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Three book covers on a dark blue background.
Three new homegrown books on this week’s bestseller chart.

BooksApril 4, 2025

The Unity Books bestseller chart for the week ending April 4

Three book covers on a dark blue background.
Three new homegrown books on this week’s bestseller chart.

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington.

AUCKLAND

1 Sunrise on the Reaping by Suzanne Collins (Scholastic, $30)

More of that good Hunger Games stuff: this time, a prequel starring young Haymitch.

2 Careless People: A Story of Where I Used to Work by Sarah Wynn-Williams (Pan UK, $40)

“Sarah Wynn-Williams begins to get a sense that she isn’t in for a normal life when, at 13, she is munched by a shark.” So begins Julie Hill’s review of Careless People that you can read the rest of right here on The Spinoff.

3 The Let Them Theory by Mel Robbins (Hay House, $32)

The good people of Good Reads have typically mixed responses to this blockbuster of the self-help genre. Like this from Dr Linda Tucker: “The introduction is sufficient to grasp the concept. It’s not that compelling. Useful, yes. Worth a book? No.”

4 The Vegetarian by Han Kang (Portobello Books, $28)

Way back in 2015 Daniel Hahn wrote a review of this novel – the first of Kang’s to be translated into English – in The Guardian. Here’s a segment:

“The Vegetarian is a story in three acts: the first shows us Yeong-hye’s decision and her family’s reaction; the second focuses on her brother-in-law, an unsuccessful artist who becomes obsessed with her body; the third on In-hye, the manager of a cosmetics store, trying to find her own way of dealing with the fallout from the family collapse. Across the three parts, we are pressed up against a society’s most inflexible structures – expectations of behaviour, the workings of institutions – and we watch them fail one by one. The novel repeatedly shows the frictions between huge passion and chilling detachment, between desires that are fed and those that are denied. With such violence in these characters’ internal worlds, and such a maddening external impassiveness, those inner passions are bound to break out somehow, and it won’t be pretty.”

5 See How They Fall by Rachel Paris (Moa Press, $38)

A new crime novel from former lawyer Rachel Paris is about rot at the core of a dynastically wealthy family. Books editor Claire Mabey had a good chat to Paris about where the book came from, how she developed her characters, and why she set the story in Sydney.

6 Martyr! by Kaveh Akbar (Picador, $38)

Another poet turned novelist! Akbar is a phenomenal and generous writer and Martyr! was one of the most celebrated and talked about books from America last year. Here’s the opening of the review in The New Yorker:

“A novel with the title ‘Martyr!’ arrives on the scene preloaded and explosive. The word is fraught, even more so now than when the book’s author, the Iranian American poet Kaveh Akbar, chose it. There’s humor in the exclamation mark, but there’s something else, too. It signals that Akbar is fascinated with words in action, words that someone has reached for in a state of excitation, like joy or deep grief. The shouter of “Martyr!” bears something within him which he is determined to force the word to express. But the title’s punctuation ironizes or undercuts this intention, as if to suggest that language signifies in ways that are impossible to control. In Martyr! Akbar plays this struggle — the struggle to make words mean what you want them to mean — for laughs, but he’s also deadly serious.”

7 Becoming Supernatural by Joe Dispenza (Penguin, $37)

Just going to let the publisher’s blurb speak for this one:

“Becoming Supernatural marries some of the most profound scientific information with ancient spiritual wisdom to show how people like you and me can experience a more mystical life.

Readers will learn that we are, quite literally supernatural by nature if given the proper knowledge and instruction, and when we learn how to apply that information through various healing meditations, we should experience a greater expression of our creative abilities.

We have the capacity to tune in to frequencies beyond our material world and receive more orderly coherent streams of consciousness and energy; that we can intentionally change our brain chemistry to initiate profoundly mystical transcendental experiences; and how, if we do this enough times, we can develop the skill of creating a more efficient, balanced, healthy body, a more unlimited mind, and greater access to the quantum field and the realms of spiritual truth.”

8 Orbital by Samantha Harvey (Jonathan Cape, $26)

Last year’s starry Booker Prize winner.

9 Remarkably Bright Creatures by Shelby Van Pelt (Bloomsbury, $25)

That beautiful novel about a woman who makes friends with a giant Pacific octopus and they solve the mystery of her missing son.

10 Nesting by Roisin O’Donnell (Simon & Schuster, $40)

The latest from the renaissance that is happening in Irish fiction. Here’s the blurb:

“On a bright spring afternoon in Dublin, Ciara Fay makes a split-second decision that will change her life. Grabbing an armful of clothes from the washing line, Ciara straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe.

