spinofflive
Emily Writes (Photo: Supplied, additional design by Tina Tiller)
Emily Writes (Photo: Supplied, additional design by Tina Tiller)

MediaMarch 3, 2022

Emily Writes on how Substack changed her life

Emily Writes (Photo: Supplied, additional design by Tina Tiller)
Emily Writes (Photo: Supplied, additional design by Tina Tiller)

After years scraping by with side hustles, Emily Writes took a deep breath and a Substack Pro deal. She explains what happened next.

A year ago I was in a weird place. It certainly wasn’t an unfamiliar place, but it was weird nonetheless. For a long time, about six years or so, I’d been struggling to work out if writing was what I wanted to do.

The idea that dedicating myself to writing was a bad idea wasn’t unfamiliar to me. I’d struggled to make a decent living out of writing for some time. Opinion writing isn’t well-paid – that’s why a lot of rich fuckwits do it. It’s a boys club and while I’ve always been paid for my columns, many old white men give their columns free. That’s why you see so much drek online.

I’d also fallen into opinion writing accidentally. And I wondered if I’d really ever chosen it.

I was tired. Exhausted really. I was parenting while trying to meet deadlines while doing multiple side hustles, while still being asked if I could give content for free for “exposure”, while being asked to speak at events for “charity” (I’m a charity!) I was also copping relentless abuse on social media by faceless men who hated that I was a woman and had opinions.

I constantly had people saying I should quit all my side jobs and “just focus on writing”. I’d heard this for years from people who seemed to not know rent or paying for food was a thing.

Money was already extremely tight. I was not in any position to be paid even less.

Then Hamish McKenzie, co-founder of Substack, got in touch. I’d started a newsletter the year before under The Spinoff publisher Duncan Greive’s recommendation. I enjoyed doing it. It had become my favourite place to be online, but it was also one more job.


Follow The Fold on Apple Podcasts, Spotify or your favourite podcast provider.


Hamish suggested I give up my day jobs and just focus on the newsletter. I told him again, that I lived week to week as it is – so I couldn’t do that. He offered a deal to get me to quit and focus only on the newsletter. Substack would front what they thought I would earn.

As someone who wouldn’t take their book advances until after the books had been written, I was not keen on this idea. I’ve always had little confidence in my writing and no real reason to believe it could give me an income.

It was Duncan and David Farrier, along with my husband and whānau, who encouraged me to take the leap. They reminded me that nobody is in the business of losing money, and I wasn’t being offered anything they didn’t think they’d get back.

I signed up. And quit my contracts.

Having a year to devote to writing has changed my life. I’m a better parent because I’m no longer working all hours to make enough money to be able to write. I was also able to finally give back to other parents of disabled children by working with others to set up a social support network. I was also able to run free writing workshops for teenagers, women and gender diverse folks – something I’d been wanting to do for ages.

Many women in writing have not had the same opportunities I’ve had. We lose many voices to the toxicity of social media and the lack of opportunity in the media – as well as the gaps in support. I struggled to have any ability to do as much as I wanted to do about these issues before. Now I’ve been able to host free newsletter seminars and mentor other newsletter writers.

I’m a healthier person because I’m no longer dealing with people who hate me on a daily basis.

When you’re an opinion writer and a woman you deal with constant garbage. Every morning on Facebook I used to have to clear my inbox of comments about how I should get raped or choke on a dick from guys who had photos of their kids as their profile pictures.

My inbox was often the same. Screeds of bullshit. My Instagram was locked so I had a lot less shit there but it was still fairly common. I’d quit Twitter long ago for obvious reasons. I can cope with being told I’m a slut 10 times a day but I draw the line at Twitter.

An audience on Substack meant I was no longer as visible publicly. Which meant misogynists didn’t see my writing. My writing wasn’t turning up in their feed driven by the horrendous algorithm. They were no longer exposed to me and therefore I was no longer exposed to them. Who knew exposure was bad!

