a busy auckland street with several buses and cars. one stands out, with a zigzaggy green background behind it and doodles of coins and cash
Image: The Spinoff

SocietyFebruary 7, 2025

Are public transport fare increases in Auckland the start of a nationwide trend?

a busy auckland street with several buses and cars. one stands out, with a zigzaggy green background behind it and doodles of coins and cash
Image: The Spinoff

Thanks to increased operating costs and new fare structures, many public transport users in Auckland are now paying more for trains, buses and ferries. Shanti Mathias explains what’s behind the changes. 

Schools are back around the country, but in Auckland, kids aren’t the only ones to have returned to a weekday routine after a break. The trains are also back, after the city’s rail network took a scheduled break for all of January and part of December for track upgrades. 

Along with the reopened routes has come another change that Auckland train, bus and ferry commuters might not be stoked about: a revised fare and zone structure, the biggest overhaul since 2016, implemented from February 2. The fare change averages out to an increase of 5.2%. 

Auckland isn’t the only place where public transport fees are increasing; Canterbury’s Metro has announced its fees will increase from the middle of the year, at the same time as (but unrelated to) the Motu Move rollout

An Auckland Transport bus and bus card also called a Hop Card are surrounded by clocks and money signs on top of a green and red bacground.
Cost is just one of the factors that influence public transport; reliability and convenience are also play a role (Image: Tina Tiller)

These two regions may just be the first; following a discussion document released in November, councils received a request from NZTA to increase the amount of money users pay for public transport, and both Auckland Transport and Environment Canterbury cite the need for more “farebox recovery” as one of the reasons they’re increasing fares. 

“Increasing operating costs and the requirement to provide more private revenue share are some of the factors behind the fare change,” said the Metro post announcing the change to the Canterbury public transport system.

“We know any increases add to people’s cost of living and so these are carefully considered, however the cost of running, maintaining and investing in Auckland’s public transport network is also increasing and we need to keep up with this,” said Stacey Van der Putten, Auckland Transport’s director of public transport and active modes. 

A post on the Greater Auckland blog goes into greater detail about why public transport operating costs have increased. Inflation is one factor, but operating costs have been increasing even more than inflation. Decisions not to increase fares in 2021 and 2022, when user numbers were dramatically down due to Covid, meant steeper rises in 2023, 2024 and 2025. 

Standardising fares is simple for users, but can mean difficult decisions for public transport operators. For example, in Auckland ferry fares were integrated into the same fee structure as other forms of transport in 2020, but less revenue is made from ferries than buses or trains because fewer people use them. But because the fares are standardised, ferry fares can’t be adjusted to make up for the fact they bring in less money without train and bus users being hit with price increases too. 

Under Auckland's revised fare system, people who travel long distances, and most frequently, won’t see a major change. The number of zones has been decreased, from 14 to nine, with zones merged in Manukau and others merged in the East Coast/Rodney area. There’s also a cap on the number of zones you can be charged for: the fare for a single journey maxes out at four zones, even if you’ve travelled across five or more zones. A cap of $50 per person per week across all of Auckland Transport’s services remains in place – the agency said 25,000 people approach this cap in Auckland every week. 

Auckland’s system of zones isn’t the only way to charge for public transport. In Christchurch, where fares will increase by 50% in June, Environment Canterbury has been trialling a flat fare across the whole city, and has just extended the trial to 2026. This means that public transport users don’t need to tag off. “It’s really straightforward, because you know what your fare will be,” says M Grace-Stent, a spokesperson for urban advocacy group Greater Ōtautahi. “It’s been especially good for people who take public transport more infrequently, who aren’t commuters – who want to take their kids out on the weekends or walk to work then bus home,” they said. 

