Supporters listen as US President Donald Trump speaks during a Make America Great Again rally in Green Bay, Wisconsin, April 27, 2019. (Photo credit: SAUL LOEB/AFP via Getty Images)
Supporters listen as US President Donald Trump speaks during a Make America Great Again rally in Green Bay, Wisconsin, April 27, 2019. (Photo credit: SAUL LOEB/AFP via Getty Images)

OPINIONSocietyOctober 11, 2020

I love my family. My family love Trump

Supporters listen as US President Donald Trump speaks during a Make America Great Again rally in Green Bay, Wisconsin, April 27, 2019. (Photo credit: SAUL LOEB/AFP via Getty Images)
Supporters listen as US President Donald Trump speaks during a Make America Great Again rally in Green Bay, Wisconsin, April 27, 2019. (Photo credit: SAUL LOEB/AFP via Getty Images)

‘Silence is complicity’, they say. But what do you do when speaking up could irreparably damage the relationships you value most?

It was the Facebook post that did it. I normally don’t go there, at least on that social media platform. I go on Facebook for fun, and to keep connections warm. Going political sours all of that and, frankly, activates algorithms I don’t want to be included in. Beyond the desire not to be politically manipulated in that way, scientific studies suggest you can’t effectively influence opinion by challenging deeply held political beliefs, even when you can provide clear contradictory evidence.

So why stir things up if it won’t actually accomplish anything? I don’t get a thrill out of conflict like some seem to.

That said, there is an election coming up in the US, my homeland, and even before the recent protests reached a crescendo I was starting to hear a drumbeat that seemed to sync with the beating of my heart: silence is complicity.

And so I did it. I spoke up. I chose a Washington Post article that compared data about the spread of the coronavirus with statements by President Trump (particularly interesting in light of his recent diagnosis). In my Facebook post I asked, politely, “Please don’t vote for this man.”

I held my breath before hitting “post” because I knew there would be a reaction. But not acting, for fear of sparking a backlash, meant abdicating my right to participate in a democratic society. Algorithms be damned.

The reaction was swift and in some instances bruising. I was told to “butt out” because I don’t live in the USA anymore. Even though I’m a dual citizen, still file US taxes and the majority of my family lives there.

I was “unfriended” and labelled a “hater”. However what disturbed me wasn’t the labels or the name calling. It was about how deeply personal politics has now become, a particularly painful challenge when it exposes a nerve: the tension between loyalty to family and other deeply held core values.

A campaign supporter reacts as candidate Donald Trump signs her button during a campaign event in Nevada, March 2016. (Photo: Ralph Freso/Getty Images)

When I was a child, I would weep when we left my father at home to spend summers with extended family. It felt like my heart might never heal. The same scenario would play out when we’d pile in the car and return home to him, but leave everyone else behind. It seemed like we lived a world away, and I was afraid our close connection might fade away.

Why does family connection feel so precious, so special – and yet so fragile? Because, ideally, on some deep level it’s where we feel safe, understood, accepted, loved. And the danger of losing that connection, for whatever reason, threatens our sense of self, happiness, emotional stability and security.

But today, increasingly, our sense of warm connection to loved ones is being challenged in fundamental ways, as one American woman revealed in a searingly honest personal essay about disagreeing with her father, an ardent Trump supporter. After reading about her experience, I’m beginning to understand how families ended up on opposite sides in wars or alienated for generations.

With the stress of the global pandemic, and political polarisation only deepening, it’s highlighting how many of us are living with this increasing cognitive dissonance. We are beginning to question whether people we care about deeply might not really know us at all, or if we have fundamentally different values. And it’s not just happening in the US.

The shock of that realisation can feel like a virtual slap in the face. When that divide becomes so crystal clear, it seems almost impossible to know how to navigate forward.

As soon as I posted the article on Facebook about Covid-19 data, a family member messaged back, warning me not to believe everything I read. And they were right, to an extent. In this era of sophisticated disinformation campaigns, it’s important to remain alert to how easily we can be fooled. But I built a successful career on reporting, research and a concerted effort to remain objective. I have a trained editorial eye. When that family member messaged me, that was apparently ignored or forgotten. Another message from a loved one claimed the media is at the heart of a Deep State conspiracy. Again, I spent 20 years of my life in the news business.

