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Do you pay the top dollar for YouTube Premium? Sure, but it’s bang for your buck. (Image Design: Bianca Cross)
Do you pay the top dollar for YouTube Premium? Sure, but it’s bang for your buck. (Image Design: Bianca Cross)

Pop CultureMay 2, 2022

Hear me out: YouTube Premium is the best-value streaming service

Do you pay the top dollar for YouTube Premium? Sure, but it’s bang for your buck. (Image Design: Bianca Cross)
Do you pay the top dollar for YouTube Premium? Sure, but it’s bang for your buck. (Image Design: Bianca Cross)

Stop skipping that one-month free trial offer – ad-free YouTube is worth every cent, argues Sam Brooks.

It’s 2022 and subscriptions are piling up. I’m currently subscribed to two food boxes, around 10 Substacks, three magazines and a monthly wine service. It’s a lot, but at least with most of these I know exactly what I’m getting – if you subscribe for food, you get food; if you subscribe for wine, you get wine.

Streaming services, not so much. You might know what’s available on a streaming service when you sign up, but it’s a mystery what’s coming down the pipeline – or what’s getting ditched from the library. If you want (legal!) access to all the new TV coming out, let alone the old TV you don’t already own, you’d need subscriptions to at least 10 separate streaming services. Our new-to-streaming round-up alone includes Netflix, Neon, Amazon Prime Video, TVNZ on Demand, Apple TV+, Disney+ Acorn and Shudder, and that’s not even every one you can subscribe to in this country.

I don’t think there is a best streaming service – they all serve different functions. But the best value for money streaming service? For me that’s simple: YouTube Premium.

Sick of YouTube ads? This could be you. (Photo: Getty Images)

My decision to spend $15.99 a month to subscribe to YouTube Premium came after a terrifying late night experience.

I’ve fallen asleep to YouTube videos for years, finding the sound of their chatter preferable to my own inner voice. Often it’s gentle-voiced men playing video games – these videos tend to be quite long, so I’d usually fall asleep well before they finished, or before any ads even played.

That is until one night in 2019, when I woke up to an ad nine minutes into an Among Us tutorial. I sleepily clacked a few keys and skipped the ad.

When I lay back down to sleep, I wasn’t listening to the next video. No, I was listening to my inner voice, at full volume: “How many ads have you subliminally consumed in the past few years? What deep recesses of your subconscious are occupied by the rules of free-to-play games you have no intention of playing … yet?”

That morning, after I awoke to more gentle-voiced men playing video games, I clicked the “Premium” button on YouTube and entered my credit card information. Over 5,740 hours – that’s 239 days – of streamed content later, I haven’t looked back.

Pictured: Me watching ad-free YouTube Premium. (Photo: Getty Images)

Removing ads from your YouTube experience is the obvious reason to pay for Premium. Whether you use the site as background noise or have channels you avidly follow, the last thing you want is a HelloFresh ad with your favourite New Zealand comedians popping up halfway through and ruining the ambience. For people with kids who love to watch hour-long videos of heavy machinery this is an especially strong selling point.

Another major benefit of Premium is that it allows you to play videos in the background on your phone, like Spotify or your preferred podcast app. You can use this feature to enjoy some of the many songs that aren’t available anywhere else, like this Spice Girls and Disturbed mash-up, or download videos to watch offline, a feature I recently used to rewatch Kate Bush live performances on a plane. Your own choices may vary.

If you want to ditch your Spotify or Apple Music subscriptions altogether, YouTube Music comes as part of the base Premium subscription and has a larger music library than either of them, with many non-official performances or remixes of songs in addition to the 70 million-odd song library shared by pretty much every major streamer. I’ve also found that the algorithm tends to be more targeted than either Spotify or Apple Music, by which I mean that unlike those platforms it has yet to recommend me any songs by a RuPaul’s Drag Race contestant.

Finally, because I am a saint awaiting canonisation, I upgraded to Premium’s family plan and gave one of my family plan slots (there are four) to a friend who has recently given birth. In a move almost certain to remove me from canonical consideration, I intend to dole out the rest of these slots slowly, to those who have earned my favour, like Olivia Colman in The Favourite. If you’re on a Premium family plan you can do the same, or just use it for your actual family, like a normal person.

There are some downsides, of course. I can’t watch the new RuPaul’s Drag Race on YouTube Premium, although I can watch the 1,000-or-so recap/rucap shows and try to glean an understanding of what happened. It should also be noted that YouTube is a major conduit of harmful misinformation and lacks the kind of quality control that other paid streaming services have. However it also doesn’t have full episodes of Glee, so maybe it all evens out.

