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(Image: Tina Tiller/Getty Images)
(Image: Tina Tiller/Getty Images)

PartnersJune 13, 2023

Inclusive hiring practices are ‘widening the net’ of recruitment

(Image: Tina Tiller/Getty Images)
(Image: Tina Tiller/Getty Images)

Diversity begins with inclusive recruitment strategies. Kiwibank tells us how, and why increasing diversity ultimately benefits employers.  

The last few decades have sprouted a growing awareness of the ways in which identity shapes the way we interact with the world. With this growing awareness comes an acknowledgement that lived experiences create a skillset that can be invaluable to a workplace. Cultural nuances, gender identity and expression, religion, sexuality, disability, and the very ways in which our minds work – each of these facets work together to create a unique understanding of our world, and therefore unique strengths. 

That’s why Kiwibank is looking at how they can harness the power of diversity in their teams through updated recruitment practices, so they can better reflect the customers they serve. When done correctly, a commitment to improving diversity can strengthen workplace culture, create strong teams and deliver impressive business outcomes by anticipating and meeting a diverse customer base with a diverse team. 

Yet, without proper care and a deep look at existing systems and processes, the concept of diversity and inclusion could remain buzzwords without meaningful change. And without meaningful change, workplaces risk losing out on the best candidates from inequitable hiring practices. 

Image: Supplied

Kiwibank recruitment manager Maddock Price says that’s an issue they’re acutely aware of. The company’s overall diversity, equity and inclusion (DE&I) goal is to be reflective of customers and communities across Aotearoa. For the past few years, talent recruitment has been “really, really tough”, says Price. “Diversity, equity and inclusion guidelines are a really important lever to overcome that issue.”

For Price, modelling hiring practices and processes around DE&I is about ensuring a wider range of people can and are encouraged to apply for jobs. Part of that is around language and imagery. When recruitment materials themselves are inclusive, people are able to see themselves in those roles, said Price.

One example Price used was the way job listings themselves were structured. In some cases, an ultra-specific and long list of bullet-point requirements could actually work against a recruiter’s interests, said Price.  

“There’s really clear data that shows women will look to tick all of those bullet points before they apply, whereas men who don’t tick all the boxes will apply anyway. So how do you reduce those bullet points to make it more inclusive? 

“It sounds simple, but it’s really effective. If you do that consistently, you’re not compromising what you actually need for the role, but you’re making it a more attractive role for people to apply for.”

Price noted that ultimately, the principles of inclusivity in hiring are simple: how do you make a role easy for an applicant to apply for? What barriers can be removed to ensure that people from all walks of life could apply? 

One area in which Kiwibank hopes to break down barriers is through their sponsorship of Brain Badge, an initiative with a goal to help workplaces become more suitable for neurodiverse workforces. In recruitment, that looks like creating flexible interview arrangements and ensuring the application process is generally more accessible. 

As a first step, Price has introduced an option where candidates can indicate their support needs at the application stage. Price says the aim is to then be able to tailor the recruitment process to a candidate’s needs. 

Various examples include a flexible interview process. Some candidates may struggle with a traditional one-on-one interview, Price points out. Giving them options such as a video response application gives employers a chance to “see the best of candidates,” which is ultimately in their best interest.

Price says they’re currently also looking at how to diversify their application process. 

“For example, if you’re someone with dyslexia, and you struggle with creating a CV, we want to be able to give them an option to talk to a video about themselves.”

Price says that’s a way off yet, but for now, Kiwibank is focusing on easy changes. After a recent meeting with the Disabled Persons Assembly NZ (DPA), Price says simple things like using Word Documents instead of PDFs can make job applications more accessible for potential candidates. That’s because screen readers can struggle with PDF documents, so for a candidate who is blind or has low vision, PDF job descriptions and documents can create a significant barrier. 

But removing barriers for candidates is only one part of the equation, notes Price. Another piece of the puzzle is ensuring that hiring panels themselves are diverse, and ensuring that the voices of those on the panels are valued equally. That begins with having a minimum diversity standard, and decentralising the hiring process so that individuals feel heard and valued. And that continues with ensuring that the principles of DE&I are carried past the hiring process itself.

Charlotte Ward, chief people officer at Kiwibank (Photo: supplied)

Charlotte Ward, chief people officer at Kiwibank, says that since she’s come on board, one of her imperatives was to have conversations with existing employees around the culture of the company. That included consultation with the special groups within the company, such as Kiwibank’s Pride, Māori and Women’s networks. That’s where the new DE&I policy comes from in the first place, said Ward – a drive to ensure that the company culture is focused towards inclusion and positive change. 

That means that past the hiring level, those principles of inclusion and diversity are carried on throughout company culture. It’s a distinction that Ward is very proud of. 

“We’re trying to create a culture where diversity, equity and inclusion is integrated into everything we do, versus just a policy focus. It’s an important distinction because culture is something we create everyday together whereas policy is something we might not look at very often.” 

By looking at their existing processes, ensuring key stakeholders are heard, and making simple changes, Price says Kiwibank has already had a number of success stories in the recruitment space. And they’ve had positive feedback on the new policy too, says Price, especially once stakeholders understand the intent and effect of the DE&I framework. 

“If you’ve got more candidates to choose from, from different diversity of backgrounds, you’re clearly going to find the best person for the role. Sometimes people think I’m trying to put roadblocks on them from hiring people, but it’s actually the other way.

“We want to be as inclusive to everybody as possible, which gives us a really broad potential pool of people, then we can make the best decisions for the role from there.”