While I’m no longer a practising journalist, I still see the world through a journalist’s eye. I observe, do my best to draw the right lessons, and try to make it all make sense. But now the field I dedicated so much of my life to is being denigrated; journalists are being vilified and sometimes even beaten. The media is being called an enemy of the people by a sitting president.

Rising above is getting harder to do. I feel like one of those cartoon characters with round eyes open wide – I keep rubbing them as a little squeegee sound effect plays in the background, trying to make sure what I’m seeing really is happening.

Donald Trump at the rally in North Carolina where the crowd chanted ‘Send her Back’ about US Rep Ilhan Omar (Photo: Getty Images)

In response to that fateful Facebook post, someone also used the term TDS, or “Trump Derangement Syndrome”. It was a phrase I hadn’t read before, but it opened my eyes even more.

“Derangement” is a powerful word. It perfectly captures the lens through which one side sees the other right now. Ironically I was surprised when I read that TDS is most often used by Trump supporters to describe anti-Trumpers. A Psychology Today article even characterises it as a “folk category” of mental disorder based on an extreme “fear and loathing” of the 45th president. I recognise TDS in myself at times, and I try to fight if it rears its angry head: when I have a visceral reaction, a feeling of anger or disgust.

I realise this kind of reaction means I need to step back and engage my prefrontal cortex. At that point I ask: What’s triggering me? Am I overlooking anything? Am I considering other perspectives? I try to talk it out with someone. This takes a concerted effort: it requires a heavy virtual doorstop to keep an open mind and apparently a secure ego. As a research professor at USC put it, “to consider an alternative view, you…have to consider an alternative version of yourself”. That’s a tall order but a critical skill we all need to master if we want to find a way forward.

Continuing to approach discussions like head-on confrontations, pitting one set of deeply held beliefs against another, doesn’t lead to progress. It only deepens polarisation. People start digging in. Tensions heighten and hearts harden. And if I “win” my political point, I may rupture a relationship forever.

This feels like a zero sum game. To me, that’s too high a price to pay – even with loved ones who stand firmly on the other side of the political fence. So I’m agreeing to disagree, even if it requires that I disengage. Even though that feels a lot like giving in.

Maybe it’s a deeply ingrained sense of duty, or perhaps a childlike idea about what family really is. I can’t really answer the question: other than by blood or by marriage, what actually makes family my people? But family still feels fundamental to who I am.

By deciding not to engage, I know that some might accuse me of not being strong enough to consider an “alternative version of myself” or to prioritise my political ideals. But I wonder, is the only way to create change in society by sacrificing relationships for our beliefs? What about the deep psychic pain that causes? Isn’t not inflicting pain a value too? Or is it simply social conditioning?

I know I’m not the only one having this silent debate. It’s happening around the world. Many are wrestling with their consciences as society struggles to progress.

Still, in the midst of all of my questions one argument seems always to rise to the surface. As the authors of a study on political beliefs put it, “Few things are as fundamental to human progress as our ability to arrive at a shared understanding of the world…human knowledge and human cooperation depend upon such feats of cognitive and emotional flexibility.”

Flexibility. There’s a powerful word. Flexibility means opening our minds, elevating our discourse, debating respectfully, actively trying to understand and sometimes taking a step back.

And how about cooperation? There’s power in that word too. It means working to preserve even the tiniest shred of common ground.

I’ve always recognised the role of agitators on the edges of society: their more extreme actions nudge the needle in the centre toward change. I deeply respect those who choose to stand firm on their ideals and values at great personal cost. But they are part of a larger equation.

Progress also requires cultivating the flexibility to forge a peaceful way forward, together.

And maintaining the peace to preserve the love within my family is where I feel compelled to start.

Keep going!
Image: Sonya Nagels/The Spinoff
Image: Sonya Nagels/The Spinoff

SocietyOctober 11, 2020

How roller skating became the sport of the year

Image: Sonya Nagels/The Spinoff
Image: Sonya Nagels/The Spinoff

Few hobbies have captured the mainstream imagination in 2020 quite like roller skating. Jihee Junn explores the many reasons why. 

Just down the road from Auckland’s Glenfield mall is the ActivZone Indoor Sports Arena, an inconspicuous-looking building which, many years ago, used to be a Chipmunks play centre. These days though, it’s the self-proclaimed “home of skating on the North Shore” where a large, grey oval rink – along with about a dozen ping pong tables – now occupy its central hall.