It was meant to be an escape. But with dwindling savings, no job, and her family across the sea, Ciara finds herself adrift, facing a broken housing system and the voice of her own demons. As summer passes and winter closes in, she must navigate raising her children in a hotel room, searching for a new home and dealing with her husband Ryan’s relentless campaign to get her to come back.

Because leaving is one thing, but staying away is another.”

‘Hutt Valley, Kāpiti, down to the south coast. Our Wellington coverage is powered by members.’
Joel MacManus
— Wellington editor

WELLINGTON

1 Sunrise on the Reaping by Suzanne Collins (Scholastic, $30)

2 Vividwater by Jacqueline Owens (Four Elements Press, $35)

Karen McMillan reviewed this new local dystopia over on NZ Booklovers. Here’s a snippet:

“Vividwater is set in Wellington and it perfectly imagines a future world that is sort of functioning like the corporate, office-based world we know at this time. In this future world, society hasn’t yet collapsed and people are still keeping up appearances, going to their offices if they still have work. But this is now a society where water is not just a way to stay alive. For those who have plenty, it is a sign of wealth and status.”

3 Careless People: A Story of Where I Used to Work by Sarah Wynn-Williams (Pan UK, $40)

4 Orbital by Samantha Harvey (Jonathan Cape, $26)

5 Without Fear of Favour: A Life in Law by Sir Kenneth Keith (Te Herenga Waka University Press, $70)

A handsome new book for anyone interested in New Zealand’s judicial system. Here’s the publisher’s blurb:

“Sir Kenneth Keith draws on the entirety of his illustrious career as a lawyer, teacher, judge and judicial reformer.

Without Fear or Favour begins with fundamentals: who does what and how, the sources of law nationally and internationally, constitutional principles and values, and time and the law.

Keith then moves on to consider the growth (and retreat) of the law, with chapters on the roles of international law in our constitutional and legal system, te Tiriti o Waitangi, bringing law to bear on governments, and protecting human rights.

Part three considers the law of negligence and piracy, the actions of public authorities, the disclosure and protection of information, the writing and reading of law, and litigating and judging.

Finally, Keith turns to the future. What roles will the legal academy, the law and lawyers play as we face the major challenges ahead?”

6 The Let Them Theory by Mel Robbins (Hay House, $32)

7 Dream Count by Chimamanda Ngozi Adichie (Fourth Estate, $38)

Adichie’s latest novel is being both celebrated and criticised in reviews so far. Alexandra Jacobs gives Dream Count a fulsome analysis in the NY Times. Here’s a chunk:

“Dream Count is innovative in its concentric form, more jotting than plotting, roaming flashbacks, nothing easily resolved. But there’s something faintly old-fashioned about its feminism, the better-off gals gathering to ‘swim in cocktails.’ Men tend to exist on a long sliding scale of badness — from good but boring, to desirable bounders, to sexist C.E.O.s and all the way to outright pillagers. Chia rejects a steady-seeming boyfriend, Chuka, though he’s great in bed, and longs for an emotionally absent, pretentious academic named Darnell, who talks about things like ‘the reification of the subjective neo-racial paradigm.'”

8 Ministry of Time by Kaliane Bradley (Sceptre, $28)

One of the blockbuster novels of 2024 and one that features in this year’s Auckland Writers Festival.

9 You Are Here by Whiti Hereaka & Peata Larkin (Massey University Press, $45)

A stunning collaboration between inventive writer Whiti Hereaka and visual artist Peata Larkin. Visit the publisher’s website for a peek.

10 Amma by Saraid de Silva (Hachette, $38)

Longlisted for the Women’s Prize (not shortlisted, but de Silva is a winner in our eyes) and the start of what promises to be a stellar writing career.

Keep going!
An image of a book on a background of matrix-like coding.
Current copyright and IP systems don’t work to protect taonga Māori. Image: Tina Tiller.

BooksApril 3, 2025

What happens to taonga Māori in the age of AI?

An image of a book on a background of matrix-like coding.
Current copyright and IP systems don’t work to protect taonga Māori. Image: Tina Tiller.

Meta has stolen millions of books to train its AI, including books by kaituhi Māori. What does that mean for mātauranga and its status as taonga? 

