spinofflive
Finance minister Grant Robertson (Photo: Getty/Hagen Hopkins/Stringer)
Finance minister Grant Robertson (Photo: Getty/Hagen Hopkins/Stringer)

BusinessFebruary 26, 2021

‘Quite a 364 days’: Grant Robertson on Covid, a year on, and the crisis today – housing

Finance minister Grant Robertson (Photo: Getty/Hagen Hopkins/Stringer)
Finance minister Grant Robertson (Photo: Getty/Hagen Hopkins/Stringer)

The finance minister spoke to Auckland businesspeople today on the state of the economy a year after Covid-19 landed, and how he hopes to take on another crisis. Toby Manhire went along.

Virtual presentations in place of in-the-flesh speeches have become commonplace in these pandemic days, but it wasn’t Covid that forced Grant Robertson to deliver his Auckland Business Chamber address via Zoom this afternoon. It was something altogether more timeless: a blanket of fog across Wellington airport. 

His flight cancelled, the finance minister spoke to the business lunch instead from the big screen at the Cordis Hotel. He began by recalling the speech he’d given at the same business lunch a year earlier. On February 27, 2020, Robertson had addressed the gathering global clouds of Covid. He’d warned that there was “a high probability that we will have a case at some point”. In fact, unbeknownst to him, the first case had arrived already, and tested positive the next day. “It’s been quite a 364 days,” he said today. It really has. From my notes from that day, there are jottings about one of the most pressing economic questions of the moment: what does it mean for the live rock lobster industry?

What he didn’t remind the audience of was where they’d gathered for the speech those 364 days earlier: the Pullman Hotel, which of course went on to become a Covid isolation hotel, and a Covid incubator.

Michael Barnett, Grant Robertson, and Michael Barnett again (Photo: Toby Manhire)

A year ago Robertson laid out the three scenarios for which they were planning. The first, he said then, “predicts a temporary global demand shock where we experience a temporary but significant impact on the New Zealand economy across the first half of 2020, before growth rebounds in the second half as exports return to normal”. The second was “a longer-lasting shock to the domestic economy, as the global impact feeds through to the economy for a period of time, and where there are cases in New Zealand”. And the third “is planning for how to respond to a global downturn if the worst case plays out around the world, and we have a global pandemic”.

Today he said: “I was being advised that the first two scenarios were possible, and the third was highly unlikely.” 

In the days that followed, that changed about as quickly as imaginable. Scenario three became inevitable. The plan meant fiscal stimulus on a vast scale, measures which, together with the health response, meant the country was today in “reasonably good shape”, said Robertson. There was, he said, “light at the end of the tunnel”. 

The question that lingered: how far away is that light? Michael Barnett, CEO of the Auckland Business Chamber, pressed Robertson on plans to help exporters. With freight costs up as much as 200%, labour costs increased and the exchange rate having spiked, “all of these things are frustrating an export sector that has protected New Zealand over the last 12 months”, he said.

Franz Mascarenhas, who runs the Cordis, asked the deputy PM about the plans for a trans-Tasman travel bubble. Robertson could offer nothing specific. “We continue our discussions with our Australian friends,” he said. “I am confident we will make progress over the coming months.” He understood the desire to see border restrictions lifted, and he was as eager as anyone. But the economic recovery depended, he reiterated, on the public health priorities.

Robertson noted the gravity of the climate crisis and the Climate Change Commission roadmap – “one of the most important moments of my political life” – but it was another urgent, profound challenge that occupied the second part of his speech. Housing.

When the wonks did their work on the impact of Covid, Robertson recalled, the forecasts were that house prices would take a hit. That had, of course, been “blown out of the water”, with the median house price across New Zealand leaping by around 20% in a year. 

There were plans in motion to tackle what was undeniably a “crisis” of its own, he said. The RMA overhaul was critical. Just yesterday, he’d formally directed the Reserve Bank to take the state of the housing market into consideration when it moved the official cash rate. 

The challenge, he said, was to “tilt the balance in favour of first home buyers, and away from speculators”. I have no doubt that the audience today was filled more of the second category than the first. But few would have quibbled with the idea that the trajectory of house prices is a thorn in the side of the economy. I recall Shane Jones, then minister for economic development, telling a similar business lunch in Auckland a couple of years ago, his chest pumped and proud, that his NZ First Party had helped them out by killing the capital gains tax. God forbid anything might stand in the way of rampant house price inflation. 

You’d be hard pressed, however, to find anyone that seriously thinks the state of the house market in New Zealand today is anything but calamitous. Glaring down from the big screen, Robertson didn’t shrink from the word “crisis”. He promised that we should expect “a package of further measures” and “coordinated and enduring action”. He said: “We have to confront some tough decisions and we will do that in the coming weeks”.

Jacinda Ardern and Grant Robertson have shown the ability to take bold action before. They’ve also shown a willingness to tinker around the edges. Which approach this time? Seems like we’re about to find out.

