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Tim and Arty celebrate their win (Photo: Three; additional design by Tina Tiller)
Tim and Arty celebrate their win (Photo: Three; additional design by Tina Tiller)

Pop CultureNovember 16, 2021

The Block NZ’s Tim and Arty on their record-breaking win: ‘It’s surreal’

Tim and Arty celebrate their win (Photo: Three; additional design by Tina Tiller)
Tim and Arty celebrate their win (Photo: Three; additional design by Tina Tiller)

Tara Ward speaks to The Block NZ 2020 winners about being underdogs, keeping secrets, and their astonishing win.

Tim Cotton and Arthur “Arty” Gillies are sitting in a newly renovated townhouse in the Auckland suburb of Point Chevalier. It’s auction night on The Block NZ and host Mark Richardson is sitting a safe two metres away, while on a screen behind him, a Ray White NZ auctioneer is about to change Tim and Arty’s lives forever.

Eighteen months of blood, sweat and tears on The Block NZ has come to this: a group Zoom and a socially distanced party for three inside a fancy house with great indoor/outdoor flow.

Tim, Arty and Mark Richardson go with the flow on auction night (Photo: Three)

The opening offer is $200,000 over Tim and Arty’s reserve. Three minutes of fierce bidding follows, before House Four sells for $2.825 million, giving the best mates a profit of $660,000. It’s a record breaking amount, far surpassing the $380,000 profit set by 2016 winners Sam and Emmett. Tim and Arty don’t know it yet, but they’ve just won The Block NZ.

“Our hearts were just racing the whole time, my palms were so sweaty. We were sitting on that couch for what felt like an eternity,” Tim tells me over Zoom, the day after the grand finale screened on Three. “Once that initial bid came in, it washed away all that fear and dread that we’d been hanging on to for so long. We’re just shell shocked. It’s surreal.”

Tim and Arty ride the wave (Photo: Three)

It’s not a bad result for two blokes in their 20s who hadn’t renovated a room before they went on the show. Unemployed and “in a bit of financial strife”, Tim signed up for The Block NZ and managed to persuade “sucker” Arty to join him. Arty wasn’t convinced, but the pair moved from one stage in the audition process to the next until there was no turning back.

Having no construction experience, Arty was initially daunted by the experience. “You’ll notice in the first episodes I’m just standing there on the side like I don’t know what I’m doing here,” he says. “But it was fun to be on TV together to begin with.” Then the first Covid-19 lockdown hit, the show was postponed for a year, and everything changed. “When we came back this year after the Covid break, we’d invested a lot more into the whole experience. It was like, now we need to make this count.”

Tim and Arty on The Block NZ (Photo: Three)

Covid-19 restrictions meant the auctions – usually filmed live in front of a large audience – had to be pre-recorded and held online. The quieter atmosphere didn’t dampen buyer enthusiasm, with the other three teams selling their homes for profits of $590,000, $478,000 and $422,000. The same pandemic pressures that caused the season to be delayed and postponed proved to be a strange blessing, meaning The Block NZ houses were selling at the apparent peak of a runaway housing market.

Given the capital growth of properties in Point Chevalier rose 29.6% in the past 12 months, Tim and Arty were pleased their property had a relatively low reserve of $2.165 million. They loved House Four from the start because of its privacy and natural sunlight, and were surprised no other team wanted it. “Maybe that was because we painted the first room green, and that put everyone off it,” Arty jokes.

This year’s success is in stark contrast to last season’s grand finale, when three of the four teams failed to win a single dollar on auction night. Tim feels for those teams. “We know the struggle and the amount of effort that goes into actually just completing this,” Tim says. “You put your reputation on the line as much as your body, so yeah, we’re just overwhelmed, eh.”

That’s more like it: Tim and Arty’s winning kitchen (Photo: Three)

Tim and Arty’s own reputations took a hit early on, after their first room was slammed by the judges. “We definitely got portrayed as the kind of halfwit underdogs who came in with not much hope,” Tim says. They embraced their role as the class clowns, bringing a much needed sense of silliness to the season and even gifting House Three a large black and white nude photograph of Tim to adorn the walls. “If the new owner wants me to autograph that, I can,” Tim says.

