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Ah, memories: The author as a child, bringing up the rear at her school’s athletics day (Photo: supplied)
Ah, memories: The author as a child, bringing up the rear at her school’s athletics day (Photo: supplied)

SocietyAugust 8, 2021

The unmitigated joy of never again having to do athletics day

Ah, memories: The author as a child, bringing up the rear at her school’s athletics day (Photo: supplied)
Ah, memories: The author as a child, bringing up the rear at her school’s athletics day (Photo: supplied)

As the Olympics come to a close, Sharon Lam reflects on another proud Kiwi sporting tradition she’d rather forget. 

As the swimming events at the Olympics gave way for track events last week, I felt the familiar feeling that it was in error that humans ever left the primordial soup. After watching smooth, triangular shark-people swoop left and right across a cerulean screen, the muddy brown lanes and bipedalism of athletics appeared alien, harsh.  

When a discus thrower appeared on screen, I felt two things. Firstly, awe, at the spectacle of people who have entire lives built around the throwing of an object. Secondly, cringe, at the flashbacks of my own abysmal attempts at throwing said object. The cringe extended itself into memories of a dread that had punched each year of my childhood with annual precision. That is, the Antipodean horror of athletics day.

Athletics days were obviously not designed by someone who was bad at athletics. If you want to have fun while being bad at something there is bowling, sex, the alto saxophone. Not 100m sprints. If not already clear, I was useless at athletics day. Completely, absolutely, shit. How the teachers kept a straight face when they saw me waddle up to take my turn, I have no idea. Shotputs would land at my feet. Once, they started the next race before I had made it to the finish line. Even the novelty events were a tragedy, as I tripped over gormlessly in a musty old sack.

I was even bad at the downtime between events. Athletics days were one of the only days of the year when houses were physically segregated. Of course, all my friends were in green and I was in yellow. In the too hot sun, I’d sit in a pastorally cordoned-off line, trying to fit in with second-tier friends. Mentally, I’d be counting down with worry how many more events I had to plod through.

This is not to say that I didn’t try. Before the day itself, PE classes would switch into athletics mode. Each year, my idiotic self would scrounge up some sad glimmer of hope that I had grown stronger or taller and would finally be able to not completely fail. I’d stand in line as our class waited to do high jump, nerves worsening as it got closer to my turn, clenching my shins in a wishful attempt to awaken some hidden genetic ability. I’d watch as Caitlin, Elliot, Hee Jae, took turns in succeeding to run and jump over the pole, and I would try to imprint their movements into my own muscle memory. When it was my turn, I would “run”, mistime my jump, and crash into the mattress, feeling the pain of the pole against my genetically inactivated shins. And so this scene would repeat the year after, and the year after that, and the year after that.

Whenever athletics day came around, teachers and children alike already knew who was good and who was not. The day itself would just formalise this with points and whatever it was that the winners received. A certificate? A trophy? Self esteem? I wonder if us terrestrially-challenged children were more of a hindrance to the competent ones. Would we have been better off having a day off school? Chances for daytime television and a hot lunch were rare in childhood!

The divide in kids’ physical abilities and inevitable embarrassment hasn’t gone unnoticed. Some schools in the UK now have “non-competitive” sports days, where there are no individual events or awards. While this may be well intended, in practice seems useless. Anyone who has been 11 years old knows that as long as there are a group of children doing some kind of movement of their limbs, they’re going to know who’s better than others, regardless of adults giving them awards or not. I would also like to think that all my time spent losing in front of others year after year as a child at least set me up well to lose in front of others year after year as an adult. Perhaps we will have to wait for the “non-competitive” children to grow up and see how they face their own adult losses.

Just like the Olympics, Athletics Days teach us how to win, and lose (Photo by Matthias Hangst/Getty Images)

Today, my journey of adapting to life on land continues. I have even started jogging. The other day my jogging took me through my old primary school field. It felt smaller, as it rightly should have; the sands of time shrink all that was once monumental. But the signifiers were still there – the shallow pit that would be filled with sand for the long jump, a slightly flatter area of grass where the high jump mattress was dragged out, the rugby posts that demarcated the sitting area. 

I wondered if there were others who passed through this field with different memories. Imagine: 8am on a weekend morning, strolling by in athleisure and a golden retriever in tow. “That’s where I beat Ashley in the sprints,” one would say to their physically proportional partner. “That’s lovely, dear,” they would reply, “I was the best shot-putter in Year 8.” “Yes, I know, that’s why I married you.” And then the two would laugh the laugh of winners. 

There was no one else around the day I visited, though, and in the ghostly pantheon of embarrassments I found a sense of peace. None of this mattered any more! How nice it was to not be 10, 11, or 12! It was a sweet pocket of adulthood – running alone, unwatched, unambitious, unbothered. 

As the winter wind picked up, I wished I could pass this unbothered feeling through space and time like a relay baton (not that I would know the feeling of that) to the me who had agonised in that very same place. A reassurance to her that her suffering won’t be for nothing, that no matter what happens in the future, you will always have this for comfort: that one day, you will never have to compete in an athletics day ever again.

