The girl who grew up to write The Absolute Book. Image: supplied.
The girl who grew up to write The Absolute Book. Image: supplied.

BooksDecember 8, 2019

Elizabeth Knox on the best books she’s ever been given

The girl who grew up to write The Absolute Book. Image: supplied.
The girl who grew up to write The Absolute Book. Image: supplied.

The Absolute Book is one of our picks of the year and you should buy it for someone you love for Christmas. A story that sticks like a biddi-bid, Elizabeth Knox said on Twitter the other day. Here, she writes about the books that stuck in her own psyche – the books she was given as a child. 

We were a house of books, but they were Dad’s. There were several we’d take down and look at – The Family of Man, The Artist in His Studio. There was some scary stuff in the first, but my parents still let us look at it. That book was for us in that way – the two girls old enough to be interested in books. For us, despite the “Man” in one title and “His” in the other. But that was my childhood – everything for me, nothing about me.

We got books as gifts only once we could read. Mary, three years older, read me her Christmas books. Heidi was the first. It was still light when we went to bed, so the ‘lights out’ rule didn’t apply. There was no school the next day, and Mary would read for as long as she could see, ending up sitting on the windowsill, to me just a voice and silhouette in the blue dusk. The following year it was Emil and the Detectives, which I didn’t like nearly as much, despite Dad’s insistence that, unlike Heidi, it was modern and unsentimental.

Before I could read I had only one book of my own – also a Christmas present. Johnny’s Hunger Strike, which Mum got me to try to encourage a bit of self-understanding. Johnny is too busy playing, too busy to leave his pets and toys and sit down to lunch – having left his breakfast half eaten in his hurry to get on with his day. The book ends in tears. The kitten and puppy are tired and hungry and overexcited too. Someone has bitten someone else – I don’t remember who – everyone is howling, and toys are broken. “What a mess!” I thought when Mum read it to me. I didn’t see how it applied to me. I couldn’t remember forgetting to eat. Besides, when Mary’s mouth was full was one of the few times I could get a word in edgewise. A plate full of sandwiches was an opportunity to have my say.

“Me eating like a sensible child with Sara looking like a beanie baby.” Image: supplied.

We didn’t get many books as presents – well, not enough to, over the years, be able to see a pattern or form any ideas about why these books and not others. We didn’t even know what other kids were reading till they told us – and if they told Mary she often wouldn’t find it interesting enough to tell me.

I do remember Dad’s friend Peter Janssen turning up for lunch a couple of days before Christmas with books for us – for Mary, who could read them – but Peter made a point of looking me in the eyes and saying they were mine too, and Sara’s once she was old enough to show any interest. Then Peter explained his present by telling Dad off. Dad sat with his lips pressed shut, laughing soundlessly, I think out of love for the cheek of his friend. Peter, brainy, acerbic, gay, saying, “Look here Knoxsie, you can’t be such a snob about the things that everyone loves. These books might be Christian propaganda as you say, but there’s a lot more to them. Every other child is reading them and it’s practically cruelty to children to keep these books from them. As for The Hobbit, I know you think that fantasy is a poor cousin to science-fiction and that this and Lord of the Rings are hippy books. But I guarantee your girls will love this book.”

Mary read me all the Narnia books, but The Hobbit only in excerpts because by then school was back and the days were shorter and we weren’t allowed to keep the lights on.

The same year that Mary got Randall Jarrell’s The Animal Family for Christmas and Sara got Tomi Ungerer’s The Three Robbers, I was given the only unsuitable book – the one we all wanted – a Monkees Annual. Annual, I think. I don’t remember and I’m not going to Google it because things I don’t remember are privileged rarities and I like to leave them alone.

“Two Andre Nortons from my 10 year old Christmas. Plus opening of Mary’s The Animal Family and my beloved Agnes Smith’s An Edge of the Forest.” Plus The Absolute Book. Supplied; VUP.

That same Christmas we borrowed my uncle Keith’s bach in Waikanae (the bach we lived in for half next year after Mum’s nervous breakdown following the Wahine storm). It was the bach’s books that gave me my first big book revelation – one I probably should have had on entering my first library – Khandallah, I think, though sometimes I think Ngaio. When I walked into that library I wasn’t overwhelmed by an infinity of books, because I was used to the shelves and shelves of Dad’s and I didn’t look at the library books as individuals, just packed shelves. I was zeroing in on one shelf and the books of myths and legends that summoned me as if they knew I belonged to them.

My revelation came to me on a New Year’s Eve when everyone was outside, and no one was bothering to put kids to bed, but I was tired so I sat down between the armchair Dad had occupied most of the evening, and a bookshelf. It was a nice child-sized space. I looked at the books and had my delayed how-many-books-are-there-in-the-world moment, which wasn’t about shelves and shelves or rooms and rooms, but thrillers by Alistair Maclean, historical romances by Frank Yerby, and anthologies of ghost stories. It was the idea that someone else’s house might have very different books on its shelves. Keith was Dad’s older brother, but his taste seemed alien. But those books were also for me – the collection of Chinese ghost stories was so for me that I spent every moment I wasn’t on the beach reading it and every moment I wasn’t able to read it – because the lights were out – lying in my bunkbed feeling the book’s ghosts blowing in my ears.

Also there was TV. Image: supplied.

By the time I was a teenager, we were getting book tokens instead of books. If Dad wanted to use a book to prod me towards or away from anything he’d proffer one from his own library, inscribed “To my daughter Elizabeth”. Richard Jefferies in response to my rhapsodies about nature. Mrs Humphrey Ward in response to I still haven’t worked out what (and I wish I’d asked him). He gave me a thesaurus for my twenty-first birthday – and I passed it on to my son on his twenty-first.