On Substack, we had amazing conversations about complex issues. It was, and is, a kind and generous community. There are no trolls because trolls are not willing to pay to insult you. I used to spend hours moderating – now they couldn’t comment.

Have I run away from mainstream opinion writing? Maybe. Do fewer people see my writing now than before? Almost certainly. Do I care? As it turns out – no.

Every writer wants their work to be read. But I’ve had a lot of readers over the last six years and it’s not all that it’s cracked up to be. Being on Substack has made me love writing again and it’s given me my life back.

I write about things I care about. Things that matter to me and my community. I am having fun with my writing again. If I have nothing to say – I don’t say anything. I answer to an audience that is thoughtful and compassionate.

I am on social media much less than I used to be which is incredible for my mental health. And I no longer see the desperate shrieks of attention-seeking Terfs and rabid racists on Twitter or the knuckle-dragging poison of misogynists on Facebook. Or at least I see a lot less of it, and therefore it doesn’t bother me as much.

It doesn’t bother me as much because I’m no longer breaking my balls trying to make enough money to write. I can finally take a break from it without thinking it’ll mean I can’t pay my rent.

So this year, when I had my annual “should I keep writing?” meltdown the answer was easy: Yep. I’m sticking around.

Emily Writes Weekly is on Substack, with free and paid options.

Keep going!
Image: Archi Banal
Image: Archi Banal

InternetMarch 2, 2022

Thousands of people want to watch me whisper

Image: Archi Banal
Image: Archi Banal

Kat, AKA ShiverMeTingles, is a New Zealand ‘ASMRtist’, a YouTube creator who makes videos aiming to generate a tingling response among viewers. For IRL, she tells Shanti Mathias all about her weird internet job. 

I make ASMR videos, and I’m one of the few Kiwis who do it. ASMR stands for Autonomous Sensory Meridian Response, and I explain it as a physical feeling, not an emotional feeling. It’s a tingling sensation that starts at the back of the head and moves down the spine. You know that tingly feeling you get if someone pretends to crack an egg on your head? It’s like that, but it can be triggered by certain sounds or looking at things, like whispering or tapping or gentle lights. 

I was an early bird to ASMR; I discovered it when I was still in high school. I wanted to become a massage therapist, so I was watching tutorials, and there were whispered versions. It was called the whispering community then, in the underground of the internet. Someone coined the word “ASMR” a few years later in a Facebook group

I was 19 at the time, and I just did it because I wanted something fun to do and I thought, “I’d like to try that out.” I made a few videos, but then I went to university and studied biology and psychology, and life just made it not a priority, so I only came back to it last year. 

Medical roleplay is a very popular variety of ASMR. (Photo: ShiverMeTingles on YouTube)

Someone pointed out the inspiration for my videos: they said, “You remind me of Suzy Cato.” I was like, “Yes! I can retire now, I’m done. I want to be Suzy Cato for grown ups.” I make lots of different videos, medical roleplay, personal attention, face memorising

Some videos require a lot of preparation. I watch medical tutorials from actual doctors to get a sense of how to do it. I also keep tabs on a Reddit thread that lists the 40 most popular ASMR videos that week so I know what’s trending. I need to get some props, which can make filming difficult if there’s a continuity issue when I forget a step, and then the background is different when I re-film it. 

I also watch a lot of ASMR, I’m subscribed to 700 channels. I’ve trained my brain to produce the tingles on command, I just need some kind of stimuli. The only kind I don’t like is chewing, but it’s important to have options; if you have a TV you want every channel.

I really like adding humour to my videos. My favourites are not what other people love – if I did just what my subscribers wanted there would be a lot more medical roleplay, which is where most of my new traffic comes from. I did a video inspired by Black Books, which wasn’t that popular but I loved it. I’m doing more face memorisation videos now, which marry a trending concept with comedy. The medical roleplay views fizzle out even if the video goes big fast, but if there’s a unique twist you keep the repeat views. 