Since subscribing to Premium, I’ve paid roughly $550 and watched (or slept peacefully through) 5,740 hours with not one single ad. At around $1 for every 10 hours watched, that’s what I call bang for my buck.

Elemental-Nights

Pop CultureMay 2, 2022

Jungle, Dope Lemon and Nadia Reid: Here’s your first post-omicron festival lineup

Elemental-Nights

Music festivals are back in business and here’s the first – a mid-winter event called Elemental Nights.

It’s a mid-winter party. It’s bringing UK dance act Jungle to New Zealand. It’s pairing Nadia Reid with the Auckland Philharmonia Orchestra. It’s getting Aucklanders out onto the dancefloor at a time of year when many prefer to hibernate.

Elemental Nights, an eight-night lineup of local and international artists performing across Auckland this July, is all of that, and more. But it’s also something else, the first post-omicron music festival to be confirmed in Aotearoa. That in itself is a reason to celebrate.

“It feels like a long time coming,” agrees Renée Hermsen. While gathering restrictions were in place to curb the spread of Covid-19 variant omicron, with venues being shuttered and many working from home, the Live Nation promoter was keeping busy booking venues, securing artists and building her dream festival line-up.

This morning, her first lineup announcement dropped. Across eight nights in July, Elemental Nights includes performances by Australian surf-crooner Dope Lemon, New Zealand’s Reb Fountain, Ireland rapper Biig Piig, UK singer-songwriter Tom Misch and American performer Oliver Tree.

Along with Diggy Dupé and Friends performing The Panthers soundtrack, each act will perform in either the Auckland Town Hall or the Auckland Concert Chamber as part of the city’s two-week  cultural festival Elemental AKL.

After months of secrecy, Hermsen couldn’t be happier to finally be talking about it. “We are incredibly excited,” she says. It’s the first of what she hopes, Covid-permitting, will be a jam-packed year of live music. “Elemental Nights will kick off … an incredibly busy, exciting and fun rest of the year.”

Now in its third year, Elemental Nights puts local and international acts on iconic or under-used venues around Auckland. “It’s generally a fairly quiet period,” says Hermsen. She’s trying to “bring people out to see something special and see something different in the middle of winter when it’s coldish and darkish”.

Her first two Elemental festivals were blighted by Covid. “The first year was supposed to be July, 2020, just after everything kicked off. That was moved to October.” Last year’s event was marred when the travel bubble with Australia closed. “We had to cancel five out of the eight Australian acts  … we got three in at the last minute.”

Now, she gets to do it properly. “This year we will get to realise what we set out to do from the beginning.”

It’s the start of what’s looking like a huge year of music. Following Elemental Nights, more than a dozen acts from Australia’s Splendour in the Grass festival will cross the ditch to perform here, including Tyler, the Creator, Wet Leg, Liam Gallagher, Maxo Kream and Tierra Whack.

Then the return of arena and stadium shows really kicks off, with performances by Billie Eilish, Dua Lipa, Ed Sheeran, Alanis Morissette, Backstreet Boys, Lorde, Elton John and Justin Bieber heading into summer and 2023.

Australasian promoter Paul Dainty recently claimed a “traffic jam” of artists was coming our way. It’s something echoed by Hermsen, who, at Live Nation, works to bring some of the world’s biggest artists down under. “We’re going to be bringing out a lot of artists and shows that have been in the works for two to three years now,” she admits.

“It’s going to be a jam-packed winter. All venues are going to have the lights on, and shows on, pretty much three, four, five nights a week. Get ready.”

But it all kicks off with Elemental Nights. Among the festival’s must-see shows are Jungle, who Hermen calls “infectious … so much fun”. Nadia Reid with the APO is “a match made in heaven”. And she promises more big names are on their way.

“It feels really good right now, similar to what we saw in 2020 when we came out of the first big lockdown, when everyone was like, ‘Yes, let’s go.'”

The full lineup:

Dope Lemon, July 22, Auckland Town Hall
Nadia Reid + APO, July 24, Great Hall, Town Hall
Biig Piig, July 25, Auckland Concert Chamber
Oliver Tree, July 25, Auckland Concert Chamber
Jungle, July 26, Auckland Town Hall
Tom Misch, July 28, Auckland Town Hall
Diggy Dupé & friends present The Panthers, July 28, Concert Chamber
Reb Fountain, July 29, Auckland Town Hall

For ticketing information, pre-sales and more information, visit www.elementalnights.com.