at least not at first. They might be indignation, worry, or the big one, fear. Whether the issue is co-governance, immigration or inflation, a skilled communicator can turn any root emotion into anger, as long as they can effectively identify and target the person or institution that deserves the blame. 

While in opposition, the three parties of this coalition government excelled at whipping up anger within their support bases, each in their own unique way. It worked, they won the election, and now they are in charge. 

Politicians with very clear, well-defined ideologies can channel the forces of anger subtly towards their preferred theory of change. But if you’ve spent your years of opposition whipping your voters into a frothy mess of red-eyed, spittle-spreading anger, they don’t want to hear about minor tax adjustments or wonky reforms. They want vengeance.

The coalition agreements for both Act and NZ First were written in ink dipped in the politics of vengeance. They said more about what they hated about the previous government than what form their own would take. It looked more like an opposition than a government, more about what they were against than what they were for.

The latest 1 News Verian poll shows National, Act and NZ First would be out of power if an election were held now, a catastrophic turnaround for a government elected just five months ago. It shows the limits of the politics of vengeance. When you’re in opposition, yelling from the outside about an economic or cultural elite seeking to control, manipulate or harm the country looks like punching up. It doesn’t work so well when you’re in power, especially in New Zealand, where a government’s power is as close to absolute as it gets. It just makes you look mean – or worse, pathetic.

On the campaign trail, Act Party leader David Seymour wanted to make 15,000 public servants redundant “as fast as possible”. This was explicitly pitched as an act of vengeance. “Government departments have made New Zealanders’ lives more expensive and divided them by race. They are tired of it, and so is Act,” read a party press release at the time. 

Now that the cuts are actually happening, it doesn’t look like righteous revenge against a woke cabal of insiders. It looks like thousands of regular New Zealanders losing their jobs, and tens of thousands more stressed about the possibility. 

In opposition, Act could attack a poet for being mean to James Cook, and it looked like an outsider targeting an out-of-touch cultural elite and the government that propped them up. Now they’re the party of the (shared) deputy prime minister, it looks like a powerful group bullying an individual artist for not toeing their ideological line.

Christopher Luxon doesn’t always reach for the same target issues as his coalition partners, but he falls into the same trap. He took over as opposition leader as the economic conditions were taking a turn for the worse, and he could simply hammer Labour by repeatedly accusing them of “economic vandalism”. Now as prime minister, Luxon still reaches for the same grab quotes at almost every single press conference. It’s still fair enough to blame the last guys, but the schtick is wearing thin. It looks more like weak excuses rather than effective attacks. This government is in power because they were good at being in opposition. But they aren’t in opposition any more. They’re the government.

Every party plays the risk of getting too excited and overpromising while in opposition, and then having to face up to those promises while in government. Labour in opposition seems to have forgotten it was in government half a year ago, and is once again making noise about wealth tax, immigration reform, light rail and all the other things it didn’t do while in power. In Labour’s case, multiple sweeping reforms across government proved more difficult than anticipated, and it couldn’t see through all its promises. In the National-led coalition’s case, they are fulfilling their promises. It just looks a lot harsher in reality.

‘Hutt Valley, Kāpiti, down to the south coast. Our Wellington coverage is powered by members.’
Joel MacManus
— Wellington editor
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Act’s arts spokesperson Todd Stephenson in front of his famous piece of art (Hamilton)
Act’s arts spokesperson Todd Stephenson in front of his famous piece of art (Hamilton)

PoliticsApril 30, 2024

A handy primer for arts spokespeople who know nothing about New Zealand art

Act’s arts spokesperson Todd Stephenson in front of his famous piece of art (Hamilton)
Act’s arts spokesperson Todd Stephenson in front of his famous piece of art (Hamilton)

What to say when pesky journalists ask gotcha questions like ‘can you name a single book you’ve ever read?’ and ‘did you read it, or did you just see the movie?’

This week, Act Party arts spokesperson Todd Stephenson foolishly agreed to an interview with Newsroom’s Steve Braunias regarding his alleged interest in the arts. During the interview, he struggled to name a single local writer, besides Alan Duff and Tusiata Avia, whose poem (or to quote Stephenson, “hateful-diatribe”) about Captain Cook sparked a furious Act Party press release in December last year, threatening the future of Creative New Zealand.

Perhaps it’s no surprise that a libertarian politician is against using taxpayer money to fund art. Maybe this is an area where corporate sponsorship could come into play. Possibly Eleanor Catton might consider teaming up with Fonterra and writing a science fiction epic, set in the trenches of the forthcoming dairy war. In fairness to Stephenson, he does mention he once attended a performance of Hamilton in New York with his partner, combining his two favourite genres, musical theatre and political biography. 

More surprising than Stephenson’s ignorance, is the fact he requested the arts portfolio. Even if your general stance on art is, I’m waiting for the Netflix miniseries, you should at least have the good sense to pretend to know what you’re talking about. So here’s a guide for aspiring politicians, on how to bluff your way through these hard-hitting interviews, riddled with difficult questions, such as “can you name a single book you’ve ever read?” and “did you read it, or did you just see the movie?”