The humour is mostly for me, because when I’m editing a video where I’m tapping on a rock for an hour, it can be so boring. And I can’t trigger my own ASMR. People watch ASMR to relax – even if they don’t get the tingle, it helps them sleep. You know with ASMR there will be no loud noises, no scary surprises, and if you inject funnies into it, it creates a really positive experience for people. 

I would definitely say ASMR is an artform, it’s such a collision of so many kinds of art. It’s performance art, it’s entertainment, it’s a visual experience, some people really go for it technically – cinematic ASMR is a big thing at the moment. 

Before focusing solely on ASMR, I was doing photography as a sole trader, and that helped in terms of techniques. I can edit and do the lighting and use FinalCut. I also paint, and I spent a lot of my early twenties doing improv, and that definitely feeds into my videos. I don’t script, even if the video is quite long; I just make a list of what needs to be in it and go from there. All that creativity is needed for the videos I make. 

I’d love there to be more scientific research into ASMR. As a hybrid of performance and visuals and caring for people and healing, I think it’s really under-researched as a therapeutic practice. It’s such an accessible way for people to relax, not as a replacement for professional support but as a stepping stone in between. I’d love to go back to university one day and find a way to research it more. 

Setting up an ASMR video requires good lighting, a nice camera, and props. (Photo: ShiverMeTingles on YouTube)

I’m really serious about doing ASMR. It’s not my full time income yet, but that’s my goal. I have nearly 20,000 subscribers now, and it’s like being an entrepreneur: you have to work through this grind period. It’s a great way to earn some income, but you have to believe in the product, and treat it like a job. It takes a huge amount of time to grow a channel, and I’m lucky that I have other support which lets me focus on it. 

I even have to think about it in terms of where I live; I might find a perfect house, but if it’s right next to a school it’s like, “No, I can’t live there.” Most creators try to film at night, because if there’s any background noise it’s really distracting.

It gets so surreal sometimes. I can see where my subscribers come from – lots from the US, the UK, Scandinavian countries, South America – and I’ve never left Aotearoa, so it’s a confirmation that these other countries exist. All these people from around the world are watching a random Kiwi girl on the internet whispering into the microphone. I try to reply to lots of the comments I get, especially the ones that are encouraging or about techniques I’ve used, or make jokes. I’m manifesting a supportive, open-minded community where people can be themselves and be safe. 

Some of my videos have gotten hundreds of thousands of views, though I don’t feel at all famous. The most popular video is a cranial nerve exam. The day I did that I was having the worst time, I didn’t want to do it, I was pushing through. It’s so funny, I did not expect it to do that well, but it feels good when that happens. I like knowing that I’m going to eat that week from a video. But knowing the full scale of how big ASMR videos can get – there’s a video that got 37 million views in a year – I’m still small. The thought of how big it can get is both exciting and overwhelming. 

People in my real life are really open-minded; some of them pushed me to make ASMR content even when I wasn’t sure about it. I try to explain that it’s therapeutic. One of my older family members told me, “It sounds lovely, but it’s a bit too ‘woo’ for me,” and I had to laugh, like, “OK!” I can feel myself changing when I’m ShiverMeTingles: Kat is a lot less gentle, and I swear a lot – YouTube hates swearing – and have a dirtier sense of humour. 

I just want to make weird stuff, have a community that says, “That’s so weird, I’m excited.” There’s this generation of people who grew up on the internet, and the “weird” stuff is normal. The internet has provided opportunities human beings couldn’t have dreamed of 10 years ago. 

And I’m always thinking of my next video idea – Salad Fingers ASMR for Halloween, maybe?

Do you have a weird internet job? Met the love of your life in a strange way online? Gone off the grid completely? If you’ve got a great yarn about the internet impacting your life, get in touch with us at irl@thespinoff.co.nz.