While fare costs aren’t the only reason people avoid public transport – reliability, frequency and route options are also major factors – Grace-Stent is worried the fare increase in Christchurch will offset some of the increased ridership seen thanks to the flat fare trial. The Motu Move system, under which Canterbury will be the second region of the country to allow people to pay for public transport with contactless cards and phones, will be more convenient for visitors than Cantabrians who already use public transport. “We’ll just have to see how the fare changes affect people,” they said. 

The dictum from NZTA for councils to bring in more revenue from public transport users remains in place, and will likely lead to fare changes in other areas of the country. Meanwhile, in other parts of the world, different ways to structure fares have been popular; Queensland, in Australia, implemented universal 50 cent fares last year, which saw dramatic increases to public transport use and received bipartisan political support. In west England, a scheme to make public transport free during passengers’ birthday months was deemed more efficient than a fare cap. In other places, private services step in to provide routes councils don’t make available: Uber has launched bus services in India, Mexico, the US and Brazil. 

In New Zealand, a coalition of organisations has called for free public transport for under-25s, tertiary students and Total Mobility and Community Services card holders.

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A man with his hands over his ears, with Mumford and Sons in the background

SocietyFebruary 6, 2025

Help Me Hera: My child has terrible taste in music

A man with his hands over his ears, with Mumford and Sons in the background

How do I deal with the fact my own flesh and blood would rather listen to Mumford & Sons than Talking Heads?

Want Hera’s help? Email your problem to helpme@thespinoff.co.nz

Kia ora!

As a recovering music snob who once preferred the bands’ older stuff, hated “mainstream music” and actively avoided certain artists because of their fan base, I’m becoming increasingly dejected at my child’s music preferences and want advice on how to steer them in a less soul and mind destroying direction.

These days I’m generally more open to enjoyment of all types of music and thought I’d put my music snobbery behind me, but my child’s recent music choices have my unsightly snob brain rearing its obscure band T-shirt wearing, Pitchfork reading, vinyl-only head again.

As a millennial growing up in a small town I had significantly limited access to music outside of the Edge top 10, and it wasn’t until my mid-teens that skate videos, Kazaa and the frequent trips to all ages gigs in Auckland opened up my music taste. I had hoped to give my kid an early start to good music.

I could handle the Wiggles, learnt to love Baby Shark and other toddler smash hits, but now my child is growing up and being badly influenced by their other parent and others. Instead of them enjoying the playful songs of what I had successfully influenced into their life from bands like The Talking Heads, Kurt Vile or The Cure, they’re instead succumbing to agonising brain numbing music like Coldplay, Mumford & Sons and other catchy but ultimately irritating musicians.

I coparent my child, and love that they’re enjoying music and want to retain their enjoyment of music and dance – but I also want to legitimately enjoy music with them instead of faking my smile through the sixth repeat of another Coldplay song.

Am I destined for a future of faking my joy of my kid’s music choices, or do I need to risk my coparenting relationship and ask their other parent to stop introducing bad music to their life? Or is it a case of burying my inner music snob for good and succumbing to a life of music mediocrity with my kid.  

Kindest regards and thanks in advance,

Hopeful parent

A line of dark blue card suit symbols – hearts, clubs, diamonds and spades

Dear Hopeful,

Thank you for this Nick Hornby ass problem. “How do I make my kids like the same stuff as me?” is a question for the ages. 

The mature and enlightened answer to your question is that children are their own people, and any serious attempts to micromanage their interests is not only futile but is highly liable to backfire spectacularly. Taste is extremely subjective. One person’s Bach is another person’s Korn (although the truly enlightened can find something to love in both). Having got that out of the way, we can get down to the serious business of how to shape your child’s musical taste without appearing to do so. 

Firstly, I can only assume you are joking when you suggest having a quiet word with your coparent about their awful taste in music. Part of me kind of wants you to do this, because imagining the expression on their face when you bring this to them as a serious parenting dilemma is extremely funny. Sadly, I have to counsel that this is a terrible idea which will only get you deservedly ridiculed in various group chats. 