New Zealand authors are among the millions whose books have been pirated and scraped by Meta to train its AIThe New Zealand Society of Authors is condemning the theft of Aotearoa writers’ intellectual property. A statement issued by the NZSA says, “The unsanctioned use of work is legally indefensible, and amoral. For the creative industries of Aotearoa to thrive we need robust copyright law, protections and enforcement mechanisms, and appropriate penalties for infringement.”

But what does this theft mean for mātauranga? Expert on indigenous intellectual property rights Lynell Tuffery Huria (Ngāti Ruanui, Ngāruahinerangi, Ngaa Rauru Kiitahi) says that before we even get into AI and intellectual property we have to address the fact that the copyright system has been set up without regard for a Māori perspective, and doesn’t really take into account how we might treat or deal with kupu Māori or Māori imagery or Māori artworks in a way that’s consistent with te ao Māori view. 

“This framework has been lumped on top of our cultural frameworks and introduces rules that are mostly inconsistent with how an indigenous worldview would look after the taonga,” she says. She explains that because the copyright structures are taken from an English perspective, a language that is not viewed as taonga, it has enabled companies to take kupu Māori and use them without consent or regard for the cultural context in which they belong.

“That means there’s an implied obligation on indigenous peoples all over the world to look after their language,” says Huria. In Aotearoa, te reo Māori is recognised as a taonga, which was affirmed by Wai262: the 262th Waitangai Tribunal claim brought by six tūpuna Māori in 1991 that called for the protection of taonga and mātauranga Māori across Aotearoa. 

However, because New Zealand has an Intellectual Property framework that allows people to take words and images, and that system doesn’t recognise the status of taonga, these two ideas are in conflict. 

The Atlantic’s LibGen machine reveals that te reo Māori learning books such as those by Scotty and Stacey Morrison have been scraped, as have books by authors such as Witi Ihimaera, Ngāhuia te Awekotuku, Becky Manawatu and Moana Jackson. Huria says there are huge concerns around the theft of pukapuka Māori in this way. “They’re not doing this for the fun of it, there’s no altruistic goals here. They’re taking our taonga and repackaging it for profit without consent.”

A screenshot of The Atlantic's LibGen machine showing that books by Ngāhuia te Awekotuku have been scraped to train Meta's AI.
A screenshot of The Atlantic’s LibGen machine.

Huria says the fact that it’s unclear exactly what part of which books Meta have taken to train their AI is a flirtation with the rules, “a sort of subversion of copyright” which is yet to be tested. But the theft still goes to the heart of what was discussed in the Wai262 report in that these books are part of our knowledge systems and they should be protected. “Today it’s Meta, what’s the next product going to be?”

OpenAI’s chatbot, ChatGPT, has been widely discussed in regards to its use of te reo Māori. It is thought that the chatbot scraped the language from sources such as social media and as a result has some competency, though fluent speakers of te reo will be able to detect flaws. There is ongoing discussion on what ChatGPT’s use of te reo means in terms of language sovereignty and biases that the chatbot may impose. However on the subject AI tools and te reo Huria is more optimistic: “There needs to be checks and balances but there is a benefit to these tools in terms of teaching te reo.” She says that while the use of the language is increasing, there’s still challenges out there, particularly in terms of government policies discouraging the use of te reo. “There’s no doubt that these tools do help,” she says, “but that help is still done without regard to the fundamental principles of te ao Māori: It’s just about profit.”

It’s also not a new phenomenon for indigenous peoples, says Huria. “This has been happening since colonisation. Knowledge has been stolen, has been taken at every opportunity and this is just the latest opportunity to take knowledge, repurpose it and gain from it. It’s just faster. We probably don’t even realise the extent at which it’s happening.”

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— Editor-at-large

Dr Karaitiana Taiuru (Ngāi Tahu, Ngāti Kahungunu, Ngāti Toa), an expert on Māori data sovereignty, suggests that any authors whose work has been scraped by Meta should engage with their publishers to discuss group action against Meta, perhaps as an international claim for damages. He says there are already many other court cases against Meta for stealing content.  

“Any author should be aware of the risks of intellectual property thefts with AI and the lack of legal protections,” he says. “My advice to potential authors of mātauranga is to consider other methods of disseminating mātauranga in a non-published way.”

Taiuru also says publishers must be more proactive about the out of date copyright laws in Aotearoa. That could mean lobbying politicians for change to reflect our AI times. Enabling the recommendations in the Wai262 claim, he says, “would go a long way to protect Māori rights, and in turn this could be used as a platform for all New Zealand rights.”

For more information on taonga Māori and IP and copyright the New Zealand Society of Authors and the Toi Iho Charitable Trust Board have made this webinar publicly available.