Who’s your favourite New Zealand musician?

As many political parties know, this is a tricky one. We have a long and storied history of New Zealand politicians getting in hot water for using unauthorised music to support their political campaigns, only to have the band’s lawyer file a cease and desist. Recently Winston Peters was in trouble for his use of Chumbawamba’s Tubthumping. In 2017 the National Party was successfully sued by Eminem, for its use of “Eminemesque” in its 2014 election campaign.

Most local politicians, when quizzed on the subject of music, traditionally opt for Crowded House or anything someone in a bread commercial could conceivably mow their lawn to.  In my opinion, the best strategy is to pick someone universally beloved, who doesn’t give a lot of interviews. Take Bic Runga, for instance. You can’t go wrong with Bic Runga. She may not be ‘Hayek’s Road to Serfdom: The Musical’, but you can’t have everything. 

Nobody would blink an eye if you said this was your favourite NZ album of all time

Who’s your favourite New Zealand poet?

One of the things I’ve noticed over the years is politicians of all affiliations tend to share the same taste in poetry as ChatGPT. Namely, they like it to rhyme. 

For some reason, politicians are crazy about rhyme. They’re ravenous for it. They’ve reached the first milestone of phonological awareness, and they’re eager to share their findings with the wider world. The list of New Zealand politicians who have penned a satirical rhyming verse, or adapted ‘Twas the Night Before Christmas’ for a parliamentary audience is seemingly endless. In March earlier this year, David Seymour dropped an absolute clanger for World Poetry Day, rhyming “life” with “drive” and “remove” with “you” in a subtle nod to Emily Dickinson

These days, few contemporary poets outside of the Beehive rhyme. It might therefore be safest to defer to the reliable meter and agricultural observations of yesteryear. In this instance, you can’t go wrong with Denis Glover – poet, rugby player, yachtsman, alcoholic and raconteur. 

What have you been reading lately?

Reading novels is hard work. It not only requires time, but an active interest in the inner lives of others. Fortunately, I happen to be a children’s bookseller and know the easiest way to get reluctant readers to pick up a book is to find a subject close to their heart. Sometimes a Dorling Kindersley Star Wars Junior Reader is just the ticket to get those pages turning. 

To this end, I’d suggest picking up Milk Island by Rhydian Thomas. A daring and eerily prescient novel, set during a fifth term National government, about a public-private partnership between the New Zealand dairy industry and the prison system. It’s marketed as a dystopia, but isn’t one man’s dystopia just another man’s Elysium? 

What are you watching?

Todd Stephenson was never more right when he said (petulantly) “Creative things are on TV”. And yet these are precarious times. Shortland Street’s future lies in the balance, as do many other local programs struggling to secure the ad revenue needed to survive. Rather than raising awkward questions about the future of our film and television industry, perhaps it’s easier to default to the archive. 

My vote is for The Tribe. A roving gang of teenagers in a post-apocalyptic, virus-infested wasteland, free from the shackles of government interference, living together in a decaying shopping mall, inventing new kinds of technofascism. Terrifying or aspirational? You be the judge. 

The Tribe, a classic New Zealand TV show

What’s your favourite New Zealand movie?

For a perfect fusion of commerce and art, you can’t go past Lord of the Rings. Who could have predicted a British fantasy epic about a fictional race war would represent the single greatest boost to New Zealand’s tourism industry? Not only did it spark a thriving trade in promotional mousepads and keyrings, but it also removed the ability of film and television workers to unionise. Sure, the books have a lot of inconvenient messaging about the perils of wide-scale deforestation and ecological destruction. But the movies gloss over all that, and focus on what’s really important: famous men fighting each other with magical swords. 

Who’s your favourite New Zealand artist?

Art! Not only is it nice to look at, but it’s a great way to launder money, and can make a great addition to your investment portfolios. The only difficulty is in telling which art will be worth something in the future, and which is just meaningless blobs of paint on canvas. 

For those wanting to buy low and sell high, I’d consider investing in the work of Caitlin Devoy. Her stunning latex renderings of phallic recorders and BDSM light switches would not only look fabulous on the walls of Premiere House, but make a great conversation starter for visiting foreign dignitaries. The only problem is you’d have to put them away when Steven Joyce came over for lunch. 

This would look great on the wall of Premier House (post-renovations of course).

It can be difficult, as a politician, to speak about areas you don’t feel confident in, even when those areas are literally your job. Imposter syndrome affects people from all walks of life, especially imposters. Sometimes the best advice is to fake it till you make it. You don’t have to have read the complete works of Janet Frame in order to command respect. You just have to tell people you’ve read the complete works of Janet Frame. After all, who’s going to check? But just to be on the safe side, I wouldn’t return any more of Steve Braunais’s calls. Good luck!