I remember using my book tokens on Anne McCaffrey’s Dragon books and Doc E E Smith’s Lensman series. I remember nothing at all about the Smith – just a stretch of empty time when I’d wake up and read, and eat breakfast after noon, and still manage not to smash my toys or bite the cat nestled behind my knees.

It’s been years since anyone gave me a book for Christmas – until this year, when my friend Francis sent me Sophia Samatar’s Winged Histories. My purchases are all Kindle, since I hope not to perish crushed by books. My husband Fergus was interested to know why I’d wanted this one in hard copy? I couldn’t remember wanting it, or knowing about it. As such it was as magically free of planning and knowledge as those first few books of childhood. I was almost sorry to remember that Francis had said he was sending me a book.

I’m reading it now. I can see how it is for me, and also a little bit about me too – which just goes to show how long I’ve been in the world.

The Absolute Book, by Elizabeth Knox (Victoria University Press, $35) is available at Unity Books. 

Keep going!
Image: Tetra Images, Getty
Image: Tetra Images, Getty

BooksDecember 6, 2019

Unity Books bestseller chart for the week ending December 6

Image: Tetra Images, Getty
Image: Tetra Images, Getty

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington. 

AUCKLAND

1  We Are Here: An Atlas of Aotearoa by Chris McDowall & Tim Denee (Massey University Press, $70)

Superlative superlative superlative. 

2  Before the Coffee Gets Cold by Toshikazu Kawaguchi (Picador, $20)

Time travel and intimate tragedies. 

3  McCahon Country by Justin Paton (Penguin, $75)

“Look for that physical response — and it might be adoration, it might be arousal, it might be revulsion — but I think that those bodily cues … those ungovernable responses are exactly what should make us look twice.” – the author, to ABC Arts. 

4  The Overstory by Richard Powers (Vintage, $26)

It’s like when you dive into a cold pool and then pop up for air, fucking cold to the bones but exhilarated. 

5  Agent Running in the Field by John le Carré (Viking, $38)

“Over a 56-year career [le Carré] has virtually single-handedly elevated spy novels from genre fiction into works of high literature” – the New York Times. 

6  The Body: A Guide for Occupants by Bill Bryson (Doubleday, $55)

“When a levelheaded guy such as Bryson gets worried, it’s probably wise to worry too. If there’s one part of this book everyone should read, it’s the five pages on the antibiotic crisis. It will light up your amygdala.” – the New York Times. 

7  Wolfe Island by Lucy Treloar (Picador, $35)

“The erosion of Wolfe Island is a metaphor for so much: the crumbling of the USA (and Australia), ‘civilisation’, capitalism, the West, decency, justice, human rights, Kitty’s family, people’s ways of life, and so on.” – the author, to Queensland Reviewers Collective. 

8  Lady in Waiting: My Extraordinary Life in the Shadow of the Crown by Anne Glenconner (Hachette, $35)

“ … the author, aged 87 and completely untutored in book-writing, has produced a candid, witty and stylish memoir. It is as richly spiced with malice — I doubt if Bianca Jagger will relish the put-down of her own princessy ways, or Jerry Hall the spiky comments on her lack of social grace — as it is darkened by the tragedies that befell the author’s three sons, two of whom predeceased her.”  – the Financial Times

9  Strong Words 2019: The Best of the Landfall Essay Competition selected by Emma Neale (Otago University Press, $35)

We ran this taster by Tracey Slaughter last week; we also loved Tobias Buck’s chronicle of a small-town sauna, and Becky Manawatu’s essay Mother’s Day

10  Te Tiriti o Waitangi: The Treaty of Waitangi by Toby Morris with Ross Calman, Mark Derby, and Piripi Walker (Lift Education, $20)

Toby rulz! 

 

WELLINGTON

1  We Are Here: An Atlas of Aotearoa by Chris McDowall & Tim Denee (Massey University Press, $70)

2  No Friend But The Mountains: Writing from Manus Prison by Behrouz Boochani (Picador, $25)

“Behrouz Boochani spent almost five years typing passages of his book into a mobile phone. The result resists classification.” – a review slash backstory at the Guardian

3  The Body: A Guide for Occupants by Bill Bryson (Doubleday, $55)

4  Girl, Woman, Other by Bernadine Evaristo (Hamish Hamilton, $40)

Winner of the 2019 Booker Prize.

5  How to Walk a Dog by Mike White (Allen & Unwin, $35)

“Miffy was a giant snowball, a blindingly white Samoyed, who appeared to be just a nose and eyes peering out of an exploded pillow.”

6  No One Is Too Small To Make A Difference by Greta Thunberg (Penguin, $8)

A very happy young girl looking forward to a bright and wonderful future.

7  The Testaments by Margaret Atwood (Chatto & Windus, $48)

Winner of the 2019 Booker Prize.

8  The Absolute Book by Elizabeth Knox (Victoria University Press, $35)

“Auckland spread out along an isthmus. From the air it appeared less built than grown, like coral on the bones of a volcanic cone. It was green, wet, sunny, its atmosphere white with water vapour rather than traffic fumes.”

9  Lady in Waiting: My Extraordinary Life in the Shadow of the Crown by Anne Glenconner (Hachette, $35)

10  Acid for the Children by Flea (Headline Books, $38)

Merry Christmas, Dad.