When I visit the arena on a late Monday morning, a beginners roller skating class for adults is about to start. It’s a small group of 10, but that’s because it’s mid-September and strict gathering limits are still in place. On any other day, according to Macarena Carrascosa, such a class would typically be double, even the triple, the size. 

“The fact that I’m turning people down because I can’t fit them on the rink is just crazy,” says Carrascosa, a former competitive roller skater-turned-recreational coach. “In 2018, when I first started doing my adult classes on a Friday night, I used to get like six people. But at the end of last year, it really picked up and I was getting like 30 people every night. Then, at the start of this year, it just blew up.” 

Taking the rink (Photo: Sonya Nagels)

While coaching has long been a part of Carrascosa’s career, recreational skating is something she only started teaching in 2018 when she noticed its popularity among new adult skaters start to pick up. “I realised there were a lot of people wanting to start skating who were older. They kept coming to our classes but then just leaving because it was all kids [at the time].” Now, all her classes are primarily aimed at adults who just want to skate for a bit of fun, with students coming in from as far south as Ōtara and as far north as Whangaparaoa.

“In New Zealand, there’s only really club (artistic roller skating) and derby. There’s nothing that’s a little bit of everything, which is what I’m aiming for,” she says. “All my classes are recreational skating. They’re not for competition – they’re just for the sake of learning new things.”

Right now, recreational roller skating is back in a big way. While its popularity has been steadily growing over the years, the last few months has seen an explosion in growth. From March to May this year, web searches for roller skates skyrocketed to a five year high worldwide, particularly in the United States, United Kingdom, Australia and New Zealand. Not surprisingly, skate companies have seen an enormous surge in demand with brands like Impala selling at astronomical rates and the ever-popular Moxi having to open a whole new factory just to try and keep up. 

(Photo: Sonya Nagels)

In New Zealand, Wellington-based skater Tania Beckett, who runs online retailer Aotearoller, says she still has customers waiting for their Moxi skates to arrive since April this year, adding that outdoor wheels and certain helmets and padding have completely sold out as well.

“With supply struggling to meet demand, it’s making it increasingly difficult to run a small business,” says Beckett, who also goes by her roller derby name, Tino. “I’m faced with the possibility that if things don’t change I might not have anything to sell. It’s fantastic, but I only wish the gear was constantly available to sell so we can get more skates on feet.”

While the mainstream resurgence of roller skating throughout history is hardly new, it’s most recent revival has been widely attributed to 2020’s defining event: the Covid-19 pandemic. Stuck at home with little to do, people started picking up roller skating as an excuse to go outside and get moving in a way that didn’t involve running or squats. Conveniently, it’s also an activity well-suited for today’s socially distant era, especially since many large public spaces emptying out. And unlike a lot of individual sports like tennis, golf or swimming, roller skating doesn’t necessarily need a dedicated facility – anywhere with a smooth, flat surface can basically be turned into a rink.

Nostalgia has also played somewhat of a role in its rise. Not only are cultural trends from the 70s and 80s back in vogue (see: flared pants, disco pop, the mullet), but those eras also hark back to a seemingly less complicated time when smartphones, Covid-19 and a President Donald Trump didn’t exist. Indulging in nostalgia can feel comforting and reassuring, especially when it’s something like roller skating which is generally considered just a fun, wholesome thing to do.

Pastel rainbow Impalas (Photo: Sonya Nagels)

Another crucial component in all this has to do with a certain social media platform called TikTok. With people spending even more time than usual online, TikTok’s growing wave of cool, fashionable, sun-kissed roller skaters have been privy to an amplified audience of millions worldwide. Arguably, the most famous of these skaters is 29-year-old Ana Coto whose vibe and aesthetics have struck an aspirational chord with TikTok’s young followers, many of whom have since been inspired to pick up skates for the very first time. And despite only having started posting videos in February this year, Coto has already amassed a following of more than two million fans – the sort of growth that didn’t go unnoticed by Carrascosa.

In March during alert level four, Carrascosa started posting roller skating tutorials on TikTok which she filmed from the balcony of her locked down home. While she’d never used TikTok before, she quickly picked up the basics and was soon racking up tens of thousands of views. To date, her most successful video – a short clip of her skating in a flowy jumpsuit to Fleetwood Mac’s ‘Dreams’ – has been viewed more than 250,000 times.