Keep going!
Soap Dancehall is a new bar and dancehall opening in Central Auckland tonight. (Image: Tina Tiller)
Soap Dancehall is a new bar and dancehall opening in Central Auckland tonight. (Image: Tina Tiller)

BusinessFebruary 26, 2021

Soap Dancehall: The new Auckland bar where a fun night out doesn’t cost a bomb

Soap Dancehall is a new bar and dancehall opening in Central Auckland tonight. (Image: Tina Tiller)
Soap Dancehall is a new bar and dancehall opening in Central Auckland tonight. (Image: Tina Tiller)

With crowd-friendly dance tunes and affordable drinks, a new dancehall and bar opening tonight is hoping to make going out more accessible for Aucklanders.

“In many ways, it’s fucking stupid opening a nightclub in the middle of a global pandemic,” says Sam Walsh, one of the three owners of a new dancehall and bar opening tonight just off Karangahape Road in central Auckland.

The trio, all originally from Hamilton and long-time Karangahape Road locals, have been friends for over 15 years and each have plenty of experience in the hospitality industry. Walsh is a familiar figure on Karangahape Road, where he runs art and book shop Strange Goods. He’s also one half of new publishing house Dead Bird Books. Ayesha Green (Kai Tahu, Ngāti Kahungunu) is a visual artist whose work is featured in the Toi Tū Toi Ora exhibition at Auckland Art Gallery. She recently moved back to Auckland after living in Dunedin for a couple of years. Joel Flyger is a musician, previously of bands DMA and Popstrangers. He returned to Auckland in March last year after five years overseas. 

Their new spot Soap Dancehall fills a gap in the going out options for Aucklanders, whose choices are largely limited to either sit-down bars or intense night clubs. Soap Dancehall is designed to be something in between.

“We want it to be a place where people can go, feel comfortable, it’s not out of reach in terms of money and is just a really nice fun time,” says Green.

Standing in the soon-to-be-opened space, you can just as easily imagine having a late-night boogie on the dancefloor as perching at a table for late-afternoon proseccos with a friend.

The team’s business model is all about being lean: simple menu, simple drinks list, simple set-up. They’re focused on the key things they think people need to have fun, and they’re very happy for people to shift tables and chairs around in the space to suit their preferences and needs.

“We’ve got all the things you need to come and have a drink after work with a friend and go home, or come and have a really big night out,” says Walsh.

Beers all come by the can, including their house beer, fresh-tasting Korean lager Cass. The wine selections are all organic. There’s also prosecco, whiskey, rum. The most expensive price for a drink on the menu? $12.

“One of our goals was for our most expensive thing to be the same price as what was often the cheapest thing on smancier places’ menus,” says Walsh.

They’re keeping the menu as simple as possible at Soap Dancehall. (Image: Charlotte Muru-Lanning)

Pies, toppers, quiches and packets of chips make up their no-frills tuck-shop-esque menu. Food isn’t something they’re too focused on here though, and they’re encouraging people to bring their own, especially if it’s from one of the many neighbouring restaurants. 

“There’s so much good food around here,” says Walsh. “We have no interest in competing with that, so instead we’re encouraging people; if you want to get a pizza, or you want to get a nasi goreng from Uncle Mans; go get it and eat it here if you want.”

It’s one of many examples – including inclusive prices and paying all their staff at least the living wage – of the trio’s community-centred approach. And while Soap Dancehall looks decidedly different to the swathes of trendy new hospitality businesses popping up in the area, they’re reflective and honest about their role in the gentrification of Karangahape Road.

There’s an emphasis on “positive, fun vibes” at Soap Dancehall, and music is central to that. What’s played through the sound system will be solely about what people want to dance to, the trio say, which means instead of gigs or big-name DJs, they’re opening up the music selecting role to “people that we know, people from the neighbourhood, anyone who’s keen to just come and play songs that people want to dance to”. 

Soap Dancehall owners left to right; Sam Walsh, Joel Flyger and Ayesha Green. (Image: Charlotte Muru-Lanning)

A tight budget meant that along with doing the renovations almost entirely by themselves, they also had to figure out the rigmarole of council applications and licences necessary to open. 

It was an expensive process, summed up by the four licences on the wall that they’ve worked out are worth more than the entire fitout. “So we put them in $3 Warehouse frames,” says Flyger. He says that while licensing was the hardest part of a process that often seemed unnecessarily slow and confusing, they’re happy they did it themselves. “Now collectively our knowledge of this stuff is pretty incredible.”

Flyger says that opening a spot like this “was something we’d always talked about as a joke, then the ball starts rolling”. Surprisingly, what really got this ball rolling was Covid-19. “Our plans turned to smithereens, so we were like; why don’t we just pool our resources?,” says Walsh. They re-routed money from plans foiled by the impacts of the pandemic and got underway with the process.

It also allowed for a reflective moment for the three owners. While so often young New Zealanders move away to bigger cities overseas in search of more exciting urban experiences, more opportunities to dance and to socialise, they began to feel that they could instead improve Auckland. 

“We’ve got it pretty good here, so why not just take some risk and invest more into what we already have here?” says Walsh. It’s an incredibly hopeful line of thinking that’s becoming far more widespread. We can shape Auckland into the city we want it to be, one night out at a time.

Soap Dancehall, 12 Beresford Square. Open Wednesday – Saturday, 4pm – 3am.