a woman (Rebecca Gibney) and man (Harry McNaughton) sit awkwardly on an orange couch
Rebecca Gibney and Harry McNaughton star in Happiness (Photo: Three)

Pop CultureApril 4, 2025

Review: New Zealand’s first musical sitcom Happiness hums with charm and joy

a woman (Rebecca Gibney) and man (Harry McNaughton) sit awkwardly on an orange couch
Rebecca Gibney and Harry McNaughton star in Happiness (Photo: Three)

Three’s new local comedy is definitely not the same old song and dance, writes Tara Ward.

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Charlie Summers has barely set foot on New Zealand soil before the flash mob begins. As he glides down the escalator at Tauranga Airport, a Backstreet Boys cover song bursts out across the room and a crowd of airport employees suddenly break into song. “Oh my god, he’s back again,” they sing to Charlie, as the weary traveller is grabbed and spun across the floor. Men in fluoro safety vests waggle their fingers to the beat and a woman drapes herself across a suitcase trolley, singing “is he sexuuuallll?” (“yeaaah”). As Charlie is lifted up into the air, a colourful flurry of ticker tape falls dramatically from the roof and the group sings a euphoric “Charlie’s back, alright!”

It’s bonkers, it’s bizarre, it’s…Tauranga? Welcome home, Charlie.

The opening moments of Three’s new series Happiness reveal that this local sitcom is not the same old song and dance. Created by actor-writer Kip Chapman (Hudson and Halls) and composer Luke Di Somma (That Bloody Woman, The Unruly Tourists), Happiness is New Zealand’s first ever musical comedy television series. It tells the story of Charlie (Harry McNaughton), a Broadway director who’s forced to return to his home town of Tauranga, where he reluctantly becomes involved in the local amateur theatre society.

Charlie certainly hasn’t come back to Aotearoa to find happiness. He’s only home to sort out his visa, and intends on staying in Tauranga for just two days. But a series of mysterious events in New York (he’s been sacked as the director of Cats and was somehow involved in the breaking of Sally Field’s arm) mean Charlie’s visa is suddenly cancelled. Charlie’s horrified, but it’s music to his devoted mother Gaye’s (Rebeccca Gibney) ears. As the president of Pizazz Amateur Musical Theatre Society, she could really do with the expertise of her famous director son.

But Pizazz is the last place Charlie wants to be. He’s haunted by some tragic Peter Pan-related ghosts from his theatrical past, and there’s some unspoken, long-standing tension with company director Adrian (Peter Hambleton). While suffering through auditions for the upcoming musical The Trojan Horse, Charlie learns that to get his visa reinstated, he’ll need to prove he holds a critical role in an organisation with a distinguished reputation in his field. “This is Tauranga!” Charlie cries. “How the hell am I meant to do that?”

There’s only one answer, and it involves a local real estate agent belting out “won’t you be my Troy boy/not some typical toy boy/what could possibly go wrong?”

Charlie (Harry McNaughton) discovers Tauranga does indeed have 5G (Photo: Three)

This fun and ambitious new series is a cross between Schitt’s Creek and Glee, with a cast of quirky, affectionate characters who would also be right at home in small-town Brokenwood. Happiness is a show within a show and the mix of comedy and song works well, thanks to the punchy, upbeat original music and lyrics from DiSomma, which had me humming long after the episode credits had rolled.

Even if you’re not into musical theatre, the dialogue is snappy and the uptight Charlie is surrounded by a vibrant ensemble cast, who are just as passionate about Tauranga as they are about song and dance. Speaking of Tauranga – it’s always refreshing to see a local TV series set outside of Auckland, but is it a bit of a stretch to suggest New Zealand’s fifth biggest city is a backward small town? (“There’s visa experts in Tauranga?” an astonished Charlie asks his mother at one point. “Yes darling, it’s not Masterton,” Gaye replies.)

You can see where Happiness is headed from the beginning, but that predictability doesn’t lessen the show’s charm. It’s a fair bet that Charlie will eventually be won over by the irrepressible charms of Tauranga and The Trojan Horse will have a triumphant run, no matter what disasters befall it along the way. Happiness is a show filled with joy and energy, and as the cast comes together to sing ‘The Long Way Home’ at the end of episode one, we’re left in no doubt that Charlie will discover that happiness lies closer to home than he first thought.