“I saw how quickly people’s audiences were growing and I thought ‘I need to get on this’ because I knew this was going to make my classes grow,” a strategy which worked not only for her free online classes but her real-life paid classes as well.

Macarena Carrascosa (Photo: Sonya Nagels)

“I have a bit of imposter syndrome actually, like ‘why are people coming to learn from me?’ But at the same time it’s very cool to see such a huge online community finding me on TikTok and actually coming to my classes. I’ve never seen that before.”

At the Monday morning beginners class, TikTok is mentioned by several of the younger skaters, including Madison Randall who tells me about how, back in April, she stumbled onto one of Carrascosa’s TikToks. Not long after, she purchased her first pair of skates and started teaching herself some basic moves from tutorials online. “I’ve been skating for a few months now but this is my first actual class,” she says as a playlist of 70s and 80s hits echo through the room. “It’s cool we get to learn from someone who went to world championships, you know?”

Closer to home, The Spinoff’s in-house designer Tina Tiller also took up roller skating over lockdown. She doesn’t use TikTok but she does use YouTube and says she watched tutorials from skaters like Dirty Deborah Harry to hone her skills. “I knew I wanted skates since I was, like, seven years old. I’ve skated before, but not on quads [since] I didn’t have the option – they weren’t as easy to find and they were expensive,” she says. “But then, when I started watching YouTube videos, I thought ‘fuck it, i’m just going to do it! I’m just going to grab them!’ So I went on North Beach and bought Impalas [in April]. They were on sale too so it was meant to be.”

Madison Randall (Photo: Sonya Nagels)

For newcomers, it’s clear Impala skates are the roller skates of choice. Launched in Melbourne in 2017, Impala was started by a group of young women looking to bring back “the yesteryears of skate”. Since then, its brand of bright, retro and – most importantly – affordable quads starting at $150 has been credited with helping democratise the sport to a whole new generation of would-be skaters. In addition to Impala, which arrived in New Zealand late last year, is a brand called Gallaz which is stocked at Number One Shoes. Owned by the Globe International, which also owns Impala, Gallaz skates replicate its sister company’s bold, colourful aesthetic and are sold at an even cheaper price of $120. 

“Impala has really made it mainstream,” says Carrascosa, whose vast majority of students also sport Impala’s colourful array of skates. “I don’t think you can solely say it was them, but they were definitely a factor because there have never been skates under $200 before. It’s a brand new thing to be able to have accessible, affordable skates at that mark. Nowadays people can go to North Beach and Number One Shoes and just pick them up because they’re on the shelf, and that’s never happened before in my lifetime.”

But, as with most things that come with a cheaper price tag, there’s a catch. Despite their attractive designs, numerous skaters have reported serious quality issues with Impala skates, namely to do with the heel of the shoe separating in a matter of months, even weeks, of use. Tiller, who purchased her pair back in April, says hers have already started falling apart.

Tina Tiller and her Impalas getting ready for a quick skate (Photo: Sonya Nagels)

“They’re so bad, the heel on mine is coming off already,” she says, adding that she’s currently looking to buy a pair of Moxi skates as a replacement. “I was helping glue [my friend’s] skates together just the other day and she got them after I got them. She’s been through something like two pairs of skates in the time that I’ve had mine.”

“The thing is, Impalas are a cheap skate that gets you into the sport, but they’re not made to last,” says Carrascosa, who says hers ripped after just two hours of use. “It’s a consumerism thing. They’re not making skates that are quality and are made to last – they’re making skates to sell and they don’t even sell parts or tools [for repairs]. They’re literally made for wearing and chucking out.”

Carrascosa admits that for her, the situation is a bit of a catch-22: although she’s loath to promote the brand, she knows its affordability is responsible for a large part of what’s attracted new roller skaters to her classes. “For someone who’s just starting out, you can’t tell them to spend like $600 on skates which, for years, was always the problem with roller skating, even for kids … But because I don’t have an alternative to offer right now, I’m saying ‘yeah sure, go buy Impala’ knowing that I don’t want to support them.”