I know it doesn’t feel like it, but musically speaking, you have a lot to thank your coparent for. Yes, it may be troubling to feel as if you’re inadvertently raising a Mumford & Sons fan. But loving things is the first and most important qualification for developing an eclectic and well-rounded taste. If your kid loves music now, you are already winning the battle. Don’t let your disdain for poor Chris Martin convince you otherwise. Someone who passionately loves the Baby-Sitters Club novels as a child is a million times more likely to read George Eliot as an adult than someone who doesn’t read at all. Perhaps the same thing can be said for the Baby Shark to Talking Heads pipeline. 

While there are definitely some precocious children out there who love Leonard Cohen as much as the Wiggles, there’s a reason why kids gravitate to catchy, repetitive music, and it’s not because they’re morons. The Wiggles go hard. Baby Shark is a banger for a reason. 

I don’t have kids, so I can’t answer you as a parent. But I can answer from the perspective of a daughter. I love a lot of the same bands as my dad. Here’s how he won me over: 

First off, don’t be in the conversion business. Your job isn’t to get your kid to stop loving what they already love, otherwise, they’re sure to listen to a lifetime of Ed Sheeran just to get back at you. However, you can try and expand their taste, and introduce them to new things. Here’s what I would do:

  • Play music all the time. Play it in the car. Play it when you’re making breakfast. Make it a shared background to your lives. Make it as normal as breathing. 
  • Play a wide variety of stuff. Pop hits. Heavy metal. Rap. Classical. Country. If you want them to expand their horizons, you should also be open to expanding yours. Model curiosity and eclecticism. Don’t come at this problem with a missionary mindset. Set out to discover new things together. 
  • Take them to see live music! There are lots of great community concerts for under 18s. 
  • Make mix tapes or playlists, based on things they actually like. If you want them to love Scott Walker and their favourite musician is Taylor Swift, maybe don’t start them off with The Drift. When I was in my alternative country phase, my dad made me mixtapes of The Handsome Family and Hank Williams. When I liked pop punk, I got The Rezillos and The Raincoats. 
  • I don’t know what the contemporary equivalent of this is, but we used to go to the library and rent a ton of CDs every weekend. There’s nothing better than the feeling of discovering something new for yourself. Give them the tools to expand their taste, and see where it leads.
  • Be patient. Until your kid gets older, they’re going to like some horrible stuff and that’s fine. The difference between 9 and 15 is astronomical. Remember, you are playing the long game.
  • Kids will look back fondly on music that is associated with good memories. Interpret this however you like. Have a dance party, where you take turns picking club bangers. Get a cheap karaoke mic and sing your hearts out. 
  • Last, and most importantly, take an interest in their taste, and let them share their favourite music with you. The more receptive they feel you are to their interests, the more open they will be to listening to music you love because they’ll feel respected and understood. Yes, my dad played us The Dead Kennedys and The Specials, but he also taped the Spice Girls concert off the television for me. He bought me All Saints CDs and said complimentary things about them. He played Bic Runga on long car trips. As a result, I never felt embarrassed about what I listened to. Focus on making music a shared obsession, and something you can enjoy together. That relationship will long outlast their childhood top 10. 

This doesn’t mean you have to resign yourself to listening to the same Coldplay song on repeat, or that you’re obligated to lie about what you like. Getting to a place where you can be honest about your own taste is good, especially as your kid becomes a teenager. But you have to build that trust first. If your kid feels judged for the music they like, they’re never going to share their newest musical obsession with you, so err on the side of being curious and complimentary until you’ve built up the necessary goodwill. 

The goal here is not to shape your child’s taste in music by slowly replacing their interests with your own. The goal is to foster their love of music and build the kind of relationship where they’re excited to share their discoveries with you. I think if you can do that, they’ll eventually find their own way to David Byrne. And who knows. Maybe you’ll discover Coldplay isn’t all that bad. 

Good luck!

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