Keep going!
(Image design: Archi Banal)
(Image design: Archi Banal)

ĀteaJune 8, 2023

Reclaiming Rutene: How a name helped a photographer find his home

(Image design: Archi Banal)
(Image design: Archi Banal)

After ditching his ingoa Māori at the beginning of his career, photographer Zico O’Neill-Rutene is now in a process of reclaiming that part of his whakapapa – the Rutene name, and all the mana that comes with it.

When Zico O’Neill-Rutene (Ngāti Ira, Rangitāne, Ngāti Kahungunu) was finishing university, he was proud to invite his whānau to his end of year photography exhibition. 

Set up in the gallery were collections of work the students had produced, including his work – a prelude to the career he would end up building himself in the years to come. 

For this show, O’Neill-Rutene had decided to drop one half of his last name, introducing his photography under “Zico O’Neill” for the first time. 

“My granddad came to the show, my uncle brought him over from Masterton, and the look on his face when he saw the name, that kind of haunted me for a number of years.” 

Vodafone CEO Jason Paris accepts a taki laid by Malcolm Kerehoma (Photo: Zico O’Neill-Rutene)

The Rutene name was passed through his paternal side, and O’Neill-Rutene says he was always close with his paternal grandfather. But at this stage of his life, he didn’t feel ready to explore the whakapapa and mana of this name. Coupled with the societal pressures of the time, growing up in a very Pākehā environment, O’Neill-Rutene turned away from his taha Māori.

“At the time, I thought I was just simplifying my double barrelled last name. I think this was the story I was telling myself as a way to suppress the feelings I had around been Māori.”

The photographer spent the good part of a decade going by that shortened version of his name, working overseas and setting up both his business and personal life without that half of his surname.

“It was almost like I wanted to create a different alias for myself because Rutene brought up too much emotion that I didn’t necessarily know how to deal with at the time,” he says. “In a way, I suppose I was trying to blend into the status quo.”

O’Neill-Rutene came back to Aotearoa in late 2017 after a stint overseas, bringing with him a successful portfolio of work from his time living in Sydney, London and Amsterdam.

But on returning to New Zealand, and after a few conversations with people going through their own journeys of reclaiming their reo and delving into their whakapapa, O’Neill-Rutene began to think deeply about his own connections with his Māori side.

“I was embarrassed to be Māori. It sounds so simple now, but it took me so long to acknowledge that was how I felt. And that’s why I took Rutene out of my name, because I wanted to disassociate myself with the culture and all the baggage that I perceived came with being Maori.”

‘Toru, rua, tahi: rawe!’ (Photo: Zico O’Neill-Rutene)

Raised by his Pākehā mum in the 80s and 90s, O’Neill-Rutene was always encouraged to learn about and have pride in his taha Māori. But the pressures of his peers, and his own internalised ideas about what it was to be Māori, pushed him in the other direction. 

“Going through high school, I didn’t feel super comfortable being Māori. I had Māori friends but how we grew up, none of us really knew about our Māori side – we would try to remember our iwi but that knowledge didn’t stick.”

The decision then, to bring “Rutene” back into his name was a hard one, not because of the brand he’d built under his shortened pseudonym, but because of the mental toll it took to decide to reopen that part of his life – and because in the time since his university photography showcase, his grandfather had passed away. 

“In 2016 my granddad passed and that brought up a lot of stuff that I was pushing away, because he was not just my closest grandparent, but he was my connection to my Māori side.”

During this point of his life, O’Neill-Rutene began struggling with his mental health, and working with a therapist uncovered that the guilt he’d been harbouring from ignoring his taha Māori was impacting him more strongly than he realised.

“In therapy sessions I started talking about my granddad, and we delved into that relationship quite deeply and I think a lot of my mental health struggles stemmed from the fact that I was ashamed of who I was.”

And so returning to Aotearoa was just the start of a now lifelong journey, which has taken O’Neill-Rutene back to his roots – to kura te reo Māori classes, to his marae and even on kaupapa Māori projects for work, which he now conducts under his full name: Zico O’Neill-Rutene.

Precious Clark and Vodafone’s Tom Thursby share a hongi (Photo: Zico O’Neill-Rutene)

“As soon as I started the journey, I felt like I started knowing myself, I felt more content with who I was… Connecting with my whakapapa, embracing that I am Māori, learning the reo, learning about te ao Māori and tikanga and having the motivation to learn about it, that was so exciting and empowering. So much of what I was reading and learning about resonated so strongly with me – it has actually been really emotional.”

Now, armed with a base level of knowledge, and the dedication to continue on this journey of understanding, O’Neill-Rutene is excited for the doors te reo Māori has opened for him.

“You just have to keep doing these little things. Listening to waiata Māori, listening to a podcast, watching Māori TV. Those little things are so important to incorporate, and they are empowering.”

While kura pō is a commitment that the freelancer can’t make at this stage, with a relatively new pēpi in his life, O’Neill-Rutene says he’s still learning every day, through these little things, like children’s pukapuka and any kaupapa Māori mahi he is involved with.

And he recognises that the journey he is on – to reclaim not just the language of his tūpuna, but his taha Māori, is one that will take the rest of his life.

“I was too focused early on in my journey about being able to speak te reo in my everyday life, and to understand te ao Māori… but there’s still a lot of internal mental and emotional barriers to my learning that I have to work through, and that’s going to take time. We have to remember to be kind to ourselves.”