Happiness screens on Three on Thursdays at 8pm and streams on ThreeNow

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Jason Momoa in A Minecraft Movie
Jason Momoa in A Minecraft Movie

Pop CultureApril 4, 2025

Review: A former Minecraft superfan’s verdict on A Minecraft Movie

Jason Momoa in A Minecraft Movie
Jason Momoa in A Minecraft Movie

Much of Thomas Giblin’s childhood was spent playing Minecraft. Does the new movie adaptation do it justice?

I’ve adored Minecraft, the open-world sandbox video game where you can build whatever you want, ever since I was a speckly-faced, spikey-haired, socially-awkward kid. I spent all my lunchtimes and countless late nights crafting a new vision for my life and the world. My greatest in-game accomplishments were the construction of a fully-functioning lighthouse and a giant roller coaster that spelled out “Happy Mother’s Day”.

The 14-year-old-me would’ve been shocked to find his future self at the Aotearoa premiere of the Hollywood adaptation of their beloved game this week. But there I stood, a forlorn adult, waiting with my friends in a snaking queue. If being at a movie premiere wasn’t shocking enough, it would’ve further blown that teenager’s mind to learn that the blockbuster adaptation of Minecraft was filmed right here in Aotearoa.

As the proud Kiwi cast and crew of A Minecraft Movie murmured with excitement, I was quietly filled with a sense of dread. Despite my affection for the game, the movie’s red flags were hard to ignore. It had been over a decade since plans for the adaptation were first announced by the game’s creator Markus ‘Notch’ Persson, who shortly after would express his support for misogyny, transphobia and white nationalism publicly on social media.

Despite Persson’s controversies and the first director departing due to creative differences, it should have not come as a surprise that A Minecraft Movie has been trapped in developmental purgatory. Minecraft has no set quests, stories or characters to pull from. There’s a swathe of different game modes to choose from. Every experience of Minecraft varies widely – how do you adapt that into a film that players recognise and relate to?

A Minecraft Movie starts out in smalltown Idaho, where the once-great gamer Garrett ‘The Garbage Man’ Garrison (Jason Momoa) is on the verge of being evicted from his vintage game parlour. Young aspiring inventor Henry (Sebastian Hansen) stumbles through the door with his sister Natalie (Emma Myers), a struggling social media executive who strikes up a friendship with Dawn (Danielle Brooks), the local realtor whose side hustle is a mobile zoo.

Jack Black, Jason Momoa and Sebastian Hansen in A Minecraft Movie

Before long Garrett and Henry inadvertently transport themselves, Natalie and Dawn to the Overworld – aka the Minecraft world. Upon their arrival they’re saved by Steve (Jack Black), a pro of this world, who must safeguard this merry band of misfits as they journey across Minecraft’s perilous biomes.

This whirlwind of exposition all happens in mere minutes, but among it something unexpected appears – the grandiose Huntly Power Station has been transformed into a potato chip factory with a giant Pringles-style mascot atop it. Even in this madcap green screen Minecraft world, Aotearoa shines through. When the threatening tenor of the antagonist, the evil Piglin queen Malgosha (Rachel House) rings out, I half expected her to say “she’ll be right.”

A nice doggie in A Minecraft Movie

As a longtime fan of the game, I was ready to be disappointed by A Minecraft Movie. But when the tamariki dotted around the theatre began to gasp in awe, something changed. As the film’s heroes worked together and fought off Malgosha’s horde of piglins using the creativity and self-expression that the Minecraft world empowers its own players with, I came to a realisation: it was time to pass the baton of Minecraft to those who now need it more than me.

A Minecraft Movie is far from perfect – it has a nauseating amount of candy-coloured CGI, and Jack Black delivers one of the unfunniest performances I’ve ever seen, hamming things up to a tedious degree. It exhaustively namedrops mechanics, tools, biomes and mobs from the game, but stays too focused on the punchline of a mildly-humorous gag, or nonsensical song to properly explore why each element of Minecraft is so special.

For a game containing limitless possibilities at your fingertips, A Minecraft Movie could stand to be more creative in its storytelling. Instead, the film is a low-stakes but fun-filled spectacle, with a surprisingly endearing and earnest celebration of creativity and self-expression at its heart. If any family-friendly Hollywood film is going to make millions off the horde of cynical tie-in merchandise, at least this one has a message.

A Minecraft Movie is in cinemas now.