That paradox within the skate community eventually led to Aucklander Mackenzie Hudgeon to start a local skate rental initiative called Crazy Eights as a less wasteful alternative. Hudgeon, who started skating last year after seeing Carrascosa perform at a disco party, had experienced first-hand how poorly Impala skates stood the test of time. “My pair had a plate mounted crooked and the boot started separating from the heel. They’re cute but not built to last,” she says. “I started Crazy Eights as a way to get people into roller skating without having to drop serious cash first or deal with crap skates. Rink rental skates are often old and poorly maintained too, so I bought a bunch of really high-quality skates that people can rent while they save up for their dream pair, cutting out that transition period of using dodgy skates that most people go through.”

Promo shot for Crazy Eights featuring Hudgeon, front centre, and Carrascosa (Photo: Madi Collis)

Uniquely for a sport, roller skating in all its forms – artistic, derby and recreational – is dominated by women. There’s no definitive answer for why women are so prominent, but there are a few theories floating around. In 2018, the New York Times posited that roller skates in the modern age had become “an accessory of female empowerment”, a new form of “feminist uniform” encapsulated in films like Whip It and Boogie Nights.

“When on skates, women are encouraged to use their bodies in ways they’ve never been encouraged to do before, bucking patriarchal norms,” the article noted. “Women aren’t there to please men. They’re not there for the male gaze. They’re in gear that works on the roller rink or on the street. They’re looking good for themselves. They’re dressed for themselves.”

Meanwhile, Carrascosa offers a similar yet slightly alternative theory: “So many other hobbies and sports are male-dominated. Even with things like chess and video games, women have to fight for a seat at the table. So while there are men in roller skating, they’re not dominant, so it’s like the one thing [women] have.”

Making the rounds (Photo: Sonya Nagels)

Over the last few decades, roller skating has generally been perceived as a safe haven for marginalised groups, including women, the LGBTQ+ community and, in the US, the Black community. In fact, the connection between African-Americans and adult skate nights is deeply linked to the country’s wrenching history of segregation which is explored in the HBO documentary, United Skates. That history is also touched on in this now viral TikTok from 20-year-old Black skater Toni Bravo reminding people that, despite the visible prevalence of white skaters on the platform, Black culture and roller skating share a long and storied history that deserves acknowledgement. 

For Carrascosa, she has her own gripes with TikTok’s superficial bent. Pointing to her most viral video as an example, she says the most successful videos tend to be ones that look cool but technically do the least. “The things that go viral aren’t the ones that I put a lot of thought into. It’s just me skating around and doing nothing,” she says. “People talk online about how the simple dumb moves get the most likes and views and it’s those moves that the white people are doing because they haven’t been skating for as long as the Black community has. So they go viral and [the Black community] are like ‘we’ve been here doing this! we can do way better shit than what you’re doing!’”

Despite these issues, today’s emerging wave of skaters are a diverse bunch with no signs of slowing down. Tino from Aotearoller says the heightened interest in recreational skating has translated not just into an increase in sales, but also an increase in participation for her sport of choice: roller derby. “My local league is currently training up an intake of 20 people, and they haven’t had numbers like that since 2013,” she says, adding that at one event she recently helped run, she found herself coaching up to 80 people on how to skate. 

“I think roller skating has been slowly making a comeback over the last five years, it’s just taken a Covid-19 to make it go boom,” she says. “I think the extra time and climate of the world has made people go ‘I’m gonna do that thing I’ve always been wanting to do’. In the last month, I’ve also received emails from people in their 50s saying ‘I used to skate way back. I want to pick it up again’.”

At the beginner’s class, one of the older women I talk to says it’s her first time skating in more than 30 years while another tells me she picked up skating not just because she wanted to try something new, but because she wanted to show her young son that really, if you put your mind to it, you can do anything you want, even in your 40s, 50s and beyond.  

For hire (Photo: Sonya Nagels)

With borders closed and travel restrictions in place, freedom of movement is more limited now than at any other point in our lifetime, but that hasn’t stopped us seeking out personal freedoms on a more micro-level. There’s a simple, expressive joy to something like roller skating – it’s no wonder people have gravitated to it in times like these. Pandemic or no pandemic, life goes on.

And despite her reservations with certain skate brands and trends, Carrascosa says she’s thrilled so many new people have started embracing the thing she loves most, however late to the game they might be. “I’m super grateful that people are finding me now, but I’ve been here. I’ve been doing this for ages! But I’m glad people have finally caught on.”