But between the wacky challenges and dress-ups, Tim and Arty got the job done. The pair grew in confidence and began to win room reveals, and were thrilled the judges voted their house the best on the block. By the time The Block NZ finished, Tim and Arty had proved they had the skills and perseverance to achieve great things. All they needed was to sell the house.

The house also comes with a bath (Photo: Three)

Anything can happen on The Block NZ auction night. Tim and Arty had to sit through three more auctions, knowing the other teams could still beat their huge profit to win The Block NZ and claim the extra $100,000 in prize money. It wasn’t until the fourth and final auction stalled that Tim and Arty knew they’d won. “We’re so stoked that the other teams pushed it really close and all made a good amount,” Tim says. “They’ve been so good to us along the way, so we’re sharing in their success as well.”

Then came the biggest challenge of all: keeping their massive win secret for a week. They told no-one. Still in Auckland level three lockdown, the pair used Tim’s birthday as an excuse to celebrate with their flatmates and then went for a surf. “There were just the two of us out there on our own, just having glances at each other and just like ‘argh’. It was unreal,” Tim says.

Sunday night’s episode gave them a chance to celebrate again, this time with their families during a special outdoor screening. “We were trying to be subtle, filming the moment our families saw the house hit $2.4 million straight off the bat,” Arty says. “It was cool to see that and know we were going to pull through, and just hold those poker faces a little bit longer.” Those reactions were made sweeter by the difficulties created by several lockdowns, with Arty having resigned from his job to appear on the show and Tim living in seven different homes over the last year and a half.

Lovely planting and a very nice fence (Photo: Three)

Tim and Arty know this win will change their lives. “That was the realisation we had in that moment during the auctions,” Arty says, while Tim reckons they never anticipated having such a sum of money at this point in their lives, having both been “dawdling along”. They’re keen to use their winnings to invest outside of Auckland, to travel and then do up their new property over summer. “We’re pretty keen to get on the ladder as soon as we can,” Tim says.

Tim and Arty did the mahi and got the treats, and their friendship appears undamaged by the pressures of reality TV. “The closest we got to an argument was when I wore some sort of long johns and shorts and Tim was questioning my dress sense,” Arty says. They’ve been mates since they were 10, and reckon that despite its many challenges, The Block only helped their friendship to blossom.

“It’s hard to really put into words how tough it is,” Tim says of the whole experience. “I think we stayed true to ourselves as well, which is a big thing for us, we didn’t want to get too corrupted by The Block. Reality TV can be a hard one to come out on the good side of.” Looking back, there’s no regrets. “We’re pretty proud of what we achieved.”

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The iconic roles of the legendary Melanie Lynskey. (Image Design: Tina Tiller)
The iconic roles of the legendary Melanie Lynskey. (Image Design: Tina Tiller)

Pop CultureNovember 16, 2021

Heavenly creature: A celebration of Melanie Lynskey’s most iconic roles

The iconic roles of the legendary Melanie Lynskey. (Image Design: Tina Tiller)
The iconic roles of the legendary Melanie Lynskey. (Image Design: Tina Tiller)

Ahead of the premiere of new Neon drama Yellowjackets, Sam Brooks looks back at the storied career of the series’ star, and New Zealand acting legend, Melanie Lynskey.

Melanie Lynskey as Pauline Parker and Kate Winslet as Juliet Hulme in Heavenly Creatures.

The dastardly daughter: Heavenly Creatures

If you’re reading this and you don’t know what Heavenly Creatures is, reassess your life decisions. Hell, if you’re reading this, have seen Heavenly Creatures, but haven’t considered a duo Halloween costume inspired by it, also reassess your life decisions.

Arguably the best film Peter Jackson ever made, Heavenly Creatures is a retelling of the notorious 1954 Parker-Hulme murder in Christchurch, starring Lynskey as Pauline Parker and Kate Winslet as Juliet Hulme. It’s a tremendous watch, thanks in particular to the two towering performances at its centre.

I couldn’t bat for Lynskey’s performance in this harder. It’s one of the most impressive screen debuts ever, a then 15-year-old Lynskey embodying a Pauline who is constantly dancing in and out of the realms of self-knowledge. The closer she gets to Juliet, the better she feels but the less she actually understands, and vice-versa. The drama of the movie is in their friendship and what results, but the beauty of it is in Parker’s doomed journey of self-discovery.