Keep going!
Taylor Swift parties
(Image / Bianca Cross : The Spinoff)

Pop CultureAugust 7, 2021

How pop star club nights took over our music venues

Taylor Swift parties
(Image / Bianca Cross : The Spinoff)

One night, one club, one globally famous music artist: Stewart Sowman-Lund celebrates the rise and rise of pop parties dedicated to a single star.

“Please note this is a tribute party to celebrate the music of Taylor Swift on a dance floor. Taylor Swift will not be performing at this event.”

I’ll admit the first time I saw the words “Taylor Swift” and “Galatos” in the head of a Facebook event, my heart skipped a beat. Could the world’s biggest pop star be braving the world of Covid-19 to perform in an intimate venue just off K Road? Well, for a ticket price under $20 – of course she wasn’t. But something almost as good was happening. 

Since Covid-19, hopes of seeing superstars like Swift live in New Zealand have been largely put on hold. Sure, promoters are continuing to claim that Harry Styles will be heading down under in 2022 but honestly I’ll believe it when I see it. Big names like Elton John and My Chemical Romance bumped their shows to 2023 when the pandemic hit and others like Green Day cancelled altogether. But with the pause in international tours has come the rise of pop parties, possibly the second best thing to actually seeing your favourite singer live. 

Taylor Swift, on repeat (Image / Superficial)

Over the past 12 months, Facebook events advertising club nights exclusively dedicated to artists like Swift, One Direction, Drake and 5SOS have been popping up seemingly every weekend. This enthusiasm has extended to pop-themed brunches, with booze-fuelled mornings dedicated to artists like Lady Gaga and the Spice Girls. The first events seem to have been more nostalgic, focusing on artists from the 2000s. But they’ve since expanded beyond that: there are two parties coming soon for pop newcomer Olivia Rodrigo, despite her only having released one album.

And it’s not just happening in Auckland; over the past year, Taylor Swift parties have been held in Wellington, Dunedin, Christchurch and Queenstown. I’ve been to two separate Taylor Swift parties, in the same venue, hosted by different companies, over the space of about six weeks. They have no live singer, no dancers, no spectacle. Just a DJ who looks like they’d rather be somewhere else and a dance floor of diehard fans. 

So what actually happens at a pop party? It’s incredibly simple: you’re only going to hear music from the one featured artist. Everything from the singles to the fan favourites, from bonus tracks to remixes. You might see people in costume or wearing their favourite band tee. And, most importantly, unlike a standard night out in town, everyone knows every song and almost every word. It’s an electric yet wholesome vibe and the closest you’ll get to the feeling of being at an actual concert.

Tom Cumming from Superficial, one of the companies running these events in New Zealand, says there has been increased demand since the pandemic. “There’s a whole new generation of people who turned 18 during lockdown but weren’t able to go out and party for so long,” he says. “We first started our artist specific nights with Taylor Swift, Ariana Grande and Lizzo nights and to our surprise they were sold out within minutes.” They recently completed 36 back-to-back sold out Taylor Swift nights, and are now planning even more.

Along with a post-Covid desire to get out and dance with real people, Cumming reckons the formula of only playing one artist all night is a big drawcard for attendees. “How many times have you been at a nightclub and wished the DJ would just play better music, or at least something you knew the words to?” 

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Taylor Swift fan Tim, who has been to one club night with a second booked in, knows that feeling all too well. “This is the time when all the songs you wished would come on in the club actually do,” he says, calling it the “next best thing” to actually being in a mosh pit. One Direction superfan Lucy similarly jumped at the chance to attend a party dedicated to the boy band, comparing the vibe to a school disco. “At the beginning everyone is huddled together in their little groups, warming up, because it’s weird to see your classmates – or fellow stans – out of hours,” she says. “But when the music plays everyone loses their inhibitions in a really wholesome way.”

For Gwen and Bianca, both devoted Swifties, the parties are a safe space. “There’s no fear of judgement,” says Gwen. “It’s guaranteed that I will know and love every song they play and there’s just a general feeling of shared love and belonging in the room.” Bianca agrees: “It’s the type of thing teenage me always dreamed of doing but was robbed of due to it not being ‘cool’ enough – whatever that means. So now as an adult, free from the imposter syndrome of adolescence, I’ll take any opportunity I can get.”

There’s also something special about going to one of these events as an adult, says Gwen. “It’s more fun now because it has a sense of nostalgia. I don’t think it would have been as cool when I was 16.”

It’s not just the fans that are happy. The events have provided welcome relief for venues struggling with a lack of touring artists. Galatos’ event manager Andrea says the venue has hosted “way more” nostalgia nights over the past 12 months. “It is a chance for people to let their hair down and be a bit silly, dress up in a theme, go out in a group with their mates, dance and sing along all night to the songs of their favourite artists,” she says. “People still want to come out and hear their old faves, I don’t know what it is, but hearing songs from your past brings back all sorts of memories.”

To someone who’s not a superfan, the appeal of these events could be hard to grasp. But with Covid-19 already overstaying its welcome, and New Zealand pop fans starved of live music, we’ll take anything we can get. Even if it’s a DJ with a Spotify playlist at Galatos.

The end of the night vibe (Image / supplied)