Melanie Lynskey as Gloria in Coyote Ugly.

The (best) best friend: Coyote Ugly

Look, this one might be just for me. But if you haven’t watched this uplifting 2000s drama then you should get onto it! It follows Violet (Piper Perabo, at her pipiest), a wide-eyed Jersey girl who moves to New York to make it as a pop singer but who ends up working at a Western themed bar. Hijinks, friendship and setbacks ensue.

Melanie Lynskey plays the lead character’s best friend, Gloria, and her performance has all the hallmarks of her best work. She fills the screen with life, and even though she’s only in a few scenes, you sense that the deep love she has for Violet reaches back far beyond the start of the movie, and will continue long after the credits roll.

Melanie Lynskey as Rose in Two and a Half Men.

The one who never got away: Two and a Half Men

Two and a Half Men – which ran for a whopping 12 seasons and nearly 300 episodes, even amid some truly weird cast changes (Ashton Kutcher replacing Charlie Sheen, sure!) – might not be your cup of tea. In this day and age, a laugh track is akin to listening to French tips dragging down a blackboard. I get it.

But regardless of what you think of Two and a Half Men, it’s hard to deny how integral to the series is Melanie Lynskey’s strange, offbeat performance as sometimes girlfriend, sometimes stalker Rose. I can’t speak to later revelations in the character – it’s best not looking up what happened in the finale – but during the middle seasons Lynskey peels back the deeply strange layers of Rose to reveal the sweet, sad, lonely soul at her core. It’s a credit to Lynskey that Rose is probably the show’s most memorable character, all these years later.

The quietly tortured wife: Togetherness

Justice for Togetherness! This HBO series about a married couple (played by Lynskey and Mark Duplass) and their very tight inner circle was as delicate as a falling leaf. It was immensely profound and generous in how it detailed the shifting dynamics of even the most intimate group. It shouldn’t have just had another season, it should be still running now.

Alas, two seasons are all we’ve got, but they’re gifts in themselves. The show’s biggest asset, you won’t be surprised to learn at this point, is Lynskey. In the series’ standout episode (‘Advanced Pretend’), Lynskey plays against her inherent warmth, filling the space between her and her husband with ambiguity and years of things unsaid. She was rightly nominated for a Critic’s Choice Award for Best Supporting Actress for the role.

Melanie Lynskey as Rosie Thomson in Mrs America. (Photo: HBO)

The right hand: Mrs America

Cate Blanchett is one of those actors who the camera simply eats up. If you were holding a phone in her general vicinity, you’d end up pointing it at her due to her pure magnetism.

That’s why Lynskey’s performance in Mrs America is so notable and worth singling out: She’s holding her own against one of The Greats™. Mrs America took a tense, fascinating view of Phyliss Schlafy, arguably one of the architects of the failure of the Equal Rights Amendment, casting her as villain protagonist and encouraging us to interrogate the reasons behind her near cartoonish evil. Blanchett amped up Schlafy’s sliding surfaces, deferential when necessary and firm when absolutely pushed.

Lynskey’s performance as Rosie Thomson, one of Schlafy’s right hand women, stands in for a lot of Schlafy’s followers: women won over by Schlafy’s charisma, women scared of change, and women who silently questioned whether they were doing the right thing or not. It’s the ideal “supporting” performance, casting a different light on the lead character, while also giving a window inside her own character’s struggles.

The survivor: Yellowjackets

This new series follows the saga of a team of top-shelf high school girl soccer players who become the survivors of a plane crash, deep in the wilderness. Yellowjackets cuts back and forth between their struggle to survive with (and against) each other, and the lives they attempt to put back together nearly 25 years later.

Lynskey plays the adult version of Shauna Sheridan, who seems like the most reluctant of the survivors. In the trailer, she spits through gritted teeth: “We agreed: Say no more than we had to. The truth is the plane crashed and a bunch of my friends crashed. Then the rest of us starved, and scavenged and prayed until they finally found us.” Based on that alone, you can tell it’s one of Lynskey’s meatiest roles yet, and I can’t wait to see her get into the acting ring with fellow heavyweights Christina Ricci, Juliette Lewis and Tawny Cypress.

Yellowjackets starts on Neon today. A new episode will be available each Tuesday at 1pm.